Tuning & temperament bibliography

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• Aalst, Jules A. van. Chinese Music. Statistical Dept. of the Inspectorate General of Customs, Shanghai, 1884, 106 pages.
• Aanes, Brendan. "Gareth Loy's Musimathics Volumes I and II (book reviews)", array the journal of the ICMA, 2009, pp. 100-107.
• Aaron, Pietro. De institutione harmonica libri tres. Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, 1516, 127 pages. Reprint Broude Brothers Ltd., New York, 1978. Liber primus, liber secundus, liber tertius. Also here.
• Aaron, Pietro. Thoscanello de la musica. Toscanello in musica. Impressa per Bernardino et Mattheo de Vitali, Venezia, 1523, July 1529. Marchio Sessa, Venezia, 1539, 1562, 82 pages. Broude Brothers Ltd., New York, 1969. English translation by Peter Bergquist Toscanello in musica, 3 vols., Colorado College Music Press, Colorado Springs, 1970, 157 pages.
• Aaron, Pietro. Trattato della natura et cognitione di tutti gli tuoni di canto figurato. Bernardino Vitali, Venezia, 1525, 1531, 47 pages. Also here.
• Aaron, Pietro. Lucidario in musica. Girolamo Scotto, Venice, 1545, 82 pages. Arnaldo Forni Editore, Bologna, 1969. Broude Bros, New York, 1978.
• Aaron, Pietro. Compendiolo di molti dubbi. Io. Antonio da Castelliono stampatore, Milano, 1545, 38 pages. Also here.
• Abate, Ezra. "Ethiopian Kiñit (scales). Analysis of the formation and structure of the Ethiopian scale system", Proceedings of the 16th International Conference of Ethiopian Studies, Svein Ege; Harald Aspen; Birhanu Teferra and Shiferaw Bekele (eds.), Trondheim, 2009, pp. 1213-1224.
• Abbado, Michelangelo. "Sull'esistenza dei suoni armonici inferiori", Acta Musicologica vol. 36 no. 4, Oct-Dec 1964, pp. 234-237.
• Abbado, Michelangelo. "Terzo e quarto suono", Rivista italiana di musicologia vol. 5, 1970, pp. 99-147. Also here.
• Abbatini, Antonio Maria. Codici contenenti diverse lezioni teorice. Bologna, 1667-1668. (see below)
• Abbatini, Antonio Maria. "De Diatessaron Consonantia li 18 febbraio 1667. MS C.48", Bologna, 1667.
• Abbatini, Antonio Maria. "Che i Modi ò Tuoni sono sei. Li 11 settembre i667. MS C.48", Bologna, 1667.
• Abbatini, Antonio Maria. "Lettione quarta De Genere Multiplici et eius species. Li 2 luglio 1668. MS C.48", Bologna, July 1668.
• Abbatini, Antonio Maria. "Lectio settima Delle varie spetie dell' ottaua et quinta. MS C.48", Bologna.
• Abbatini, Antonio Maria. "Del Genere Moltiplice ch' è De le Proportioni che danno la forma all' Interualli. MS C.48", Bologna. English translation "On the Multiplex Genus which belongs to the Proportions which represent the Intervals", 2012, 3 pages.
• Abbatini, Antonio Maria. "De Generi di Proportione. MS C.48", Bologna.
• Abbatini, Antonio Maria. "Numero 12 De Dissonantijs. MS C.48. f.84r-92r", Bologna. English translation by Massimo Redaelli "On the Dissonances", WWW, 2012, 6 pages.
• Abbonizio, Isabella. "La Chitarra Microtonale di Tolgahan Çogulu", Guitart Magazine vol. 64, Oct-Dec 2011, pp. 19-21.
• Abbott, Curtis. "Marching to a Different Ratio. Xenharmonikon. Interval: A Microtonal Newsletter (reviews)", Computer Music Journal vol. 2 no. 2, Sep 1978, pp. 7-8.
• Abddon, Seifed-Din Shehadeh. "Arabic Music: Samaie Farhafza Analysis", May 2003, WWW, 14 pages.
• Abdoli, Sajjad. "Iranian Traditional Music Dastgah Classification", 12th International Society for Music Information Retrieval Conference (ISMIR 2011), 2011, pp. 275-280.
• Abdounur, Oscar João. Matemática e Música: Pensamento Analógico na Construção de Significados. Série Ensaios Transversais vol. 2, Escrituras Editora, São Paulo, 1999, 315 pages.
• Abdounur, Oscar João. "Ratios and music in the late middle ages: a preliminary survey", Music and mathematics in late medieval and early modern Europe, Philippe Vendrix (ed.), Brepols Publishers, Turnhout, 2008, pp. 23-70.
• Abdounur, Oscar João. "The Emergence of the Idea of Irrationality In Renaissance Theoretical Music Contexts", Music Journal of Interdisciplinary Sciences vol. 3 no. 2, Mar 2015, pp. 155-172. Also here. Also in Culture and Cognition. Essays in Honor of Peter Damerow, Jürgen Renn, Matthias Schemmel (eds.), workshop at Max Planck Institute for the History of Science, Dec 2013.
• Abdounur, Oscar João. "Mathematics and Music in Context: The Contribution of Erasmus Horicius to the Emergence of the Idea of Modern Number", International Journal of Mathematical, Engineering and Management Sciences vol. 1 no. 2, 2016, pp. 62-67.
• Abdounur, Oscar João. "Irrationality in theoretical music in the Renaissance", 16th Seminário Nacional de História da Ciência e da Tecnologia, Paraíba, Oct 2018, 9 pages.
• Abdounur, Oscar João. "Structural Mathematical Changes in Theoretical Music in the Early Renaissance", International journal of mathematical, engineering and management sciences vol. 4 no. 1, 2019, pp. 191-198.
• Abdy Williams, C.F. "The 'System' in Greek Music - a Suggestion", The Classical Review vol. 9 no. 82, Nov 1895, pp. 421-427.
• Abel, Carl Friedrich. The pure method for tuning the Harpsichord, according to Abel. London, 2nd half 18th cent.
• Abel, Markus and Steffen Bergweiler. "Synchronization of higher harmonics in coupled organ pipes", International Journal of Bifurcation and Chaos in Applied Sciences and Engineering vol. 17 no. 10, Oct 2007, pp. 3483-3491.
• Abel, Volker, Peter Reiss and Rudolf Wille. "Mutabor II - Ein computergesteuertes Musikinstrument zum Experimentieren mit Stimmungslogiken und Mikrotönen", Preprint no. 1513, TH Fachbereich Mathematik, Darmstadt, 1992. Also in Mikrotöne IV, Filmkunst-Musikverlag, München, 1993.
• Abel, Volker, Peter Reiss, Rüdiger Krauße and Tobias Schlemmer. "MUTABOR - Ein computergesteuertes Musikinstrument zum Experimentieren mit Stimmungslogiken und Mikrotönen", Technische Universität Dresden, WWW, 2006.
• Abert, Hermann. "Ein ungedruckten Brief des Michael Psellus über die Musik", Sammelbände der internationalen Musikgesellschaft vol. 2 no. 3, May 1901, pp. 333-341.
• Abeßer, Jakob; Estafanía Cano; Klaus Frieler; Martin Pfleiderer and Wolf-Georg Zaddach. "Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos", Proceedings of the 16th International Society for Music Information Retrieval Conference, Málaga, Oct 2015, pp. 823-829. Also in IEEE/ACM Transactions on Audio, Speech and Language Processing vol. 25 no. 1, Jan 2017, pp. 168-177.
• Abraham, Gerald u.a. (ed.) Bericht über den siebenten internationalen musikwissenschaftlichen Kongreß, Köln 1958. Bärenreiter, Kassel, 1959, 366 pages.
• Abraham, Otto and Erich Moritz von Hornbostel. "Zur Psychologie der Tondistanz", Zeitschrift für Psychologie und Physiologie der Sinnesorgane vol. 98, 1899.
• Abraham, Otto and Erich Moritz von Hornbostel. "Studien über das Tonsystem und die Musik der Japaner", Sammelbände der internationalen Musikgesellschaft vol. 4 no. 2, Franz Steiner Verlag, Leipzig, Feb 1903, pp. 302-360. Reprint Sammelbände für vergleichende Musikwissenschaft vol. 1, 1922, p. 179.
• Abraham, Otto. "Das absolute Tonbewußtsein und die Musik", Sammelbände der internationalen Musikgesellschaft vol. 8 no. 3, Leipzig, 1907, pp. 486-491.
• Abraham, Otto and Erich Moritz von Hornbostel. "Vorschläge für die Transkription exotischer Melodien", Sammelbände der internationalen Musikgesellschaft vol. 11 no. 1, Oct-Dec 1909, pp. 1-25. Reprint in Musical transcription, Garland, New York, 1990. English translation "Suggested methods for the transcription of exotic music", Ethnomusicology vol. 38 no. 3, autumn 1994, pp. 425-456.
• Abreu, Edward Ayres de. "Sampaio Bruno: melomania tessaradecatónica", A obra e o pensamento de Sampaio Bruno, Celeste Natário; Jorge Cunha and Renato Epifânio (eds.), Universidade Católica Editora, Porto, May 2018, pp. 159-172.
• Abromont, Claude and Eugène de Montalembert. Guide de la Théorie de la Musique. Henry Lemoine, Fayard, 2001, 380 pages.
• Abu Shumays, Sami. "Microtones in Arabic Music", podcast, 2007.
• Abu Shumays, Sami. "The Fuzzy Boundaries of Intonation in Maqam: Cognitive and Linguistic Approaches", Society for Ethnomusicology, Mexico, 22 Nov 2009, 19 pages.
• Abu Shumays, Sami. "Maqam Analysis. A Primer", Music Theory Spectrum vol. 35 no. 2, autumn 2013, pp. 235-255. Also here. See also Maqam in music as a concept, scale and phenomenon.
• Academia Lab. "Microtonalism", "Música microtonal", "Escala", "Accidental", "Alois Hába", etc., Encyclopedia, WWW, 2024.
• Accurso, Howard. The Decline of Unequal Temperments in the Nineteenth Century. PhD thesis, in progress.
• Acet, Rusen Can; Batuhan Basar; Tolgahan Cogulu; Atlas Cogulu; Tony Italia and Selcuk Keser. "New Additions to the Guitar Family: Lego and Automatic Microtonal Guitars", Musicologist vol. 6 no. 1, Trabzon University State Conservatory, June 2022, pp. 26-41. Also here.
• Achtélik, Josef. Der Naturklang als Wurzel aller Harmonien. Eine Aesthetische Musiktheorie in Zwei Teilen. 2 vols., Verlag von C.F. Kahnt, Leipzig, 1922. Reprint Forgotten Books, Feb 2019, 234 pages.
• Acker, Anne Beetem. "Claude Montal translated by Fred Sturm: The Art of Tuning: A SelfGuided Manual for Piano Tuning, Design, Action Regulation, and Repair from mid-19th Century France: For the Piano Owner and Technician, with Guidelines for Training the Blind and Visually impaired (book review)", Journal of the American Musical Instrument Society vol. 41, 2015, pp. 267-270.
• Adamer, Lorenz. "Plutarch's Platonic Question IX: The Trichonomy of the Soul from the Perspective of Music Theory (Politeia 443d-e)", Ploutarchos vol. 17, May 2020, pp. 9-24.
• Adams, Charles R. "Measuring Order and Beauty: On Isaac Newton's 'Discourses of Strings Sounding and Colors Compounding'", WWW, July 2013, rev. 2016, 147 pages.
• Adams, Evan. "What is Rhythmic Dissonance?", The Eagle Feather vol. 14 no. 1, 2017, 22 pages.
• Ader, Lidia Olegovna. "Survivor from Leningrad: an episode from Soviet quarter-tone music" (in Russian), musicus vol. 4, autumn 2008, pp. 45-48.
• Ader, Lidia Olegovna. "Georgy Rimsky-Korsakov and the Circle of quarter-tone music", Museums of theatre and music in the international world: Experience, traditions, collaboration, St. Petersburg, 2008, pp. 89-99.
• Ader, Lidia Olegovna. "Quarter-tone boom at the Conservatory: Petrograd news" (in Russian), Vestsi Belaruskay dzyarzhaunai akademii muzyki vol. 4, 2008, pp. 91-95.
• Ader, Lidia Olegovna. "Microtonal Storm and Stress: Georgy Rimsky-Korsakov and Quarter-Tone Music in 1920s Soviet Russia", Tempo vol. 63 no. 250, Cambridge University Press, Cambridge, Oct 2009, pp. 27-44.
• Ader, Lidia Olegovna. "Art of forgetting-Some mechanisms of resistance to microtonal memory in Russia's 1960s avant-garde", BTC Proceedings, Thessaloniki, July 2010.
• Ader, Lidia Olegovna. "A life paradox of Georgy Rimsky-Korsakov" (in Russian), N.A. Rimsky-Korsakov and his Heritage in Historical perspective. Materials of an international musicological conference, L. Ader, N. Kostenko, N. Metelitsa, N. Feofanova, Ya. Shigareva (eds.), St. Petersburg, 2010, 452 pages.
• Ader, Lidia Olegovna. "Microtonal Instruments: The First Steps from Utopia to Practice" (in Russian), Instrumentalism in the history of culture, Evgenia Vladimirovna Hazdan (ed.), Rossijskij Institut Istorii Iskusstv, St. Petersburg, 2011, pp. 52-65.
• Ader, Lidia Olegovna. "The Concept of Microtonality: Its Origin and Background" (in Russian), Opera musicologica vols. 3-4 nos. 8-9, St. Petersburg, 2011, pp. 114-134.
• Ader, Lidia Olegovna. "Microtonal Instruments: The First Steps from Utopia to Practice" (in Russian), Vremennik Zubovskogo Instituta vol. 7, Evgenia Vladimirovna Hazdan (ed.), Rossijskij Institut Istorii Iskusstv, St. Petersburg, 2011, pp. 52-65.
• Ader, Lidia Olegovna. "Rosyjska muzyka mikrotonowa w latach 10.-20. XX wieku: teorie i praktyki", Glissando: Magazyn o muzyce wspólczesnej vol. 17, Warsaw, 2011, pp. 78-82.
• Ader, Lidia Olegovna. "Microtonal idea: Its Origin and Premises" (in Russian), Opera Musicologica vol. 3-4 no. 9-10, 2012, pp. 114-134.
• Ader, Lidia Olegovna. "Avant-garde headquarters (The Circle of Quarter-tone Music in Petrograd Conservatory)", Opera Musicologica vol. 2, 2012, pp. 80-88.
• Ader, Lidia Olegovna. Mikrotonovaja muzika v Evrope i Rossii v 1900-1920e godi. MSc thesis, Gosudarstvennaâ Konservatoriâ imeni N.A. Rimskogo-Korsakova, St. Petersburg, 2013.
• Ader, Lidia Olegovna. "Game of two cities: Russian microtonal contests in 1920s" (in Russian), Papers collection, Margarita Katounian (ed.), Moscow, 2013.
• Ader, Lidia Olegovna. "Microtonal Russia: 1950-1970s myths and realities", New Sound vol. 41 no. 1, Sep 2013, pp. 42-57.
• Ader, Lidia Olegovna. "Parallel History of Russian Musical Avant-garde", Lietuvos muzikologija vol. 16, 2015, pp. 90-101.
• Ader, Lidia Olegovna. "Elementy romantyczne w muzyce mikrotonowej (The Romantic Approach in Microtonal Music)", Twórczosc kompozytorów slowianskich I polowy XX wieku, Kinga Krzymowska-Szaco (ed.), Lublin, 2017, pp. 157-168.
• Ader, Lidia Olegovna. "Introduction to Microtonal Music", Microtonal Music in Central and Eastern Europe: Historical Outlines and Current Practices, Leon Stefanija and Ruta Staneviciute (eds.), University of Ljubljana, Litovska akademija za glasbo in gledalisce, Vilnius, 2020, 34 pages.
• Adkins, Cecil D. The Theory and Practice of the Monochord. PhD thesis, University of Iowa, Ioway City, 1963. Reprint UMI Dissertation Services (64-3344), Ann Arbor, 501 pages.
• Adkins, Cecil D. "The Technique of the Monochord", Acta Musicologica vol. 39 fasc. 1/2, Jan-June 1967, pp. 34-43.
• Adkins, Cecil D. "David Creese: The Monochord in Ancient Greek Harmonic Science (book review)", Journal of the American Musical Instrument Society vol. 39, 2013, pp. 206-207.
• Adlington, Robert. "Antara by George Benjamin (CD review)", The Musical Times vol. 135 no. 1812, Feb 1994, p. 95.
• Adlung, Jakob. Anleitung zu der musikalischen Gelahrtheit, theils vor alle Gelehrte, so das Band aller Wissenschaften einsehen, theils vor die Liebhaber der edlen Tonkunst überhaupt, theils und sonderlich vor die, so das Clavier vorzüglich lieben, theils vor die Orgel- und Instrumentenmacher. J.D. Jungnicol, Erfurt, 1758, 844 pages. Also here. 2nd edition, Johann Adam Hiller (ed.), Breitkopf, Dresden/Leipzig, 1783. Facs. reprint, Hans-Joachim Moser (ed.), Documenta Musicologica Bd. 4, Bärenreiter, Kassel, 1953.
• Adlung, Jakob; Johann Lorenz Albrecht (ed.) and Johann Friedrich Agricola. Musica mechanica organoedi: Das ist: Gründlicher Unterricht von der Struktur, Gebrauch und Erhaltung [et]c. der Orgeln, Clavicymbel, Clavichordien und anderer Instrumente ... ; Nebst zwey Tabellen und vielen Figuren. Friedrich Wilhelm Birnstiel, Berlin, 1768, 205 pages. Also here and here. Facs. reprint, Christhard Mahrenholz, Bärenreiter, Kassel, 1930, 1961. English translation Musical mechanics for the organist by Quentin Faulkner, Zea E-Books, Lincoln NE, Oct 2011, 1224 pages (incl. original).
• Adou, Heather Maxwell. "Acoustic Aspects of the Balani of Mali", SAVAIL Working Papers, 2003.
• Adriaansz, Peter. "How I Became a Convert", Thirty-One vol. 1, summer 2009, pp. 8-33.
• Aellig, Markus. "Die unendliche Geschichte von der Orgelstimmung", WWW, July 2021.
• Agayeva, S. and S. Hajiyev. "On the Problems of Research the Pitch System of Azerbaijani Mughams", Proceedings of the IInd International Musicological Symposium Space of Mugham, 15-17 March 2011, M. Aliyeva (ed.), International Council for Traditional Music, Baku, 2011, pp. 19-30.
• Ager, Klaus. "Der Ultrachromatismus Ivan Wyschnegradskys in melodischer und rhythmischer Hinsicht", Mikrotöne I, Edition Helbling, Innsbruck, 1986, pp. 123-126.
• Ager, Klaus; Johannes Kretz; Klaus Lang; Hossam Mahmoud and Dana Cristina Probst. "Mikrotonal komponieren", Österreichische Musikzeitschrift vol. 63 no. 7, July 2008, pp. 26-31. Also here.
• Aggelos, Bousmpouras. "Perceiving patterns of ratios when they are converted from relative durations to melody and from cross rhythms to harmony", Journal of Music and Dance vol. 8 no. 1, Jan 2018, 12 pages.
• Agmon, Eytan. Diatonicism, Chromaticism and Enharmonicism: A Study in Cognition and Perception. City University of New York, University Microfilms International, 1986, 257 pages.
• Agmon, Eytan. "A Mathematical Model of the Diatonic System", Journal of Music Theory vol. 33 no. 1, spring 1989, pp. 1-25. Correction in vol. 33 no. 2, 1989, p. 462.
• Agmon, Eytan. "Equal Division of the Octave in a Scarlatti Sonata", In Theory Only vol. 13 no. 5, 1990, pp. 1-8.
• Agmon, Eytan. "Linear Transformations Between Cyclically Generated Chords", Musikometrika vol. 3, 1991, pp. 15-40.
• Agmon, Eytan. "Towards a Theory of Diatonic Intonation", Interface vol. 22 no. 2, 1993, pp. 151-163.
• Agmon, Eytan. "Coherent Tone-Systems: A Study in the Theory of Diatonicism", Journal of Music Theory vol. 40 no. 1, spring 1996, pp. 39-59.
• Agmon, Eytan. "Numbers and the Western Tone-System: Beyond Psychoacoustics", Journal of the American Mathematical Society, Mar 2003, 18 pages.
• Agmon, Eytan. "Proto-Tonal Theory: Tapping into 9th-Century Insights", Music Theory Spectrum vol. 35 no. 1, spring 2013, pp. 103-110.
• Agmon, Eytan. "Communicating the Primary Intervals", The Languages of Western Tonality, Computational Music Science, Springer, Berlin/Heidelberg, 2013, pp. 67-81.
• Ágnes, Ratkó. Eine Annäherung an historische Stimmungen aus künstlerischer Sicht. MSc thesis, Liszt Ferenc Universität für Musik Doktorandenschule Nr. 28 zur Wissenschaft der Kunst- und Kulturgeschichte gehörend, Budapest, 2009.
• Agon, Carlos and Moreno Andreatta. "Outils informatiques pour la classification et la notation des structures micro-intervalliques", Séminaire MaMuX, séance Micro-tonalité et systématique modale, Ircam, Paris, 8 Nov 2003.
• Aguilar, Juan R. and Renato Salinas. "New Trends in Sound Synthesis and Automatic Tuning of Electronic Musical Instruments", Revista Facultad de Ingeniería, U.T.A. vol. 11 no. 2, University of Santiago of Chile, Dec 2003, pp. 17-23.
• Agustín-Aquino, Octavio Alberto; Julien Junod and Guerino Mazzola. "Towers of Counterpoint", Computational Counterpoint Worlds, Computational Music Science, Springer, 2015, pp. 135-148.
• Agustín-Aquino, Octavio Alberto and Guerino Mazzola. "Modulation in Tetradic Harmony and its Role in Jazz", arXiv 1809.04755, WWW, Sep 2018, 8 pages.
• Agricola, Johann Friedrich. Anleitung zur Singkunst. George Ludewig Winter, Berlin, 1757, 93 pages. Facs. edition by Erwin R. Jacobi (ed.), Hermann Moeck Verlag, Celle, 1966.
• Agricola, Martin. Musica instrumentalis deudsch, ynn welcher begriffen ist, wie man nach dem Gesange auff mancherley pfeiffen lernen sol, auch wie auff die Orgel, Harffen, Lauten, Geigen und allerley Instrument und Seytenspiel nach der rechtgegründten Tabelthur sey abzusetzen. Georg Rhau, Wittemberg, 1528, 1529, 1542, enlarged 1545, 295 pages. Facs. edition, Breitkopf und Härtel, Leipzig, 1896. Reprint Georg Olms Verlag, Hildesheim, 1969. Also here. English translation A Treatise on Musical Instruments, 1529 and 1545 by William E. Hettrick (ed.), Cambridge University Press, Cambridge, 1994, 214 pages.
• Agricola, Martin. Musica figuralis deudsch: mit ihrem zugehörenden Exempeln, sampt einem besunderlichen schönen Büchelein von den Proportionibus, welche allen gemeinen Sengern, Instrumentisten und Anhebern dieser Kunst, ganz nützbarlich zu wissen, auffs einfeltigst und vorstentlichst ins Deudsche verfasset. Georg Rhau, Wittemberg, 1532, 120 pages. Also here.
• Agricola, Martin. Rudimenta musices, quibus canendi artificium compendiosissime complexum, pueris una cum monochordi dimensione traditur. Georg Rhau, Wittemberg, 1539. Also here. Reprint Broude Brothers, New York, June 1966. English translation The Rudiments of Music by John Trowell, Boethius Press, Aberystwyth, July 1991, 132 pages.
• Agustín-Aquino, Octavio; Jeffery Liu and Guerino Mazzola. "Exploring Exotic Counterpoint Compositions", arXiv 2106.00806, WWW, June 2021, 18 pages.
• Ahlvers, Arthur. Zahl und Klang bei Platon. Noctes Romanae: Forschungen über die Kultur der Antike, Verlag Paul Haupt, Bern & Stuttgart, 1952, 67 pages. English translation Number and Sound in Plato by John Black, Studies in the History of Philosophy vol. 67, Edwin Mellen Press, Lewiston NY, 2002.
• Ahola, Anu. "Sampo Haapamäki: Quarter-Tone Miracle Man", Suomalaisen Musiikin Tiedotuskeskus/Finnish Music Information Centre (FIMIC), 2012.
• Ahrend, Jürgen. "Die Restaurierung der Arp Schnitger-Orgel von St. Jacobi in Hamburg", Die Arp-Schnitger-Orgel der Hauptkirche St. Jacobi in Hamburg, Heimo Reinitzer (ed.), Christians, Hamburg, 1995, pp. 167-265.
• Ahrens, Alvin W. "Characteristic Limitations of the Internal Tuning of Selected Wind Instruments", Journal of Experimental Education vol. 15 no. 4, June 1947, pp. 269-290.
• Ahrens, Christian. "Anmerkungen zu Birsaks Frequenzmessungen an 2 Chalumeaux", Die Musikforschung vol. 28 no. 4, Bärenreiter, Oct-Dec 1975, pp. 442-443.
• Ahrens, Christian. "Ein griechischer Volksmusiker und sein Instrument. Zur Stimmung folkloristischer Aerophone", Studia Instrumentorum Musicae Popularis vol. 7, Erich Stockmann (ed.), Music museum, Stockholm, 1981, pp. 95-101.
• Aikin, Jim. "Discover 19-Tone Equal Temperament", Keyboard, Mar 1988, pp. 74-80.
• Aikin, Jim. "Just intonation with synth tuning tables", Keyboard, Nov 1994.
• Aikin, Jim. "Playing in the Cracks, Electronic Musician, June 2003.
• Aikin, Jim (ed.) "An Interview with Robert Rich", Keyboard, 2004.
• Aikin, Jim. "Just Intonation Tutor", WWW, 2006.
• Aimé, Puech. "Théodore Reinach. La Musique grecque (book review)", Journal des Savants vol. 2, 1927, pp. 88-89.
• Ainslie Hight, G. "Scales and Tonality", The Musical Times vol. 62 no. 946, Dec 1921, pp. 859-860. Also here.
• Airoldi, Roberto. La teoria del temperamento nell'etá di Gioseffo Zarlino. Presentazione a cura di Elena Ferrari Barassi (ed.), Ed. Turris, Cremona, 1989, 172 pages.
• Airy, George Bidell. On Sound and Atmospheric Vibrations with the Mathematical Elements of Music. MacMillan and Co, London and Cambridge, Mar 1868, 1871, 280 pages. Reprint Adamant Media Corporation, 2001, 367 pages.
• Aiton, E.J.; A.M. Duncan and J.V. Field (eds.) The Harmony of the World by Johannes Kepler. Translated into English with an Introduction and Notes. Memoirs of the American Philosophical Society vol. 209, The American Philosophical Society Press, Philadelphia, 1997, 549 pages.
• Aji, Jerfi (ed.) "Microtonal Guitar Interview with Tolgahan Cogulu", Soundboard vol. 36 no. 3, 2010, pp. 80-81, 101.
• Ajotikar, Rasika (ed.) "Sound Collections and Postcolonial India's Cultural Politics: An Interview with Felix van Lamsweerde", the world of music vol. 10 no. 1, 2021, pp. 21-37.
• Akbel, Burcu Avci. "Ögretim Elemanlarinin Viyolonsel Egitiminde Türk Müziginin Kullanilma Durumuna ve Ögretim Yöntemlerine Iliskin Görüsleri" (Opinions of Instructors on The Teaching Methodsof Turkish Music in Cello Education), Egitimde Nitel Arastirmalar Dergisi vol. 6 no. 2, July 2018, pp. 84-107 with English abstract.
• Akkoç, Can. "Non-Deterministic Scales Used in Traditional Turkish Music", Journal of New Music Research vol. 31 no. 4, Dec 2002, pp. 285-293.
• Akkoç, Can; William A. Sethares and Mustafa Kemal Karaosmanoglu. "Experiments on the Relationship between Perde and Seyir in Turkish Makam Music", Music Perception: An Interdisciplinary Journal vol. 32 no. 4, Apr 2015, pp. 322-343.
• Aksoy, Bülent, "Makamin Tanimina Dogru", 1995. Trans. K. Agartan. Musikisinas, Bogaziçi University Turkish Music Club Publication, 2000, pp. 70-87.
• Aksoy, Bülent. Avrupali Gezginlerin Gözüyle Osmanlilarda musikî. 2nd rev. ed., Pan Yayincilik, Istanbul, 2003.
• Alaleona, Domenico. "I moderni orrizonti della tecnica musicale. Teoria della divisione dell'ottava in parti uguali", Rivista Musicale Italiana vol. 18, 1911, pp. 382-420.
• Alaleona, Domenico. "Le tonalità neutre e l'arte di stupore", Rivista Musicale Italiana vol. 18, 1911, pp. 769-838.
• Al-attas, Ahmad Fahmy. "Tala", WWW, 2015, 94 pages.
• Albèra, Philippe. "Ivan Wyschnegradsky 'Quatuor no.1' opus 13 (1923-24) (music review)", Concert vol. 10, Contrechamps, Genève, 2000.
• Albersheim, Gerhard. "Overtones and Music Theory", Bulletin of the American Musicological Society no. 11/12/13, Sep 1948, pp. 69-71.
• Albersheim, Gerhard. "Die Tonstufe", Die Musikforschung vol. 16 no. 2, Apr-June 1963, pp. 139-152. English translation "The Scale Step", Philosophy and Phenomenological Research vol. 26 no. 1, Sep 1965, pp. 63-79.
• Albersheim, Gerhard. "On some new ideas in the psychology and theory of music", Journal of the Indian Musicological Society vol. 11 no. 3-4, Sep-Dec 1980.
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• anonymus. Verhandeling, over de Muziek; Waer in men tracht, de zelve tot meerder klaerheit te brengen, van het overtollige te zuiveren, ze gemakkelyker in de beoeffening te maeken en eenen grooteren trap van volkoomenheit te doen bereiken; ten welken einde, Het rechte gebruik der Nooten, Sleutels, Maet- en andere Tekenen wordt opgegeeven, ...als mede Hoe men de Klawier instrumenten tot volkoomenheit kan brengen, met eene beschryving van een nieuw uitgevonden Klavesimbel, waer op alle moogelyke klanken zuiver zyn. Jan Abraham Bouvink, 's-Gravenhage, 1777, 379 pages.
• anonymus. Moyens De Diviser Les Touches Des Instruments à Cordes....Un Moyen D'Accorder Les Clavessins. Mérigot le jeune, Paris, 1780.
• anonymus. "cf. Vol. 'Musique' et 'Arts et métiers' où l'on trouve divers articles concernant l'accord de l'orgue et du clavecin dont une description du Kirnberger II d'après Sulzer. Cf. également le mot 'système'", Encyclopedie Methodique, Panckoucke, Paris, 1782-1792.
• anonymus. Méthode la plus facile pour accorder les clavecins et forte-piano. Imbault, Paris, 1789.
• anonymus. Anweisung der mechanischen Behandlung, das Klavier nach einer vorgeschlagenen neuen Temperatur zu stimmen. Hilscher, Dresden, 1790, 2 pages.
• anonymus. A New and Easy Method for Tuning the Grand and Small Piano-Forte, and Harpsichord, With Proper Instructions, and Descriptions of the Rules to Be Observed in Performing the Same. A. Coblenz, London, 1797.
• anonymus. "Observations on Earl Stanhope's Musical Work", The Monthly Magazine vol. 22 no. 1, 1806, pp. 112-115.
• anonymus. "Observations on Earl Stanhope's late publication", The Monthly Magazine vol. 22 no. 2, British Register, Richard Phillips, London, Sep 1806, pp. 112-115.
• anonymus. "Reviews of Lord Stanhope 'Principles of the Science of tuning Insturments with fixed Tones', and John Farey 'On Music'", Retrospect of Philosophical, Mechanical, Chemical, And Agricultural Discoveries, J. Wyatt, London, Oct-Dec 1806, pp. 412-421.
• anonymus. "Remarks on Earl Stanhope's Musical Work", The Monthly Magazine vol. 22 no. 1, 1806, pp. 349-351.
• anonymus. "Reply to Dr. Calcott, on Temperament, &c. in Music", The Monthly Magazine vol. 24 no. 1, 1807, pp. 29-30.
• anonymus. "Remarks on the Rev. C. J. Smyth's Letter on Systems of Tuning Musical Instruments", The Philosophical Magazine vol. 36, London, Aug 1810, pp. 165-167.
• anonymus. "An Examination of the Instructions given in an anonymous Pamphlet published in 1809, for Tuning an Equal Temperament of the Musical Scale", The Philosophical Magazine vol. 36, London, Aug 1810, pp. 167-171.
• anonymus. "On the Scale of Certain Musical Instruments, which are said to be without Temperament", The Monthly Magazine vol. 29 no. 1, 1810, pp. 115-116.
• anonymus. "No Friend To Tuning Quacks: On Tuning Musical Instruments", The Philosophical Magazine vol. 37, Mar 1811, pp. 185-187.
• anonymus. "William Steetz: New Musical Publications: A Treatise on the Elements of Music, in a series of Letters to a Lady. Illustrated with Plates (book review)", The Monthly Magazine, Monthly Literary Register vol. 34, 1812, p. 350.
• anonymus. "Explanation of the Musical Scale", The North-American Review and Miscellaneous Journal, 1816, pp. 18-32.
• anonymus. Osservazioni Sul Temperamento Proprio Degl'Istromenti Stabili: Dirette Agli Accordatori Di Pianoforte Ed Organo. G. Ricordi, Milan, 1816.
• anonymus. "J.T. Lehmann: 'Gründliches vollständiges und leichtfaßliches Stimmsystem. Wie ein jeder Fortepianos...auf die beste und leichteste Art rein und richtig in kurzer Zeit stimmen lernen kann (book review)", Leipziger Literatur Zeitung no. 259, Breitkopf & Härtel, Leipzig, Oct 1827, pp. 1802-1803, 1812-1834, 2072.
• anonymus. "On Major and Minor Semitones", The Harmonicon vol. 2 no. 1, W. Pinnock, Edinburgh, Mar 1828, pp. 97-101.
• anonymus. "On the Characters of the Keys", The Harmonicon vol. 2 no. 1, W. Pinnock, London, Dec 1828, p. 6; pp. 26-27; pp. 79; pp. 103-104; pp. 180-181.
• anonymus. "Woolhouse's Essay on Musical Intervals, &c. (book review)", The Westminster Review vol. 23 no. 1, July 1835, pp. 100-102.
• anonymus. The Tuner's Guide: Containing A Complete Treatise on tuning the Piano-Forte, Organ, Melodeon, and Seraphine; together with A Spcification Of Defects And Their Remedies. 2nd edition, Musical Bouquet Office, London, c.1835. J. Allen, Boston, c.1840, 72 pages. Oliver Ditson, New York. Berry & Gordon, Philadelphia. J.E. Gould, Cincinnati OH. D.A. Truax, c.1840.
• anonymus. "Für Orgelbauer und Orgelfreunde: Tabelle zur Ermittelung des Tones a auf der Orgel und Stimmungstafel für die Orgel", Allgemeine Musikalische Zeitung vol. 38 no. 12, Friedrich Rochlitz (ed.), Oct 1836, pp. 703-704.
• anonymus. "Was verstehen wir unter mathematischer Temperatur?", Cäcilia no. 73-76, Mainz, 1837.
• anonymus. "On the laws of Harmony. From the Persian; by an attaché to the Persian Embassy", The Musical World vol. 12 no. 176, Aug 1839, pp. 210-212.
• anonymus. "Disposition der von J.F. Schulze erbauten Orgel in der Marienkirche zu Wismar. Anmerkungen no. 6", Allgemeine Musikalische Zeitung vol. 44 no. 52, Apr 1842, p. 1050.
• anonymus. Ganz Neue Und Vollständige Anleitung, Nach Welcher Man Clavierinstrumente Temperiren...Nach Asioli, Pizzati, D'Alembert, Rameau, Kirnberger, Vogler, Weller, Fritzen. Artaria Verlag, Vienna.
• anonymus. "Ueber mathematische Stimmung, gleichmässige und ungleichmässige Temperatur überhaupt, so wie über Orgel- und Klavierstimmung nach der Scheibler'schen Methode insbesondere. Ein Leitfaden für Musiker, Organisten, Instrumentenmacher, Klavier- und Orgelstimmer von L. Schwabe, Kantor an der Stadtkirche zu Giessen (book review)", Allgemeine Musikalische Zeitung vol. 50 no. 40, Oct 1848, pp. 651-655.
• anonymus. "Zur Geschichte der Charakteristik der Tonarten", Niederrheinische Musik-Zeitung für Kunstfreunde und Künstler vol. 5 no. 17 and no. 19, DuMont-Schauberg, Cologne, 09 May 1857.
• anonymus. "Theory and Practive of Just Intonation: with a View to the Abolition of Temperament by Effingham Wilson (article review)", The Living Age vol. 54 no. 689, Aug 1857, p. 352.
• anonymus. On the Principles and Practice of Just Intonation. 6th edition, 1862.
• anonymus. "The Principle and Practice of Just Intonation by T. Perronet Thompson (book review)", Orchestra and the Choir vol. 6 no. 153, Sep 1866, p. 358.
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• anonymus. "Nochmals zur Temperatur-Frage", Allgemeine Musikalische Zeitung vol. 51 no. 51, G.W. Fink (ed.), Dec 1866, pp. 408-410.
• anonymus. "Correspondence: Mr. R. Brown, of Fairlie, has kindly addressed us a long and abstruse reply to two of Mr. Parkinson's queries in our paper of the 29th of September", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 5, William Reeves, London, 1866, p. 309.
• anonymus. "A Contemplated Act of Vandalism", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 9, William Reeves, London, 1868, p. 72.
• anonymus. "A Reply to Mr. Essex", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 9, William Reeves, London, 1868, p. 73.
• anonymus. "Organ News", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 9, William Reeves, London, 1868, pp. 89-90.
• anonymus. "Bericht der Wetterauischen Gesellschaft für die Gesamte Naturkunde zu Hanau: über den Zeitraum .... 1863/67. - 1868", Wetterauische Gesellschaft für die Gesamte Naturkunde, Hanau, 1868.
• anonymus. "Bericht. 8. 1866/68. - 1868", Naturforschende Gesellschaft Bamberg, Bamberg, 1868.
• anonymus. "Colonel Perronet Thompson's Organ (letter)", The Musical World vol. 47 no. 41, Oct 1869, p. 707.
• anonymus. Die Kunst des Klavierstimmens: [Aus Schafhäutls Nachlass.] Anweisung wodurch sich jeder Musikverständige sein Klavier selbst rein stimmen und etwaige Störungen in der Mechanik beseitigen kann. Nebst belehrenden Regeln bei Ankauf, Transport, Aufstellung und Haltung desselben. Eine neue leicht begreifliche Stimm-Methode auf 48 jährige Erfahrung begründet von einem praktischen Klavierstimmer und Lehrer. Verlag von Carl Minde, Leipzig, c.1870, 64 pages.
• anonymus. "The Tritone: a Method of Harmony and Modulation by Joseph N. Green (book review)", The Athenaeum no. 2282, 22 July 1871, pp. 119-120.
• anonymus. "Reply to Query 12217: Violin Tuning", English Mechanic and World of Science no. 379, E.J. Kibblewhite (ed.), 28 June 1872, pp. 391-392.
• anonymus. "Query 4598: The Tremolo on the Violin - Violin Tuning and Fiddleana", English Mechanic and World of Science no. 379, E.J. Kibblewhite (ed.), 28 June 1872, pp. 487-488.
• anonymus. "Query 4626: The Harp", English Mechanic and World of Science no. 379, 28 June 1872, pp. 510-511.
• anonymus. "Query 4740: On Tuning, and Reduction in the Size of Musical Instruments", English Mechanic and World of Science no. 379, 28 June 1872, p. 567.
• anonymus. "Query 4806 and 4842: Tuning Keyed Instruments", English Mechanic and World of Science no. 379, 28 June 1872, p. 618, 643.
• anonymus. "Die reine oder natürliche Stimmung musikalischer Instrumente", Musikalisches Wochenblatt: Organ für Musiker und Musikfreunde, Ludwig Frankenstein (ed.), Fritzsch, Leipzig, 26 July 1872.
• anonymus. "Science in Music", Nature: the international journal of science vol. 11, Macmillan Publishers Limited, London, 3 Dec 1874, pp. 88-89.
• anonymus. "An Organist of Fifty Years Ago Upon Tuning", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 6, William Reeves, London, 1874, pp. 34-35.
• anonymus. "Meetings of Societies. Musical Association (meeting review)", The Academy vol. 7 no. 145, Feb 1875, p. 172.
• anonymus. "A.J. Ellis: Musical Duodenes (article review)", The Galaxy vol. 19 no. 3, Mar 1875, p. 412.
• anonymus. "John Curwen: A Tract on Musical Statics: An Attempt to Show the Bearing of the Facts of Acoustics on Chords, Discords, Transitions, Modulations and Tuning (book review)", 1875, William Reeves, London, pp. 7-10. The Musical Times and Singing Class Circular vol. 17 no. 389, July 1875, p. 151.
• anonymus. "On the Sensations of Tone as a Physiological Basis for the Theory of Music by Hermann Helmholtz (book review)", The Athenaeum no. 2493, Aug 1875, p. 190.
• anonymus. "On the Sensations of Tone as a Physiological Basis for the Theory of Music by Hermann Helmholtz (book review)", Orchestra and the Choir vol. 2 no. 13, Aug 1875, pp. 14-15.
• anonymus. "The Musical Association: Dr. Stephen's Lecture on the Fallacies of Dr. Day's Theory of Harmony", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 8, William Reeves, London, p. 98.
• anonymus. "Musical Intelligence: The Musical Association", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 8, William Reeves, London, 1875, p. 365.
• anonymus. "Mr. Brown's 'Voice-Organ'", Orchestra and the Choir vol. 2 no. 21, Apr 1876, pp. 264-265.
• anonymus. "The Enharmonic Organ", The Quaver vol. 6, June 1876, p. 40.
• anonymus (A.R.C.) "Just Intonation", Nature: the international journal of science vol. 15, Macmillan Publishers Limited, London, Dec 1876, pp. 159-160.
• anonymus. "Hindu Music", The Musical Times and Singing Class Circular vol. 18 no. 409, Mar 1877, pp. 111-113.
• anonymus. "Novello's Music Primers by Stainer (ed.), The Scientific Basis of Music by W.H. Stone et al. (book reviews)", The Musical Times and Singing Class Circular vol. 19 no. 422, Apr 1878, pp. 221-222.
• anonymus. "The Philosophy of Music by William Pole (book review)", The Musical Times and Singing Class Circular vol. 20 no. 438, Aug 1879, pp. 418-420. Also here.
• anonymus. "The 'Natural' Scale by Alexander Ellis (article review)", Orchestra and the Choir vol. 12 no. 149, Apr 1885, pp. 6-7.
• anonymus. "Alexander J. Ellis: Musical Scales of Various Nations (book review)", Orchestra and the Choir vol. 12 no. 149, Apr 1885, pp. 7-8.
• anonymus. "On the Sensations of Tone, as a Physiological Basis for the Theory of Music by H.L.F. Helmholtz, Alexander J. Ellis (book review)", Orchestra and the Choir vol. 12 no. 172, Sep 1885, pp. 280-281.
• anonymus (A.O.D.) "De gustibus - Musical temperament", Knowledge: An Illustrated Magazine of Science Plainly Worded-Exactly Described vol. 8 no. 199, Aug 1885, p. 166.
• anonymus (A.O.D.) "Musical Temperament", Knowledge: An Illustrated Magazine of Science Plainly Worded-Exactly Described vol. 8 no. 204, Sep 1885, p. 276.
• anonymus. "The meaning of musical keys (letter)", Orchestra and the Choir vol. 12 no. 191, Jan 1886, p. 511.
• anonymus. "On the Sensations of Tone, as a Physiological Basis for the Theory of Music by H.L.F. Helmholtz, Alexander J. Ellis (book review)", The Musical Times and Singing Class Circular vol. 27 no. 522, Aug 1886, pp. 481-484. Also here.
• anonymus. "W.S.B. Woolhouse: Treatise on Musical Intervals, Temperament, and the Elementary Principles of Music (book review)", The Musical Times and Singing Class Circular vol. 30 no. 552, Feb 1889, p. 106.
• anonymus. "Dr. Shoe [sic] Tanaka's Enharmonium", Lyra Ecclesiastica: Monthly Bulletin of the Irish Society of St. Cecilia and List of Catholic Church Music vol. 12, 1891, p. 36.
• anonymus (H.T.H.) "Sound and Music by J. Zahm (book review)", American Ecclesiastical Review vol. 8 no. 1, Jan 1893, pp. 70-75.
• anonymus. "The Enharmonium (letter)", The Magazine of Music vol. 8 no. 9, Sep 1891, p. 179.
• anonymous. "Musical Association (letter)", The Musical Times and Singing Class Circular vol. 38 no. 651, May 1897, p. 317.
• anonymus. "Temperament", The Musical Herald and Tonic Sol-fa Reporter no. 634-645, 1900, p. 5.
• anonymus. "Vermischtes", Zeitschrift für Instrumentenbau vol. 21 no. 36, Paul de Wit (ed.), Leipzig, 1901, p. 953.
• anonymus. Max Meyer: Contributions to a Psychological Theory of Music (book review)", Psychological review, 1901, pp. 633-634.
• anonymus. Tuning, care and repair of reed and pipe organs. Niles Bryant School of Piano Tuning, Battle Creek MI, c.1906, 103 pages. Vestal Press, New York, 1968, 87 pages.
• anonymus. "Suggesting a New Musical Scale for Modern Composers", The Lotus Magazine vol. 2 no. 4, Apr 1911, pp. 114-116.
• anonymus. "Equal Temperament: An Unrealised Theory", The Musical Times vol. 54 no. 840, 1 Feb 1913, pp. 91-92.
• anonymus (E.H.B.) "Musical Acoustics based on the Pure Third System by Thorvald Kornerup (book review)", Nature vol. 111 no. 2791, Apr 1923, p. 565.
• anonymus. "Quarti di tono", Musica d'oggi vol. 6, 1924, p. 344.
• anonymus. "Spoglio di riviste", Il pianoforte vol. 5 no. 11, Nov 1924, p. 301.
• anonymus. "Black's Dictionary of Music and Musicians by L.J. de Bekker, A. and C. Black (book review)", Music & Letters vol. 6 no. 1, Jan 1925, pp. 96-97.
• anonymus. "The Equal Temperament Committee: A Tuner Speaks", The Musical Times vol. 73 no. 1075, Sep 1932, p. 837.
• anonymus. "Wilhelm Dupont: Geschichte der musikalischen Temperatur (book review)", Die Musik vol. 29 no. 1, 1936, p. 70.
• anonymus. Chinese music. Edited for and copyrighted by Quon-Quon Company, Los Angeles, 1944, 15 pages.
• anonymus. Klokken no. 1 en 2, verslag van de enquête door N.V. Eijsbouts naar het gebruik van de middentoonstemming voor beiaarden. Asten, 1951.
• anonymus. "The Archiphone Invented in the Early 1970s by Professor Adrian Fokker", Early Music vol. 7 no. 3, July 1979, p. 11.
• anonymus. "Patrizio Barbieri: Acustica, accordatura e temperamento nell'illuminismo veneto (book review)", Orgues meridionales no. 34, 1989, pp. 109-110.
• anonymus. "Posvjashhaetsja Ivanu Aleksandrovichu Vyshnegradskomu (Dedicated to Ivan Vyshnegradskii)", Muzykal'naja Akademija vol. 2, 1992, pp. 135-137.
• anonymus. The Study of Pitch Frequency of Thai Traditional Music - An HM the King Bhumibol's Initiative. Chulalongkorn University, 1999, RueanKaew Press, Bangkok.
• anonymus. "SynKet - (SYNthesizer-KEToff) - Fonosynth (synthesizer review)", WWW, 2006.
• anonymous. "Early Keyboard Music by Paul Simmonds (book review)", Early Music vol. 35 no. 3, Aug 2007, pp. 474-477.
• anonymus. "13-Limit Extended Just Intonation in Ben Johnston's String Quartet #7 and Toby Twining's 'Chrysalid Requiem'", "Gradual/Tract.", 2008.
• anonymus. "What is all this stuff about the Motorola Scalatron?", WWW, Barcelona, Jan 2010.
• anonymus. "Archicémbalo, WWW, June 2010.
• anonymus. "Jörg Mager. El genio huraño", WWW, Palma de Mallorca, Oct 2010.
• anonymus. "A Translation of Arthur Ahlvers' Zahl Und Klang Bei Platon/Number and Sound in Plato (book review)", WWW, 2010.
• anonymus. "Oskar Sala. El último artesano", WWW, Palma de Mallorca, Oct 2011.
• anonymus. "The Relationship Between Just Intonation and Gesture: Tracking the Evolution of Sound to Inform the Choral Rehearsal", California State University, Los Angeles, 2011.
• anonymus. "Eivind Groven's automat for adaptive just intonation. Upgrading of system", Eivind Grovens institutt for renstemming and Notam, Oslo, WWW, 2013.
• anonymus. "Spektakulärer Orgelneubau in Kassel ab Pfingsten zu hören", Evangelische Kirche in Deutschland, WWW, June 2017.
• anonymus. "Tutorial: Microtonality in the IT format", OpenMPT Wiki, WWW, 2020.
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• Barassi, Elena Ferrari. "Strutture, simboli grafici e riferimenti organologici nell'evoluzione della scala musicale medievale", Atti del Convegno internazionale, Ernesto Sergio Mainoldi and Stefania Vitale (eds.), Collazzone, 7-8 July 2006. Philomusica on-line, Sep 2010, 95 pages.
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• Barbacci, Silvana. "Processi di osmosi tra scienza e musica nell'epoca della rivoluzione scientifica", Journal of Science Communication vol. 2 no. 1, SISSA Medialab, Trieste, Mar 2003, 8 pages.
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• Barber, Barbara. "Intonation: The Major/Minor Difference", American String Teacher vol. 41 no. 1, Feb 1991, pp. 82-86.
• Barbera, Charles André. "Arithmetic and Geometric Division of the Tetrachord", Journal of Music Theory vol. 21 no. 2, autumn 1977, pp. 294-323.
• Barbera, Charles André. The persistence of Pythagorean mathematics in ancient musical thought. PhD thesis, University of North Carolina, Chapel Hill, 1980.
• Barbera, Charles André. "Interpreting an arithmetical error in Boethius's 'De institutione musica' (III, 14-16)", Archives Internationales d'Histoire des Sciences vol. 31 no. 106, 1981, pp. 26-41.
• Barbera, Charles André. "The Consonant Eleventh and the Expansion of the Musical Tetractys: A Study of Ancient Pythagoreanism", Journal of Music Theory vol. 28 no. 2, 1984, pp. 191-223.
• Barbera, Charles André. "Octave Species", The Journal of Musicology vol. 3 no. 3, summer 1984, pp. 229-241.
• Barbera, Charles André. "Diesis" and "Pythagorean Scale", The New Harvard Dictionary of Music, Don Michael Randel (ed.), The Belknap Press of Harvard University Press, Cambridge MA, 1986, pp. 231, 672-673.
• Barbera, Charles André. "Easley Blackwood: The Structure of Recognizable Diatonic Tunings (book review)", Journal of Music Theory vol. 32 no. 1, spring 1988, pp. 158-169.
• Barbera, Charles André. "Adriaan Daniël Fokker: Selected Musical Compositions, R.A. Rasch (ed.) (book review)", Journal of Music Theory vol. 33 no. 2, autumn 1989, pp. 393-400.
• Barbera, Charles André (ed.) The Euclidean Division of the canon: Greek and Latin sources: new critical texts and translations on facing pages, with an introduction, annotations, and indices verborum and nominum et rerum. Sometimes attributed to Euclid or Porphyry. Translation of: Sectio canonis. University of Nebraska Press, Lincoln NE, 1991, 316 pages.
• Barberá Saiz, Jaime. Sistema de afinación musical de proporciones áureas. MA thesis, Escuela Politécnica Superior de Gandía, Gandía, 2012, 43 pages.
• Barbereau, Mathurin Auguste Balthasar. Traité d'harmonie théorique et pratique. Lemoine, Paris, 1848, 2 vols.
• Barbereau, Mathurin Auguste Balthasar. Etudes sur l'origine du système musical. Chez Bachelier, Paris, 1852, 85 pages. Pallez-Rousseau, Metz, 1864.
• Barbier, Pierre-Émile. Article Alois Hába in Guide de la musique de chambre, Fayard, Paris, 1989, pp. 366-372.
• Barbieri, Patrizio. "Persistenza dei temperamenti inequabili nell'Ottocento italiano", L'Organo vol. 20, Bologna, 1982, pp. 57-124.
• Barbieri, Patrizio. "I temperamenti ciclici da Vicentino (1555) a Buliowski (1699): teoria e pratica 'archicembalistica'", L'Organo vol. 21, Pàtron Editore, Bologna, 1983, pp. 129-208.
• Barbieri, Patrizio. "Giuseppe Sarti fisico acustico e teorico musicale", Giuseppe Sarti musicista faentino. Atti del convegno internazionale (Faenza, 25-27 novembre 1983), Mario Baroni and Maria Gioia Tavoni (eds.), Mucchi Editore, Modena, 1986.
• Barbieri, Patrizio. Ancora sul temperamento degli organi di S. Petronio. Ancona, 1984.
• Barbieri, Patrizio. "Giordano Riccati on the diameters of strings and pipes", Galpin Society Journal vol. 38, Apr 1985, pp. 20-34.
• Barbieri, Patrizio. "Il temperamento equabile nel periodo frescobaldiano", Girolamo Frescobaldi nel IV centenario della nascità: Ferrara 1983, Sergio Durante and Dinko Fabris (eds.), Olschki, Firenze, 1986, pp. 387-424.
• Barbieri, Patrizio. "Cembali enarmonici e organi negli scritti di Athanasius Kircher - Con documenti inediti su Galeazzo Sabbatini", Enciclopedismo in Roma barocca - Athanasius Kircher e il museo del Collegio Romano fra Wunderkammer e Museo Scientifico, Maristella Casciato; Maria Grazia Ianniello and Maria Vitale (eds.), Marsilio, Venice, 1986, pp. 111-128.
• Barbieri, Patrizio and Lindoro Massimo Del Duca. "Renaissance and Baroque Microtonal Music Research in Computer Real Time Performance", Proceedings of the International Computer Music Conference, Oct 1986, Royal Conservatory of Music, The Hague, Paul Berg (ed.), Computer Music Association, San Francisco, 1986, p. 51.
• Barbieri, Patrizio. "L'espressione degli 'affetti' mediante l'ineguale accordatura degli strumenti da tasto nel Settecento veneto", Convegno di studi "Organaria veneta: patrimonio e salvaguardia", Centro studi di arte organaria veneta, Vicenza, Oct 1986, pp. 42-67.
• Barbieri, Patrizio (ed.), Giordano Riccati, Alessandro Barca, Francesco Antonio Vallotti. Acustica, accordatura e temperamento nell'illuminismo veneto. Series: Pubblicazioni del Corso Superiore di Paleografia e Semiografia Musicale dell'Umanesmo al Barocco no. I:5:2. Edizioni Torre d'Orfeo, Roma, 1987, 382 + 264 pages.
• Barbieri, Patrizio (ed.) "La 'Sambuca Lincea' di Fabio Colonna e il 'Tricembalo' di Scipione Stella - Con notizie sugli strumenti enarmonici del Domenichino", La musica a Napoli durante il Seicento, Atti del Convegno Internazionale di Studi, Napoli, 11-14 Apr 1985, Doimenico Antonio D'Alessandro and Agostino Ziino (eds.), Torre d'Orfeo, Roma, 1987, pp. 167-216.
• Barbieri, Patrizio. "Martini e gli armonisti 'fisico-matematici': Tartini, Rameau, Riccati, Vallotti", Padre Martini. Musica e cultura nel Settecento europeo, Angelo Pompilio (ed.), Olschki, Florence, 1987, pp. 173-209.
• Barbieri, Patrizio. "Juan Caramuel Lobkowitz (1606-1682): Über die musikalischen Logarithmen und das Problem der musikalischen Temperatur", Musiktheorie vol. 2 no. 2, 1987, pp. 145-168.
• Barbieri, Patrizio. "Organ tonal finishing and fine tuning (review)", Nuova Rivista Musicale Italiana vol. 21 no. 3, July-Sep 1987, pp. 489-490.
• Barbieri, Patrizio and Sandra Mangsen. "Violin Intonation: A Historical Survey", Boston Early Festival, Cornell University Press, Ithaka NY, 1987. Early Music vol. 19 no. 1, Feb 1991, pp. 69-88.
• Barbieri, Patrizio. "Il Cembalo Omnicordo di Francesco Nigetti in due memorie inedite di G.B. Doni (1647) e B. Bresciani (1719)", Nuova Rivista Italiana di Musicologia vol. 22, 1987, pp. 34-113.
• Barbieri, Patrizio. "Il 'migliore' sistema musicale temperato: 'Querelles' fra Estève, Romieu e altri accademici francesi (c.1740-60)", Note d'archivio per la storia musicale, 1988. Also in L'Organo vol. 27, Bologna, 1991-1992, pp. 31-81.
• Barbieri, Patrizio. "An unknown 15th-century French manuscript on organ building and tuning", The Organ Yearbook vol. 20, 1989, pp. 5-20.
• Barbieri, Patrizio. "Conflitti di intonazione tra cembalo, liuto ed archi nel 'concerto' italiano del Seicento", Studi Corelliani vol. 4, Pierluigi Petrobelli and Gloria Staffieri (eds.), Olschki, Florence, 1990, pp. 123-153.
• Barbieri, Patrizio. "L'intonazione violinistica da Corelli al Romanticismo", Studi Musicali vol. 19 no. 2, 1990, pp. 319-384.
• Barbieri, Patrizio. "Gli armonisti padovani del Santo nel settecento", Storia della musica, Neri Pozza Editore, Vicenza, 1990, pp. 199-221.
• Barbieri, Patrizio. "Gli ingegnosi cembali e 'violicembali' inventati da Juan Caramuel Lobkowitz per Ferdinando III (c.1650): notizie inedite dal manoscritto Musica", Le meraviglie del probabile. Juan Caramuel 1606-1682. Atti del Convegno internazionale di studi (Vigevano, 29-31 ottobre 1982), Paolo Pissavino (ed.), Edizioni del Comune, Vigevano, 1990, pp. 91-112.
• Barbieri, Patrizio. "La 'Nuova teoria di musica' di Alessandro Barca in un inedito esame di Giordano Riccati (1786-90) (book review)", Scritti in onore di Giulio Cattin, Francesco Luisi (ed.), Torre d'Orfeo, Roma, 1990, pp. 159-176.
• Barbieri, Patrizio. "Diapason, 'chiavette' et intonation dans l'interprétation de Palestrina", L'interprétation de Palestrina - Journées d'étude, Royaumont, Oct 1990, Association Palestrina, Paris, 1991, pp. 25-43.
• Barbieri, Patrizio. "Considerazioni sull' Accordatura Strumentale al Tempo di Mozart", Strumenti per Mozart, Marco Tiella and Romano Vettori (eds.), Longo Editore, Rovereto, 1991, pp. 61-69.
• Barbieri, Patrizio. "Calegari, Vallotti, Riccati e le teorie armoniche di Rameau: priorità, concordanze, contrasti", Nuova Rivista Italiana di Musicologia vol. 26 no. 2, 1991, pp. 241-302.
• Barbieri, Patrizio. "Krizanic, Caramuel e P.F. Valentini sulla divisione dell'ottava musicale", Krizanicev doprinos teorij glazbe (International Symposium on Juraj Krizanic) vol. 4, Zagreb, 1983. Hrvatska Akademija Znanosti i Umjetnosti u Zagrebu, Zagreb, 1992, pp. 19-40 with Croatian abstract.
• Barbieri, Patrizio. "Giordano Riccati fisico acustico e teorico musicale: Con una memoria inedità di acustica architettonica", I Riccati e la cultura della Marca nel Settecento europeo, Olschki, Florence, 1992, pp. 279-304.
• Barbieri, Patrizio. "Tartinis Dritter Ton und Eulers Harmonische Exponenten. Mit einem unveröffentlichten Manuskript Tartinis", Musiktheorie vol. 7 no. 3, 1992, pp. 219-234. Revised version in Musiktheorie vol. 8 no. 1, 1993.
• Barbieri, Patrizio. "L'accordatura strumentale in Toscana: proposte e contrasti da V. Galilei a Cristofori (c.1580-1730)", Musicologia humana. Studies in honor of Warren and Ursula Kirkendale, Sigfried Gmeinwieser; David Hiley and Joerg Riedlbauer (eds.), Olschki, Firenze, 1994, pp. 209-232.
• Barbieri, Patrizio. "Il sistema armonico di Tartini nelle 'censure' di due celebri fisico-matematici: Eulero e Riccati", Tartini. Il tempo e le opere, A. Bombi and M.N. Massaro (eds.), Il Mulino, Bologna, 1994, pp. 321-344.
• Barbieri, Patrizio. "L'inarmonicità degli strumenti musicali a corda (1543-1993). Con una memoria inedita di J.-B. Mercadier (1784)", Strumenti, musica e ricerca. Atti del Convegno internazionale, Cremona, 28-29 October 1994, Elena Ferrari Barassi; Marco Fracassi and Giampaolo Gregori (eds.), Ente Triennale Internazionale degli Strumenti ad Arco, Cremona, 2000.
• Barbieri, Patrizio. "L'accordatura strumentale in Toscana: proposte e contrasti da V. Galilei a Cristofori (c.1580-1730)", Musicologia humana. Studies in honor of Warren and Ursula Kirkendale, Siegfried Gmeinwieser; David Hiley and Jörg Riedlbauer (eds.), Olschki, Florence, 1994.
• Barbieri, Patrizio. "Il mesolabio e il compasso di proporzione: le applicazioni musicali di due strumenti matematici (1558-1675)", Musica, scienze e idee nella Serenissima durante il Seicento. Atti del Convegno Internazionale di studi, Venezia 13-15 dicembre 1993, Francesco Passadore and Franco Rossi (eds.), Edizioni Fondazione Levi, Venice, 1996.
• Barbieri, Patrizio. "Musical Instruments and Players in J.-A. Charles's Acoustique (Paris, c. 1787-1802) and Other French Technical Sources", Journal of the American Musical Instrument Society vol. 23, 1997, pp. 94-120.
• Barbieri, Patrizio. "Gli strumenti poliarmonici di G.B. Doni e il ripristino dell'antica musica greca (c.1630-1650)", Analecta Musicologica vol. 30, 1998, pp. 79-114.
• Barbieri, Patrizio. "The inharmonicity of musical string instruments (1543-1993). With an unpublished memoir by J.-B. Mercadier (1784)", Studi Musicali vol. 27 no. 2, 1998, pp. 383-419. Italian translation by P. Barbieri "L'inarmonicità degli strumenti musicali a corda (1543-1993). Con una memoria inedita di J.-B. Mercadier (1784)", Strumenti, musica e ricerca. Atti del Convegno internazionale, Cremona 28-29 ottobre 1994, Elena Ferrari Barassi; Marco Fracassi and Giampaolo Gregori (eds.), Ente Triennale Internazionale degli Strumenti ad Arco, Cremona, 2000, pp. 254-292.
• Barbieri, Patrizio. "Corista, chiavette e intonazione nella prassi romana e veneto-bolognese del tardo Rinascimento", Ruggero Giovannelli [...], Atti del Convegno Internazionale di Studi, Carmela Bongiovanni and Giancarlo Rostirolla (eds.), Fondazione Giovanni Pierluigi da Palestrina, Palestrina, 1998, pp. 433-457.
• Barbieri, Patrizio. "G.B. Orazi's Enharmonic Flute and its Music (1797-1815)", Galpin Society Journal vol. 52, 1999, pp. 281-304.
• Barbieri, Patrizio and Lindoro Massimo del Duca. "Late-Renaissance Quarter-tone Compositions (1555-1618): The Performance of the ETS-31 with a DSP System", Musical Sounds from Past Millennia: Proceedings of the International Symposium on Musical Acoustics 2001, 2 vols., Diego L. González; Domenico Stanzial and Davide Bonsi (eds.), Fondazione Giorgio Cini, Venice, 2001.
• Barbieri, Patrizio. "'Galileo's' coincidence theory of consonances, from Nicomachus to Sauveur", Recercare vol. 13, 2001, pp. 201-232.
• Barbieri, Patrizio. "Il temperamento equabile nell'Ottocento napoletano: l'acustico P. A. de Luca (1778-1864) e i suoi manoscritti inediti", L'Organo vol. 35, 2002, pp. 93-122.
• Barbieri, Patrizio. "The evolution of open-chain enharmonic keyboards c.1480-1650", "L'evoluzione delle tastiere enarmoniche a catena aperta c.1480-1650", Chromatische und enharmonische Musik und Musikinstrumente des 16. und 17. Jahrhunderts, Schweizer Jahrbuch für Musikwissenschaft vol. 22, Joseph Willimann (ed.), Verlag Peter Lang, Bern, 2002, pp. 145-184, 185-228.
• Barbieri, Patrizio. "La nascita delle teorie continue della consonanza. La ignorata curva di Draghetti e Foderà, poi di Helmholtz (1771-1837)", Acta Musicologica vol. 74, 2002, pp. 55-75.
• Barbieri, Patrizio. "Temperaments - Historical", Piano: An Encyclopedia, 2nd edition, Robert Palmieri and Margaret W. Palmieri (eds.), Routledge, New York, 2003, pp. 402-409.
• Barbieri, Patrizio. "Consonanze, scale e temperamenti", Acustica musicale e architettonica, Sergio Cingolani and Renato Spagnolo (eds.), UTET Libreria, Torino, 2005, pp. 31-70, 913-916.
• Barbieri, Patrizio. "Pietro Della Valle: the Esthèr oratorio (1639) and other experiments in the stylus metabolicus. With new documents on triharmonic instruments", Recercare vol. 19 no. 1-2, 2007, pp. 73-124.
• Barbieri, Patrizio. "Il revival delle tastiere enarmoniche: nuove soluzioni (1760-1880)", L'Organo vol. 39, 2007, pp. 175-236.
• Barbieri, Patrizio. "Cembali a tasti spezzati: 'cromatci' oppure 'enarmonici'?", Bollettino della Deputazione di Storia patria per l'Umbria CV-2, 2008, pp. 125-130. Reprint Arte organaria e musica per organo nell'età moderna. L'Umbria nel quadro europeo, Erika Bellini (ed.), Deputazione di Storia patria per l'Umbria, Perugia, 2008, pp. 125-130.
• Barbieri, Patrizio. Enharmonic instruments and music, 1470-1900. Revised and translated studies. Il Levante Libreria Editrice, Latina, 2008, 628 pages with CD.
• Barbieri, Patrizio. "On the linear approximation of equal temperament proposed by the organ builder Giambattista De Lorenzi (1870)", Musica e Storia vol. 17, Aug 2009, pp. 451-463. Italian translation by P. Barbieri "Su di una approssimazione del temperamento equabile proposta da Giambattista De Lorenzi (1870)", Contributi per la storia dell'arte organaria e organistica in Italia, Paola Dessì (ed.), Edizioni Fondazione Levi, Venezia, 2012.
• Barbieri, Patrizio. "Musiche e strumenti 'alla Greca' nel Seicento italiano", Francesco Buti tra Roma e Parigi: diplomazia, poesia, teatro, Francesco Luisi (ed.), Torre d'Orfeo, Roma, 2009, pp. 349-364.
• Barbieri, Patrizio. Physics of wind instruments and organ pipes 1100-2010. New and extended writings. Il Levante Libreria Editrice, Latina, 2013, 580 pages.
• Barbieri, Patrizio. "Harps Versus Pianos: Parisian querelles on Tuning 1770-1830", Galpin Society Journal vol. 70, Apr 2017, pp. 45-63.
• Barbieri, Patrizio (ed.) Symposium on Nicola Vicentino's Arciorgano and the Clavemusicum Omnitonum, Basel, 23-25 November 2017", Musik-Akademie, Basel, 2017.
• Barbieri, Patrizio. Un ignorato manoscritto francese del secolo XV sulla costruzione e accordatura dell'organo", Arte Organaria Italiana vol. 10, 2018, pp. 9-26.
• Barbieri, Patrizio. Tuning and temperament: practice vs science 1450-2020. Gangemi Editore, Rome, 2019, 592 pages.
• Barbieri, Patrizio. Allargamento tonale nelle composizioni per tastiera al tempo di Frescobaldi. Con sviluppi tardo-seicenteschi verso temperamenti di tipo circolante", Informazione Organistica vol. 31 no. 2, Dec 2019, pp. 179-216.
• Barbieri, Patrizio. Quarrels on Harmonic Theories in the Venetian Enlightenment. Libreria Musicale Italiana, Lucca, 2020, 386 pages.
• Barbieri, Patrizio. "L'organo romano: nuove acquisizioni sul corista, tastiere e registri, c.1480-1750", Arte organaria italiana vol. 13, 2021, pp. 151-232.
• Barbiero, Daniel. "Review of Johnston Quartets 6, 7, 8 (CD review)", Avant Music News, WWW, May 2016.
• Barbour, James Murray. "Synthetic Musical Scales", American Mathematical Monthly vol. 36 no. 3, 1929, pp. 155-160. Also here.
• Barbour, James Murray. Equal Temperament: its History from Ramis (1482) to Rameau (1737). PhD thesis, Cornell University, Ithaca NY, 1932, 353 pages.
• Barbour, James Murray. "The Persistence of the Pythagorean Tuning System", Scripta Mathematica vol. 1, 1933, pp. 286-304.
• Barbour, James Murray. "Nierop's Hackebort", The Musical Quarterly vol. 20 no. 3, July 1934, pp. 312-319. Also here.
• Barbour, James Murray. "Just Intonation Confuted", Music & Letters vol. 19 no. 1, Jan 1938, pp. 48-60.
• Barbour, James Murray. "Musical logarithms", Scripta Mathematica vol. 7, 1940, pp. 21-31.
• Barbour, James Murray. "Bach and the 'Art of Temperament'", The Musical Quarterly vol. 33 no. 1, Jan 1947, pp. 64-89. Also in Garland Library of HWM vol. 6, 1985, pp. 2-27.
• Barbour, James Murray. "Music and Ternary Continued Fractions", American Mathematical Monthly vol. 55 no. 9, Nov 1948, pp. 545-555.
• Barbour, James Murray. "Irregular Systems of Temperament", Journal of the American Musicological Society vol. 1 no. 3, 1948, pp. 20-26.
• Barbour, James Murray. "Musical Scales and Their Classification", Journal of the Acoustical Society of America vol. 21 no. 6, Nov 1949, pp. 586-589.
• Barbour, James Murray. "Genesis of a Music by Harry Partch (book review)", The Musical Quarterly vol. 36 no. 1, Jan 1950, pp. 131-135.
• Barbour, James Murray. "More on the Leipzig Organ Tuning", Journal of the American Musicological Society vol. 3 no. 1, spring 1950, pp. 41-44.
• Barbour, James Murray. Tuning and Temperament: A Historical Survey. Michigan State College Press, East Lansing MI, 1951, 228 pages. Reprint Da Capo Press, New York, 1973. Reprint Dover, New York, 2004, 256 pages. Also here>
• Barbour, James Murray. "Les Gammes musicales by Antoine Auda (book review)", Journal of the American Musicological Society vol. 4 no. 1, spring 1951, pp. 40-42.
• Barbour, James Murray. "Violin Intonation in the 18th Century", Journal of the American Musicological Society vol. 5 no. 3, autumn 1952, pp. 224-234.
• Barbour, James Murray. "The Grammar of South Indian (Karnatic) Music by C. Subrahmanya Ayyar (book review)", Notes vol. 10 no. 4, Sep 1953, pp. 641-642.
• Barbour, James Murray. "Alain Daniélou: North Indian Music, vol. II: The Main Ragas (book review)", Notes, Mar 1955, p. 243.
• Barbour, James Murray. "Hermann Helmholtz: Sensations of Tone, 2nd English edition, translated by Alexander J. Ellis (book review)", Scripta Mathematica, Mar/Aug 1956, pp. 81-87.
• Barbour, James Murray. "A Geometrical Approximation to the Roots of Numbers", The American Mathematical Monthly vol. 64 no. 1, Jan 1957, pp. 1-9.
• Barbour, James Murray. "The Principles of Greek Notation", Journal of the American Musicological Society vol. 13 no. 1/3, A Musicological Offering to Otto Kinkeldey upon the Occasion of his 80th Anniversary, 1960, pp. 1-17.
• Barbour, James Murray. "Mißverständnisse über die Stimmung des javanischen Gamelans", Die Musikforschung vol. 16 no. 4, Kassel, Oct-Dec 1963, pp. 315-323.
• Barbour, James Murray. "Temperatur und Stimmung", Die Musik in Geschichte und Gegenwart Band 12, Friedrich Blume (ed.), Bärenreiter, Kassel, 1965, pp. 213-227.
• Barca, Alessandro. Nuove teoremi per la divisione delle ragioni... Bergamo, 1781.
• Barca, Alessandro. "Introduzione ad una Nuova teoria di musica - Memoria prima", Saggi scientifici e lattari, Accademia di scienze, lettere ed arti in Padova, Dec 1786, pp. 365-418.
• Barca, Alessandro. Introduzione ad una Nuova teoria di musica - Memoria seconda. Dec 1786. Padova, 1789. New edition Introduzione a una Nuova teoria di musica - Memoria seconda: De suoni aggiunti ossia delle dissonanze e dell'armonia dissonante. 1809.
• Barca, Alessandro. Di una nuova Teoria di Musica - Memoria III: Dei sistemi e delle scale. I. Bg. S. Aless, Bergamo, 1800-1805. Also in Saggi scientifici e letterari dell' ia di Padova vol. 4, 1809, pp. 184-221.
• Barca, Alessandro. Dei principi del temperamento della nostra musica. I. Bg. S. Aless, Bergamo, 1805.
• Barcelona, John. "Tone Color and Intonation", Flute Talk, Sep 2004, p. 32.
• Barclay, Robert L. (ed.) The Care of Historic Musical Instruments. Museums & Galleries Commission, Jan 1997, 145 pages.
• Bárdos, Lajos. "Natürliche Tonsysteme. Methode ihrer Messung", Studia memoriae Belae Bartok sacra, Budapest 1957, Budapest, 1956, pp. 209-248.
• Bares, Peter. "Maß und Zahl: Über Orgeln und Musik", Werkzeuge der Stille: die neuen Orgeln in Sankt Peter zu Köln, Michael Gassmann (ed.), Wienand, 2004, 64 pages.
• Bargrizan, Navid. "A new opera concept: an identity quest mediated by digital media and microtones in Manfred Stahnke's Orpheus Kristall (2001)", Proceedings of the 9th Conference on Interdisciplinary Musicology - CIM14, Berlin, 2014, 4 pages.
• Bargrizan, Navid. "Technology, Microtones, and Mediation in Manfred Stahnke's Orpheus Kristall", Müzik-Bilim Dergisi: The Journal of Musicology vol. 1 no. 6, 2015, pp. 11-28.
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