Tuning & temperament bibliography

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Aalst, Jules A. van. Chinese Music. Statistical Dept. of the Inspectorate General of Customs, Shanghai, 1884, 106 pages.
Aanes, Brendan. "Gareth Loy's Musimathics Volumes I and II (book reviews)", array the journal of the ICMA, 2009, pp. 100-107.
Aaron, Pietro. De institutione harmonica libri tres. Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, 1516, 127 pages. Reprint Broude Brothers Ltd., New York, 1978. Liber primus, liber secundus, liber tertius. Also here.
Aaron, Pietro. Thoscanello de la musica. Toscanello in musica. Impressa per Bernardino et Mattheo de Vitali, Venezia, 1523, July 1529. Marchio Sessa, Venezia, 1539, 1562, 82 pages. Broude Brothers Ltd., New York, 1969. English translation by Peter Bergquist Toscanello in musica, 3 vols., Colorado College Music Press, Colorado Springs, 1970, 157 pages.
Aaron, Pietro. Trattato della natura et cognitione di tutti gli tuoni di canto figurato. Bernardino Vitali, Venezia, 1525, 1531, 47 pages. Also here.
Aaron, Pietro. Lucidario in musica. Girolamo Scotto, Venice, 1545, 82 pages. Arnaldo Forni Editore, Bologna, 1969. Broude Bros, New York, 1978.
Aaron, Pietro. Compendiolo di molti dubbi. Io. Antonio da Castelliono stampatore, Milano, 1545, 38 pages. Also here.
Abate, Ezra. "Ethiopian Kiñit (scales). Analysis of the formation and structure of the Ethiopian scale system", Proceedings of the 16th International Conference of Ethiopian Studies, Svein Ege; Harald Aspen; Birhanu Teferra and Shiferaw Bekele (eds.), Trondheim, 2009, pp. 1213-1224.
Abbado, Michelangelo. "Sull'esistenza dei suoni armonici inferiori", Acta Musicologica vol. 36 no. 4, Oct-Dec 1964, pp. 234-237.
Abbado, Michelangelo. "Terzo e quarto suono", Rivista Italiana di Musicologia no. 5, 1970, pp. 99-147. Also here.
Abbatini, Antonio Maria. Codici contenenti diverse lezioni teorice. Bologna, 1667-1668. (see below)
Abbatini, Antonio Maria. "De Diatessaron Consonantia (Li 18 febbraio 1667)", MS C.48, Bologna, 1667.
Abbatini, Antonio Maria. "Che i Modi ò Tuoni sono sei (Li 11 settembre 1667)", MS C.48, Bologna, 1667.
Abbatini, Antonio Maria. "Lettione quarta De Genere Multiplici et eius species (Li 2 luglio 1668)", MS C.48, Bologna, July 1668.
Abbatini, Antonio Maria. "Lectio settima Delle varie spetie dell' ottaua et quinta", MS C.48, Bologna.
Abbatini, Antonio Maria. "Del Genere Moltiplice ch' è De le Proportioni che danno la forma all' Interualli", MS C.48, Bologna. English translation "On the Multiplex Genus which belongs to the Proportions which represent the Intervals", 2012, 3 pages.
Abbatini, Antonio Maria. "De Generi di Proportione", MS C.48, Bologna.
Abbatini, Antonio Maria. "Numero 12 De Dissonantijs", MS C.48. f.84r-92r, Bologna. English translation by Massimo Redaelli "On the Dissonances", 2012, 6 pages.
Abbonizio, Isabella. "La Chitarra Microtonale di Tolgahan Çogulu", Guitart Magazine vol. 64, Oct-Dec 2011, pp. 19-21.
Abbott, Curtis. "Marching to a Different Ratio. Xenharmonikon. Interval: A Microtonal Newsletter (reviews)", Computer Music Journal vol. 2 no. 2, Sep 1978, pp. 7-8.
Abddon, Seifed-Din Shehadeh. "Arabic Music: Samaie Farhafza Analysis", May 2003, WWW, 14 pages.
Abdoli, Sajjad. "Iranian Traditional Music Dastgah Classification", 12th International Society for Music Information Retrieval Conference (ISMIR 2011), 2011, pp. 275-280.
Abdounur, Oscar João. Matemática e Música: Pensamento Analógico na Construção de Significados. Série Ensaios Transversais vol. 2, Escrituras Editora, São Paulo, 1999, 315 pages.
Abdounur, Oscar João. "Ratios and music in the late middle ages: a preliminary survey", Music and mathematics in late medieval and early modern Europe, Philippe Vendrix (ed.), Brepols Publishers, Turnhout, 2008, pp. 23-70.
Abdounur, Oscar João. "The Emergence of the Idea of Irrationality In Renaissance Theoretical Music Contexts", Music Journal of Interdisciplinary Sciences vol. 3 no. 2, Mar 2015, pp. 155-172. Also here. Also in Culture and Cognition. Essays in Honor of Peter Damerow, Jürgen Renn and Matthias Schemmel (eds.), workshop at Max Planck Institute for the History of Science, Dec 2013.
Abdounur, Oscar João. "Mathematics and Music in Context: The Contribution of Erasmus Horicius to the Emergence of the Idea of Modern Number", International Journal of Mathematical, Engineering and Management Sciences vol. 1 no. 2, 2016, pp. 62-67.
Abdounur, Oscar João. "Irrationality in theoretical music in the Renaissance", 16th Seminário Nacional de História da Ciência e da Tecnologia, Paraíba, Oct 2018, 9 pages.
Abdounur, Oscar João. "Structural Mathematical Changes in Theoretical Music in the Early Renaissance", International journal of mathematical, engineering and management sciences vol. 4 no. 1, 2019, pp. 191-198.
Abdulgassimov V.A. "The manifestation of the mugham scale in Azerbaijani tar", Konservatoriy no. 2, Azerbaycan milli konservatoriyasi, 2009, pp. 17-28.
Abdy Williams, C.F. "The 'System' in Greek Music - a Suggestion", The Classical Review vol. 9 no. 82, Nov 1895, pp. 421-427.
Abel, Carl Friedrich. The pure method for tuning the Harpsichord, according to Abel. London, 2nd half 18th cent.
Abel, Markus and Steffen Bergweiler. "Synchronization of higher harmonics in coupled organ pipes", International Journal of Bifurcation and Chaos in Applied Sciences and Engineering vol. 17 no. 10, Oct 2007, pp. 3483-3491.
Abel, Volker, Peter Reiss and Rudolf Wille. "Mutabor II - Ein computergesteuertes Musikinstrument zum Experimentieren mit Stimmungslogiken und Mikrotönen", Preprint no. 1513, TH Fachbereich Mathematik, Darmstadt, 1992. Also in Mikrotöne IV, Filmkunst-Musikverlag, München, 1993.
Abel, Volker, Peter Reiss, Rüdiger Krauße and Tobias Schlemmer. "MUTABOR - Ein computergesteuertes Musikinstrument zum Experimentieren mit Stimmungslogiken und Mikrotönen", Technische Universität Dresden, WWW, 2006.
Abert, Hermann. "Ein ungedruckten Brief des Michael Psellus über die Musik", Sammelbände der internationalen Musikgesellschaft vol. 2 no. 3, May 1901, pp. 333-341.
Abeßer, Jakob; Estafanía Cano; Klaus Frieler; Martin Pfleiderer and Wolf-Georg Zaddach. "Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos", Proceedings of the 16th International Society for Music Information Retrieval Conference, Málaga, Oct 2015, pp. 823-829. Also in IEEE/ACM Transactions on Audio, Speech and Language Processing vol. 25 no. 1, Jan 2017, pp. 168-177.
Abraham, Gerald u.a. (ed.) Bericht über den siebenten internationalen musikwissenschaftlichen Kongreß, Köln 1958. Bärenreiter, Kassel, 1959, 366 pages.
Abraham, Otto and Erich Moritz von Hornbostel. "Zur Psychologie der Tondistanz", Zeitschrift für Psychologie und Physiologie der Sinnesorgane vol. 98, 1899.
Abraham, Otto and Erich Moritz von Hornbostel. "Studien über das Tonsystem und die Musik der Japaner", Sammelbände der internationalen Musikgesellschaft vol. 4 no. 2, Franz Steiner Verlag, Leipzig, Feb 1903, pp. 302-360. Reprint Sammelbände für vergleichende Musikwissenschaft vol. 1, 1922, p. 179.
Abraham, Otto. "Das absolute Tonbewußtsein und die Musik", Sammelbände der internationalen Musikgesellschaft vol. 8 no. 3, Leipzig, 1907, pp. 486-491.
Abraham, Otto and Erich Moritz von Hornbostel. "Vorschläge für die Transkription exotischer Melodien", Sammelbände der internationalen Musikgesellschaft vol. 11 no. 1, Oct-Dec 1909, pp. 1-25. Reprint in Musical transcription, Garland, New York, 1990. English translation "Suggested methods for the transcription of exotic music", Ethnomusicology vol. 38 no. 3, autumn 1994, pp. 425-456.
Abreu, Edward Ayres de. "Sampaio Bruno: melomania tessaradecatónica", A obra e o pensamento de Sampaio Bruno, Celeste Natário; Jorge Cunha and Renato Epifânio (eds.), Universidade Católica Editora, Porto, May 2018, pp. 159-172.
Abromont, Claude and Eugène de Montalembert. Guide de la Théorie de la Musique. Henry Lemoine, Fayard, 2001, 380 pages.
Abu Shumays, Sami. "Microtones in Arabic Music", podcast, 2007.
Abu Shumays, Sami. "The Fuzzy Boundaries of Intonation in Maqam: Cognitive and Linguistic Approaches", Society for Ethnomusicology, Mexico, 22 Nov 2009, 19 pages.
Abu Shumays, Sami. "Maqam Analysis. A Primer", Music Theory Spectrum vol. 35 no. 2, autumn 2013, pp. 235-255. Also here. See also Maqam in music as a concept, scale and phenomenon.
Academia Lab. "Microtonalism", "Música microtonal", "Escala", "Accidental", "Alois Hába", etc., Encyclopedia, WWW, 2024.
Accurso, Howard. The Decline of Unequal Temperments in the Nineteenth Century. PhD thesis, in progress.
Acet, Rusen Can; Batuhan Basar; Tolgahan Cogulu; Atlas Cogulu; Tony Italia and Selcuk Keser. "New Additions to the Guitar Family: Lego and Automatic Microtonal Guitars", Musicologist vol. 6 no. 1, Trabzon University State Conservatory, June 2022, pp. 26-41. Also here.
Achtélik, Josef. Der Naturklang als Wurzel aller Harmonien. Eine Aesthetische Musiktheorie in Zwei Teilen. 2 vols., Verlag von C.F. Kahnt, Leipzig, 1922. Reprint Forgotten Books, Feb 2019, 234 pages.
Acker, Anne Beetem. "Claude Montal translated by Fred Sturm: The Art of Tuning: A SelfGuided Manual for Piano Tuning, Design, Action Regulation, and Repair from mid-19th Century France: For the Piano Owner and Technician, with Guidelines for Training the Blind and Visually impaired (book review)", Journal of the American Musical Instrument Society vol. 41, 2015, pp. 267-270.
Adamer, Lorenz. "Plutarch's Platonic Question IX: The Trichonomy of the Soul from the Perspective of Music Theory (Politeia 443d-e)", Ploutarchos vol. 17, May 2020, pp. 9-24.
Adams, Charles R. "Measuring Order and Beauty: On Isaac Newton's 'Discourses of Strings Sounding and Colors Compounding'", WWW, July 2013, rev. 2016, 147 pages.
Adams, Evan. "What is Rhythmic Dissonance?", The Eagle Feather vol. 14 no. 1, 2017, 22 pages.
Ader, Lidia Olegovna. "Survivor from Leningrad: an episode from Soviet quarter-tone music" (in Russian), musicus vol. 4, autumn 2008, pp. 45-48.
Ader, Lidia Olegovna. "Georgy Rimsky-Korsakov and the Circle of quarter-tone music", Museums of theatre and music in the international world: Experience, traditions, collaboration, St. Petersburg, 2008, pp. 89-99.
Ader, Lidia Olegovna. "Quarter-tone boom at the Conservatory: Petrograd news" (in Russian), Vestsi Belaruskay dzyarzhaunai akademii muzyki vol. 4, 2008, pp. 91-95.
Ader, Lidia Olegovna. "Microtonal Storm and Stress: Georgy Rimsky-Korsakov and Quarter-Tone Music in 1920s Soviet Russia", Tempo vol. 63 no. 250, Cambridge University Press, Cambridge, Oct 2009, pp. 27-44.
Ader, Lidia Olegovna. "Art of forgetting-Some mechanisms of resistance to microtonal memory in Russia's 1960s avant-garde", BTC Proceedings, Thessaloniki, July 2010.
Ader, Lidia Olegovna. "A life paradox of Georgy Rimsky-Korsakov" (in Russian), N.A. Rimsky-Korsakov and his Heritage in Historical perspective. Materials of an international musicological conference, L. Ader, N. Kostenko, N. Metelitsa, N. Feofanova, Ya. Shigareva (eds.), St. Petersburg, 2010, 452 pages.
Ader, Lidia Olegovna. "Microtonal Instruments: The First Steps from Utopia to Practice" (in Russian), Instrumentalism in the history of culture, Evgenia Vladimirovna Hazdan (ed.), Rossijskij Institut Istorii Iskusstv, St. Petersburg, 2011, pp. 52-65.
Ader, Lidia Olegovna. "The Concept of Microtonality: Its Origin and Background" (in Russian), Opera musicologica vols. 3-4 nos. 8-9, St. Petersburg, 2011, pp. 114-134.
Ader, Lidia Olegovna. "Microtonal Instruments: The First Steps from Utopia to Practice" (in Russian), Vremennik Zubovskogo Instituta vol. 7, Evgenia Vladimirovna Hazdan (ed.), Rossijskij Institut Istorii Iskusstv, St. Petersburg, 2011, pp. 52-65.
Ader, Lidia Olegovna. "Rosyjska muzyka mikrotonowa w latach 10.-20. XX wieku: teorie i praktyki", Glissando: Magazyn o muzyce wspólczesnej vol. 17, Warsaw, 2011, pp. 78-82.
Ader, Lidia Olegovna. "Microtonal idea: Its Origin and Premises" (in Russian), Opera Musicologica vol. 3-4 no. 9-10, 2012, pp. 114-134.
Ader, Lidia Olegovna. "Avant-garde headquarters (The Circle of Quarter-tone Music in Petrograd Conservatory)", Opera Musicologica vol. 2, 2012, pp. 80-88.
Ader, Lidia Olegovna. Mikrotonovaja muzika v Evrope i Rossii v 1900-1920e godi. MSc thesis, Gosudarstvennaâ Konservatoriâ imeni N.A. Rimskogo-Korsakova, St. Petersburg, 2013.
Ader, Lidia Olegovna. "Game of two cities: Russian microtonal contests in 1920s" (in Russian), Papers collection, Margarita Katounian (ed.), Moscow, 2013.
Ader, Lidia Olegovna. "Microtonal Russia: 1950-1970s myths and realities", New Sound vol. 41 no. 1, Sep 2013, pp. 42-57.
Ader, Lidia Olegovna. "Parallel History of Russian Musical Avant-garde", Lietuvos muzikologija vol. 16, 2015, pp. 90-101.
Ader, Lidia Olegovna. "Elementy romantyczne w muzyce mikrotonowej (The Romantic Approach in Microtonal Music)", Twórczosc kompozytorów slowianskich I polowy XX wieku, Kinga Krzymowska-Szaco (ed.), Lublin, 2017, pp. 157-168.
Ader, Lidia Olegovna. "Introduction to Microtonal Music", Microtonal Music in Central and Eastern Europe: Historical Outlines and Current Practices, Leon Stefanija and Ruta Staneviciute (eds.), University of Ljubljana, Litovska akademija za glasbo in gledalisce, Vilnius, 2020, 34 pages.
Adkins, Cecil D. The Theory and Practice of the Monochord. PhD thesis, University of Iowa, Ioway City, 1963. Reprint UMI Dissertation Services (64-3344), Ann Arbor, 501 pages.
Adkins, Cecil D. "The Technique of the Monochord", Acta Musicologica vol. 39 fasc. 1/2, Jan-June 1967, pp. 34-43.
Adkins, Cecil D. "David Creese: The Monochord in Ancient Greek Harmonic Science (book review)", Journal of the American Musical Instrument Society vol. 39, 2013, pp. 206-207.
Adlington, Robert. "Antara by George Benjamin (CD review)", The Musical Times vol. 135 no. 1812, Feb 1994, p. 95.
Adlung, Jakob. Anleitung zu der musikalischen Gelahrtheit, theils vor alle Gelehrte, so das Band aller Wissenschaften einsehen, theils vor die Liebhaber der edlen Tonkunst überhaupt, theils und sonderlich vor die, so das Clavier vorzüglich lieben, theils vor die Orgel- und Instrumentenmacher. J.D. Jungnicol, Erfurt, 1758, 844 pages. Also here. 2nd edition, Johann Adam Hiller (ed.), Breitkopf, Dresden/Leipzig, 1783. Facs. reprint, Hans-Joachim Moser (ed.), Documenta Musicologica Bd. 4, Bärenreiter, Kassel, 1953.
Adlung, Jakob; Johann Lorenz Albrecht (ed.) and Johann Friedrich Agricola. Musica mechanica organoedi: Das ist: Gründlicher Unterricht von der Struktur, Gebrauch und Erhaltung [et]c. der Orgeln, Clavicymbel, Clavichordien und anderer Instrumente ... ; Nebst zwey Tabellen und vielen Figuren. Friedrich Wilhelm Birnstiel, Berlin, 1768, 205 pages. Also here and here. Facs. reprint, Christhard Mahrenholz, Bärenreiter, Kassel, 1930, 1961. English translation Musical mechanics for the organist by Quentin Faulkner, Zea E-Books, Lincoln NE, Oct 2011, 1224 pages (incl. original).
Adou, Heather Maxwell. "Acoustic Aspects of the Balani of Mali", SAVAIL Working Papers, 2003.
Adriaansz, Peter. "How I Became a Convert", Thirty-One vol. 1, summer 2009, pp. 8-33.
Aellig, Markus. "Die unendliche Geschichte von der Orgelstimmung", WWW, July 2021.
Aerts, Diederik. "Intrinsic Harmonic Spaces: A Solution to the Ancient Problem of Perfect Tuning", arXiv 2104.10793, WWW, Apr 2021, 21 pages.
Agayeva, S. and S. Hajiyev. "On the Problems of Research the Pitch System of Azerbaijani Mughams", Proceedings of the IInd International Musicological Symposium Space of Mugham, M. Aliyeva (ed.), 15-17 March 2011, International Council for Traditional Music, Baku, 2011, pp. 19-30.
Ager, Klaus. "Der Ultrachromatismus Ivan Wyschnegradskys in melodischer und rhythmischer Hinsicht", Mikrotöne I, Edition Helbling, Innsbruck, 1986, pp. 123-126.
Ager, Klaus; Johannes Kretz; Klaus Lang; Hossam Mahmoud and Dana Cristina Probst. "Mikrotonal komponieren", Österreichische Musikzeitschrift vol. 63 no. 7, July 2008, pp. 26-31. Also here.
Aggelos, Bousmpouras. "Perceiving patterns of ratios when they are converted from relative durations to melody and from cross rhythms to harmony", Journal of Music and Dance vol. 8 no. 1, Jan 2018, 12 pages.
Agmon, Eytan. Diatonicism, Chromaticism and Enharmonicism: A Study in Cognition and Perception. City University of New York, University Microfilms International, 1986, 257 pages.
Agmon, Eytan. "A Mathematical Model of the Diatonic System", Journal of Music Theory vol. 33 no. 1, spring 1989, pp. 1-25. Correction in vol. 33 no. 2, 1989, p. 462.
Agmon, Eytan. "Equal Division of the Octave in a Scarlatti Sonata", In Theory Only vol. 13 no. 5, 1990, pp. 1-8.
Agmon, Eytan. "Linear Transformations Between Cyclically Generated Chords", Musikometrika vol. 3, 1991, pp. 15-40.
Agmon, Eytan. "Towards a Theory of Diatonic Intonation", Interface vol. 22 no. 2, 1993, pp. 151-163.
Agmon, Eytan. "Coherent Tone-Systems: A Study in the Theory of Diatonicism", Journal of Music Theory vol. 40 no. 1, spring 1996, pp. 39-59.
Agmon, Eytan. "Numbers and the Western Tone-System: Beyond Psychoacoustics", Journal of the American Mathematical Society, Mar 2003, 18 pages.
Agmon, Eytan. "Proto-Tonal Theory: Tapping into 9th-Century Insights", Music Theory Spectrum vol. 35 no. 1, spring 2013, pp. 103-110.
Agmon, Eytan. "Communicating the Primary Intervals", The Languages of Western Tonality, Computational Music Science, Springer, Berlin/Heidelberg, 2013, pp. 67-81.
Ágnes, Ratkó. Eine Annäherung an historische Stimmungen aus künstlerischer Sicht. MSc thesis, Liszt Ferenc Universität für Musik Doktorandenschule Nr. 28 zur Wissenschaft der Kunst- und Kulturgeschichte gehörend, Budapest, 2009.
Agon, Carlos and Moreno Andreatta. "Outils informatiques pour la classification et la notation des structures micro-intervalliques", Séminaire MaMuX, séance Micro-tonalité et systématique modale, IRCAM, Paris, 8 Nov 2003.
Aguilar, Juan R. and Renato Salinas. "New Trends in Sound Synthesis and Automatic Tuning of Electronic Musical Instruments", Revista Facultad de Ingeniería, U.T.A. vol. 11 no. 2, University of Santiago of Chile, Dec 2003, pp. 17-23.
Agustín-Aquino, Octavio Alberto; Julien Junod and Guerino Mazzola. "Towers of Counterpoint", Computational Counterpoint Worlds, Computational Music Science, Springer, 2015, pp. 135-148.
Agustín-Aquino, Octavio Alberto and Guerino Mazzola. "Modulation in Tetradic Harmony and its Role in Jazz", arXiv 1809.04755, WWW, Sep 2018, 8 pages.
Agricola, Johann Friedrich. Anleitung zur Singkunst. George Ludewig Winter, Berlin, 1757, 93 pages. Facs. edition by Erwin R. Jacobi (ed.), Hermann Moeck Verlag, Celle, 1966.
Agricola, Martin. Musica instrumentalis deudsch, ynn welcher begriffen ist, wie man nach dem Gesange auff mancherley pfeiffen lernen sol, auch wie auff die Orgel, Harffen, Lauten, Geigen und allerley Instrument und Seytenspiel nach der rechtgegründten Tabelthur sey abzusetzen. Georg Rhau, Wittemberg, 1528, 1529, 1542, enlarged 1545, 295 pages. Facs. edition, Breitkopf und Härtel, Leipzig, 1896. Reprint Georg Olms Verlag, Hildesheim, 1969. Also here. English translation A Treatise on Musical Instruments, 1529 and 1545 by William E. Hettrick (ed.), Cambridge University Press, Cambridge, 1994, 214 pages.
Agricola, Martin. Musica figuralis deudsch: mit ihrem zugehörenden Exempeln, sampt einem besunderlichen schönen Büchelein von den Proportionibus, welche allen gemeinen Sengern, Instrumentisten und Anhebern dieser Kunst, ganz nützbarlich zu wissen, auffs einfeltigst und vorstentlichst ins Deudsche verfasset. Georg Rhau, Wittemberg, 1532, 120 pages. Also here.
Agricola, Martin. Rudimenta musices, quibus canendi artificium compendiosissime complexum, pueris una cum monochordi dimensione traditur. Georg Rhau, Wittemberg, 1539. Also here. Reprint Broude Brothers, New York, June 1966. English translation The Rudiments of Music by John Trowell, Boethius Press, Aberystwyth, July 1991, 132 pages.
Agustín-Aquino, Octavio; Jeffery Liu and Guerino Mazzola. "Exploring Exotic Counterpoint Compositions", arXiv 2106.00806, WWW, June 2021, 18 pages.
Ahlvers, Arthur. Zahl und Klang bei Platon. Noctes Romanae: Forschungen über die Kultur der Antike, Verlag Paul Haupt, Bern & Stuttgart, 1952, 67 pages. English translation Number and Sound in Plato by John Black, Studies in the History of Philosophy vol. 67, Edwin Mellen Press, Lewiston NY, 2002.
Ahola, Anu. "Sampo Haapamäki: Quarter-Tone Miracle Man", Suomalaisen Musiikin Tiedotuskeskus/Finnish Music Information Centre (FIMIC), 2012.
Ahrend, Jürgen. "Die Restaurierung der Arp Schnitger-Orgel von St. Jacobi in Hamburg", Die Arp-Schnitger-Orgel der Hauptkirche St. Jacobi in Hamburg, Heimo Reinitzer (ed.), Christians, Hamburg, 1995, pp. 167-265.
Ahrens, Alvin W. "Characteristic Limitations of the Internal Tuning of Selected Wind Instruments", Journal of Experimental Education vol. 15 no. 4, June 1947, pp. 269-290.
Ahrens, Christian. "Anmerkungen zu Birsaks Frequenzmessungen an 2 Chalumeaux", Die Musikforschung vol. 28 no. 4, Bärenreiter, Oct-Dec 1975, pp. 442-443.
Ahrens, Christian. "Ein griechischer Volksmusiker und sein Instrument. Zur Stimmung folkloristischer Aerophone", Studia Instrumentorum Musicae Popularis vol. 7, Erich Stockmann (ed.), Music museum, Stockholm, 1981, pp. 95-101.
Aikin, Jim. "Discover 19-Tone Equal Temperament", Keyboard, Mar 1988, pp. 74-80.
Aikin, Jim. "Just intonation with synth tuning tables", Keyboard, Nov 1994.
Aikin, Jim. "Playing in the Cracks, Electronic Musician, June 2003.
Aikin, Jim (ed.) "An Interview with Robert Rich", Keyboard, 2004.
Aikin, Jim. "Just Intonation Tutor", WWW, 2006.
Aimé, Puech. "Théodore Reinach. La Musique grecque (book review)", Journal des Savants vol. 2, 1927, pp. 88-89.
Ainslie Hight, G. "Scales and Tonality", The Musical Times vol. 62 no. 946, Dec 1921, pp. 859-860. Also here.
Airoldi, Roberto. La teoria del temperamento nell'etá di Gioseffo Zarlino. Presentazione a cura di Elena Ferrari Barassi (ed.), Ed. Turris, Cremona, 1989, 172 pages.
Airy, George Bidell. On Sound and Atmospheric Vibrations with the Mathematical Elements of Music. MacMillan and Co, London and Cambridge, Mar 1868, 1871, 280 pages. Reprint Adamant Media Corporation, 2001, 367 pages.
Aiton, E.J.; A.M. Duncan and J.V. Field (eds.) The Harmony of the World by Johannes Kepler. Translated into English with an Introduction and Notes. Memoirs of the American Philosophical Society vol. 209, The American Philosophical Society Press, Philadelphia, 1997, 549 pages.
Aji, Jerfi (ed.) "Microtonal Guitar Interview with Tolgahan Cogulu", Soundboard vol. 36 no. 3, 2010, pp. 80-81, 101.
Ajotikar, Rasika (ed.) "Sound Collections and Postcolonial India's Cultural Politics: An Interview with Felix van Lamsweerde", the world of music vol. 10 no. 1, Göttingen, 2021, pp. 21-37.
Akbel, Burcu Avci. "Ögretim Elemanlarinin Viyolonsel Egitiminde Türk Müziginin Kullanilma Durumuna ve Ögretim Yöntemlerine Iliskin Görüsleri" (Opinions of Instructors on The Teaching Methodsof Turkish Music in Cello Education), Egitimde Nitel Arastirmalar Dergisi vol. 6 no. 2, July 2018, pp. 84-107 with English abstract.
Akkoç, Can. "Non-Deterministic Scales Used in Traditional Turkish Music", Journal of New Music Research vol. 31 no. 4, Dec 2002, pp. 285-293.
Akkoç, Can; William A. Sethares and Mustafa Kemal Karaosmanoglu. "Experiments on the Relationship between Perde and Seyir in Turkish Makam Music", Music Perception: An Interdisciplinary Journal vol. 32 no. 4, Apr 2015, pp. 322-343.
Aksoy, Bülent, "Makamin Tanimina Dogru", 1995. Trans. K. Agartan. Musikisinas, Bogaziçi University Turkish Music Club Publication, 2000, pp. 70-87.
Aksoy, Bülent. Avrupali Gezginlerin Gözüyle Osmanlilarda musikî. 2nd rev. ed., Pan Yayincilik, Istanbul, 2003.
Alaleona, Domenico. "I moderni orrizonti della tecnica musicale. Teoria della divisione dell'ottava in parti uguali", Rivista Musicale Italiana vol. 18, 1911, pp. 382-420.
Alaleona, Domenico. "Le tonalità neutre e l'arte di stupore", Rivista Musicale Italiana vol. 18, 1911, pp. 769-838.
Al-attas, Ahmad Fahmy. "Tala", WWW, 2015, 94 pages.
Albèra, Philippe. "Ivan Wyschnegradsky 'Quatuor no.1' opus 13 (1923-24) (music review)", Concert vol. 10, Contrechamps, Genève, 2000.
Albersheim, Gerhard. "Overtones and Music Theory", Bulletin of the American Musicological Society no. 11/12/13, Sep 1948, pp. 69-71.
Albersheim, Gerhard. "Die Tonstufe", Die Musikforschung vol. 16 no. 2, Apr-June 1963, pp. 139-152. English translation "The Scale Step", Philosophy and Phenomenological Research vol. 26 no. 1, Sep 1965, pp. 63-79.
Albersheim, Gerhard. "On some new ideas in the psychology and theory of music", Journal of the Indian Musicological Society vol. 11 no. 3-4, Sep-Dec 1980.
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Anglmayer, Paul. "Physical Modelling von Blechblasinstrumenten und dessen Anwendung zur Intonationsoptimierung von Trompeten", Tagungsprogramm zum 19. Musikinstrumentenbau-Symposium in Michaelstein 20.-22.11.1998, Michaelstein, 1998, pp. 28-29.
Aning, Ben. "Tuning the kora: A case study of the norms of a Gambian musician", Journal of African Studies vol. 9 no. 3, Washington DC, autumn 1982, pp. 164-175.
Anmarkrud, Bjørn. De ulike felestille i hardingfeletradisjonene. MA thesis, Musicology, University of Oslo, 1975, 168 pages.
Annoni, Maria Therese. Tuning, temperament and pedagogy for the vihuela in Juan Bermudo's 'Declaración de instrumentos musicales' (1555). PhD diss., Music Theory, Ohio State University, 1989, 245 pages.
anonymus. Pro clavichordiis faciendis. Erlangen, Manuscript 554, fol. 202v-203r, 1454-1480.
anonymus. Discours non plus mélancoliques que divers, de choses memement qui appartiennent à notre France. Poitiers, 1556, pp. 101-104.
anonymus. Rudimenta musica latino belgica. Jansonius, Amsterdam, 1645.
anonymus. "Temperamentum musicum universalis", Acta Eruditor, Lips. suppl. 1717, p. 114.
anonymus. "Ob und was für Harmonie die Alten gehabt, und zu welcher Zeit dieselbe zur Vollkommenheit gebracht worden", Historisch-kritische Beyträge zur Aufnahme der Musik Band 2 St. 4, 1758, pp. 273-322.
anonymus. Exposition de quelques nouvelles vues mathematiques dans la theorie de la musique. Amsterdam, 1760, 28 pages.
anonymus. Verhandeling, over de Muziek; Waer in men tracht, de zelve tot meerder klaerheit te brengen, van het overtollige te zuiveren, ze gemakkelyker in de beoeffening te maeken en eenen grooteren trap van volkoomenheit te doen bereiken; ten welken einde, Het rechte gebruik der Nooten, Sleutels, Maet- en andere Tekenen wordt opgegeeven, ...als mede Hoe men de Klawier instrumenten tot volkoomenheit kan brengen, met eene beschryving van een nieuw uitgevonden Klavesimbel, waer op alle moogelyke klanken zuiver zyn. Jan Abraham Bouvink, 's-Gravenhage, 1777, 379 pages.
anonymus. Moyens De Diviser Les Touches Des Instruments à Cordes....Un Moyen D'Accorder Les Clavessins. Mérigot le jeune, Paris, 1780.
anonymus. "cf. Vol. 'Musique' et 'Arts et métiers' où l'on trouve divers articles concernant l'accord de l'orgue et du clavecin dont une description du Kirnberger II d'après Sulzer. Cf. également le mot 'système'", Encyclopedie Methodique, Panckoucke, Paris, 1782-1792.
anonymus. Méthode la plus facile pour accorder les clavecins et forte-piano. Imbault, Paris, 1789.
anonymus. Anweisung der mechanischen Behandlung, das Klavier nach einer vorgeschlagenen neuen Temperatur zu stimmen. Hilscher, Dresden, 1790, 2 pages.
anonymus. A New and Easy Method for Tuning the Grand and Small Piano-Forte, and Harpsichord, With Proper Instructions, and Descriptions of the Rules to Be Observed in Performing the Same. A. Coblenz, London, 1797.
anonymus. "Observations on Earl Stanhope's Musical Work", The Monthly Magazine vol. 22 no. 1, 1806, pp. 112-115.
anonymus. "Observations on Earl Stanhope's late publication", The Monthly Magazine vol. 22 no. 2, British Register, Richard Phillips, London, Sep 1806, pp. 112-115.
anonymus. "Reviews of Lord Stanhope 'Principles of the Science of tuning Insturments with fixed Tones', and John Farey 'On Music'", Retrospect of Philosophical, Mechanical, Chemical, And Agricultural Discoveries, J. Wyatt, London, Oct-Dec 1806, pp. 412-421.
anonymus. "Remarks on Earl Stanhope's Musical Work", The Monthly Magazine vol. 22 no. 1, 1806, pp. 349-351.
anonymus. "Reply to Dr. Calcott, on Temperament, &c. in Music", The Monthly Magazine vol. 24 no. 1, 1807, pp. 29-30.
anonymus. "Remarks on the Rev. C. J. Smyth's Letter on Systems of Tuning Musical Instruments", The Philosophical Magazine vol. 36, London, Aug 1810, pp. 165-167.
anonymus. "An Examination of the Instructions given in an anonymous Pamphlet published in 1809, for Tuning an Equal Temperament of the Musical Scale", The Philosophical Magazine vol. 36, London, Aug 1810, pp. 167-171.
anonymus. "On the Scale of Certain Musical Instruments, which are said to be without Temperament", The Monthly Magazine vol. 29 no. 1, 1810, pp. 115-116.
anonymus. "No Friend To Tuning Quacks: On Tuning Musical Instruments", The Philosophical Magazine vol. 37, Mar 1811, pp. 185-187.
anonymus. "William Steetz: New Musical Publications: A Treatise on the Elements of Music, in a series of Letters to a Lady. Illustrated with Plates (book review)", The Monthly Magazine, Monthly Literary Register vol. 34, 1812, p. 350.
anonymus. "Explanation of the Musical Scale", The North-American Review and Miscellaneous Journal, 1816, pp. 18-32.
anonymus. Osservazioni Sul Temperamento Proprio Degl'Istromenti Stabili: Dirette Agli Accordatori Di Pianoforte Ed Organo. G. Ricordi, Milan, 1816.
anonymus. "J.T. Lehmann: Gründliches vollständiges und leichtfaßliches Stimmsystem. Wie ein jeder Fortepianos...auf die beste und leichteste Art rein und richtig in kurzer Zeit stimmen lernen kann (book review)", Leipziger Literatur Zeitung no. 259, Breitkopf & Härtel, Leipzig, Oct 1827, pp. 1802-1803, 1812-1834, 2072.
anonymus. "On Major and Minor Semitones", The Harmonicon vol. 2 no. 1, W. Pinnock, Edinburgh, Mar 1828, pp. 97-101.
anonymus. "On the Characters of the Keys", The Harmonicon vol. 2 no. 1, W. Pinnock, London, Dec 1828, p. 6; pp. 26-27; pp. 79; pp. 103-104; pp. 180-181.
anonymus. "Johann Heinrich Scheibler: Der physikalische und musikalische Tonmesser ... (book review)", Algemeine Literatur-Zeitung vol. 2 no. 83, Mai 1835, pp. 38-40.
anonymus. "Woolhouse's Essay on Musical Intervals, &c. (book review)", The Westminster Review vol. 23 no. 1, July 1835, pp. 100-102.
anonymus. The Tuner's Guide: Containing A Complete Treatise on tuning the Piano-Forte, Organ, Melodeon, and Seraphine; together with A Spcification Of Defects And Their Remedies. 2nd edition, Musical Bouquet Office, London, c.1835. J. Allen, Boston, c.1840, 72 pages. Oliver Ditson, New York. Berry & Gordon, Philadelphia. J.E. Gould, Cincinnati OH. D.A. Truax, c.1840.
anonymus. "Für Orgelbauer und Orgelfreunde: Tabelle zur Ermittelung des Tones a auf der Orgel und Stimmungstafel für die Orgel", Allgemeine Musikalische Zeitung vol. 38 no. 12, Friedrich Rochlitz (ed.), Oct 1836, pp. 703-704.
anonymus. "Was verstehen wir unter mathematischer Temperatur?", Cäcilia no. 73-76, Mainz, 1837.
anonymus. "On the laws of Harmony. From the Persian; by an attaché to the Persian Embassy", The Musical World vol. 12 no. 176, Aug 1839, pp. 210-212.
anonymus. "Disposition der von J.F. Schulze erbauten Orgel in der Marienkirche zu Wismar. Anmerkungen no. 6", Allgemeine Musikalische Zeitung vol. 44 no. 52, Apr 1842, p. 1050.
anonymus. Ganz Neue Und Vollständige Anleitung, Nach Welcher Man Clavierinstrumente Temperiren...Nach Asioli, Pizzati, D'Alembert, Rameau, Kirnberger, Vogler, Weller, Fritzen. Artaria Verlag, Vienna.
anonymus. "Ueber mathematische Stimmung, gleichmässige und ungleichmässige Temperatur überhaupt, so wie über Orgel- und Klavierstimmung nach der Scheibler'schen Methode insbesondere. Ein Leitfaden für Musiker, Organisten, Instrumentenmacher, Klavier- und Orgelstimmer von L. Schwabe, Kantor an der Stadtkirche zu Giessen (book review)", Allgemeine Musikalische Zeitung vol. 50 no. 40, Oct 1848, pp. 651-655.
anonymus. "Zur Geschichte der Charakteristik der Tonarten", Niederrheinische Musik-Zeitung für Kunstfreunde und Künstler vol. 5 no. 17 and no. 19, DuMont-Schauberg, Cologne, 09 May 1857.
anonymus. "Theory and Practive of Just Intonation: with a View to the Abolition of Temperament by Effingham Wilson (article review)", The Living Age vol. 54 no. 689, Aug 1857, p. 352.
anonymus. On the Principles and Practice of Just Intonation. 6th edition, 1862.
anonymus. "The Principle and Practice of Just Intonation by T. Perronet Thompson (book review)", Orchestra and the Choir vol. 6 no. 153, Sep 1866, p. 358.
anonymus. "Zur Temperatur-Frage", Leipziger Allgemeine Musikalische Zeitung vol. 1 no. 45, Nov 1866, pp. 356-358.
anonymus. "Nochmals zur Temperatur-Frage", Allgemeine Musikalische Zeitung vol. 51 no. 51, G.W. Fink (ed.), Dec 1866, pp. 408-410.
anonymus. "Correspondence: Mr. R. Brown, of Fairlie, has kindly addressed us a long and abstruse reply to two of Mr. Parkinson's queries in our paper of the 29th of September", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 5, William Reeves, London, 1866, p. 309.
anonymus. "A Contemplated Act of Vandalism", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 9, William Reeves, London, 1868, p. 72.
anonymus. "A Reply to Mr. Essex", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 9, William Reeves, London, 1868, p. 73.
anonymus. "Organ News", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 9, William Reeves, London, 1868, pp. 89-90.
anonymus. "Bericht der Wetterauischen Gesellschaft für die Gesamte Naturkunde zu Hanau: über den Zeitraum .... 1863/67. - 1868", Wetterauische Gesellschaft für die Gesamte Naturkunde, Hanau, 1868.
anonymus. "Bericht. 8. 1866/68. - 1868", Naturforschende Gesellschaft Bamberg, Bamberg, 1868.
anonymus. "Colonel Perronet Thompson's Organ (letter)", The Musical World vol. 47 no. 41, Oct 1869, p. 707.
anonymus. Die Kunst des Klavierstimmens: [Aus Schafhäutls Nachlass.] Anweisung wodurch sich jeder Musikverständige sein Klavier selbst rein stimmen und etwaige Störungen in der Mechanik beseitigen kann. Nebst belehrenden Regeln bei Ankauf, Transport, Aufstellung und Haltung desselben. Eine neue leicht begreifliche Stimm-Methode auf 48 jährige Erfahrung begründet von einem praktischen Klavierstimmer und Lehrer. Verlag von Carl Minde, Leipzig, c.1870, 64 pages.
anonymus. "The Tritone: a Method of Harmony and Modulation by Joseph N. Green (book review)", The Athenaeum no. 2282, 22 July 1871, pp. 119-120.
anonymus. "Reply to Query 12217: Violin Tuning", English Mechanic and World of Science no. 379, E.J. Kibblewhite (ed.), 28 June 1872, pp. 391-392.
anonymus. "Query 4598: The Tremolo on the Violin - Violin Tuning and Fiddleana", English Mechanic and World of Science no. 379, E.J. Kibblewhite (ed.), 28 June 1872, pp. 487-488.
anonymus. "Query 4626: The Harp", English Mechanic and World of Science no. 379, 28 June 1872, pp. 510-511.
anonymus. "Query 4740: On Tuning, and Reduction in the Size of Musical Instruments", English Mechanic and World of Science no. 379, 28 June 1872, p. 567.
anonymus. "Query 4806 and 4842: Tuning Keyed Instruments", English Mechanic and World of Science no. 379, 28 June 1872, p. 618, 643.
anonymus. "Die reine oder natürliche Stimmung musikalischer Instrumente", Musikalisches Wochenblatt: Organ für Musiker und Musikfreunde, Ludwig Frankenstein (ed.), Fritzsch, Leipzig, 26 July 1872.
anonymus. "Science in Music", Nature: the international journal of science vol. 11, Macmillan Publishers Limited, London, 3 Dec 1874, pp. 88-89.
anonymus. "An Organist of Fifty Years Ago Upon Tuning", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 6, William Reeves, London, 1874, pp. 34-35.
anonymus. "Meetings of Societies. Musical Association (meeting review)", The Academy vol. 7 no. 145, Feb 1875, p. 172.
anonymus. "A.J. Ellis: Musical Duodenes (article review)", The Galaxy vol. 19 no. 3, Mar 1875, p. 412.
anonymus. "John Curwen: A Tract on Musical Statics: An Attempt to Show the Bearing of the Facts of Acoustics on Chords, Discords, Transitions, Modulations and Tuning (book review)", 1875, William Reeves, London, pp. 7-10. The Musical Times and Singing Class Circular vol. 17 no. 389, July 1875, p. 151.
anonymus. "On the Sensations of Tone as a Physiological Basis for the Theory of Music by Hermann Helmholtz (book review)", The Athenaeum no. 2493, Aug 1875, p. 190.
anonymus. "On the Sensations of Tone as a Physiological Basis for the Theory of Music by Hermann Helmholtz (book review)", Orchestra and the Choir vol. 2 no. 13, Aug 1875, pp. 14-15.
anonymus. "The Musical Association: Dr. Stephen's Lecture on the Fallacies of Dr. Day's Theory of Harmony", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 8, William Reeves, London, p. 98.
anonymus. "Musical Intelligence: The Musical Association", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 8, William Reeves, London, 1875, p. 365.
anonymus. "Mr. Brown's 'Voice-Organ'", Orchestra and the Choir vol. 2 no. 21, Apr 1876, pp. 264-265.
anonymus. "The Enharmonic Organ", The Quaver vol. 6, June 1876, p. 40.
anonymus (A.R.C.) "Just Intonation", Nature: the international journal of science vol. 15, Macmillan Publishers Limited, London, Dec 1876, pp. 159-160.
anonymus. "Hindu Music", The Musical Times and Singing Class Circular vol. 18 no. 409, Mar 1877, pp. 111-113.
anonymus. "Novello's Music Primers by Stainer (ed.), The Scientific Basis of Music by W.H. Stone et al. (book reviews)", The Musical Times and Singing Class Circular vol. 19 no. 422, Apr 1878, pp. 221-222.
anonymus. "The Philosophy of Music by William Pole (book review)", The Musical Times and Singing Class Circular vol. 20 no. 438, Aug 1879, pp. 418-420. Also here.
anonymus. "The 'Natural' Scale by Alexander Ellis (article review)", Orchestra and the Choir vol. 12 no. 149, Apr 1885, pp. 6-7.
anonymus. "Alexander J. Ellis: Musical Scales of Various Nations (book review)", Orchestra and the Choir vol. 12 no. 149, Apr 1885, pp. 7-8.
anonymus. "On the Sensations of Tone, as a Physiological Basis for the Theory of Music by H.L.F. Helmholtz, Alexander J. Ellis (book review)", Orchestra and the Choir vol. 12 no. 172, Sep 1885, pp. 280-281.
anonymus (A.O.D.) "De gustibus - Musical temperament", Knowledge: An Illustrated Magazine of Science Plainly Worded-Exactly Described vol. 8 no. 199, Aug 1885, p. 166.
anonymus (A.O.D.) "Musical Temperament", Knowledge: An Illustrated Magazine of Science Plainly Worded-Exactly Described vol. 8 no. 204, Sep 1885, p. 276.
anonymus. "The meaning of musical keys (letter)", Orchestra and the Choir vol. 12 no. 191, Jan 1886, p. 511.
anonymus. "On the Sensations of Tone, as a Physiological Basis for the Theory of Music by H.L.F. Helmholtz, Alexander J. Ellis (book review)", The Musical Times and Singing Class Circular vol. 27 no. 522, Aug 1886, pp. 481-484. Also here.
anonymus. "W.S.B. Woolhouse: Treatise on Musical Intervals, Temperament, and the Elementary Principles of Music (book review)", The Musical Times and Singing Class Circular vol. 30 no. 552, Feb 1889, p. 106.
anonymus. "Dr. Shoe [sic] Tanaka's Enharmonium", Lyra Ecclesiastica: Monthly Bulletin of the Irish Society of St. Cecilia and List of Catholic Church Music vol. 12, 1891, p. 36.
anonymus (H.T.H.) "Sound and Music by J. Zahm (book review)", American Ecclesiastical Review vol. 8 no. 1, Jan 1893, pp. 70-75.
anonymus. "The Enharmonium (letter)", The Magazine of Music vol. 8 no. 9, Sep 1891, p. 179.
anonymous. "Musical Association (letter)", The Musical Times and Singing Class Circular vol. 38 no. 651, May 1897, p. 317.
anonymus. "Temperament", The Musical Herald and Tonic Sol-fa Reporter no. 634-645, 1900, p. 5.
anonymus. "Vermischtes", Zeitschrift für Instrumentenbau vol. 21 no. 36, Paul de Wit (ed.), Leipzig, 1901, p. 953.
anonymus. Max Meyer: Contributions to a Psychological Theory of Music (book review)", Psychological review, 1901, pp. 633-634.
anonymus. Tuning, care and repair of reed and pipe organs. Niles Bryant School of Piano Tuning, Battle Creek MI, c.1906, 103 pages. Vestal Press, New York, 1968, 87 pages.
anonymus. "Suggesting a New Musical Scale for Modern Composers", The Lotus Magazine vol. 2 no. 4, Apr 1911, pp. 114-116.
anonymus. "Equal Temperament: An Unrealised Theory", The Musical Times vol. 54 no. 840, 1 Feb 1913, pp. 91-92.
anonymus (E.H.B.) "Musical Acoustics based on the Pure Third System by Thorvald Kornerup (book review)", Nature vol. 111 no. 2791, Apr 1923, p. 565.
anonymus. "Quarti di tono", Musica d'oggi vol. 6, 1924, p. 344.
anonymus. "Spoglio di riviste", Il pianoforte vol. 5 no. 11, Nov 1924, p. 301.
anonymus. "Black's Dictionary of Music and Musicians by L.J. de Bekker, A. and C. Black (book review)", Music & Letters vol. 6 no. 1, Jan 1925, pp. 96-97.
anonymus. "The Equal Temperament Committee: A Tuner Speaks", The Musical Times vol. 73 no. 1075, Sep 1932, p. 837.
anonymus. "Wilhelm Dupont: Geschichte der musikalischen Temperatur (book review)", Die Musik vol. 29 no. 1, 1936, p. 70.
anonymus. Chinese music. Edited for and copyrighted by Quon-Quon Company, Los Angeles, 1944, 15 pages.
anonymus. Klokken no. 1 en 2, verslag van de enquête door N.V. Eijsbouts naar het gebruik van de middentoonstemming voor beiaarden. Asten, 1951.
anonymus. "The Archiphone Invented in the Early 1970s by Professor Adrian Fokker", Early Music vol. 7 no. 3, July 1979, p. 11.
anonymus. "Patrizio Barbieri: Acustica, accordatura e temperamento nell'illuminismo veneto (book review)", Orgues meridionales no. 34, 1989, pp. 109-110.
anonymus. "Posvjashhaetsja Ivanu Aleksandrovichu Vyshnegradskomu (Dedicated to Ivan Vyshnegradskii)", Muzykal'naja Akademija vol. 2, 1992, pp. 135-137.
anonymus. The Study of Pitch Frequency of Thai Traditional Music - An HM the King Bhumibol's Initiative. Chulalongkorn University, 1999, RueanKaew Press, Bangkok.
anonymus. "SynKet - (SYNthesizer-KEToff) - Fonosynth (synthesizer review)", WWW, 2006.
anonymous. "Early Keyboard Music by Paul Simmonds (book review)", Early Music vol. 35 no. 3, Aug 2007, pp. 474-477.
anonymus. "13-Limit Extended Just Intonation in Ben Johnston's String Quartet #7 and Toby Twining's 'Chrysalid Requiem'", "Gradual/Tract.", 2008.
anonymus. "Two-part singing and playing in the Istrian scale", WWW, 2008.
anonymus. "What is all this stuff about the Motorola Scalatron?", WWW, Barcelona, Jan 2010.
anonymus. "Archicémbalo, WWW, June 2010.
anonymus. "Jörg Mager. El genio huraño", WWW, Palma de Mallorca, Oct 2010.
anonymus. "A Translation of Arthur Ahlvers' Zahl Und Klang Bei Platon/Number and Sound in Plato (book review)", WWW, 2010.
anonymus. "Oskar Sala. El último artesano", WWW, Palma de Mallorca, Oct 2011.
anonymus. "The Relationship Between Just Intonation and Gesture: Tracking the Evolution of Sound to Inform the Choral Rehearsal", California State University, Los Angeles, 2011.
anonymus. "Eivind Groven's automat for adaptive just intonation. Upgrading of system", Eivind Grovens institutt for renstemming and Notam, Oslo, WWW, 2013.
anonymus (ed.) "Jon Catler 13 Questions", WWW, Mar 2015.
anonymus. "Spektakulärer Orgelneubau in Kassel ab Pfingsten zu hören", Evangelische Kirche in Deutschland, WWW, June 2017.
anonymus. "Tutorial: Microtonality in the IT format", OpenMPT Wiki, WWW, 2020.
anonymus. "The Time Template Method. A Modern Approach to Piano Tuning", WWW, 2020.
anonymus. "Comment accorder un clavecin?", WWW, 2025.
Anselmi, Georgio. De musica. Dieta prima de celesti harmonia, Dieta secunda de instrumento harmonia, Dieta tertia de cantabili harmonia. Parma, 1434. Reedition by Gioseppe Massera (ed.), Historiae Musicae Cultores Biblioteca vol. 14, Leo S. Olshki, Florence, 1961.
Antegnati, Costanzo. L'arte organica. Francesco Tebaldino, Brescia, 1608, 14 pages. English translation by C. Meyer, 1980.
Antokoletz, Elliott. "Diatonic Extension and Chromatic Compression as a Basic Unifying Principle in Bartók's 'Music for Strings, Percussion, and Celesta'", International Journal of Musicology vol. 9, 2000, pp. 303-328.
Anyumba, Henry Owuor. "Contemporary Lyres in Eastern Africa", African Musicology vol. 1 no. 1, A. Darkwa and W.A. Omondi (eds.), Institute of African Studies, Nairobi, Sep 1983, pp. 18-33.
Apel, Willy. Accidentien und Tonalität in den Musikdenkmälern des 15. und 16. Jahrhunderts. PhD thesis, Friedrich-Wilhelms-Universität Berlin, Triltsh & Huther, Berlin, 1936, 82 pages.
Apel, Willy. Geschichte der Orgel- und Klaviermusik bis 1700. Bärenreiter, Kassel, 1967, Feb 2004, 817 pages. English translation The History of Keyboard Music to 1700 by Hans Tischler (ed.), Indiana University Press, Bloomington IN, 1972, 836 pages. Italian translation Storia della musica per organo e altri strumenti da tasto fino al 1700. Sansoni, Firenze, 1985, 3 vols.
Appenheimer, John. "Small Number Ratios and Harmonicity", Computer Music Journal vol. 11 no. 4, winter 1987, pp. 9-10.
Appunn, Anton. Letter to Pietro Blaserna about 48-tone harmonium, Hanau, 12 June 1887.
Appunn, Anton. "Ueber Combinationstöne und Summationstöne", Annalen der Physik vol. 278 no. 2, 1891, pp. 338-343.
Appunn, Georg. "Über die Helmholtzsche Lehre von den Tonempfindungen als Grundlage für die Theorie der Musik, nebst Beschreibung einiger, zum Theil ganz neuer Apparate, welche zur Erläuterung und zum Beweis dieser Theorie geeignet sind", Bericht der Wetterauischen Gesellschaft für die gesammte Naturkunde zu Hanau über den Zeitabschnitt vom 4. October bis 31. Dezember 1867, Friedrich Becker (ed.), Hanau, 1868, pp. 73-90.
Arakishvili, Dimitri. Dasavlet Sakartvelos Khalkhur Simgherata Kilos Tsqoba. Khelovneba, Tbilisi, 1954.
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Araya-Salas, Marcelo. "Is birdsong music? Evaluating harmonic intervals in songs of a Neotropical songbird", Animal Behaviour vol. 84, Elsevier, June 2012, pp. 309-313. Also here.
Arbonés, Javier and Pablo Milrud. La armonía es numérica: Música y matemáticas. Series El mundo es matemático, RBA Coleccionables, WWW, 2012, 164 pages.
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Archambault, Ellen Jane. Andreas Werckmeister (1645-1706) as a Teacher of Composition. PhD thesis, Florida State University, Tallahassee, 1999, 325 pages.
Archbolt, Paul. "What is Microtonal Music?", WWW, July 2025.
Archer, William Kay. "Microtonality Revisited. Genesis of a Music by Harry Partch (book review)", Etc: A Review of General Semantics vol. 8 no. 2, winter 1951, pp. 146-150.
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Archibald, Sean. "Making microtonal scales with Scale Workshop 1.0", WWW, Apr 2019.
Archilla-Segade, Héctor and Patrick Thomas Brady Caldera. "Cuando los intervalos cantan: un estudio sobre afinación y amplitudes interválicas en el ámbito educativo del violín", Revista Internacional de Educación Musical vol. 12 no. 1, WWW, Aug 2024, 10 pages with English abstract.
Ardila, Alfredo Enrique and Maribel Becerra Sierra. "Escalas musicais - Guia Completa para a Técnica Instrumental e a Improvisação, Pensamiento Palabra y Obra no. 14, July-Dec 2015, pp. 45-57.
Arel, Hüseyin Sadettin. Türk mûsikîsi kimindir? (Who does Turkish music belong to?). T.C. Kültür Bakanligi Yayinlari, Istanbul, 1939-1940. Reprint 1969, Ankara, 1988.
Arel, Hüseyin Sadettin. "Modal systems in the Turkish music", Musical Magazine vol. 7, Istanbul, 1948, p. 3.
Arel, Hüseyin Sadettin. Türk musikîsi nazariyati dersleri (Lessons on the theories of Turkish music). vol. 2 of Ileri Türk Musikisi Konservatuari yayinlari, Ileri Türk Musikisi Konservatuari, Hüsnütabiat Matbaasi, Istanbul, 1968, 155 pages. Kültür Bakanligi Yayinlari, Ankara, 1993.
Arellano, Luis. Musical mathematics (the modern theory of scale construction). self-published, Philadelphia PA, 1943.
Arend, Max. "Das chromatische Tonsystem", Sammelbände der internationalen Musikgesellschaft vol. 3 no. 4, Aug 1902, pp. 718-740.
Arfib, Daniel; Jacques Dudon and Patrick Sanchez. "'WaveLoom', logiciel d'aide à la création de disques photosoniques", 3e Journées d'Informatique Musicale, actes du colloque. Cahiers du GREYC, Université de Caen, 1996, pp. 313-319. Proceedings of the 2002 Conference on New Interfaces for Musical Expression, Dublin, 2002.
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Barbieri, Patrizio. "Persistenza dei temperamenti inequabili nell'Ottocento italiano", L'Organo vol. 20, Bologna, 1982, pp. 57-124.
Barbieri, Patrizio. "I temperamenti ciclici da Vicentino (1555) a Buliowski (1699): teoria e pratica 'archicembalistica'", L'Organo vol. 21, Pàtron Editore, Bologna, 1983, pp. 129-208.
Barbieri, Patrizio. "Giuseppe Sarti fisico acustico e teorico musicale", Giuseppe Sarti musicista faentino. Atti del convegno internazionale (Faenza, 25-27 novembre 1983), Mario Baroni and Maria Gioia Tavoni (eds.), Mucchi Editore, Modena, 1986.
Barbieri, Patrizio. Ancora sul temperamento degli organi di S. Petronio. Ancona, 1984.
Barbieri, Patrizio. "Giordano Riccati on the diameters of strings and pipes", Galpin Society Journal vol. 38, Apr 1985, pp. 20-34.
Barbieri, Patrizio. "Il temperamento equabile nel periodo frescobaldiano", Girolamo Frescobaldi nel IV centenario della nascità: Ferrara 1983, Sergio Durante and Dinko Fabris (eds.), Olschki, Firenze, 1986, pp. 387-424.
Barbieri, Patrizio. "Cembali enarmonici e organi negli scritti di Athanasius Kircher - Con documenti inediti su Galeazzo Sabbatini", Enciclopedismo in Roma barocca - Athanasius Kircher e il museo del Collegio Romano fra Wunderkammer e Museo Scientifico, Maristella Casciato; Maria Grazia Ianniello and Maria Vitale (eds.), Marsilio, Venice, 1986, pp. 111-128.
Barbieri, Patrizio and Lindoro Massimo Del Duca. "Renaissance and Baroque Microtonal Music Research in Computer Real Time Performance", Proceedings of the International Computer Music Conference, Oct 1986, Royal Conservatory of Music, The Hague, Paul Berg (ed.), Computer Music Association, San Francisco, 1986, p. 51.
Barbieri, Patrizio. "L'espressione degli 'affetti' mediante l'ineguale accordatura degli strumenti da tasto nel Settecento veneto", Convegno di studi "Organaria veneta: patrimonio e salvaguardia", Centro studi di arte organaria veneta, Vicenza, Oct 1986, pp. 42-67.
Barbieri, Patrizio (ed.); Giordano Riccati; Alessandro Barca and Francesco Antonio Vallotti. Acustica, accordatura e temperamento nell'illuminismo veneto. Series: Pubblicazioni del Corso Superiore di Paleografia e Semiografia Musicale dell'Umanesmo al Barocco no. I:5:2. Edizioni Torre d'Orfeo, Roma, 1987, 382 + 264 pages.
Barbieri, Patrizio (ed.) "La 'Sambuca Lincea' di Fabio Colonna e il 'Tricembalo' di Scipione Stella - Con notizie sugli strumenti enarmonici del Domenichino", La musica a Napoli durante il Seicento, Atti del Convegno Internazionale di Studi, Napoli, 11-14 Apr 1985, Doimenico Antonio D'Alessandro and Agostino Ziino (eds.), Torre d'Orfeo, Roma, 1987, pp. 167-216.
Barbieri, Patrizio. "Martini e gli armonisti 'fisico-matematici': Tartini, Rameau, Riccati, Vallotti", Padre Martini. Musica e cultura nel Settecento europeo, Angelo Pompilio (ed.), Olschki, Florence, 1987, pp. 173-209.
Barbieri, Patrizio. "Juan Caramuel Lobkowitz (1606-1682): Über die musikalischen Logarithmen und das Problem der musikalischen Temperatur", Musiktheorie vol. 2 no. 2, 1987, pp. 145-168.
Barbieri, Patrizio. "Organ tonal finishing and fine tuning (review)", Nuova Rivista Musicale Italiana vol. 21 no. 3, July-Sep 1987, pp. 489-490.
Barbieri, Patrizio and Sandra Mangsen. "Violin Intonation: A Historical Survey", Boston Early Festival, Cornell University Press, Ithaka NY, 1987. Early Music vol. 19 no. 1, Feb 1991, pp. 69-88.
Barbieri, Patrizio. "Il Cembalo Omnicordo di Francesco Nigetti in due memorie inedite di G.B. Doni (1647) e B. Bresciani (1719)", Nuova Rivista Italiana di Musicologia vol. 22, 1987, pp. 34-113.
Barbieri, Patrizio. "Il 'migliore' sistema musicale temperato: 'Querelles' fra Estève, Romieu e altri accademici francesi (c.1740-60)", Note d'archivio per la storia musicale, 1988. Also in L'Organo vol. 27, Bologna, 1991-1992, pp. 31-81.
Barbieri, Patrizio. "An unknown 15th-century French manuscript on organ building and tuning", The Organ Yearbook vol. 20, 1989, pp. 5-20.
Barbieri, Patrizio. "Conflitti di intonazione tra cembalo, liuto ed archi nel 'concerto' italiano del Seicento", Studi Corelliani vol. 4, Pierluigi Petrobelli and Gloria Staffieri (eds.), Olschki, Florence, 1990, pp. 123-153.
Barbieri, Patrizio. "L'intonazione violinistica da Corelli al Romanticismo", Studi Musicali vol. 19 no. 2, 1990, pp. 319-384.
Barbieri, Patrizio. "Gli armonisti padovani del Santo nel settecento", Storia della musica, Neri Pozza Editore, Vicenza, 1990, pp. 199-221.
Barbieri, Patrizio. "Gli ingegnosi cembali e 'violicembali' inventati da Juan Caramuel Lobkowitz per Ferdinando III (c.1650): notizie inedite dal manoscritto Musica", Le meraviglie del probabile. Juan Caramuel 1606-1682. Atti del Convegno internazionale di studi (Vigevano, 29-31 ottobre 1982), Paolo Pissavino (ed.), Edizioni del Comune, Vigevano, 1990, pp. 91-112.
Barbieri, Patrizio. "La 'Nuova teoria di musica' di Alessandro Barca in un inedito esame di Giordano Riccati (1786-90) (book review)", Scritti in onore di Giulio Cattin, Francesco Luisi (ed.), Torre d'Orfeo, Roma, 1990, pp. 159-176.
Barbieri, Patrizio. "Diapason, 'chiavette' et intonation dans l'interprétation de Palestrina", L'interprétation de Palestrina - Journées d'étude, Royaumont, Oct 1990, Association Palestrina, Paris, 1991, pp. 25-43.
Barbieri, Patrizio. "Considerazioni sull' Accordatura Strumentale al Tempo di Mozart", Strumenti per Mozart, Marco Tiella and Romano Vettori (eds.), Longo Editore, Rovereto, 1991, pp. 61-69.
Barbieri, Patrizio. "Calegari, Vallotti, Riccati e le teorie armoniche di Rameau: priorità, concordanze, contrasti", Nuova Rivista Italiana di Musicologia vol. 26 no. 2, 1991, pp. 241-302.
Barbieri, Patrizio. "Krizanic, Caramuel e P.F. Valentini sulla divisione dell'ottava musicale", Krizanicev doprinos teorij glazbe (International Symposium on Juraj Krizanic) vol. 4, Zagreb, 1983. Hrvatska Akademija Znanosti i Umjetnosti u Zagrebu, Zagreb, 1992, pp. 19-40 with Croatian abstract.
Barbieri, Patrizio. "Giordano Riccati fisico acustico e teorico musicale: Con una memoria inedità di acustica architettonica", I Riccati e la cultura della Marca nel Settecento europeo, Olschki, Florence, 1992, pp. 279-304.
Barbieri, Patrizio. "Tartinis Dritter Ton und Eulers Harmonische Exponenten. Mit einem unveröffentlichten Manuskript Tartinis", Musiktheorie vol. 7 no. 3, 1992, pp. 219-234. Revised version in Musiktheorie vol. 8 no. 1, 1993.
Barbieri, Patrizio. "L'accordatura strumentale in Toscana: proposte e contrasti da V. Galilei a Cristofori (c.1580-1730)", Musicologia humana. Studies in honor of Warren and Ursula Kirkendale, Sigfried Gmeinwieser; David Hiley and Joerg Riedlbauer (eds.), Olschki, Firenze, 1994, pp. 209-232.
Barbieri, Patrizio. "Il sistema armonico di Tartini nelle 'censure' di due celebri fisico-matematici: Eulero e Riccati", Tartini. Il tempo e le opere, A. Bombi and M.N. Massaro (eds.), Il Mulino, Bologna, 1994, pp. 321-344.
Barbieri, Patrizio. "L'inarmonicità degli strumenti musicali a corda (1543-1993). Con una memoria inedita di J.-B. Mercadier (1784)", Strumenti, musica e ricerca. Atti del Convegno internazionale, Cremona, 28-29 October 1994, Elena Ferrari Barassi; Marco Fracassi and Giampaolo Gregori (eds.), Ente Triennale Internazionale degli Strumenti ad Arco, Cremona, 2000.
Barbieri, Patrizio. "L'accordatura strumentale in Toscana: proposte e contrasti da V. Galilei a Cristofori (c.1580-1730)", Musicologia humana. Studies in honor of Warren and Ursula Kirkendale, Siegfried Gmeinwieser; David Hiley and Jörg Riedlbauer (eds.), Olschki, Florence, 1994.
Barbieri, Patrizio. "Il mesolabio e il compasso di proporzione: le applicazioni musicali di due strumenti matematici (1558-1675)", Musica, scienze e idee nella Serenissima durante il Seicento. Atti del Convegno Internazionale di studi, Venezia 13-15 dicembre 1993, Francesco Passadore and Franco Rossi (eds.), Edizioni Fondazione Levi, Venice, 1996.
Barbieri, Patrizio. "Musical Instruments and Players in J.-A. Charles's Acoustique (Paris, c. 1787-1802) and Other French Technical Sources", Journal of the American Musical Instrument Society vol. 23, 1997, pp. 94-120.
Barbieri, Patrizio. "Gli strumenti poliarmonici di G.B. Doni e il ripristino dell'antica musica greca (c.1630-1650)", Analecta Musicologica vol. 30, 1998, pp. 79-114.
Barbieri, Patrizio. "The inharmonicity of musical string instruments (1543-1993). With an unpublished memoir by J.-B. Mercadier (1784)", Studi Musicali vol. 27 no. 2, 1998, pp. 383-419. Italian translation by P. Barbieri "L'inarmonicità degli strumenti musicali a corda (1543-1993). Con una memoria inedita di J.-B. Mercadier (1784)", Strumenti, musica e ricerca. Atti del Convegno internazionale, Cremona 28-29 ottobre 1994, Elena Ferrari Barassi; Marco Fracassi and Giampaolo Gregori (eds.), Ente Triennale Internazionale degli Strumenti ad Arco, Cremona, 2000, pp. 254-292.
Barbieri, Patrizio. "Corista, chiavette e intonazione nella prassi romana e veneto-bolognese del tardo Rinascimento", Ruggero Giovannelli [...], Atti del Convegno Internazionale di Studi, Carmela Bongiovanni and Giancarlo Rostirolla (eds.), Fondazione Giovanni Pierluigi da Palestrina, Palestrina, 1998, pp. 433-457.
Barbieri, Patrizio. "G.B. Orazi's Enharmonic Flute and its Music (1797-1815)", Galpin Society Journal vol. 52, 1999, pp. 281-304.
Barbieri, Patrizio and Lindoro Massimo del Duca. "Late-Renaissance Quarter-tone Compositions (1555-1618): The Performance of the ETS-31 with a DSP System", Musical Sounds from Past Millennia: Proceedings of the International Symposium on Musical Acoustics 2001, 2 vols., Diego L. González; Domenico Stanzial and Davide Bonsi (eds.), Fondazione Giorgio Cini, Venice, 2001.
Barbieri, Patrizio. "'Galileo's' coincidence theory of consonances, from Nicomachus to Sauveur", Recercare vol. 13, 2001, pp. 201-232.
Barbieri, Patrizio. "Il temperamento equabile nell'Ottocento napoletano: l'acustico P. A. de Luca (1778-1864) e i suoi manoscritti inediti", L'Organo vol. 35, 2002, pp. 93-122.
Barbieri, Patrizio. "The evolution of open-chain enharmonic keyboards c.1480-1650", "L'evoluzione delle tastiere enarmoniche a catena aperta c.1480-1650", Chromatische und enharmonische Musik und Musikinstrumente des 16. und 17. Jahrhunderts, Schweizer Jahrbuch für Musikwissenschaft vol. 22, Joseph Willimann (ed.), Verlag Peter Lang, Bern, 2002, pp. 145-184, 185-228.
Barbieri, Patrizio. "La nascita delle teorie continue della consonanza. La ignorata curva di Draghetti e Foderà, poi di Helmholtz (1771-1837)", Acta Musicologica vol. 74, 2002, pp. 55-75.
Barbieri, Patrizio. "Temperaments - Historical", Piano: An Encyclopedia, 2nd edition, Robert Palmieri and Margaret W. Palmieri (eds.), Routledge, New York, 2003, pp. 402-409.
Barbieri, Patrizio. "Consonanze, scale e temperamenti", Acustica musicale e architettonica, Sergio Cingolani and Renato Spagnolo (eds.), UTET Libreria, Torino, 2005, pp. 31-70, 913-916.
Barbieri, Patrizio. "Pietro Della Valle: the Esthèr oratorio (1639) and other experiments in the stylus metabolicus. With new documents on triharmonic instruments", Recercare vol. 19 no. 1-2, 2007, pp. 73-124.
Barbieri, Patrizio. "Il revival delle tastiere enarmoniche: nuove soluzioni (1760-1880)", L'Organo vol. 39, 2007, pp. 175-236.
Barbieri, Patrizio. "Cembali a tasti spezzati: 'cromatci' oppure 'enarmonici'?", Bollettino della Deputazione di Storia patria per l'Umbria CV-2, 2008, pp. 125-130. Reprint Arte organaria e musica per organo nell'età moderna. L'Umbria nel quadro europeo, Erika Bellini (ed.), Deputazione di Storia patria per l'Umbria, Perugia, 2008, pp. 125-130.
Barbieri, Patrizio. Enharmonic instruments and music, 1470-1900. Revised and translated studies. Il Levante Libreria Editrice, Latina, 2008, 628 pages with CD.
Barbieri, Patrizio. "On the linear approximation of equal temperament proposed by the organ builder Giambattista De Lorenzi (1870)", Musica e Storia vol. 17, Aug 2009, pp. 451-463. Italian translation by P. Barbieri "Su di una approssimazione del temperamento equabile proposta da Giambattista De Lorenzi (1870)", Contributi per la storia dell'arte organaria e organistica in Italia, Paola Dessì (ed.), Edizioni Fondazione Levi, Venezia, 2012.
Barbieri, Patrizio. "Musiche e strumenti 'alla Greca' nel Seicento italiano", Francesco Buti tra Roma e Parigi: diplomazia, poesia, teatro, Francesco Luisi (ed.), Torre d'Orfeo, Roma, 2009, pp. 349-364.
Barbieri, Patrizio. Physics of wind instruments and organ pipes 1100-2010. New and extended writings. Il Levante Libreria Editrice, Latina, 2013, 580 pages.
Barbieri, Patrizio. "Harps Versus Pianos: Parisian querelles on Tuning 1770-1830", Galpin Society Journal vol. 70, Apr 2017, pp. 45-63.
Barbieri, Patrizio (ed.) Symposium on Nicola Vicentino's Arciorgano and the Clavemusicum Omnitonum, Basel, 23-25 November 2017", Musik-Akademie, Basel, 2017.
Barbieri, Patrizio. Un ignorato manoscritto francese del secolo XV sulla costruzione e accordatura dell'organo", Arte Organaria Italiana vol. 10, 2018, pp. 9-26.
Barbieri, Patrizio. Tuning and temperament: practice vs science 1450-2020. Gangemi Editore, Rome, 2019, 592 pages.
Barbieri, Patrizio. Allargamento tonale nelle composizioni per tastiera al tempo di Frescobaldi. Con sviluppi tardo-seicenteschi verso temperamenti di tipo circolante", Informazione Organistica vol. 31 no. 2, Dec 2019, pp. 179-216.
Barbieri, Patrizio. Quarrels on Harmonic Theories in the Venetian Enlightenment. Libreria Musicale Italiana, Lucca, 2020, 386 pages.
Barbieri, Patrizio. "L'organo romano: nuove acquisizioni sul corista, tastiere e registri, c.1480-1750", Arte organaria italiana vol. 13, 2021, pp. 151-232.
Barbiero, Daniel. "Review of Johnston Quartets 6, 7, 8 (CD review)", Avant Music News, WWW, May 2016.
Barbour, James Murray. "Synthetic Musical Scales", American Mathematical Monthly vol. 36 no. 3, 1929, pp. 155-160. Also here.
Barbour, James Murray. Equal Temperament: its History from Ramis (1482) to Rameau (1737). PhD thesis, Cornell University, Ithaca NY, 1932, 353 pages.
Barbour, James Murray. "The Persistence of the Pythagorean Tuning System", Scripta Mathematica vol. 1, June 1933, pp. 286-304.
Barbour, James Murray. "Nierop's Hackebort", The Musical Quarterly vol. 20 no. 3, July 1934, pp. 312-319. Also here.
Barbour, James Murray. "Just Intonation Confuted", Music & Letters vol. 19 no. 1, Jan 1938, pp. 48-60.
Barbour, James Murray. "Musical logarithms", Scripta Mathematica vol. 7, 1940, pp. 21-31.
Barbour, James Murray. "Bach and the 'Art of Temperament'", The Musical Quarterly vol. 33 no. 1, Jan 1947, pp. 64-89. Also in Garland Library of HWM vol. 6, 1985, pp. 2-27.
Barbour, James Murray. "Music and Ternary Continued Fractions", American Mathematical Monthly vol. 55 no. 9, Nov 1948, pp. 545-555.
Barbour, James Murray. "Irregular Systems of Temperament", Journal of the American Musicological Society vol. 1 no. 3, 1948, pp. 20-26.
Barbour, James Murray. "Musical Scales and Their Classification", Journal of the Acoustical Society of America vol. 21 no. 6, Nov 1949, pp. 586-589.
Barbour, James Murray. "Genesis of a Music by Harry Partch (book review)", The Musical Quarterly vol. 36 no. 1, Jan 1950, pp. 131-135.
Barbour, James Murray. "More on the Leipzig Organ Tuning", Journal of the American Musicological Society vol. 3 no. 1, spring 1950, pp. 41-44.
Barbour, James Murray. Tuning and Temperament: A Historical Survey. Michigan State College Press, East Lansing MI, 1951, 228 pages. Reprint Da Capo Press, New York, 1973. Reprint Dover, New York, 2004, 256 pages. Also here>
Barbour, James Murray. "Les Gammes musicales by Antoine Auda (book review)", Journal of the American Musicological Society vol. 4 no. 1, spring 1951, pp. 40-42.
Barbour, James Murray. "Violin Intonation in the 18th Century", Journal of the American Musicological Society vol. 5 no. 3, autumn 1952, pp. 224-234.
Barbour, James Murray. "The Grammar of South Indian (Karnatic) Music by C. Subrahmanya Ayyar (book review)", Notes vol. 10 no. 4, Sep 1953, pp. 641-642.
Barbour, James Murray. "Alain Daniélou: North Indian Music, vol. II: The Main Ragas (book review)", Notes, Mar 1955, p. 243.
Barbour, James Murray. "Hermann Helmholtz: Sensations of Tone, 2nd English edition, translated by Alexander J. Ellis (book review)", Scripta Mathematica, Mar/Aug 1956, pp. 81-87.
Barbour, James Murray. "A Geometrical Approximation to the Roots of Numbers", The American Mathematical Monthly vol. 64 no. 1, Jan 1957, pp. 1-9.
Barbour, James Murray. "The Principles of Greek Notation", Journal of the American Musicological Society vol. 13 no. 1/3, A Musicological Offering to Otto Kinkeldey upon the Occasion of his 80th Anniversary, 1960, pp. 1-17.
Barbour, James Murray. "Pokorny Vindicated", The Musical Quarterly vol. 49, Jan 1963, pp. 38-58.
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Chalmers, John H. Jr. "Notes and Comments Five", Xenharmonikôn vol. 5, spring 1976, pp. 2-3.
Chalmers, John H. Jr. "Notes and Comments Six", Xenharmonikôn vol. 6, summer 1977, pp. 2-3.
Chalmers, John H. Jr. "Microtonal Mathematics 1", Interval vol. 1 no. 2, 1978, pp. 12-13.
Chalmers, John H. Jr. "Polychordal Arrays of MOS Scales", Xenharmonikôn vol. 7-8, 1979, pp. 156-167.
Chalmers, John H. Jr. "Notes and Comments: Seven and Eight", Xenharmonikôn vol. 7-8, 1979, pp. 2-3.
Chalmers, John H. Jr. "A Collection of Scales with Nineteen Notes", Xenharmonikôn vol. 7-8, 1979, pp. 168-180.
Chalmers, John H. Jr. "Some Additional Nineteen Tone Scales", Xenharmonikôn vol. 7-8, 1979, pp. 181-186.
Chalmers, John H. Jr. "Some Designs for Small Numbered Non-12-Tone Metallophones and Keyboards", Interval vol. 2 no. 4, autumn 1980, pp. 10, 14.
Chalmers, John H. Jr and Ervin M. Wilson. "Combination Product Sets and Other Melodic and Harmonic Structures", Proceedings of the 7th International Computer Music Conference, North Texas State University, Denton TX, 1981. ICMA, pp. 348-362.
Chalmers, John H. Jr. "Report on Visit to the Carrillo Studio", Interval vol. 3 no. 3, 1982, p. 4.
Chalmers, John H. Jr. "Construction and Harmonization of Microtonal Scales in non-twelve-tone Equal Temperaments", Proceedings of the 8th International Computer Music Conference, Venice, 1982, pp. 534-555.
Chalmers, John H. Jr. "Joseph Yasser, 1893 - 1981", Interval vol. 3 no. 4, summer 1982, p. 25.
Chalmers, John H. Jr. "'Dear Ear.' Contains some keyboards for 10-tone Equal Temperament and an All-Interval Row in 10-tone Equal Temperament (letter)", Ear vol. 8 no. 1-2, 1983, p. 2.
Chalmers, John H. Jr. "'Dear Ear.' Contains a listing of All-Interval Rows in various Equal temperaments (letter)", Ear vol. 8 no. 3, 1983, p. 2.
Chalmers, John H. Jr. "Tritriadic Scales with Seven Tones", Xenharmonikôn vol. 9, 1985, pp. 3-19.
Chalmers, John H. Jr. "Tritriadic Scales with Seven Tones, Part Two: Derived Forms and Structural Properties", Xenharmonikôn vol. 10, 1987, pp. 20-31.
Chalmers, John H. Jr. "Tritriadic Transformations", 1/1 vol. 3 no. 1, 1987, pp. 1-9.
Chalmers, John H. Jr. "Report on the American Festival of Microtonal Music's 'Microfest'", 1/1 vol. 4 no. 3, 1988, pp. 12-14.
Chalmers, John H. Jr. "Report on the 1988 Third Coast New Music Project, 'The Eternal Internal-A Festival of Microtonal Musics'", 1/1 vol. 4 no. 3, 1988, p. 15.
Chalmers, John H. Jr. "Easley Blackwood: The Structure of Recognizable Diatonic Tunings (book review)", 1/1 vol. 4 no. 3, 1988, pp. 4-5, 14.
Chalmers, John H. Jr. "Tetrachordal Scales and Complexes", Xenharmonikôn vol. 11, 1989, pp. 1-20.
Chalmers, John H. Jr. "The Nineteen-Tone Instruments of W.A. (Jim) Piehl and Tillman Schafer (instruments review)", Experimental Musical Instruments vol. 4 no. 6, Apr 1989, pp. 5-7.
Chalmers, John H. Jr. "Tritriadic Scales with Seven Tones, Part Three: The M->T and D->M Matrices", Xenharmonikôn vol. 12, 1989, pp. 39-67.
Chalmers, John H. Jr. "Getting in Tune with Microtunings (letter)", Electronic Musician vol. 5 no. 7, July 1989, pp. 13-14.
Chalmers, John H. Jr. "JI Calc 3.11 (software review)", Experimental Musical Instruments vol. 5 no. 6, Apr 1990, pp. 19-20.
Chalmers, John H. Jr. "Three Approaches to Harmony in 13-TET", Xenharmonikôn vol. 13, spring 1991, pp. 53-64.
Chalmers, John H. Jr. "Notes and Comments 13", Xenharmonikôn vol. 13, spring 1991, pp. 2-3.
Chalmers, John H. Jr. "Harmonic and Subharmonic Versions of Kathleen Schlesinger's Harmoniai", 1/1 vol. 7 no. 3, 1992, pp. 4-11.
Chalmers, John H. Jr. "A Compendium of 12-tone Scales in 5-Limit Just Intonation", 1/1 vol. 7 no. 4, 1992, pp. 4-9, 15-16.
Chalmers, John H. Jr. "Carol L. Krumhansl: Cognitive Foundations of Musical Pitch (book review)", Leonardo vol. 25 no. 2, 1992, pp. 221-223.
Chalmers, John H. Jr. "Notes and Comments 14", Xenharmonikôn vol. 14, 1993, pp. 1-2.
Chalmers, John H. Jr. "Just in Fun-Augenskalen", 1/1 vol. 8 no. 1, 1993, p. 2.
Chalmers, John H. Jr. Chalmers's Compendium of Tetrachordal Scales, A set of Ji Calc HyperCard stacks for tuning synthesizers to the scales in 'Divisions'. Frog Peak Music, Lebanon NH, 1993.
Chalmers, John H. Jr. Divisions of the Tetrachord. Frog Peak Music, Hanover NH, 1993, 234 pages.
Chalmers, John H. Jr. "The Triadic Diamond, the Triadic Reversed Diamond, and their Constituent Tetrachords when D = 3/2", Xenharmonikôn vol. 15, autumn 1993, pp. 60-73.
Chalmers, John H. Jr. "The TOUCH-TONE® Signal Pitches as Subsets of Stretched 14-Tone ET's", Xenharmonikôn vol. 15, autumn 1993, pp. 74-80.
Chalmers, John H. Jr. "Cents and Non-Cents: Logarithmic Measures of Musical Interval Magnitude", Xenharmonikôn vol. 15, autumn 1993, pp. 81-95.
Chalmers, John H. Jr. "David Doty: The Just Intonation Primer (book review)", Xenharmonikôn vol. 15, autumn 1993, pp. 96-97.
Chalmers, John H. Jr. "An Anticipation of the Partch Tonality Diamond in Augusto Novaro's Sistema Natural Base del Natural-Aproximado (1927)", 1/1 vol. 8 no. 2, 1994, pp. 9-10.
Chalmers, John H. Jr. "Two Recent Books on Ancient Greek Music, M.L. West's 'Ancient Greek Music' and Andrew Barker's 'Greek Musical Writings II, Harmonic and Acoustic Theory' (book reviews)", 1/1 vol. 8 no. 3, 1994, pp. 2, 16.
Chalmers, John H. Jr. "In Memoriam Ivor Darreg (1917-1994)", 1/1 vol. 8 no. 3, 1994, p. 20. Also in Experimental Musical Instruments vol. 9 no. 4, June 1994, pp. 7-8.
Chalmers, John H. Jr. "The Wayward: Harry Partch at UCSD (music review)", 1/1 vol. 8 no. 4, 1994, pp. 20, 24.
Chalmers, John H. Jr. "Notes and Comments 16", Xenharmonikôn vol. 16, autumn 1995, pp. 1-3.
Chalmers, John H. Jr. "Eduardo Sábat-Garibaldi: Principios de la Gama Dinámica (book review)", Xenharmonikôn vol. 16, autumn 1995, pp. 126-127.
Chalmers, John H. Jr. "Oedipus and Revelation in the Courthouse Park: Harry Partch's Two Music-Dramas on Classical Greek Themes", Didaskalia vol. 3 no. 1, 1996.
Chalmers, John H. Jr. "Notes and Comments 17", Xenharmonikôn vol. 17, spring 1998, pp. 1-3.
Chalmers, John H. Jr. "The Number of 23-Prime-Limit Superparticular Ratios Less Than 10,000,000", Xenharmonikôn vol. 17, spring 1998, pp. 111-115.
Chalmers, John H. Jr. "Notes and Comments 18", Xenharmonikôn vol. 18, 2006, pp. 1-2.
Chalmers, John H. Jr. "Harmonic Scale Transformations", The STEAM Journal vol. 2 no. 2, Nov 2016, pp. 1-5. Also here.
Chalmers, John H. Jr. "Forward (excerpt) to 'Microtonality and The Tuning Systems of Erv Wilson'", Xenharmonikôn, WWW, Oct 2018.
Chalmers, John H. Jr. "Mayer Joel Mandelbaum: Multiple division of the octave and the tonal resources of 19-tone temperament (thesis review)", Current Musicology vol. 5, 2019, pp. 138-142.
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Kellner, Herbert Anton. "Betrachtungen zur Stimmung Werckmeister III von 1691", Das Musikinstrument vol. 26, 1977, pp. 995-996.
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Kellner, Herbert Anton. "Was Bach a Mathematician?", English Harpsichord Magazine vol. 2 no. 2, Apr 1978, pp. 32-36.
Kellner, Herbert Anton. "Wie genau kann mann die Bach-Stimmung nach den Gehör legen?", Das Musikinstrument vol. 27 no. 1, 1978, pp. 35-17.
Kellner, Herbert Anton. "Sur quelques aspects de l'accord du clavecin bien tempéré", Das Musikinstrument vol. 27 no. 9, 1978, p. 1332.
Kellner, Herbert Anton. "A Mathematical Approach Reconstructing J.S. Bach's Keyboard Temperament", Bach vol. 10 no. 4, Riemenschneider Bach Institute, Berea OH, Oct 1979, pp. 2-8, 22. Reprint "A Mathematical Approach Reconstructing J.S. Bach's Keyboard temperament", Bach vol. 30 no. 1, summer 1999, pp. 1-9.
Kellner, Herbert Anton. "Die ungleichstufige Wohltemperierung Bachs auf Bösendorfer-Konzertflügeln", Das Musikinstrument vol. 28, 1979, pp. 1197-1198.
Kellner, Herbert Anton. "'Das wohltemperirte Clavier': Tuning and Musical Structure. In memoriam Friedrich Smend 1893-1980", English Harpsichord Magazine vol. 2 no. 6, Apr 1980, pp. 137-140.
Kellner, Herbert Anton. "Bach's temperament [correspondence]", Early Music vol. 9 no. 1, Jan 1981, p. 141.
Kellner, Herbert Anton. "The Mathematical Architecture of Bach's Goldberg Variations", English Harpsichord Magazine vol. 2 no. 8, 1981, 7 pages.
Kellner, Herbert Anton. "Das C-dur-Praeludium BWV 846 und Forkels Variante", Gesellschaft für Musikforschung, Report, Bayreuth, 1981, pp. 332-339.
Kellner, Herbert Anton. "Der wohltemperirte C-Durdreiklang in kleinsten ganzen Zahlen, 41 und 14", Bach-Jahrbuch 1980, Hans-Joachim Schulze and Christoff Wolf (eds.), 1981.
Kellner, Herbert Anton. "Temperaments for all 24 Keys: A Systems-Analysis", Acta Acustica vol. 52 no. 2, Jan 1983, pp. 106-126.
Kellner, Herbert Anton. "J'accorde mon clavecin", Das Musikinstrument vol. 31, Frankfurt a.M., 1982, 55 pages.
Kellner, Herbert Anton. "Sur quelques aspects de l'accord du clavecin bien tempéré", Revue Musicale de Suisse Romande vol. 35 no. 1, 1982, pp. 26-32.
Kellner, Herbert Anton. "Is there an enigma in Werckmeister's 'Musicalische Temperatur'?", English Harpsichord Magazine vol. 3 no. 7, Oct 1984, pp. 134-136.
Kellner, Herbert Anton. "One typographical enigma in Werckmeister, 'Musicalische Temperatur'", English Harpsichord Magazine vol. 3 no. 8, Apr 1985, pp. 146-151.
Kellner, Herbert Anton. "Did Werckmeister already know the tuning of J.S. Bach for the '48'?", English Harpsichord Magazine vol. 4 no. 1, Oct 1985, pp. 7-11.
Kellner, Herbert Anton. "Neue Perspektiven der Bach-Forschung. Das Rätsel von Bachs Cembalostimmung", Österreichische Musikzeitschrift vol. 40 no. 2-3, Feb 1985, pp. 73-81.
Kellner, Herbert Anton. "Das wohltemperirte Clavier: Implications de l'accord inégal pour l'oeuvre et son autographe", French translation by Christian Meyer. Revue de musicologie vol. 71 no. 1-2, 1985, pp. 143-157.
Kellner, Herbert Anton. "A propos d'une réimpression de la 'Musikalische Temperatur' (1691) de Werckmeister", Revue de musicologie vol. 71 no. 1-2, 1985, pp. 184-187.
Kellner, Herbert Anton. "Comment Bach accordait-il son clavecin?", Flûte à Bec et instruments anciens vol. 13-14, SDIA, Paris, 1985.
Kellner, Herbert Anton. "How Bach quantified his well-tempered tuning within the Four Duets", English Harpsichord Magazine vol. 4 no. 2, 1986, pp. 21-27.
Kellner, Herbert Anton. "F.W. Marpurg's Comments of 1776 on J.S. Bach's Tuning", Das Musikinstrument vol. 35 no. 2, 1986, pp. 74-75.
Kellner, Herbert Anton. "Barocke Akustik und Numerologie in den 'Vier Duetten': Bachs 'musikalische Temperatur'", Bericht über den Internationalen Musikwissenschaftlichen Kongreß Stuttgart 1985, Dietrich Berke and Dorothea Hanemann (eds.), Alte Musik als ästhetische Gegenwart vol. 1, Bärenreiter, Kassel, 1987, pp. 439-449.
Kellner, Herbert Anton. "Einführung in die Praxis historischer Stimmungen", Pianoflügelbau, 1991, pp. 353-361.
Kellner, Herbert Anton. "Kepler, Bach and Gauß, The Celestial Harmony of the Earth's Motion", Bach vol. 25 no. 1, spring-summer 1994, pp. 46-56.
Kellner, Herbert Anton and Christian Meyer. "Le tempérament inégal de Werckmeister/Bach et l'alphabet numérique de Henk Dieben", Revue de musicologie vol. 80 no. 2, 1994, pp. 283-298.
Kellner, Herbert Anton. "A Visualization of Organ Tunings for Perception of their Structure", Das Musikinstrument vol. 44 no. 10, 1995, p. 76.
Kellner, Herbert Anton. "J.S. Bach's Well-Tempered Unequal System for Organs", The Tracker, Journal of the Organ Historical Society vol. 40 no. 3, Richmond VA, 1996, pp. 21-27.
Kellner, Herbert Anton. "Stimmungssysteme des 17. und 18. Jahrhunderts", Alte Musik und Musikpädagogik, Symposium Hochschule für Musik und Darstellende Kunst, Wien, Hartmut Krones (ed.), Reihe Wiener Schriften zur Stilkunde und Aufführungspraxis Bd. 1, Böhlau Verlag, Wien/Köln/Weimar, 1997, pp. 235-265.
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Kellner, Herbert Anton. "Baroque-style Organs well-tempered according to Werckmeister/Bach; Bien tempérer les orgues de style baroque selon Werckmeister/Bach; Orgeln barocken Stils, wohltemperiert nach Werckmeister/Bach", International Society of Organbuilders Journal vol. 4, Mar 1999, pp. 8-14.
Kellner, Herbert Anton. "A Mathematical Approach reconstructing J.S. Bach's Keyboard Temperament", Bach vol. 30 no. 1, spring-summer 1999, pp. 1-9.
Kellner, Herbert Anton. "Considering the Tempering Tonality B-Major in Part II of the 'Well-Tempered Clavier' II", Bach vol. 30 no. 1, spring-summer 1999, pp. 10-25.
Kellner, Herbert Anton. "How BACH encoded his name into 'Die Kunst der Fuge' together with his tuning", Diapason, May 1999, pp. 14-15.
Kellner, Herbert Anton. "Baroque-style Organs well-tempered according to Werckmeister/Bach - Bien tempérer les orgues de style baroque selon Werckmeister/Bach - Orgeln barocken Stils, wohltemperirt nach Werckmeister/Bach", ISO Journal no. 4, Mar 1999, pp. 8-14.
Kellner, Herbert Anton. "Johann Sebastian Bach: the well tempered tuning is unequal", WWW, 2001.
Kellner, Herbert Anton. "Some mathematics", WWW, May 2001.
Kellner, Herbert Anton. "Bach-Numerologie-Gematria", WWW, 2001.
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Kellner, Herbert Anton. "Die Temperirungstonart H-Dur und deren Stücke im Wohltemperirten Clavier", Cöthener Bach-Hefte vol. 10, Veröffentlichungen der Bach-Gedenkstätte Schloss Köthen, 2002, pp. 27-67.
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Leedy, Douglas. "Six Sonatas, Op. 19; For Flute and Continuo by Joseph Bodin de Boismortier, Clifford Bartlett. Sonata G-dur; für Querflöte und Basso continuo by Carl Heinrich Graun, Herbert Kölbel. Sonata; For Flute and Figured Bass (G Major) with the Harmonic Seventh from Vermischte Musikalien (1769) by Johann Philipp Kirnberger, Rudolph Rasch. Pièces pour la flûte traversière; For Flute or Violin and Basso Continuo by François Philidor, Gwilym Beechey (CD reviews)", Notes Second Series vol. 45 no. 1, Sep 1988, pp. 156-157.
Leedy, Douglas. "Air à la grecque; For Flute and Bass [Keyboard] in the Diatonic, Chromatic, and Enharmonic Genres (1760) by Charles Delusse, Rudolf Rasch (book review)", Notes Second Series vol. 45 no. 1, Sep 1988, p. 157.
Leedy, Douglas. "Selected Musical Compositions (1948-1972) by Adriaan Daniël Fokker, Rudolf Rasch (book review)", Notes Second Series vol. 46 no. 1, Sep 1989, pp. 224-226.
Leedy, Douglas. "The Pythagorean Sourcebook and Library: An Anthology of Ancient Writings Which Relate to Pythagoras and Pythagorean Philosophy by Kenneth Sylvan Guthrie (book review)", Notes Second Series vol. 47 no. 3, Mar 1991, pp. 729-730.
Leedy, Douglas. "A venerable temperament rediscovered", Perspectives of New Music vol. 29 no. 2, summer 1991, pp. 202-211.
Leedy, Douglas. "Between Modes and Keys: German Theory, 1592-1802 by Joel Lester. Christiaan Huygens: Le cycle harmonique (Rotterdam 1691) and Novus cyclus harmonicus (Leiden 1724), with Dutch and English Translations by Rudolf Rasch, Christiaan Huygens (book reviews)", Notes Second Series vol. 47 no. 4, June 1991, pp. 1103-1106.
Leedy, Douglas. "La Monte Young: The Second Dream of the High-Tension Line Stepdown Transformer (CD review)", American Music vol. 11 no. 1, spring 1993, pp. 126-129.
Leedy, Douglas. "Musical Acoustics by Donald E. Hall. The Science of Musical Sounds by Johan Sundberg. Music, Sound, and Technology by John M. Eargle (book reviews)", Notes Second Series vol. 49 no. 4, June 1993, pp. 1499-1502.
Leedy, Douglas. "Giving Number a Voice", Xenharmonikôn vol. 15, autumn 1993, pp. 56-59.
Leedy, Douglas. "The Music of the Spheres: Music, Science, and the Natural Order of the Universe by Jamie James (book review)", Notes Second Series vol. 51 no. 2, Dec 1994, pp. 621-623.
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Leedy, Douglas. "Martin Vogel: On the Relations of Tone (book review)", Xenharmonikôn vol. 17, spring 1998, pp. 120-123.
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Leedy, Douglas. "A Note on John Curwen, his Tonic Sol-Fa System, and Just Intonation", 1/1 vol. 11 no. 2, winter 2003, pp. 4-5, 16.
Leedy, Douglas and Julia Werntz. "Correspondence", Perspectives of New Music vol. 41 no. 1, winter 2003, pp. 244-246.
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Leedy, Douglas. "Alternative Tunings in Two New Encyclopedia of Music (book review)", Xenharmonikôn vol. 18, 2006, pp. 147-151.
Leedy, Douglas. "The Tonal Phoenix: A Study of Tonal Progression through the Prime Numbers Three, Five and Seven by Michael Hewitt and Harmonic Experience: Tonal Harmony from its Natural Origins to its Modern Expression by W.A. Mathieu (book reviews)", Xenharmonikôn vol. 18, 2006, pp. 152-155.
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Lehman, Bradley. "Johann Georg Neidhardt's 21 temperaments of 1732", WWW, 2006, 23 pages.
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Lehmann, Johann Traugott. Gründliches vollständiges und leicht faßliches Stimmsystem..Wie ein jeder Fortepianos...auf die beste und leichteste Art rein und richtig in kurzer Zeit stimmen lernen kann. Kollmann, Leipzig, 1827, 48 pages. English translation "Fundamental, complete and easily understood tuning system..by which anyone can quickly, correctly and easily learn to tune fortepianos and clavichords in the best way" by Thomas Nelson McGeary (ed.), Early Keyboard Journal vol. 12, 1994, pp. 71-94.
Lehmann, Johann Traugott. Anleitung, die Orgel rein und richtig stimmen zu lernen und in guter Stimmung zu erhalten. Nebst einer ausführliche Beschreibung über den Bau der Orgel, deren wesentlichen Theilen und innern Einrichtung. Reimer, Leipzig, 1831.
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Lehr, André. "De beiaard van het Nationaal Beiaardmuseum met majeur of grote tertsklokken", 2006, 2 pages and "Data of the new major third-bell with a perfect timbre", WWW, 2007, 3 pages.
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If you know of any texts, books or articles that should be in this list, please e-mail coul@huygens-fokker.org (Manuel Op de Coul)
This bibliography was created by Manuel Op de Coul, Brian McLaren, Gerben Bisschop, Franck Jedrzejewski and Dominique Devie. Originally part of Brian McLaren's article "A Brief History of Microtonality in the Twentieth Century", Xenharmonikôn vol. 17, 1998.

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