Tuning & temperament bibliography
- A -
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Aalst, Jules A. van. Chinese Music.
Statistical Dept. of the Inspectorate General of Customs, Shanghai, 1884, 106 pages.
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Aanes, Brendan. "Gareth Loy's Musimathics Volumes I and II (book reviews)",
array the journal of the ICMA, 2009, pp. 100-107.
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Aaron, Pietro. De institutione harmonica libri tres.
Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, 1516, 127 pages. Reprint Broude Brothers Ltd., New York, 1978.
Liber primus,
liber secundus,
liber tertius.
Also here.
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Aaron, Pietro. Thoscanello
de la musica. Toscanello in musica. Impressa per Bernardino et Mattheo de Uitali, Venezia, 1523,
1529, 1539, 1562. Reprint Broude Brothers Ltd., New York, 1969. English
translation Toscanello in musica by Peter Bergquist, Colorado College
Music Press, Colorado Springs, 1970.
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Aaron, Pietro. Trattato
della natura et cognitione di tutti gli tuoni di canto figurato.
Bernardino Vitali, Venezia, 1525, 1531.
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Aaron, Pietro. Lucidario
in musica. Venice, 1545. Reprint, 1969.
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Aaron, Pietro. Compendiolo di molti
dubbi. Venice, after 1545.
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Abate, Ezra. "Ethiopian
Kiñit (scales). Analysis of the formation and structure of the Ethiopian scale system",
Proceedings of the 16th International Conference of Ethiopian Studies,
Svein Ege, Harald Aspen, Birhanu Teferra, Shiferaw Bekele (eds.), Trondheim, 2009, pp. 1213-1224.
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Abbado, Michelangelo. "Terzo e quarto suono", Rivista italiana di musicologia vol. 5, 1970, pp. 99-147.
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Abbatini, Antonio Maria. Codici contenenti diverse lezioni teorice. Bologna, 1667-1668. (below)
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Abbatini, Antonio Maria. "De Diatessaron Consonantia li 18 febbraio 1667.
MS C.48", Bologna, 1667.
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Abbatini, Antonio Maria. "Che i Modi ò Tuoni sono sei. Li 11 Settembre i667.
MS C.48", Bologna, 1667.
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Abbatini, Antonio Maria. "Lettione quarta
De Genere Multiplici et eius species. Li 2 Luglio 1668. MS C.48", Bologna, 1668.
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Abbatini, Antonio Maria. "Lectio settima Delle varie spetie dell'
ottaua et quinta. MS C.48", Bologna.
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Abbatini, Antonio Maria. "Del Genere Moltiplice ch' è De le Proportioni
che danno la forma all' Interualli. MS C.48", Bologna.
English translation "On the Multiplex
Genus which belongs to the Proportions which represent the Intervals", WWW, 2012, 3 pages.
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Abbatini, Antonio Maria. "De Generi di Proportione. MS C.48", Bologna.
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Abbatini, Antonio Maria. "Numero 12 De Dissonantijs. MS C.48. f.84r-92r", Bologna.
English translation by Massimo Redaelli "On the
Dissonances", WWW, 2012, 6 pages.
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Abbott, Curtis. "Marching to a Different Ratio. Xenharmonikon. Interval: A Microtonal Newsletter (reviews)",
Computer Music Journal vol. 2 no. 2, Sep 1978, pp. 7-8.
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Abddon, Seifed-Din Shehadeh. "Arabic Music: Samaie Farhafza
Analysis", May 2003, WWW, 14 pages.
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Abdoli, Sajjad. "Iranian Traditional Music Dastgah Classification",
12th International Society for Music Information Retrieval Conference (ISMIR 2011), 2011, pp. 275-280.
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Abdounur, Oscar João. Matemática e Música: Pensamento Analógico na Construção de Significados.
Série Ensaios Transversais, 2nd ed., Escrituras Editora, São Paulo, 1999, 315 pages.
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Abdounur, Oscar João. "Ratios and music in the late middle ages: a preliminary survey",
Music and mathematics in late medieval and early modern Europe, Philippe Vendrix
(ed.), Brepols Publishers, Turnhout, 2008, 394 pages.
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Abdounur, Oscar João. "The
Emergence of the Idea of Irrationality In Renaissance Theoretical
Music Contexts", Music Journal of Interdisciplinary Sciences vol. 3 no. 2, Mar 2015, pp. 155-172.
Also here,
Culture and Cognition. Essays in Honor of Peter Damerow,
Jürgen Renn, Matthias Schemmel (eds.), workshop at Max Planck Institute for the History of Science, Dec 2013.
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Abdounur, Oscar João. "Mathematics and Music in Context:
The Contribution of Erasmus Horicius to the Emergence of the Idea of Modern Number",
International Journal of Mathematical, Engineering and Management Sciences vol. 1 no. 2, 2016, pp. 62-67.
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Abdounur, Oscar João. "Irrationality
in theoretical music in the Renaissance",
16th Seminário Nacional de História da Ciência e da Tecnologia, Paraíba, Oct 2018, 9 pages.
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Abdounur, Oscar João. "Structural Mathematical Changes in Theoretical Music in the Early
Renaissance", International journal of mathematical, engineering and management sciences vol. 4 no. 1, 2019, pp. 191-198.
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Abdy Williams, C.F. "The 'System' in Greek Music - a Suggestion",
The Classical Review vol. 9 no. 82, Nov 1895, pp. 421-427.
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Abel, Carl Friedrich. The pure method for tuning the Harpsichord, according
to Abel. London, 2nd half 18th cent.
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Abel, Markus and Steffen Bergweiler. "Synchronization of higher harmonics in coupled organ pipes",
International Journal of Bifurcation and Chaos in Applied Sciences and Engineering
vol. 17 no. 10, Oct 2007, pp. 3483-3491.
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Abel, Volker, Peter Reiss and Rudolf Wille. "Mutabor II - Ein computergesteuertes Musikinstrument zum Experimentieren mit Stimmungslogiken und
Mikrotönen", Preprint no. 1513, TH Fachbereich Mathematik, Darmstadt, 1992.
Also in Mikrotöne IV, Filmkunst-Musikverlag, München, 1993.
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Abel, Volker, Peter Reiss, Rüdiger Krauße and Tobias Schlemmer. "MUTABOR - Ein computergesteuertes Musikinstrument
zum Experimentieren mit Stimmungslogiken und Mikrotönen", Technische Universität Dresden, WWW, 2006.
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Abeßer, Jakob; Estafanía Cano; Klaus Frieler; Martin Pfleiderer and Wolf-Georg Zaddach.
"Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos",
Proceedings of the 16th International Society for Music Information Retrieval Conference, Málaga, Oct 2015, pp. 823-829.
Also in IEEE/ACM Transactions on Audio, Speech and Language
Processing vol. 25 no. 1, Jan 2017, pp. 168-177.
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Abraham, Gerald u.a. (ed.) Bericht über den siebenten internationalen
musikwissenschaftlichen Kongreß, Köln 1958. Bärenreiter, Kassel, 1959, 366 pages.
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Abraham, Otto and Erich Moritz von Hornbostel. "Zur Psychologie der Tondistanz",
Zeitschrift für Psychologie und Physiologie der Sinnesorgane vol. 98, 1899.
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Abraham, Otto and Erich Moritz von Hornbostel. "Studien über das Tonsystem und die
Musik der Japaner", Sammelbände der internationalen Musikgesellschaft vol. 4 no. 2, Leipzig, Feb 1903, pp. 302-360.
Reprint Sammelbände für vergleichende Musikwissenschaft vol. 1, 1922, p. 179.
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Abraham, Otto. "Das absolute Tonbewußtsein und die Musik",
Sammelbände der internationalen Musikgesellschaft vol. 8 no. 3, Leipzig, 1907, pp. 486-491.
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Abraham, Otto and Erich Moritz von Hornbostel. "Vorschläge für die
Transkription exotischer Melodien", Sammelbände der internationalen
Musikgesellschaft vol. 11 no. 1, Oct-Dec 1909, pp. 1-25.
Reprint in Musical transcription, Garland, New York, 1990. English translation
"Suggested methods for the transcription of exotic music",
Ethnomusicology vol. 38 no. 3, autumn 1994, pp. 425-456.
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Abreu, Edward Ayres de. "Sampaio Bruno: melomania tessaradecatónica", A obra e o pensamento de Sampaio Bruno,
Celeste Natário; Jorge Cunha and Renato Epifânio (eds.), Universidade Católica Editora,
Porto, May 2018, pp. 159-172.
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Abromont, Claude and Eugène de Montalembert. Guide de la Théorie de la Musique. Henry Lemoine, Fayard, 2001, 380 pages.
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Abu Shumays, Sami. "Maqam Analysis. A Primer", Music Theory Spectrum vol. 35 no. 2, 2013, pp. 235-268.
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Accurso, Howard. The Decline of Unequal Temperments in the Nineteenth Century.
PhD thesis, in progress.
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Acet, Rusen Can; Batuhan Basar; Tolgahan Cogulu; Atlas Cogulu; Tony Italia and Selcuk Keser.
"New Additions to the Guitar Family: Lego and Automatic Microtonal Guitars",
Musicologist vol. 6 no. 1, Trabzon University State Conservatory, June 2022, pp. 26-41.
Also here.
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Achtélik, Josef. Der Naturklang als Wurzel aller Harmonien.
Eine Aesthetische Musiktheorie in Zwei Teilen.
2 vols., Verlag von C.F. Kahnt, Leipzig, 1922. Reprint Forgotten Books, Feb 2019, 234 pages.
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Adamer, Lorenz. "Plutarch's Platonic Question IX: The Trichonomy of the Soul from the
Perspective of Music Theory (Politeia 443d-e)", Ploutarchos vol. 17, May 2020, pp. 9-24.
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Adams, Charles R. "Measuring
Order and Beauty: On Isaac Newton's 'Discourses of Strings Sounding and Colors Compounding'", WWW, July 2013, rev. 2016, 147 pages.
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Adams, Evan. "What is Rhythmic Dissonance?",
The Eagle Feather vol. 14 no. 1, 2017, 22 pages.
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Ader, Lidia Olegovna. "Survivor from Leningrad: an episode from Soviet quarter-tone music" (in Russian),
musicus vol. 4, autumn 2008, pp. 45-48.
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Ader, Lidia Olegovna. "Georgy Rimsky-Korsakov and the Circle of quarter-tone music",
Museums of theatre and music in the international world: Experience, traditions, collaboration, St. Petersburg, 2008, pp. 89-99.
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Ader, Lidia Olegovna. "Quarter-tone boom at the Conservatory: Petrograd news" (in Russian),
Vestsi Belaruskay dzyarzhaunai akademii muzyki vol. 4, 2008, pp. 91-95.
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Ader, Lidia Olegovna. "Microtonal
Storm and Stress: Georgy Rimsky-Korsakov and Quarter-Tone Music in 1920s Soviet Russia",
Tempo vol. 63 no. 250, Cambridge University Press, Cambridge, Oct 2009, pp. 27-44.
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Ader, Lidia Olegovna. "Art of forgetting-Some mechanisms of
resistance to microtonal memory in Russia's 1960s avant-garde", BTC Proceedings, Thessaloniki, July 2010.
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Ader, Lidia Olegovna. "A life paradox of Georgy Rimsky-Korsakov" (in Russian),
N.A. Rimsky-Korsakov
and his Heritage in Historical perspective. Materials of an international musicological conference,
L. Ader, N. Kostenko, N. Metelitsa, N. Feofanova, Ya. Shigareva (eds.), St. Petersburg, 2010, 452 pages.
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Ader, Lidia Olegovna. "Microtonal Instruments: The First Steps from Utopia to Practice" (in Russian),
Instrumentalism in the history of culture, Evgenia Vladimirovna Hazdan (ed.),
Rossijskij Institut Istorii Iskusstv, St. Petersburg, 2011, pp. 52-65.
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Ader, Lidia Olegovna. "The Concept of Microtonality: Its Origin and Background" (in Russian),
Opera musicologica vols. 3-4 nos. 8-9, St. Petersburg, 2011, pp. 114-134.
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Ader, Lidia Olegovna. "Microtonal Instruments:
The First Steps from Utopia to Practice" (in Russian),
Vremennik Zubovskogo Instituta vol. 7, Evgenia Vladimirovna Hazdan (ed.), Rossijskij Institut Istorii Iskusstv,
St. Petersburg, 2011, pp. 52-65.
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Ader, Lidia Olegovna. "Rosyjska
muzyka mikrotonowa w latach 10.-20. XX wieku: teorie i praktyki",
Glissando: Magazyn o muzyce wspólczesnej vol. 17, Warsaw, 2011, pp. 78-82.
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Ader, Lidia Olegovna. "Microtonal idea:
Its Origin and Premises" (in Russian), Opera Musicologica vol. 3-4 no. 9-10, 2012, pp. 114-134.
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Ader, Lidia Olegovna. "Avant-garde headquarters (The Circle of Quarter-tone Music in Petrograd Conservatory)", Opera Musicologica vol. 2, 2012, pp. 80-88.
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Ader, Lidia Olegovna. Mikrotonovaja muzika v Evrope i Rossii v 1900-1920e godi.
MSc thesis, Gosudarstvennaâ Konservatoriâ imeni N.A. Rimskogo-Korsakova, St. Petersburg, 2013.
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Ader, Lidia Olegovna. "Game of two cities: Russian microtonal contests in 1920s" (in Russian),
Papers collection, Margarita Katounian (ed.), Moscow, 2013.
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Ader, Lidia Olegovna. "Microtonal Russia:
1950-1970s myths and realities", New Sound vol. 41 no. 1, Sep 2013, pp. 42-57.
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Ader, Lidia Olegovna. "Parallel
History of Russian Musical Avant-garde", Lietuvos muzikologija vol. 16, 2015, pp. 90-101.
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Ader, Lidia Olegovna. "Elementy
romantyczne w muzyce mikrotonowej (The Romantic Approach in Microtonal Music)", Twórczosc kompozytorów slowianskich I polowy XX wieku,
Kinga Krzymowska-Szaco (ed.), Lublin, 2017, pp. 157-168.
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Ader, Lidia Olegovna. "Introduction to Microtonal Music",
Microtonal Music in Central and Eastern Europe: Historical Outlines and Current Practices, Leon Stefanija and Ruta Staneviciute (eds.),
University of Ljubljana, Litovska akademija za glasbo in gledalisce, Vilnius, 2020, 34 pages.
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Adkins, Cecil D. The Theory and
Practice of the Monochord. PhD thesis, University of Iowa, Ioway City, 1963. Reprint UMI Dissertation Services
(64-3344), Ann Arbor, 501 pages.
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Adkins, Cecil D. "The Technique of the Monochord",
Acta Musicologica vol. 39 fasc. 1/2, Jan-June 1967, pp. 34-43.
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Adlington, Robert. "Antara by George Benjamin (CD review)",
The Musical Times vol. 135 no. 1812, Feb 1994, p. 95.
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Adlung, Jakob. Anleitung
zu der musikalischen Gelahrtheit, theils vor alle Gelehrte, so das Band aller Wissenschaften einsehen,
theils vor die Liebhaber der edlen Tonkunst überhaupt, theils und sonderlich vor die, so das Clavier vorzüglich lieben,
theils vor die Orgel- und Instrumentenmacher. J.D. Jungnicol,
Erfurt, 1758, 844 pages. Also here.
2nd edition Dresden/Leipzig, 1783. Facsimile reprint, Hans-Joachim Moser
(ed.), Documenta Musicologica Bd. 4, Bärenreiter, Kassel, 1953.
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Adlung, Jakob; Johann Lorenz Albrecht and Johann Friedrich Agricola.
Musica mechanica organoedi: Das ist:
Gründlicher Unterricht von der Struktur, Gebrauch und Erhaltung [et]c.
der Orgeln, Clavicymbel, Clavichordien und anderer Instrumente ... ; Nebst zwey Tabellen und vielen Figuren.
Friedrich Wilhelm Birnstiel, Berlin, 1768, 205 pages.
Also here and here.
Facsimile reprint, Christhard Mahrenholz, Bärenreiter, Kassel, 1930, 1961.
English translation Musical mechanics for the organist
by Quentin Faulkner, Zea E-Books, Lincoln NE, Oct 2011, 1224 pages (incl. original).
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Adou, Heather Maxwell. "Acoustic Aspects of the Balani of Mali", SAVAIL Working Papers, 2003.
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Adriaansz, Peter. "How
I Became a Convert", Thirty-One vol. 1, summer 2009, pp. 8-33.
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Agayeva, S. and S. Hajiyev. "On the Problems of Research the Pitch System of
Azerbaijani Mughams", Proceedings of the IInd International Musicological Symposium
Space of Mugham, 15-17 March 2011, M. Aliyeva (ed.), International Council for
Traditional Music, Baku, 2011, pp. 19-30.
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Agazzari, Agostino. Sacrarum Cantionum quae Binis, Ternis, Quaternisque vocibus
concinuntur. Liber II. Cum basso ad organum. Ricciardus Amadinus, Venice, Jan 1608, 1613, 1616.
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Ager, Klaus. "Der Ultrachromatismus Ivan Wyschnegradskys in melodischer und
rhythmischer Hinsicht", Mikrotöne I, Edition Helbling, Innsbruck, 1986, pp. 123-126.
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Ager, Klaus; Johannes Kretz; Klaus Lang; Hossam Mahmoud and Dana Cristina Probst.
"Mikrotonal komponieren",
Österreichische Musikzeitschrift vol. 63 no. 7, July 2008, pp. 26-31.
Also here.
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Aggelos, Bousmpouras. "Perceiving patterns of ratios when they are converted from
relative durations to melody and from cross rhythms to harmony",
Journal of Music and Dance vol. 8 no. 1, Jan 2018, 12 pages.
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Agmon, Eytan. Diatonicism, Chromaticism and Enharmonicism: A Study in Cognition
and Perception. City University of New York, University Microfilms International, 1986, 257 pages.
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Agmon, Eytan. "A Mathematical Model of the Diatonic System",
Journal of Music Theory vol. 33 no. 1, spring 1989, pp. 1-25. Correction in vol. 33 no. 2, 1989, p. 462.
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Agmon, Eytan. "Equal Division of the Octave in a Scarlatti Sonata",
In Theory Only vol. 13 no. 5, 1990, pp. 1-8.
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Agmon, Eytan. "Linear Transformations Between Cyclically Generated Chords",
Musikometrika vol. 3, 1991, pp. 15-40.
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Agmon, Eytan. "Towards a Theory of Diatonic Intonation",
Interface vol. 22 no. 2, 1993, pp. 151-163.
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Agmon, Eytan. "Coherent Tone-Systems: A Study in the Theory of Diatonicism",
Journal of Music Theory vol. 40 no. 1, spring 1996, pp. 39-59.
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Agmon, Eytan. "Numbers and the Western Tone-System: Beyond Psychoacoustics",
Journal of the American Mathematical Society, Mar 2003, 18 pages.
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Agmon, Eytan. "Proto-Tonal Theory:
Tapping into 9th-Century Insights", Music Theory Spectrum vol. 35 no. 1, spring 2013, pp. 103-110.
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Agmon, Eytan. "Communicating the Primary Intervals",
The Languages of Western Tonality, Computational Music Science, Springer, Berlin/Heidelberg, 2013, pp. 67-81.
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Ágnes, Ratkó. Eine
Annäherung an historische Stimmungen aus künstlerischer Sicht.
MSc thesis, Liszt Ferenc Universität für Musik Doktorandenschule Nr.28 zur Wissenschaft der Kunst- und
Kulturgeschichte gehörend, Budapest, 2009.
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Agon, Carlos and Moreno Andreatta. "Outils informatiques pour la classification
et la notation des structures micro-intervalliques", Séminaire MaMuX, séance
Micro-tonalité et systématique modale, IRCAM, Paris, 8 Nov 2003.
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Aguilar, Juan R. and Renato Salinas. "New Trends in Sound Synthesis and
Automatic Tuning of Electronic Musical Instruments",
Revista Facultad de Ingeniería, U.T.A. vol. 11 no. 2, University of Santiago of Chile, Dec 2003, pp. 17-23.
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Agustín-Aquino, Octavio Alberto; Julien Junod and Guerino Mazzola. "Towers of Counterpoint",
Computational Counterpoint Worlds, Computational Music Science, Springer, 2015, pp. 135-148.
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Agustín-Aquino, Octavio Alberto and Guerino Mazzola. "Modulation
in Tetradic Harmony and its Role in Jazz", arXiv 1809.04755, WWW, Sep 2018, 8 pages.
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Agricola, Johann Friedrich. Anleitung zur Singkunst.
George Ludewig Winter, Berlin, 1757, 93 pages. Facsimile edition by Erwin R. Jacobi (ed.), Hermann Moeck Verlag, Celle, 1966.
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Agricola, Martin. Musica instrumentalis deudsch,
ynn welcher begriffen ist, wie man nach dem Gesange auff mancherley pfeiffen lernen sol, auch wie auff die
Orgel, Harffen, Lauten, Geigen und allerley Instrument und Seytenspiel nach der
rechtgegründten Tabelthur sey abzusetzen. Georg Rhau, Wittemberg, 1528,
1529,
1542,
enlarged 1545, 295 pages.
Facsimile edition, Breitkopf und Härtel, Leipzig, 1896.
Reprint Georg Olms Verlag, Hildesheim, 1969. Also here.
English translation A Treatise on Musical Instruments, 1529 and 1545 by
William E. Hettrick (ed.), Cambridge University Press, Cambridge, 1994, 214 pages.
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Agricola, Martin. Musica figuralis deudsch:
mit ihrem zugehörenden Exempeln, sampt einem besunderlichen schönen Büchelein von den Proportionibus, welche
allen gemeinen Sengern, Instrumentisten und Anhebern dieser Kunst, ganz
nützbarlich zu wissen, auffs einfeltigst und vorstentlichst ins Deudsche
verfasset. Georg Rhau, Wittemberg, 1532, 120 pages.
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Agricola, Martin. Rudimenta musices,
quibus canendi artificium compendiosissime complexum, pueris una cum monochordi dimensione
traditur. Georg Rhau, Wittemberg, 1539.
Also here.
Reprint Broude Brothers, New York, June 1966.
English translation The Rudiments of Music by John Trowell, Boethius Press, Aberystwyth, July 1991, 132 pages.
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Agustín-Aquino, Octavio; Jeffery Liu and Guerino Mazzola. "Exploring
Exotic Counterpoint Compositions", arXiv 2106.00806, WWW, June 2021, 18 pages.
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Ahlvers, Arthur. Zahl und Klang bei Platon. Noctes Romanae: Forschungen über die Kultur der Antike, Verlag Paul Haupt,
Bern & Stuttgart, 1952, 67 pages.
English translation Number and Sound in Plato by John Black,
Studies in the History of Philosophy, vol. 67, Edwin Mellen Press, Lewiston NY, 2002.
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Ahola, Anu. "Sampo Haapamäki: Quarter-Tone Miracle Man", Suomalaisen Musiikin Tiedotuskeskus/Finnish Music Information Centre (FIMIC), 2012.
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Ahrens, Alvin W. "Characteristic Limitations of the Internal Tuning of Selected
Wind Instruments", Journal of Experimental Education vol. 15 no. 4, June 1947, pp. 269-290.
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Ahrens, Christian. "Anmerkungen zu Birsaks Frequenzmessungen an 2 Chalumeaux",
Die Musikforschung vol. 28 no. 4, Bärenreiter, Oct-Dec 1975, pp. 442-443.
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Ahrens, Christian. "Ein griechischer Volksmusiker und sein Instrument. Zur Stimmung
folkloristischer Aerophone", Studia Instrumentorum Musicae Popularis vol. 7,
Erich Stockmann (ed.), Music museum, Stockholm, 1981, pp. 95-101.
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Aikin, Jim. "Discover 19-Tone Equal Temperament", Keyboard, March 1988, pp. 74-80.
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Aikin, Jim. "Just intonation with synth tuning tables", Keyboard, Nov 1994.
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Aikin, Jim. "Playing in
the Cracks, Electronic Musician, June 2003.
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Aikin, Jim (ed.) "An Interview with
Robert Rich", Keyboard, 2004.
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Aikin, Jim. "Just
Intonation Tutor", WWW, 2006.
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Aimé, Puech. "Théodore Reinach.
La Musique grecque (book review)",
Journal des Savants vol. 2, 1927, pp. 88-89.
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Ainslie Hight, G. "Scales and Tonality",
The Musical Times vol. 62 no. 946, Dec 1921, pp. 859-860.
Also here.
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Airoldi, Roberto. La teoria del temperamento nell'etá di Gioseffo Zarlino.
Presentazione a cura di Elena Ferrari Barassi, Turris, Cremona, 1989, 172 pages.
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Airy, George Bidell. On Sound and Atmospheric Vibrations
with the Mathematical Elements of Music. MacMillan and Co, London and Cambridge, 1868, 1871, 280 pages.
Reprint Adamant Media Corporation, 2001, 367 pages.
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Aiton, E.J.; A.M. Duncan and J.V. Field. "The Harmony of the World by Johannes Kepler.
Translated into English with an Introduction and Notes",
Memoirs of the Amercian Philosophical Society held at Philadelphia for Promoting Useful
Knowledge vol. 209, 1997.
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Ajotikar, Rasika (ed.) "Sound Collections and Postcolonial India's Cultural Politics:
An Interview with Felix van Lamsweerde", the world of music vol. 10 no. 1, 2021, pp. 21-37.
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Akbel, Burcu Avci. "Ögretim Elemanlarinin Viyolonsel Egitiminde Türk Müziginin Kullanilma
Durumuna ve Ögretim Yöntemlerine Iliskin Görüsleri" (Opinions of Instructors on The Teaching Methodsof Turkish Music in Cello Education),
Egitimde Nitel Arastirmalar Dergisi vol. 6 no. 2, July 2018, pp. 84-107 with English abstract.
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Akkoç, Can. "Non-Deterministic Scales Used in Traditional Turkish Music",
Journal of New Music Research vol. 31 no. 4, Dec 2002, pp. 285-293.
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Akkoç, Can; William A. Sethares and Mustafa Kemal Karaosmanoglu. "Experiments on the
Relationship between Perde and Seyir in Turkish Makam Music",
Music Perception: An Interdisciplinary Journal vol. 32 no. 4, Apr 2015, pp. 322-343.
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Aksoy, Bülent, "Makamin Tanimina Dogru", 1995. Trans. K. Agartan. Musikisinas,
Bogaziçi University Turkish Music Club Publication, 2000, pp. 70-87.
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Aksoy, Bülent. Avrupali Gezginlerin Gözüyle Osmanlilarda musikî.
2nd rev. ed., Pan Yayincilik, Istanbul, 2003.
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Alaleona, Domenico. "I moderni orrizonti della tecnica musicale. Teoria della divisione dell'ottava
in parti uguali", Rivista Musicale Italiana vol. 18, 1911, pp. 382-420.
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Alaleona, Domenico. "Le tonalità neutre e l'arte di stupore", Rivista Musicale
Italiana vol. 18, 1911, pp. 769-838.
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Al-attas, Ahmad Fahmy. "Tala",
WWW, 2015, 94 pages.
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Albèra, Philippe. "Ivan Wyschnegradsky 'Quatuor no.1' opus 13 (1923-24)", Concert 10,
Contrechamps, Genève, 2000.
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Albersheim, Gerhard. "Overtones and Music Theory",
Bulletin of the American Musicological Society no. 11/12/13, Sep 1948, pp. 69-71.
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Albersheim, Gerhard. "Die Tonstufe",
Die Musikforschung vol. 16 no. 2, Apr-June 1963, pp. 139-152. English translation "The Scale Step",
Philosophy and Phenomenological Research vol. 26 no. 1, Sep 1965, pp. 63-79.
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Albersheim, Gerhard. "On
some new ideas in the psychology and theory of music",
Journal of the Indian Musicological Society vol. 11 no. 3-4, Sep-Dec 1980.
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anonymus. Moyens De Diviser Les Touches Des Instruments à Cordes....Un Moyen D'Accorder Les Clavessins.
Mérigot le jeune, Paris, 1780.
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anonymus. Méthode la plus facile pour accorder les clavecins et forte-piano. Imbault, Paris, 1789.
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anonymus. Anweisung der mechanischen Behandlung, das Klavier nach einer vorgeschlagenen
neuen Temperatur zu stimmen. Hilscher, Dresden, 1790, 2 pages.
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anonymus. A New and Easy Method for Tuning the Grand and Small Piano-Forte, and Harpsichord, With Proper Instructions, and Descriptions of the Rules to Be Observed in Performing the Same. A. Coblenz, London, 1797.
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anonymus. "Observations on Earl Stanhope's Musical Work", The Monthly Magazine vol. 22 no. 1, 1806, pp. 112-115.
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anonymus. "Observations on Earl Stanhope's late publication",
The Monthly Magazine vol. 22 no. 2, British Register, Richard Phillips, London, Sep 1806, pp. 112-115.
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anonymus. "Reviews of Lord Stanhope 'Principles of the Science of tuning Insturments with fixed Tones',
and John Farey 'On Music'", Retrospect of Philosophical, Mechanical, Chemical, And Agricultural Discoveries,
J. Wyatt, London, Oct-Dec 1806, pp. 412-421.
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anonymus. "Remarks on Earl Stanhope's Musical Work", The Monthly Magazine vol. 22 no. 1, 1806, pp. 349-351.
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anonymus. "Reply to Dr. Calcott, on Temperament, &c. in Music", The Monthly Magazine vol. 24 no. 1, 1807, pp. 29-30.
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anonymus. "Remarks on the Rev. C. J. Smyth's Letter on Systems of Tuning Musical Instruments",
The Philosophical Magazine vol. 36, London, Aug 1810, pp. 165-167.
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anonymus. "An Examination of the Instructions given in an anonymous Pamphlet published in 1809, for
Tuning an Equal Temperament of the Musical Scale", The Philosophical Magazine vol. 36, London, Aug 1810, pp. 167-171.
-
anonymus. "On the Scale of Certain Musical Instruments, which are said to be without Temperament",
The Monthly Magazine vol. 29 no. 1, 1810, pp. 115-116.
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anonymus. "No Friend To Tuning Quacks: On Tuning Musical Instruments",
The Philosophical Magazine vol. 37, Mar 1811, pp. 185-187.
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anonymus. "William Steetz: New Musical Publications: A Treatise on the Elements of Music, in a series of Letters to a Lady.
Illustrated with Plates (book review)", The Monthly Magazine, Monthly Literary Register vol. 34, 1812, p. 350.
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anonymus. "Explanation of the Musical Scale", The North-American Review and Miscellaneous Journal, 1816, pp. 18-32.
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anonymus. Osservazioni Sul Temperamento Proprio Degl'Istromenti Stabili: Dirette Agli Accordatori Di Pianoforte Ed Organo.
G. Ricordi, Milan, 1816.
-
anonymus. "J.T. Lehmann: 'Gründliches vollständiges und leichtfaßliches Stimmsystem.
Wie ein jeder Fortepianos...auf die beste und leichteste Art rein und richtig in kurzer Zeit stimmen
lernen kann (book review)", Leipziger Literatur Zeitung no. 259, Breitkopf & Härtel, Leipzig, Oct 1827,
pp. 1802-1803, 1812-1834, 2072.
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anonymus. "On Major and Minor Semitones", The Harmonicon vol. 2 no. 1, W. Pinnock, Edinburgh, Mar 1828, pp. 97-101.
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anonymus. "On the Characters of the Keys", The Harmonicon vol. 2 no. 1, W. Pinnock, London, Dec 1828, p. 6;
pp. 26-27; pp. 79; pp. 103-104; pp. 180-181.
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anonymus. "Woolhouse's Essay
on Musical Intervals, &c. (book review)", The Westminster Review vol. 23 no. 1, July 1835, pp. 100-102.
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anonymus. The Tuner's Guide: Containing A Complete Treatise on tuning the Piano-Forte, Organ,
Melodeon, and Seraphine; together with A Spcification Of Defects And Their Remedies. 2nd edition,
Musical Bouquet Office, London, c.1835. J. Allen, Boston, c.1840, 72 pages. Oliver Ditson, New York. Berry & Gordon, Philadelphia.
J.E. Gould, Cincinnati. D.A. Truax, c.1840.
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anonymus. "Für Orgelbauer und Orgelfreunde: Tabelle zur Ermittelung des Tones a auf der Orgel und
Stimmungstafel für die Orgel", Allgemeine Musikalische Zeitung vol. 38 no. 12, Friedrich Rochlitz (ed.), Oct 1836, pp. 703-704.
-
anonymus. "Was verstehen wir unter mathematischer Temperatur?",
Cäcilia no. 73-76, Mainz, 1837.
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anonymus. "On the laws of Harmony.
From the Persian; by an attaché to the Persian Embassy", The Musical World vol. 12 no. 176, Aug 1839, pp. 210-212.
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anonymus. "Disposition der
von J.F. Schulze erbauten Orgel in der Marienkirche zu Wismar. Anmerkungen no. 6",
Allgemeine Musikalische Zeitung vol. 44 no. 52, Apr 1842, p. 1050.
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anonymus. Ganz Neue Und Vollständige Anleitung, Nach Welcher Man
Clavierinstrumente Temperiren...Nach Asioli, Pizzati, D'Alembert, Rameau,
Kirnberger, Vogler, Weller, Fritzen. Artaria Verlag, Vienna.
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anonymus. "Ueber mathematische Stimmung, gleichmässige und
ungleichmässige Temperatur überhaupt, so wie über Orgel- und Klavierstimmung nach der Scheibler'schen Methode insbesondere.
Ein Leitfaden für Musiker, Organisten, Instrumentenmacher, Klavier- und Orgelstimmer von L. Schwabe,
Kantor an der Stadtkirche zu Giessen (book review)", Allgemeine Musikalische Zeitung vol. 50 no. 40,
Oct 1848, pp. 651-655.
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anonymus. "Zur Geschichte der Charakteristik der Tonarten",
Niederrheinische Musik-Zeitung für Kunstfreunde und Künstler vol. 5 no. 17 and no. 19, DuMont-Schauberg, Cologne, 09 May 1857.
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anonymus. "Theory and Practive of Just Intonation:
with a View to the Abolition of Temperament by Effingham Wilson (article review)",
The Living Age vol. 54 no. 689, Aug 1857, p. 352.
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anonymus. Nouvel essai sur la théorie physico-mathématique de la musique. de Vanlinthout, Louvain, 1859.
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anonymus. On the Principles and Practice of Just Intonation. 6th edition, 1862.
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anonymus. "The Principle and
Practice of Just Intonation by T. Perronet Thompson (book review)",
Orchestra and the Choir vol. 6 no. 153, Sep 1866, p. 358.
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anonymus. "Zur Temperatur-Frage", Leipziger Allgemeine Musikalische Zeitung vol. 1 no. 45, Nov 1866, pp. 356-358.
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anonymus. "Nochmals zur Temperatur-Frage", Allgemeine Musikalische Zeitung vol. 51 no. 51, G.W. Fink (ed.),
Dec 1866, pp. 408-410.
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anonymus. "Correspondence: Mr. R. Brown, of Fairlie, has kindly addressed us a long and abstruse reply to two of Mr. Parkinson's
queries in our paper of the 29th of September", The Musical Standard: A Newspaper for Musicians, Professional and
Amateur vol. 5, William Reeves, London, 1866, p. 309.
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anonymus. "A Contemplated Act of Vandalism", The Musical Standard: A Newspaper for Musicians, Professional and
Amateur vol. 9, William Reeves, London, 1868, p. 72.
-
anonymus. "A Reply to Mr. Essex", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 9,
William Reeves, London, 1868, p. 73.
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anonymus. "Organ News", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 9,
William Reeves, London, 1868, pp. 89-90.
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anonymus. "Bericht der Wetterauischen Gesellschaft für die Gesamte Naturkunde zu Hanau:
über den Zeitraum .... 1863/67. - 1868", Wetterauische Gesellschaft für die Gesamte Naturkunde, Hanau, 1868.
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anonymus. "Bericht. 8. 1866/68. - 1868",
Naturforschende Gesellschaft Bamberg, Bamberg, 1868.
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anonymus. "Colonel Perronet Thompson's Organ (letter)",
The Musical World vol. 47 no. 41, Oct 1869, p. 707.
-
anonymus. Die Kunst des Klavierstimmens: [Aus Schafhäutls Nachlass.] Anweisung wodurch sich jeder Musikverständige sein Klavier selbst rein stimmen und etwaige Störungen in der Mechanik beseitigen kann. Nebst belehrenden Regeln bei Ankauf, Transport, Aufstellung und Haltung desselben. Eine neue leicht begreifliche Stimm-Methode auf 48 jährige Erfahrung begründet von einem praktischen Klavierstimmer und Lehrer. Verlag von Carl Minde, Leipzig, c.1870, 64 pages.
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anonymus. "The Tritone: a Method of Harmony
and Modulation by Joseph N. Green (book review)",
The Athenaeum no. 2282, 22 July 1871, pp. 119-120.
-
anonymus. "Reply to Query 12217: Violin Tuning", English Mechanic and World of Science no. 379,
E.J. Kibblewhite (ed.), 28 June 1872, pp. 391-392.
-
anonymus. "Query 4598: The Tremolo on the Violin - Violin Tuning and Fiddleana",
English Mechanic and World of Science no. 379, E.J. Kibblewhite (ed.), 28 June 1872, pp. 487-488.
-
anonymus. "Query 4626: The Harp", English Mechanic and World of Science no. 379, 28 June 1872, pp. 510-511.
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anonymus. "Query 4740: On Tuning, and Reduction in the Size of Musical Instruments",
English Mechanic and World of Science no. 379, 28 June 1872, p. 567.
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anonymus. "Query 4806 and 4842: Tuning Keyed Instruments", English Mechanic and World of Science no. 379,
28 June 1872, p. 618, 643.
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anonymus. "Die reine oder natürliche Stimmung musikalischer Instrumente",
Musikalisches Wochenblatt: Organ für Musiker und Musikfreunde, Ludwig Frankenstein (ed.), Fritzsch, Leipzig, 26 July 1872.
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anonymus. "Science in Music",
Nature: the international journal of science vol. 11, Macmillan Publishers Limited, London, 3 Dec 1874, pp. 88-89.
-
anonymus. "An Organist of Fifty Years Ago Upon Tuning", The Musical Standard: A Newspaper for Musicians,
Professional and Amateur vol. 6, William Reeves, London, 1874, pp. 34-35.
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anonymus. "Meetings of Societies. Musical
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anonymus. "A.J. Ellis: Musical Duodenes (article review)",
The Galaxy vol. 19 no. 3, Mar 1875, p. 412.
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anonymus. "John Curwen: A Tract on Musical Statics: An Attempt to Show the Bearing of the Facts of Acoustics
on Chords, Discords, Transitions, Modulations and Tuning (book review)", 1875, William Reeves, London, pp. 7-10.
The Musical Times and Singing Class Circular vol. 17 no. 389, July 1875,
p. 151.
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anonymus. "On the Sensations of Tone as a Physiological
Basis for the Theory of Music by Hermann Helmholtz (book review)",
The Athenaeum no. 2493, Aug 1875, p. 190.
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anonymus. "On the Sensations of Tone as a
Physiological Basis for the Theory of Music by Hermann Helmholtz (book review)",
Orchestra and the Choir vol. 2 no. 13, Aug 1875, pp. 14-15.
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anonymus. "The Musical Association: Dr. Stephen's Lecture on the Fallacies of Dr. Day's Theory of Harmony",
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anonymus. "Musical Intelligence: The Musical Association", The Musical Standard: A Newspaper for Musicians,
Professional and Amateur vol. 8, William Reeves, London, 1875, p. 365.
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anonymus. "Mr. Brown's 'Voice-Organ'",
Orchestra and the Choir vol. 2 no. 21, Apr 1876, pp. 264-265.
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anonymus. "The Enharmonic Organ",
The Quaver vol. 6, June 1876, p. 40.
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anonymus (A.R.C.) "Just Intonation",
Nature: the international journal of science vol. 15, Macmillan Publishers Limited, London, Dec 1876, pp. 159-160.
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anonymus. "Hindu Music",
The Musical Times and Singing Class Circular vol. 18 no. 409, Mar 1877, pp. 111-113.
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anonymus. "Novello's Music Primers by Stainer (ed.), The Scientific Basis of Music by
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anonymus. "The Philosophy of Music by William Pole (book review)",
The Musical Times and Singing Class Circular vol. 20 no. 438, Aug 1879, pp. 418-420.
Also here.
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anonymus. "The 'Natural' Scale by
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-
anonymus. "Alexander J. Ellis:
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Orchestra and the Choir vol. 12 no. 149, Apr 1885, pp. 7-8.
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anonymus. "On the Sensations of Tone, as a Physiological
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Orchestra and the Choir vol. 12 no. 172, Sep 1885, pp. 280-281.
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anonymus (A.O.D.) "De
gustibus - Musical temperament", Knowledge: An Illustrated Magazine of Science Plainly Worded-Exactly Described vol. 8 no. 199,
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anonymus (A.O.D.) "Musical
Temperament", Knowledge: An Illustrated Magazine of Science Plainly Worded-Exactly Described vol. 8 no. 204, Sep 1885, p. 276.
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anonymus. "The meaning of musical
keys (letter)", Orchestra and the Choir vol. 12 no. 191, Jan 1886, p. 511.
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anonymus. "On the Sensations of Tone, as a Physiological Basis for the Theory of Music by H.L.F. Helmholtz,
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The Musical Times and Singing Class Circular vol. 27 no. 522, Aug 1886, pp. 481-484.
Also here.
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anonymus. "W.S.B. Woolhouse: Treatise on Musical Intervals, Temperament, and the Elementary
Principles of Music (book review)", The Musical Times and Singing Class Circular vol. 30 no. 552, Feb 1889, p. 106.
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anonymus. "Dr. Shoe [sic] Tanaka's Enharmonium", Lyra Ecclesiastica: Monthly Bulletin of the Irish
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anonymus (H.T.H.) "Sound and Music by J. Zahm
(book review)", American Ecclesiastical Review vol. 8 no. 1, Jan 1893, pp. 70-75.
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anonymus. "The Enharmonium (letter)",
The Magazine of Music vol. 8 no. 9, Sep 1891, p. 179.
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anonymous. "Musical
Association (letter)", The Musical Times and Singing Class Circular vol. 38 no. 651, May 1897, p. 317.
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anonymus. "Temperament", The Musical Herald and Tonic Sol-fa Reporter no. 634-645, 1900, p. 5.
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anonymus. "Vermischtes", Zeitschrift für Instrumentenbau vol. 21 no. 36, Paul de Wit, Leipzig, 1901, p. 953.
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anonymus. Max Meyer: Contributions to a Psychological Theory of Music (book review)",
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anonymus. Tuning, care and repair of reed and pipe organs.
Niles Bryant School of Piano Tuning, Battle Creek MI, c.1906, 103 pages.
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anonymus. "Suggesting a New Musical Scale for Modern Composers",
The Lotus Magazine vol. 2 no. 4, Apr 1911, pp. 114-116.
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anonymus. "Equal Temperament: An Unrealised Theory",
The Musical Times vol. 54 no. 840, 1 Feb 1913, pp. 91-92.
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anonymus (E.H.B.) "Musical Acoustics based on the Pure Third System by Thorvald Kornerup (book review)",
Nature vol. 111 no. 2791, Apr 1923, p. 565.
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anonymus. "Quarti di tono", Musica d'oggi vol. 6, 1924, p. 344.
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anonymus. "Spoglio di riviste", Il pianoforte vol. 5 no. 11, Nov 1924, p. 301.
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anonymus. "Black's Dictionary of Music and
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anonymus. "The Equal Temperament Committee: A Tuner Speaks",
The Musical Times vol. 73 no. 1075, Sep 1932, p. 837.
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anonymus. "Wilhelm Dupont: Geschichte der musikalischen Temperatur (book review)",
Die Musik vol. 29 no. 1, 1936, p. 70.
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anonymus. Chinese music. Edited for and copyrighted by Quon-Quon
Company, Los Angeles, 1944, 15 pages.
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anonymus. Klokken no. 1 en 2, verslag van de enquête door N.V. Eijsbouts naar het
gebruik van de middentoonstemming voor beiaarden. Asten, 1951.
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anonymus. "The Archiphone Invented in the Early 1970s by Professor Adrian Fokker",
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anonymus. "Patrizio Barbieri: Acustica, accordatura e temperamento nell'illuminismo veneto
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anonymus. "Posvjashhaetsja Ivanu Aleksandrovichu Vyshnegradskomu (Dedicated to Ivan Vyshnegradskii)",
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anonymus. "Translation of Richard Münnich's 'Von Entwicklung der
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Indiana Theory Review vol. 16 no. 1-2, spring/autumn 1995, pp. 197-199.
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anonymus. The Study of Pitch Frequency of Thai Traditional Music - An HM the King Bhumibol's Initiative. Chulalongkorn University, 1999,
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anonymus. "SynKet - (SYNthesizer-KEToff) - Fonosynth (synthesizer review)",
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anonymous. "Early Keyboard Music by Paul Simmonds (book review)",
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anonymus. "13-Limit Extended Just Intonation in Ben Johnston's String Quartet #7 and Toby Twining's 'Chrysalid Requiem'",
"Gradual/Tract.", 2008.
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anonymus. "What
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anonymus. "Archicémbalo, WWW, June 2010.
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anonymus. "Jörg Mager. El genio huraño",
WWW, Palma de Mallorca, Oct 2010.
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anonymus. "A Translation of Arthur Ahlvers' Zahl Und Klang Bei
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anonymus. "Oskar Sala. El último artesano",
WWW, Palma de Mallorca, Oct 2011.
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anonymus. "The Relationship Between Just Intonation and Gesture: Tracking the Evolution of
Sound to Inform the Choral Rehearsal", California State University, Los Angeles, 2011.
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anonymus. "Eivind Groven's automat for adaptive just intonation. Upgrading of system",
Eivind Grovens institutt for renstemming and Notam, Oslo, WWW, 2013.
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anonymus. "Tutorial: Microtonality in the IT format",
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Anselmi, Georgio. De musica. Dieta prima de celesti harmonia, Dieta secunda de instrumento harmonia, Dieta tertia de cantabili harmonia. Parma, 1434. Reedition by Gioseppe Massera (ed.), Historiae Musicae Cultores Biblioteca vol. 14, Leo S. Olshki, Florence, 1961.
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Antegnati, Costanzo. L'arte organica.
Francesco Tebaldino, Brescia, 1608, 14 pages. English translation by C. Meyer, 1980.
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Antokoletz, Elliott. "Diatonic Extension and Chromatic Compression as a Basic Unifying Principle in
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Anyumba, Henry Owuor. "Contemporary Lyres in Eastern Africa", African
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Apel, Willy. Geschichte der Orgel- und Klaviermusik bis 1700. Bärenreiter, Kassel, 1967, Feb 2004, 817 pages.
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Appenheimer, John. "Small Number Ratios and Harmonicity",
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Appunn, Anton. Letter to Pietro Blaserna about 48-tone harmonium, Hanau, 12 June 1887.
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Appunn, Anton. "Ueber Combinationstöne und Summationstöne",
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Appunn, Georg. "Über die Helmholtzsche Lehre von den Tonempfindungen als Grundlage
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welche zur Erläuterung und zum Beweis dieser Theorie geeignet sind", Bericht der
Wetterauischen Gesellschaft für die gesammte Naturkunde zu Hanau über den Zeitabschnitt
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Arakishvili, Dimitri. Dasavlet Sakartvelos Khalkhur Simgherata Kilos Tsqoba. Khelovneba, Tbilisi, 1954.
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Aramaki, Mitsuko; Richard Kronland-Martinet; Thierry Voinier and Sølvi Ystad.
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Araya-Salas, Marcelo. "Is birdsong music?
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Also here.
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Arbonés, Javier and Pablo Milrud. La armonía es numérica: Música y matemáticas.
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Archer, William Kay. "Microtonality Revisited.
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Archibald, R.C. "Mathematicians and Music",
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Also here.
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Archibald, Sean. "Making microtonal scales with Scale Workshop 1.0", WWW, Apr 2019.
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Ardila, Alfredo Enrique and Maribel Becerra Sierra. "Escalas musicais -
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Arel, Hüseyin Sadettin. "Modal systems in the Turkish music", Musical
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Arfib, Daniel; Jacques Dudon and Patrick Sanchez. "'WaveLoom',
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Arfib, Daniel and Jacques Dudon. "A digital version of the photosonic instrument",
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Arfib, Daniel, Patrick Sanchez and Jacques Dudon. "Synthèse photosonique:
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Arfib, Daniel and Jacques Dudon. "A Digital Emulator Of The Photosonic Instrument",
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Ariel (pseudonym). Das Relativitätsprinzip der musikalischen Harmonie.
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Arin, Erel. "Yerelden Küresele Açilan Bir Model Olarak Perdesiz Gitar"
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Aristoxenos. Harmonika stoicheia. Lodewijk Elsevier, Leiden, 1616.
Latin translation by A. Gogavinus, Venice, 1562 and Marcus Meibom (ed.) in
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Barbieri, Patrizio. "Persistenza
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Barbieri, Patrizio. "Giuseppe
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Barbieri, Patrizio. Ancora sul temperamento degli organi di S. Petronio. Ancona, 1984.
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Barbieri, Patrizio. "Giordano Riccati
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Barbieri, Patrizio. "Il
temperamento equabile nel periodo frescobaldiano",
Girolamo Frescobaldi nel IV centenario della nascità: Ferrara 1983,
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Barbieri, Patrizio. "Cembali
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Galeazzo Sabbatini", Enciclopedismo in Roma barocca - Athanasius Kircher e il
museo del Collegio Romano fra Wunderkammer e Museo Scientifico, Maristella Casciato;
Maria Grazia Ianniello and Maria Vitale (eds.), Marsilio, Venice, 1986, pp. 111-128.
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Barbieri, Patrizio and Lindoro Massimo Del Duca. "Renaissance and Baroque Microtonal
Music Research in Computer Real Time Performance", Proceedings of the International
Computer Music Conference, Oct 1986, Royal Conservatory of Music, The Hague,
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Barbieri, Patrizio. "L'espressione
degli 'affetti' mediante l'ineguale accordatura degli strumenti da tasto nel Settecento veneto",
Convegno di studi "Organaria veneta: patrimonio e salvaguardia", Centro studi
di arte organaria veneta, Vicenza, Oct 1986, pp. 42-67.
-
Barbieri, Patrizio (ed.), Giordano Riccati, Alessandro Barca, Francesco Antonio Vallotti.
Acustica, accordatura e temperamento nell'illuminismo veneto.
Series: Pubblicazioni del Corso Superiore di Paleografia e Semiografia Musicale
dell'Umanesmo al Barocco no. I:5:2. Edizioni Torre d'Orfeo, Roma, 1987, 382 + 264 pages.
-
Barbieri, Patrizio. "La
'Sambuca Lincea' di Fabio Colonna e il 'Tricembalo' di Scipione Stella - Con notizie
sugli strumenti enarmonici del Domenichino", La musica a Napoli durante il
Seicento, Atti del Convegno Internazionale di Studi, Napoli, 11-14 Apr 1985,
Doimenico Antonio D'Alessandro and Agostino Ziino (eds.), Torre d'Orfeo, Roma, 1987, pp. 167-216.
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Barbieri, Patrizio. "Martini
e gli armonisti 'fisico-matematici': Tartini, Rameau, Riccati, Vallotti",
Padre Martini. Musica e cultura nel Settecento europeo, Angelo Pompilio (ed.),
Olschki, Florence, 1987, pp. 173-209.
-
Barbieri, Patrizio. "Juan
Caramuel Lobkowitz (1606-1682): Über die musikalischen Logarithmen und das
Problem der musikalischen Temperatur", Musiktheorie vol. 2 no. 2, 1987, pp. 145-168.
-
Barbieri, Patrizio. "Organ tonal finishing and fine tuning (review)", Nuova
Rivista Musicale Italiana vol. 21 no. 3, July-Sep 1987, pp. 489-490.
-
Barbieri, Patrizio and Sandra Mangsen. "Violin Intonation:
A Historical Survey", Boston Early Festival, Cornell University Press, 1987. Early Music vol. 19 no. 1, Feb 1991, pp. 69-90.
-
Barbieri, Patrizio. "Il Cembalo
Omnicordo di Francesco Nigetti in due memorie inedite di G.B. Doni (1647) e B. Bresciani (1719)",
Rivista Italiana di Musicologia vol. 22, 1987, pp. 34-113.
-
Barbieri, Patrizio. "An
unknown 15th-century French manuscript on organ building and tuning",
The Organ Yearbook vol. 20, 1989, pp. 5-20.
-
Barbieri, Patrizio. "Conflitti di intonazione tra cembalo, liuto ed archi nel
'concerto' italiano del Seicento", Studi Corelliani vol. 4, Pierluigi Petrobelli and Gloria Staffieri (eds.),
Olschki, Florence, 1990, pp. 123-153.
-
Barbieri, Patrizio. "L'intonazione
violinistica da Corelli al Romanticismo", Studi Musicali vol. 19 no. 2, 1990, pp. 319-384.
-
Barbieri, Patrizio. "Gli armonisti padovani del Santo nel settecento",
Storia della musica, Neri Pozza Editore, Vicenza, 1990, pp. 199-221.
-
Barbieri, Patrizio. "Gli
ingegnosi cembali e 'violicembali' inventati da Juan Caramuel Lobkowitz per
Ferdinando III (c.1650): notizie inedite dal manoscritto Musica",
Le meraviglie del probabile. Juan Caramuel 1606-1682. Atti del Convegno internazionale di studi (Vigevano, 29-31 ottobre 1982),
Paolo Pissavino (ed.), Edizioni del Comune, Vigevano, 1990, pp. 91-112.
-
Barbieri, Patrizio. "La Nuova teoria di musica di Alessandro Barca in un inedito esame di Giordano Riccati (1786-90)",
Scritti in onore di Giulio Cattin, Francesco Luisi (ed.), Torre d'Orfeo, Roma, 1990, pp. 159-176.
-
Barbieri, Patrizio. "Diapason,
'chiavette' et intonation dans l'interprétation de Palestrina",
L'interprétation de Palestrina - Journées d'étude, Royaumont, Oct 1990, Association Palestrina, Paris, 1991, pp. 25-43.
-
Barbieri, Patrizio. "Considerazioni sull'
Accordatura Strumentale al Tempo di Mozart",
Strumenti per Mozart, Marco Tiella and Romano Vettori (eds.), Longo Editore, Rovereto, 1991, pp. 61-69.
-
Barbieri, Patrizio. "Calegari,
Vallotti, Riccati e le teorie armoniche di Rameau: priorità, concordanze, contrasti",
Rivista Italiana di Musicologia vol. 26 no. 2, 1991, pp. 241-302.
-
Barbieri, Patrizio. "Il
'migliore' sistema musicale temperato: 'Querelles' fra Estève, Romieu e altri accademici francesi (c.1740-60)",
L'Organo vol. 27, Bologna, 1991-1992, pp. 31-81.
-
Barbieri, Patrizio. "Krizanic,
Caramuel e P.F. Valentini sulla divisione dell'ottava musicale",
Krizanicev doprinos teorij glazbe (International Symposium on Juraj Krizanic) vol. 4, Zagreb, 1983.
Hrvatska Akademija Znanosti i Umjetnosti u Zagrebu, Zagreb, 1992, pp. 19-40. Summary in Croatian.
-
Barbieri, Patrizio. "Giordano Riccati fisico acustico e teorico musicale: Con
una memoria inedità di acustica architettonica", I Riccati e la cultura
della Marca nel Settecento europeo, Olschki, Florence, 1992, pp. 279-304.
-
Barbieri, Patrizio. "Tartinis
Dritter Ton und Eulers Harmonische Exponenten. Mit einem unveröffentlichten Manuskript Tartinis",
Musiktheorie vol. 7 no. 3, 1992, pp. 219-234.
revised version in Musiktheorie vol. 8 no. 1, 1993.
-
Barbieri, Patrizio. "L'accordatura strumentale in Toscana: proposte e contrasti da V. Galilei a Cristofori (c.1580-1730)",
Musicologia humana. Studies in honor of Warren and Ursula Kirkendale, Sigfried Gmeinwieser; David Hiley and Joerg Riedlbauer (eds.),
Olschki, Firenze, 1994, pp. 209-232.
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Barbieri, Patrizio. "Il
sistema armonico di Tartini nelle 'censure' di due celebri fisico-matematici:
Eulero e Riccati", Tartini. Il tempo e le opere, A. Bombi &
M.N. Massaro (eds.), Il Mulino, Bologna, 1994, pp. 321-344.
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Barbieri, Patrizio. "L'inarmonicità
degli strumenti musicali a corda (1543-1993). Con una memoria inedita di J.-B. Mercadier (1784)",
Strumenti, musica e ricerca. Atti del Convegno internazionale, Cremona, 28-29 October 1994,
Elena Ferrari Barassi, Marco Fracassi and Giampaolo Gregori (eds.), Ente Triennale Internazionale
degli Strumenti ad Arco, Cremona, 2000.
-
Barbieri, Patrizio. "L'accordatura
strumentale in Toscana: proposte e contrasti da V. Galilei a Cristofori (c.1580-1730)",
Musicologia humana. Studies in honor of Warren and Ursula Kirkendale,
Siegfried Gmeinwieser, David Hiley and Jörg Riedlbauer (eds.), Olschki, Florence, 1994.
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Barbieri, Patrizio. "Il
mesolabio e il compasso di proporzione: le applicazioni musicali di due strumenti
matematici (1558-1675)", Musica, scienze e idee nella Serenissima durante
il Seicento. Atti del Convegno Internazionale di studi, Venezia 13-15 dicembre
1993, Francesco Passadore and Franco Rossi (eds.), Edizioni Fondazione Levi, Venice, 1996.
-
Barbieri, Patrizio. "Gli strumenti
poliarmonici di G.B. Doni e il ripristino dell'antica musica greca (c.1630-1650)",
Analecta Musicologica vol. 30, 1998, pp. 79-114.
-
Barbieri, Patrizio. "The
inharmonicity of musical string instruments (1543-1993). With an unpublished
memoir by J.-B. Mercadier (1784)", Studi Musicali vol. 27 no. 2, 1998, pp. 383-419.
Italian translation by P. Barbieri "L'inarmonicità degli strumenti musicali a corda (1543-1993). Con una memoria inedita di J.-B. Mercadier (1784)",
Strumenti, musica e ricerca. Atti del Convegno internazionale, Cremona 28-29 ottobre 1994,
Elena Ferrari Barassi, Marco Fracassi and Giampaolo Gregori (eds.), Ente Triennale Internazionale degli
Strumenti ad Arco, Cremona, 2000, pp. 254-292.
-
Barbieri, Patrizio. "Corista,
chiavette e intonazione nella prassi romana e veneto-bolognese del tardo Rinascimento",
Ruggero Giovannelli [...], Atti del Convegno Internazionale di Studi,
Carmela Bongiovanni and Giancarlo Rostirolla (eds.), Fondazione Giovanni Pierluigi da Palestrina,
Palestrina, 1998, pp. 433-457.
-
Barbieri, Patrizio. "Gli strumenti
poliarmonici di G.B. Doni e il ripristino dell'antica musica greca (c.1630-1650)",
Analecta Musicologica vol. 30, 1998, pp. 79-114.
-
Barbieri, Patrizio. "G.B. Orazi's Enharmonic
Flute and its Music (1797-1815)", Galpin Society Journal vol. 52, 1999, pp. 281-304.
-
Barbieri, Patrizio and Lindoro Massimo del Duca. "Late-Renaissance Quarter-tone
Compositions (1555-1618): The Performance of the ETS-31 with a DSP System",
Musical Sounds from Past Millennia: Proceedings of the International Symposium
on Musical Acoustics 2001, Diego L. González, Domenico Stanzial and Davide Bonsi (eds.),
2 vols., Fondazione Giorgio Cini, Venice, 2001.
-
Barbieri, Patrizio. "'Galileo's'
coincidence theory of consonances, from Nicomachus to Sauveur", Recercare
vol. 13, 2001, pp. 201-232.
-
Barbieri, Patrizio. "Il
temperamento equabile nell'Ottocento napoletano: l'acustico P. A. de Luca (1778-1864)
e i suoi manoscritti inediti", L'Organo vol. 35, 2002, pp. 93-122.
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Barbieri, Patrizio. "The
evolution of open-chain enharmonic keyboards c.1480-1650",
"L'evoluzione delle tastiere
enarmoniche a catena aperta c.1480-1650",
Chromatische und enharmonische Musik und Musikinstrumente des 16. und 17. Jahrhunderts,
Schweizer Jahrbuch für Musikwissenschaft vol. 22, Joseph Willimann (ed.),
Verlag Peter Lang, Bern, 2002, pp. 145-184, 185-228.
-
Barbieri, Patrizio. "La nascita delle teorie
continue della consonanza. La ignorata curva di Draghetti e Foderà, poi di Helmholtz (1771-1837)",
Acta Musicologica vol. 74, 2002, pp. 55-75.
-
Barbieri, Patrizio. "Temperaments - Historical",
Piano: An Encyclopedia, 2nd edition, Robert Palmieri and Margaret W. Palmieri (eds.), Routledge, New York, 2003, pp. 402-409.
-
Barbieri, Patrizio. "Consonanze, scale e temperamenti",
Acustica musicale e architettonica, Sergio Cingolani and Renato Spagnolo (eds.), UTET Libreria, Torino, 2005, pp. 31-70, 913-916.
-
Barbieri, Patrizio. "Pietro
Della Valle: the Esthèr oratorio (1639) and other experiments in the stylus metabolicus.
With new documents on triharmonic instruments", Recercare vol. 19 no. 1-2, 2007, pp. 73-124.
-
Barbieri, Patrizio. "Il revival
delle tastiere enarmoniche: nuove soluzioni (1760-1880)", L'Organo vol. 39, 2007, pp. 175-236.
-
Barbieri, Patrizio. "Cembali a
tasti spezzati: 'cromatci' oppure 'enarmonici'?", Bollettino della Deputazione di Storia patria per l'Umbria CV-2, 2008,
pp. 125-130. Reprint Arte organaria e musica per organo nell'età moderna. L'Umbria nel quadro europeo, Erika Bellini (ed.),
Deputazione di Storia patria per l'Umbria, Perugia, 2008, pp. 125-130.
-
Barbieri, Patrizio. Enharmonic instruments and music, 1470-1900.
Revised and translated studies. Il Levante Libreria Editrice, Latina, 2008, 628 pages with CD.
-
Barbieri, Patrizio. "On
the linear approximation of equal temperament proposed by the organ builder Giambattista De Lorenzi (1870)",
Musica e Storia vol. 17, Aug 2009, pp. 451-463. Italian translation by P. Barbieri
"Su
di una approssimazione del temperamento equabile proposta da Giambattista De Lorenzi (1870)", Contributi per la storia dell'arte
organaria e organistica in Italia, Paola Dessì (ed.), Edizioni Fondazione Levi, Venezia, 2012.
-
Barbieri, Patrizio. "Musiche e strumenti
'alla Greca' nel Seicento italiano", Francesco Buti tra Roma e Parigi: diplomazia, poesia, teatro,
Francesco Luisi (ed.), Torre d'Orfeo, Roma, 2009, pp. 349-364.
-
Barbieri, Patrizio. Physics of wind instruments and organ pipes 1100-2010.
New and extended writings. Il Levante Libreria Editrice, Latina, 2013, 580 pages.
-
Barbieri, Patrizio. "Harps
Versus Pianos: Parisian querelles on Tuning 1770-1830", Galpin Society Journal vol. 70, Apr 2017, pp. 45-63.
-
Barbieri, Patrizio (ed.) Symposium on
Nicola Vicentino's Arciorgano and the Clavemusicum Omnitonum, Basel, 23-25 November 2017", Musik-Akademie, Basel, 2017.
-
Barbieri, Patrizio. Un ignorato manoscritto francese del secolo XV sulla costruzione e accordatura dell'organo",
Arte Organaria Italiana vol. 10, 2018, pp. 9-26.
-
Barbieri, Patrizio. Allargamento
tonale nelle composizioni per tastiera al tempo di Frescobaldi. Con sviluppi tardo-seicenteschi verso temperamenti di tipo circolante",
Informazione Organistica vol. 31 no. 2, Dec 2019, pp. 179-216.
-
Barbieri, Patrizio. Quarrels
on Harmonic Theories in the Venetian Enlightenment. Libreria Musicale Italiana, Lucca, 2020, 386 pages.
-
Barbieri, Patrizio. "L'organo romano: nuove acquisizioni sul corista, tastiere e registri, c.1480-1750",
Arte organaria italiana vol. 13, 2021, pp. 151-232.
-
Barbiero, Daniel. "Review of Johnston Quartets 6, 7, 8 (CD review)", 2016.
-
Barbour, James Murray. "Synthetic Musical Scales",
American Mathematical Monthly vol. 36 no. 3, 1929, pp. 155-160.
Also here.
-
Barbour, James Murray. Equal Temperament: its History from Ramis (1482) to
Rameau (1737). PhD thesis, Cornell University, Ithaca NY, 1932, 353 pages.
-
Barbour, James Murray. "The Persistence of the Pythagorean Tuning System",
Scripta Mathematica vol. 1, 1933, pp. 286-304.
-
Barbour, James Murray. "Nierop's Hackebort",
The Musical Quarterly vol. 20 no. 3, July 1934, pp. 312-319.
Also here.
-
Barbour, James Murray. "Just Intonation Confuted",
Music & Letters vol. 19 no. 1, Jan 1938, pp. 48-60.
-
Barbour, James Murray. "Musical logarithms", Scripta Mathematica vol. 7, 1940, pp. 21-31.
-
Barbour, James Murray. "Bach and the 'Art of Temperament'",
The Musical Quarterly vol. 33 no. 1, Jan 1947, pp. 64-89.
Also in Garland Library of HWM vol. 6, 1985, pp. 2-27.
-
Barbour, James Murray. "Music and Ternary Continued Fractions",
American Mathematical Monthly vol. 55 no. 9, Nov 1948, pp. 545-555.
-
Barbour, James Murray. "Irregular Systems of Temperament",
Journal of the American Musicological Society vol. 1 no. 3, 1948, pp. 20-26.
-
Barbour, James Murray. "Musical Scales and Their Classification",
Journal of the Acoustical Society of America vol. 21 no. 6, Nov 1949, pp. 586-589.
-
Barbour, James Murray. "Genesis of a Music by Harry Partch (book review)",
The Musical Quarterly vol. 36 no. 1, Jan 1950, pp. 131-135.
-
Barbour, James Murray. "More on the Leipzig Organ Tuning",
Journal of the American Musicological Society vol. 3 no. 1, spring 1950, pp. 41-44.
-
Barbour, James Murray. Tuning
and Temperament: A Historical Survey. Michigan State College Press, East Lansing, 1951.
Reprint Da Capo Press, New York, 1973, 228 pages. Reprint Dover, New York, 2004, 256 pages.
-
Barbour, James Murray. "Les Gammes musicales by Antoine Auda (book review)",
Journal of the American Musicological Society vol. 4 no. 1, spring 1951, pp. 40-42.
-
Barbour, James Murray. "Violin Intonation in the 18th Century",
Journal of the American Musicological Society vol. 5 no. 3, autumn 1952, pp. 224-234.
-
Barbour, James Murray. "The Grammar of South Indian (Karnatic) Music by C. Subrahmanya Ayyar (book review)",
Notes vol. 10 no. 4, Sep 1953, pp. 641-642.
-
Barbour, James Murray. "A Geometrical Approximation to the Roots of Numbers",
The American Mathematical Monthly vol. 64 no. 1, Jan 1957, pp. 1-9.
-
Barbour, James Murray. "The Principles of Greek Notation",
Journal of the American Musicological Society vol. 13 no. 1/3, A Musicological Offering to
Otto Kinkeldey upon the Occasion of his 80th Anniversary, 1960, pp. 1-17.
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Chalmers, John H. Jr. "Notes and Comments", Xenharmonikôn vol. 3, 1975, pp. 2-3.
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Chalmers, John H. Jr. "The Application of Rothenberg's Pattern Recognition Model
to the Structure of Tetrachords and Tetrachordal Scales",
Xenharmonikôn vol. 3, 1975, pp. 51-62.
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Chalmers, John H. Jr. "Notes and Comments", Xenharmonikôn vol. 4, 1975, pp. 2-3.
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Chalmers, John H. Jr. "Cyclic scales", Xenharmonikôn vol. 4, 1975, pp. 69-78.
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Chalmers, John H. Jr. "Notes and Comments Five", Xenharmonikôn vol. 5, spring 1976, pp. 2-3.
-
Chalmers, John H. Jr. "Notes and Comments Six", Xenharmonikôn vol. 6, summer 1977, pp. 2-3.
-
Chalmers, John H. Jr. "Microtonal Mathematics 1", Interval vol. 1 no. 2, 1978, pp. 12-13.
-
Chalmers, John H. Jr. "Polychordal Arrays of MOS Scales",
Xenharmonikôn vol. 7-8, 1979, pp. 156-167.
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Chalmers, John H. Jr. "Notes and Comments: Seven and Eight",
Xenharmonikôn vol. 7-8, 1979, pp. 2-3.
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Chalmers, John H. Jr. "A Collection of Scales with Nineteen Notes",
Xenharmonikôn vol. 7-8, 1979, pp. 168-180.
-
Chalmers, John H. Jr. "Some Additional Nineteen Tone Scales",
Xenharmonikôn vol. 7-8, 1979, pp. 181-186.
-
Chalmers, John H. Jr. "Some Designs for Small Numbered Non-12-Tone
Metallophones and Keyboards", Interval vol. 2 no. 4, autumn 1980, pp. 10, 14.
-
Chalmers, John H. Jr and Ervin M. Wilson. "Combination Product Sets and Other Melodic and
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North Texas State University, Denton TX, 1981. ICMA, pp. 348-362.
-
Chalmers, John H. Jr. "Report on Visit to the Carrillo Studio", Interval
vol. 3 no. 3, 1982, p. 4.
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Chalmers, John H. Jr. "Construction and Harmonization of Microtonal Scales in
non-twelve-tone Equal Temperaments", Proceedings of the 8th International
Computer Music Conference, Venice, 1982, pp. 534-555.
-
Chalmers, John H. Jr. "Joseph Yasser, 1893 - 1981", Interval vol. 3 no. 4, summer 1982, p. 25.
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Chalmers, John H. Jr. "'Dear Ear.' Contains some keyboards for 10-tone Equal Temperament and an All-Interval Row in
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-
Chalmers, John H. Jr. "'Dear Ear.' Contains a listing of All-Interval Rows in various Equal temperaments (letter)",
Ear vol. 8 no. 3, 1983, p. 2.
-
Chalmers, John H. Jr. "Tritriadic Scales with Seven Tones",
Xenharmonikôn vol. 9, 1985, pp. 3-19.
-
Chalmers, John H. Jr. "Tritriadic Transformations", 1/1 vol. 3 no. 1,
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-
Chalmers, John H. Jr. "Tritriadic Scales with Seven Tones, Part Two: Derived
Forms and Structural Properties", Xenharmonikôn vol. 10, 1987, pp. 20-31.
-
Chalmers, John H. Jr. "Report on the American Festival of Microtonal Music's
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Chalmers, John H. Jr. "Report on the 1988 Third Coast New Music Project,
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Chalmers, John H. Jr. "Easley Blackwood: The Structure of Recognizable Diatonic
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-
Chalmers, John H. Jr. "Tetrachordal Scales and Complexes",
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Chalmers, John H. Jr. "The Nineteen-Tone Instruments of W.A. (Jim) Piehl and
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Chalmers, John H. Jr. "Tritriadic Scales with Seven Tones, Part Three: The M->T
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-
Chalmers, John H. Jr. "Getting in Tune with Microtunings", Letter
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Chalmers, John H. Jr. "JI Calc 3.11 (software review)", Experimental Musical
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Chalmers, John H. Jr. "Three Approaches to Harmony in 13-TET",
Xenharmonikôn vol. 13, spring 1991, pp. 53-64.
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Chalmers, John H. Jr. "Notes and Comments 13",
Xenharmonikôn vol. 13, spring 1991, pp. 2-3.
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Chalmers, John H. Jr. "Harmonic and Subharmonic Versions of Kathleen
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Chalmers, John H. Jr. "A Compendium of 12-tone Scales in 5-Limit Just
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Chalmers, John H. Jr. "Carol L. Krumhansl: Cognitive Foundations of Musical
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Chalmers, John H. Jr. "The TOUCH-TONE® Signal Pitches as Subsets of
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Chalmers, John H. Jr. "In Memoriam Ivor Darreg (1917-1994)", 1/1
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Chalmers, John H. Jr. "In Memoriam Ivor Darreg (1917-1994)", Experimental
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Chalmers, John H. Jr. "The Wayward: Harry Partch at UCSD", 1/1
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Chalmers, John H. Jr. "Oedipus and
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Also here.
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Pièces pour la flûte traversière; For Flute or Violin and Basso Continuo by François Philidor, Gwilym Beechey (CD reviews)",
Notes Second Series vol. 45 no. 1, Sep 1988, pp. 156-157.
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Leedy, Douglas. "Air à la grecque; For Flute and Bass [Keyboard] in the Diatonic, Chromatic, and
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Notes Second Series vol. 45 no. 1, Sep 1988, p. 157.
-
Leedy, Douglas. "Selected Musical Compositions (1948-1972) by Adriaan Daniël Fokker,
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Leedy, Douglas. "The Pythagorean Sourcebook and Library: An Anthology of Ancient Writings
Which Relate to Pythagoras and Pythagorean Philosophy by Kenneth Sylvan Guthrie (book review)",
Notes Second Series vol. 47 no. 3, Mar 1991, pp. 729-730.
-
Leedy, Douglas. "A venerable temperament rediscovered",
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-
Leedy, Douglas. "Between Modes and Keys: German Theory, 1592-1802 by Joel Lester.
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with Dutch and English Translations by Rudolf Rasch, Christiaan Huygens (book reviews)",
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Leedy, Douglas. "La Monte Young: The Second Dream of the High-Tension Line Stepdown
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Leedy, Douglas. "Musical Acoustics by Donald E. Hall.
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-
Leedy, Douglas. "Giving Number a Voice", Xenharmonikôn vol. 15,
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Leedy, Douglas. "The Music of the Spheres: Music, Science, and the Natural Order of the Universe by Jamie James
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Leedy, Douglas. "Divisions of the Tetrachord: A Prolegomenon to the Construction of Musical Scales by
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Leedy, Douglas. "Music and Musicians in Ancient Greece by Warren D. Anderson (book review)",
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-
Leedy, Douglas. "Martin Vogel: On the Relations of Tone (book review)",
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Leedy, Douglas. "Music in Ancient Greece and Rome by John G. Landels.
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Notes Second Series vol. 57 no. 3, Mar 2001, pp. 615-618.
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Leedy, Douglas. "A Note on John Curwen, his Tonic Sol-Fa System, and Just
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-
Leedy, Douglas and Julia Werntz. "Correspondence",
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-
Leedy, Douglas. "The Persistence of Just Intonation in Western Musical
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part II: "Just Intonation in the Teaching and Performance of Music",
1/1 vol. 12 no. 1, winter 2005, pp. 4-11, 19.
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Leedy, Douglas. "Alternative Tunings in Two New Encyclopedia of Music",
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-
Leedy, Douglas. "Review of 'The Tonal Phoenix: A Study of Tonal Progression
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Xenharmonikôn vol. 18, 2006, pp. 152-153.
-
Leedy, Douglas. "Review of 'Harmonic Experience: Tonal Harmony from its
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-
Leedy, Douglas. "Lou Harrison: A Reminiscence", Xenharmonikôn vol. 18, 2006, p. 156.
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Leedy, Douglas. "Temperament in the 19th Century",
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Leedy, Douglas. "Recognizing the midtone, a primary musical interval",
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Leedy, Douglas. "Music to the power of 4.
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Lehman, Bradley. "Bach's
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Lehman, Bradley. "Johann Georg
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Lehman, Bradley. "Other
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Lehman, Bradley. "Enharmonic
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Lehman, Bradley. "Mathematical
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Lehman, Bradley. "'Ordinary'
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Lehman, Bradley. "Regular
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Lehman, Bradley. "The
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Lehmann, Johann Traugott. Anleitung, die Orgel rein und richtig stimmen zu lernen
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Lehr, André. "Verklarende
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Zhghenti, Ivane. "Dzveli Kartlu Propesiuli Musikis / Sagaloblebis / Bgeratsimaghlebrivi Kavshirebis Zogierti Sakitkhi", Musikismtsodneobis
Sakitkhebi, Rusudan Tsurtsumia (ed.), Tbilisi State Conservatoire, Tbilisi, 1993-1994, pp. 86-101 with English and Russian summary.
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Zhghenti, Ivane. Kartuli Khalkhuri Mravalkhmiani Simgherebis Harmoniis Mokle Kursi. Tbilisi State Conservatoire, Tbilisi, 2001.
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Zhou, Lian. "A reflection on the intonation in erhu performance",
Journal Bulletin Social-Economic and Humanitarian Research vol. 4 no. 6, Dec 2019, pp. 86-91.
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Zhu, Julie and Craig Stuart Sapp. "Ratioscore: A Text-Based System for Just Intonation",
Proceedings of the International Conference on Technologies for Music Notation and Representation,
Hamburg University for Music and Theater, May 2021, pp. 205-211.
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Zhu, Ma Qing Bian. Yin Yue Li Lun Yu Guan Xian Yue Ji Chu Guan Cang Shu 0700 SLT (Orchestral
music theory and basic [book] collection (0700)). Peking University Press, Beijing, 2000.
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Zhu Zaiyu. Yuelü quanshu (Comprehensive treatise on music and music theory). 14 titles, 1581-1607.
Contains the titles below.
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Zhu Zaiyu. Lüxue xin shuo (A new theory of temperament). 1584.
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Zhu Zaiyu. Lülü jing yi (Lü Lü Ching I) (Precise principles of the musical pitches). 1596.
Also in Yue lü quan shu, Taiwan shang wu yin shu guan, Taipei, 1983.
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Zhvania, Tinatin. "Kartuli Simgheris Vertikaluri Da Chonguris Tsqobebi / Harmony of the Georgian Song and Chonguri Tunings" (in Georgian and English),
The Second International Symposium on Traditional Polyphony, Rusudan Turtsumia and Joseph Jordania (eds.), International Research Center for Traditional Polyphony of Tbilisi State Conservatoire, Tbilisi, 2006, pp. 462-468.
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Zia, Maria. "Musica
e... Lineamenti di storia dell'acustica dalle origini all'epoca moderna. Il
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Ziegenhals, Gunter. "Zum Stimmen von Klangstäben",
Institut für Musikinstrumentenbau, Dresden, July 2010, 6 pages.
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Zijlstra, Miep. "De elementa musica van Quirinus van Blankenburg (book review)",
Mens en Melodie vol. 29 no. 1, Jan 1974, pp. 8-11.
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Zillhardt, Rainer. "Zur Problematik einer historisch Übergeordneten Strukturanalyse der
Tonhöhen", Mikrotöne I, Edition Helbling, Innsbruck, 1986, pp. 69-106.
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Zillhardt, Rainer. "Chroma als Beziehungsqualität und als
Fundamental-eigenschaft. Fragen zur Präzisierung und Abgrenzung beider
Begriffe", Mikrotöne II, Edition Helbling, Innsbruck, 1988, pp. 125-140.
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Zillhardt, Rainer. "Überlegungen zu den äußeren und inneren Bedingungen
mikrotonaler Strukturen anhand von Luigi Nonos Orchesterstück 'A Carlo
Scarpa...'", Mikrotöne IV, Filmkunst-Musikverlag, München, 1993.
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Zillhardt, Rainer. "Ein Verfahren zur mehrdimensionalen Darstellung von Tonhöhenstrukturen",
Musikwissenschaft - Musikpraxis. Festschrift für Horst-Peter Hesse zum 65. Geburtstag,
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Zimmermann, Bernd Alois. Intervall und Zeit. Christof Bitter (ed.), Schott Verlag, Mainz, 1974, 216 pages.
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Zimmermann, Bernhard. "Documents of Ancient Greek Music. The Extant Melodies and Fragments Edited and
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Zimmermann, Martin H. Notes on Temperament and Instructions for Tuning the Harpsichord.
self-published, 1970, 21 pages.
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Zink, Michael. Theorie
ohne Praxis? Die Kontrapunktlehre in italienischen Traktaten aus der zweiten Hälfte des 17. und zu
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Ziporyn, Evan. "The Music of Lou Harrison by Heidi von Gunden (book review)",
Asian Music vol. 30 no. 1, autumn 1998 - winter 1999, pp. 190-193.
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Zipp, Friedrich. Vom Wesen der Musik. Grundlagen musikalischer Schaffens und Erlebens.
Müller, Heidelberg, 1974, 91 pages.
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Zoch, Ivan Branislav. Novi organicki sustav uzortona (Tonart) i iz toga sliedeca naravna glasbena temperatura na temelju naravskih brojeva. Neue organische Mustertonart und daraus folgende natürliche musikalische Temperatur auf Grund natürlicher Zahlen. Pfeiffer, Osijek, 1877, 15 pages.
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Zonis, Ella. "Contemporary Art Music in Persia",
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Zonis, Ella. Persian Music: A Study of the History, Theory and Practice
of Contemporary Art Music in Persia. PhD diss., Brandeis University, 1968.
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Zonis, Ella. "Classical Persian Music Today", Iran Faces the Seventies,
Ehsan Yar-Shater (ed.), Praeger Publishers, New York, 1971, pp. 365-379.
-
Zonis, Ella. Classical Persian Music: An Introduction.
Harvard University Press, Cambridge MA, 1973, 248 pages.
Also here.
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Zorach, Alex. "31 Tone Equal Temperament: articles", WWW.
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Zuk, Radoslav. "Three Musical Interpretations of Le Corbusier's Modulor",
Nexus Network Journal vol. 15, Jan 2013, pp. 155-170.
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Zukofsky, Paul. All-interval Scale Book: Including a Chart of
Harmonics for the Violin. G. Schirmer, New York, 1977, 47 pages.
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Zurfluh, Werner. "Kristallisierende
Wassertropfen 9 - Lambdoma und BK-Konzept", WWW, 2002.
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Zuurbier, Erik. "Bach in de reine stemming",
Het Orgel vol. 112 no. 6, 2016, pp. 22-27.
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Zuurbier, Erik. "Organ Music in Just Intonation", WWW, 2021.
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Zwang, Gérard. "Querelle de Diapasons", Paris, 1982.
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Zwang, Gérard. L'Oreille absolue et le diapason dit baroque. La Revue musicale, Paris, 1984, 77 pages.
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Zwang, Gérard. Le diapason. Sauramps, Montpellier, 1998, 240 pages.
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Zwang, Gérard. La musique baroque et son diapason: le classique confisqué. Harmattan, Paris, July 2014, 222 pages.
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Zweifel, Paul F. "Just Tuning and the Unavoidable Discrepancies",
Indiana Theory Review vol. 15 no. 2, autumn 1994, pp. 98-120.
Also here.
-
Zweifel, Paul F. "Generalized Diatonic and Pentatonic Scales: A Group-Theoretic
Approach", Perspectives of New Music vol. 39 no. 1, winter 1996, pp. 140-161.
-
Zweifel, Paul F. "The Mathematical Physics of Music", Journal of Statistical Physics vol. 121 no. 5-6, 2005, pp. 1097-1104.
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Zwicker, Eberhard. "On a psychoacoustical equivalent of tuning curves",
Facts and Models in Hearing. Communication and Cybernetics vol. 8, E. Zwicker and E. Terhardt (eds.), Springer, Berlin/Heidelberg, 1974, pp. 132-141.
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Zwicker, Eberhard and Hugo Fastl. Psychoacoustics: Facts and Models.
Springer, Berlin, 1990, 1999, 416 pages.
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Zwolle, Henri Arnaut de (Hendrik Arendsz). Compositio fimbriae, quod est
initium organorum et clavichordiorum. c.1440. French translation Les
traités de Henry Arnaut de Zwolle et de divers anonymes. (Ms. B.N. Latin 7295)
edités et commentés par G. Le Cerf avec la collaboration de E.-R. Labande, G. Le Cerf (ed.),
Picard, Paris, 1932. German partial translation by Karl Bormann in Die gotische Orgel von
Halberstadt, Berlin, 1966, pp. 147-172.
-
Zwolle, Henri Arnaut de. Compositio clavichordorum. Manuscript, c.1440.
Transcription, translation and analysis by Stewart Pollens (ed.) "Three - The Henri Arnaut Manuscript", chapter in A History of Stringed Keyboard Instruments,
Cambridge University Press, Apr 2022, pp. 142-165.
Publishers
Related periodicals
If you know of any texts, books or articles that should be in this list, please e-mail coul@huygens-fokker.org
(Manuel Op de Coul)
This bibliography was created by Manuel Op de Coul, Brian McLaren, Gerben Bisschop, Franck Jedrzejewski and
Dominique Devie. Originally part of Brian McLaren's article "A Brief History of Microtonality in
the Twentieth Century", Xenharmonikôn vol. 17, 1998.
Page last modified 12 Mar 2024
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