Tuning & temperament bibliography

- A -

- B -

- C -

- D -

- E -

  • Eargle, John M. Music, Sound and Technology. Van Nostrand Reinhold, New York, 1990, 302 pages. 2nd ed., 1995. Springer, Dordrecht, Apr 2012.
  • Earls, Paul. "Harry Partch: Verses in Preparation for 'Delusion of the Fury'", Annuario vol. 3, Inter-American Institute for Musical Research, Tulane University, 1967, pp. 1-32.
  • Earls, Paul. "Genesis of a Music by Harry Partch (book review)", Anuario Interamericano de Investigacion Musical vol. 10, University of Texas Press, 1974, pp. 223-224.
  • Eaton, John. "A Portable Electronic Instrument", Music Journal, 1966.
  • Ebbeke, Klaus. "Compositions pour quator et trio à cordes d'Ivan Wyschnegradsky", CD notes, Compositions pour quator et trio à cordes, Block, Berlin, 1990, pp. 23-29.
  • Ebeling, Martin. Tonhöhe physikalisch - musikalisch - psychologisch - mathematisch. Verlag Peter Lang, Frankfurt a.M., Feb 1999, 200 pages.
  • Ebeling, Martin. Verschmelzung und neuronale Autokorrelation als Grundlage einer Konsonanztheorie. PhD thesis, Verlag Peter Lang, Frankfurt a.M., 2007, 240 pages.
  • Ebeling, Martin and Morgana Petrik (eds.) Harmonie - musikalisch, philosophisch, psychologisch, neurologisch. Series: Schriftenreihe der Carl Stumpf Gesellschaft vol. 7, Verlang Peter Lang, Frankfurt a.M., 2017, 164 pages.
  • Eberhardt, Siegfried. Absolute Treffsicherheit auf der Violine. Adolf Fürstner, Berlin, 1912, 92 pages.
  • Eberl, Kathrin; Konstanze Musketa and Wolfgang Ruf (eds.) Daniel Gottlob Türk - Theoretiker, Komponist, Pädagoge und Musiker. Bericht über die wissenschaftliche Konferenz anlässlich des 250. Geburtstages am 3. und 4. November 2000 im Händel-Haus Halle, Händel-Haus, Halle an der Saale, 2002, 352 pages.
  • Eberle, Gottfried. "Ivan Wyschnegradsky, ein russischer Pionier der Ultrachromatik", Neue Zeitschrift für Musik vol. 9, Sep 1974, pp. 549-555.
  • Eberle, Gottfried. "'Absolute Harmonie' und 'Ultrachromatik'. Nicolaj Obuchov und Ivan Wyschnegradsky - zwei radikale Fälle von Skrjabin Nachfolge", Alexander Skrjabin, Graz, 1980, p. 95.
  • Eberle, Gottfried. "Mysterium und Lichttempel. Alexander Skrjabin und Ivan Wyschnegradsky - zwei multimediale Konzepte (music review)", Beiheft zur Ausstellung Der Hang zum Gesamtkunstwerk, Berlin, 1983, p. 48.
  • Eberlein, Roland. "Selektive Adaptation bei Akkorden", Fortschritte der Akustik - DAGA '86, 1986, pp. 389-392.
  • Eberlein, Roland. Theorien und Experimente zur Wahrnehmung musikalischer Klänge. PhD thesis, Universität Köln, Europäische Hochschulschriften Reihe 36, Musikwissenschaft Band 44, Verlag Peter Lang, Bern/Berlin, 1990, 174 pages.
  • Eberlein, Roland. "Geschichte der Orgelstimmungen, Weitere Texte zum Thema Orgelstimmungen", WWW, 2016-2018, 7 articles, 70 pages.
  • Ebhardt, Gotthilf Frederic. Die höhern Lehrzweige der Tonsetzkunst: 1 Die musikalische Cadenz; 2 Die Fortschreitung, Ausweichung und der Übergang, mit Rücksicht auf die verschiedenen Cadenzen und melodischen Tonführungen; 3 Die Rythmik in Bezug auf Taktarten und ganze Sätze, etc., nebst einem Anhang über die Verwandtschaft der griechischen Tonarten mit unserem harmonischen System. Hofmeister, Leipzig, 1830, 260 pages.
  • Eccles, John and Daniel Purcell. Rules for Tuning a Harpsichord or Spinnet. 1702.
  • Echols, Jane Agnew. Melchiore de Barberiis's lute intabulations of sacred music. MA thesis, University of North Carolina, 1973, 275 pages.
  • Eck, Cathy van. "A good servant dismissed for becoming a bad master. Zur Geschichte der gleichstufigen Temperatur", Dissonance vol. 110, Basel, June 2010, pp. 34-43. Also here.
  • Eckardt, Jason Keith. Parametric Articulation of Pitch Materials in Composition (parameters, perception, polarities, original composition). MA thesis, Columbia University, New York, 1998, 109 pages.
  • Eckersley, Dominic. "Rosetta Revisited: Bach's Very Ordinary Temperament", WWW, 2012, 21 pages.
  • Eckhardt, Jason C. "Listening and Composing", Current Musicology vol. 67-68, Columbia University, 2002, pp. 73-91.
  • Ederer, Eric B. The Theory and Praxis of Makam in Classical Turkish Music 1910-2010. PhD thesis, University of California, Santa Barbara, 2011.
  • Edholm, Dag W. "Temperaturen är i det närmste liksväfvig .... Till frågan om svenska orgelbyggares sätt att temperera efter 1700-talets mitt", Orgelforum vol. 23, 2001, pp. 18-23.
  • Edlund, Lars. Modus novus; Studies in reading atonal melodies. Nordiska Musikförlaget, Stockholm, 1963, 111 pages.
  • Edmonds, E.M. and M.E. Smith. "The Phenomenological Description of Musical Intervals", The American Journal of Psychology vol. 34 no. 2, Apr 1923, pp. 287-291.
  • Edmonson, Frank A. III. "Effect of Interval Direction on Pitch Acuity in Solo Vocal Performance", Journal of Research in Music Education vol. 20 no. 2, summer 1972, pp. 246-254.
  • Edskes, Cornelius Herman and Siwert Meijer (eds.) De nagelaten geschriften van de orgelmaker Arp Schnitger (1648-1719). Boeijenga, Sneek, Jan 1968, 80 pages.
  • Edskes, Cornelius Herman. "Über die Stimmtonhöhe und Temperatur der Arp Schnitger-Orgel von St. Jacobi in Hamburg", Cornelius H. Edskes. Doctor Honoris Causa (publication in honor of Cornelius H. Edskes, 19 October 1996), Hans Davidsson and Paul Peeters (eds.), Gothenburg, 1996, pp. 19-41.
  • Edwards, C.A. Organs and Organ Building. 'The Bazaar' Office, London, 1880, 248 pages.
  • Edwards, Michael; John Kitchen; Nikki Moran; Zack Moir and Richard Moir. Fundamentals of Music Theory. University of Edinburgh, Oct 2021, 126 pages.
  • Egan, John B. (ed.) Marin Mersenne, Traité de l'harmonie universelle: Critical Translation of the Second Book. PhD thesis, Indiana University, Bloomington IN, 1962, 260 pages.
  • Eger, Arthur. Stimmungshöhe und Stimmungsart und ihre Probleme bei der Wiederherstellung alter wertvoller Orgeln mit einer Untersuchung der Temperatur Gottfried Silbermann. self-published, Freiberg, 1959, 24 pages.
  • Eger, Arthur. Eine Ergänzung zu meiner Schrift 'Stimmungshöhe und Stimmungsart' als Beitrag zur geplanten Neustimmung der Silbermannorgel in der St. Petrikirche zu Freiberg im Jahre 1961. self-published, Freiberg, 1960, 4 pages.
  • Eggebrecht, Hans Heinrich. Musik im Abendland. Prozesse und Stationen vom Mittelalter bis zur Gegenwart. Piper Verlag, München, 1991, 838 pages.
  • Eggen, Erik. Skalastudier. Studier over skalaens genesis på norrønt område. PhD thesis, Eberh. B. Oppi's Förlag, Oslo, 1923, 99 pages.
  • Eggen, Erik. "Zur Entstehung und Entwicklung der Skala", Gedenkboek aangeboden aan Dr. D.F. Scheurleer op zijn 70sten verjaardag, Martinus Nijhoff, 's-Gravenhage, 1925, pp. 103-106.
  • Eggers, Wolfgang. Die Stimmungs- und Intonationsprobleme auf der Gambe. Möseler Verlag, Wolfenbüttel, 1986, 31 pages.
  • Eggert, Kenneth Scott. Musica Universalis: From the Lambdoma of Pythagoras to the Tonality Diamond of Harry Partch. MA thesis, Montclair State University, Montclair NJ, 2013, 78 pages.
  • Eggington, Timothy John. Benjamin Cooke (1734-93), Composer and Academician:Science, Ancient Authority and the Advancement of English Music. PhD thesis, Goldsmiths, University of London, Jan 2008, 2 vols., 463 pages incl. scores.
  • Eggington, Timothy John. "Music, Experiment and Mathematics in England, 1653-1705 by Benjamin Wardhaugh (book review)", Fontes Artis Musicae vol. 57 no. 4, Oct-Dec 2010, pp. 429-431.
  • Eggington, Timothy John. "John Birchensha: Writings on Music (book review)", Cambridge, WWW, Oct 2012.
  • Eichhorn, Holger. "Ensemble-Intonation im 17. Jahrhundert", Stimmungen im 17. und 18. Jahrhundert. Vielfalt oder Konfusion?, 15. Musikinstrumentenbau-Symposion in Michaelstein am 11. und 12. November 1994, Günter Fleischhauer, Monika Lustig, Wolfgang Ruf, Frieder Zschoch (eds.), Michaelsteiner Konferenzberichte Bd. 52, Stiftung Kloster Michaelstein, 1997, pp. 142-150.
  • Eichler, C. Die Orgel, ihre Beschreibung, Behandlung und Geschichte; insbesondere für angehende Organisten dargestellt: Eingeführt durch Dr. Th. Eisenlohr. J.B. Metzler, Stuttgart, 1858, 16 pages.
  • Eijken, Eugène. Een onderzoek naar getempereerd spel op houtblaasinstrumenten in de 17e en 18e eeuw, in het bijzonder op de blokfluit. Koninklijk Conservatorium, Den Haag, 1982.
  • Eik, Jaap van. "De kwartenbas van Jeroen Thesseling", Music Maker, Sep 1995, pp. 26-29.
  • Eimert, Herbert. Grundlagen der musikalischen Reihentechnik. Universal Edition, Vienna, 1964, 174 pages.
  • Einbond, Aaron; Christopher Trapani and Diemo Schwartz. "Precise pitch control in Real Time Corpus-Based concatenative synthesis", Proceedings of the International Computer Music Conference, Ljubljana, 2012, pp. 584-588.
  • Eisenberg, Jacob. "Virdung's Keyboard Illustrations", Galpin Society Journal vol. 15, Mar 1962, pp. 82-88.
  • Eitner, Robert. "Scheibler, Johann Heinrich", Allgemeine Deutsche Biographie (ADB) vol. 30, Duncker & Humblot, Leipzig, 1890, pp. 702-704.
  • Eitz, Carl Andreas. Das mathematisch-reine Tonsystem. Breitkopf und Härtel, Leipzig, 1891, 50 pages. Kessinger Publishing, Whitefish MT, Feb 2010.
  • Eitz, Carl Andreas. The tone-word system and its relation to the three kinds of tuning existing in music, viz. the pure quint tuning, the tempered one and the naturally pure one. Breitkopf und Härtel, Leipzig, 1905, 3 pages.
  • Eitz, Carl Andreas. Das Tonwort: Bausteine zur musikalischen Volksbildung. Frank Bennedik, (ed.), Breitkopf und Härtel, Leipzig, 1911, 1928, 192 pages.
  • Eitz, Carl Andreas. Der Gesangunterricht als Grundlage der musikalischen Volksbildung. 1914, 1924.
  • Eitz, Carl Andreas. "Von den natürlich reinen Stimmungsverhältnissen", Melos vol. 1 no. 13, 1920, pp. 293-295.
  • Eitz, Carl Andreas. "Der Weg zum Notenverständnis", Melos vol. 2 no. 5-6, 1921, pp. 109-110.
  • Ekholm, Elizabeth. "The Effect of Singing Mode and Seating Arrangement on Choral Blend and Overall Choral Sound", Journal of Research in Music Education vol. 48 no. 2, 2000.
  • Ekman, Petter. The Intonation Systems of Harry Partch. BA composition, Iceland Academy of the Arts, Mar 2011, 23 pages.
  • Ekmelische Musik, Gesellschaft für. 10 Jahre Gesellschaft für ekmelische Musik. Universität Mozarteum, Salzburg, 1991.
  • Ekmelische Musik, Internationale Gesellschaft für. 20 Jahre Internationale Gesellschaft für ekmelische Musik. Elisabeth Richter, Horst-Peter Hesse, Ezra Sims, Johannes Kotschy and Maria Richter-Taborsky (eds.), with introduction by Johannes Kotschy, Salzburg, 2001, 35 pages.
  • Ekowski, Christian (ed.) "Interview mit Gustav Leonhardt, Pionier des 'historischen' Bachspiels", organ - Journal für die Orgel vol. 4, 2000.
  • Ekwueme, Laz. E.N. "Concepts of African Musical Theory", Journal of Black Studies vol. 5 no. 1, Sep 1974, pp. 35-64.
  • Ekwueme, Laz. E.N. "Analysis and Analytic Techniques in African Music: A Theory of Melodic Scales", African Music: Journal of the African Music Society vol. 6 no. 1, July 1980, pp. 89-106.
  • Elia, Alessio. "Polysystemism: A Tool for Shaping Music by Relation to Acoustic Phenomena. An introduction to Polysystemism", Zivá hudba vol. 11, University of Prague, 2020, pp. 128-156.
  • Elia, Alessio. Musical Structures, Techniques of Composition and their Perception as Aural Phenomena. PhD thesis, University of Rome "Tor Vergata", Rome, 2012.
  • Elia, Alessio. "Polysystemism: a simultaneous employment of different tuning systems derived from contemporary physics and aural perception of related phenomena", Just in Tone and Time - Assoziationen an Manfred Stahnke - eine Festschrift, Benjamin Helmer and Georg Hajdu (eds.), von Bockel Verlag, Neumünster, 2017, 332 pages.
  • Eliot, Samuel A. "The Euharmonic Organ", The Living Age, 7 Sep 1850, pp. 473-479.
  • Ellinger, Karl. "Bericht 2013", Braunau am Inn, WWW, Mar 2013, 4 pages.
  • Ellinwood, Leonard (ed.) The 'Musica' of Hermannus Contractus. English translation by Leonard Ellinwood with introduction by John L. Snyder, 1936, 1952. 2nd ed., Eastman Studies in Music, Boydell & Brewer, University of Rochester Press, Rochester NY, Nov 2015, 240 pages.
  • Ellinwood, Leonard. "Joseph Yasser: Mediaeval Quartal Harmony (A Plea for Restoration) (book review)", Speculum vol. 15 no. 1, Jan 1940, pp. 127-128.
  • Ellinwood, Leonard. "Guidonis Aretini Micrologus by Smits van Waesberghe (book review)", Notes second series vol. 12 no. 4, Sep 1955, pp. 600-602.
  • Elliot, J.; J.R. Platt and R.J. Racine. "Adjustment of successive and simultaneous intervals by musically experienced and inexperienced subjects", Perception & Psychophysics vol. 42, Nov 1987, pp. 594-598. Also here.
  • Ellis, Alexander John. "On the Conditions, Extent, and Realization of a Perfect Musical Scale on Instruments with Fixed Tones", Proceedings of the Musical Society of London vol. 13 no. 13, Dec 1864, pp. 93-108.
  • Ellis, Alexander John. "On the Physical Constitution and Relations of Musical Chords", Proceedings of the Royal Society of London vol. 13 no. 13, Dec 1864, pp. 392-404.
  • Ellis, Alexander John. "Two memoirs on the theory of musical sounds", Proceedings of the Royal Society vol. 13 no. 13, London, Dec 1864. Reprint Taylor and Francis, London, 1864, 34 pages.
  • Ellis, Alexander John. "On the Temperament of Instruments with Fixed Tones", Proceedings of the Royal Society vol. 13 no. 13, London, Dec 1864, pp. 404-422. Also here.
  • Ellis, Alexander John. "Mesotonic Harmonium", Proceedings of the Musical Association vol. 1, 1874, p. 41.
  • Ellis, Alexander John. "Illustrations of Just and Tempered Intonation", Proceedings of the Musical Association vol. 1, 1874, pp. 159-165.
  • Ellis, Alexander John. "On Musical Duodenes, or the Theory of Constructing Instruments with fixed Tones in Just or in practically Just Intonation", Proceedings of the Royal Society of London vol. 23 no. 156-163, Dec 1875, pp. 3-31.
  • Ellis, Alexander John. "On the Sensitiveness of the Ear to Pitch and Change of Pitch in Music", Proceedings of the Musical Association vol. 3, London, Nov 1876, pp. 1-32. Reprint Kraus Reprint, Vaduz, 1966. Also here.
  • Ellis, Alexander John. "Tonometry", The Athenaeum no. 2562, Dec 1876, p. 731.
  • Ellis, Alexander John. "Tonometry", The Musical World vol. 55 no. 7, Feb 1877, p. 117.
  • Ellis, Alexander John. "Tonometry", Journal of the Franklin Institute vol. 103 no. 2, Feb 1877, pp. 101-106.
  • Ellis, Alexander John. "On the basis of music, containing an elementary account of the nature of musical notes and chords, the generation of scales and modulations, and the origin and effects of the usual tempered scales", lecture, 14 Mar 1877, reprinted with numerous additions and alterations from the Educational Times, Apr 1877. C.F. Hodgson & Son, London, 1877, 48 pages.
  • Ellis, Alexander John. "Recently Proposed Improvements in Musical Intonation", Nature: the international journal of science vol. 15, Macmillan Publishers Limited, London, 29 Mar 1877, pp. 475-477.
  • Ellis, Alexander John. "On the Measurement and Settlement of Musical Pitch", Journal of the Society of Arts vol. 25 no. 1279, 25 May 1877, pp. 664-687.
  • Ellis, Alexander John. "Musical Temperament (letter)", The Athenaeum no. 2594, New Statesman Ltd., July 1877, pp. 57-58.
  • Ellis, Alexander John. "Notes of Observations on Musical Beats", Proceedings of the Royal Society of London vol. 30 no. 200-205, Jan 1880, pp. 520-533.
  • Ellis, Alexander John. "On the History of Musical Pitch", Journal of the Society of Arts vol. 28, Mar 1880, pp. 293-336; appendix pp. 400-403; postscript in vol. 29, 1881, pp. 109-113. Reprint in Studies in the History of Musical Pitch, Frits A.M. Knuf, Amsterdam, 1963, pp. 11-62.
  • Ellis, Alexander John. "Appendix", Journal Of The Society Of Arts, 2 April 1880, pp. 293-336. Reprint Frits A.M. Knuf, Amsterdam, 1963.
  • Ellis, Alexander John. "On the Influence of temperature on the musical pitch of harmonium reeds", Proceedings of the Royal Society of London vol. 31 no. 206-211, Jan 1881, pp. 413-415.
  • Ellis, Alexander John and Alfred James Hipkins. "Tonometrical Observations on Some Existing Nonharmonic Musical Scales", Proceedings of the Royal Society of London vol. 37 no. 232-234, Nov 1884, pp. 368-385. Also here.
  • Ellis, Alexander John. "Musical Scales of Various Nations", paper read at the Society of Arts, Nature vol. 31, Mar 1885, pp. 488-490.
  • Ellis, Alexander John. "The 'Natural' Scale", paper read before the Society of Arts, London, Apr 1885.
  • Ellis, Alexander John. "Tonic Sol-fa Minor Scale (letter)", The Musical Times and Singing Class Circular vol. 27 no. 523, Sep 1886, pp. 547-549. Correction, p. 679. Also here.
  • Ellis, Alexander John. "Conversion, Inversion, Reversion, Retroversion (letter)", The Musical Times and Singing Class Circular vol. 27 no. 524, Oct 1886, p. 614. Also here.
  • Ellis, Alexander John. "On the Musical Scales of Various Nations", Journal of the Society of the Arts vol. 33 no. 1688, London, 1885, pp. 485-527. Revised and enlarged version of "Tonometrical Observations...", also reprinted for private circulation by the author, with additions and corrections, Apr 1885. German translation "Über die Tonleitern verschiedener Völker" by Erich von Hornbostel in Sammelbände für vergleichende Musikwissenschaft vol. 1, München, 1922, p. 18. Reprint in A century of ethnomusicological thought, Kay Kaufman Shelemay (ed.), Garland Publications, New York, 1990, pp. 1-43.
  • Ellis, Alexander John. Studies in the History of Musical Pitch. Arthur Mendel (ed.), Frits Knuf, Amsterdam, 1968, 238 pages.
  • Ellis, Catherine J. and Bernard Seymour. "Pre-Instrumental Scales", Ethnomusicology vol. 9 no. 2, May 1965, pp. 137-144.
  • Ellis, Catherine J. "Transposition in South Australian Aboriginal Songs: Frequency Difference or Frequency Ratio?", Von Der Vielfalt Musikalischer Kultur: Festschrift für Joseph Kukkertz, Rüdiger Schumacher (ed.), Anif, Salzburg, 1992.
  • Ellis, Don. Quarter Tones. A text with musical examples, exercises and etudes. Harold Branch Publishing, Plainview NY, 1975, 92 pages.
  • Ellison, Paul M. The Key to Beethoven: Connecting Tonality and Meaning in His Music. Boydell & Brewer, Pendragon Press, New York, Dec 2014, 437 pages.
  • Ellison, Ryan K. Historical Tuning Systems and Temperaments. The Chicago School for Piano Technology, July 2012.
  • Elliston, Thomas. Organs and Tuning: A practical handbook for organists; being a treatise on the construction, mechanism, and fine tuning of the instrument. London, 1894, 1895, 204 pages. Reprint, 3rd edition, Weekes & Co., London, 1911, 464 pages. Weekes & Co., London, 1916, 535 pages. Weekes & Co., London, 1924, 764 pages.
  • Ellsworth, Oliver B. "A Fourteenth-Century Proposal for Equal Temperament", Viator: Medieval and Renaissance Studies vol. 5, The Center for Medieval and Renaissance Studies, University of California Press, 1974, pp. 445-453.
  • Ellsworth, Oliver B. The Berkeley Manuscript. Greek and Latin Music Theory (Book 2). University of Nebraska Press, Lincoln NE, Aug 1984, 317 pages.
  • Ellsworth, Ray. "The weird, wonderful world of Harry Partch (music review)", The American Record Guide, Oct 1958, pp. 110-112.
  • Elsberry, Kristie Beverly (ed.) 'Élémens de musique, théorique et pratique, suivant les principes de M. Rameau' by Jean Le Rond d'Alembert: An Annotated New Translation and a Comparison to Rameau's Theoretical Writings. PhD thesis, School of Music, Florida State University, Tallahassee, 1984.
  • Elsner, Jürgen (ed.) Maqam, Raga, Zeilenmelodik: Konzeptionen und Prinzipien der Musikproduktion: Materialien der 1. Arbeitstagung der Study Group 'Maqam' beim International Council for Traditional Music vom 28. Juni bis 2. Juli 1988 in Berlin. Berlin, 1989, 344 pages.
  • Elsner, Jürgen and Gisa Jahnichen (eds.) Regionale maqam-Traditionen in Geschichte und Gegenwart: Materialien der 2. Arbeitstagung der Study Group "maqam" des International Council for Traditional Music vom 23. bis 28. März 1992. Gosen bei Berlin, 2 vols., 1992, 593 pages.
  • Elsner, Jürgen. "Report on the 7th meeting of the ICTM Study Group on Maqam", International Council for Traditional Music, Baku, Mar 2011.
  • Elson, Louis C. "Acoustics: Suggestions in Behalf of an Unpopular Subject", The Musical Quarterly vol. 1 no. 3, July 1915, pp. 410-415.
  • Elst, Joannes van der. Den ouden ende nieuwen grondt vande mvsiicke bevanghende De vermeerderinghe ende verbeteringhe vanden sangh. Maximiliaen Graet, Gent, 1662, 88 pages.
  • Elster, Steven. "A Harmonic and Serial Analysis of Ben Johnston's String Quartet no. 6", Perspectives of New Music vol. 29 no. 2, summer 1991, pp. 138-165.
  • Ely, Mark C. "Effects of timbre on college woodwind players' intonation performance and perception", Journal of Research in Music Education vol. 40 no. 2, summer 1992, pp. 158-167.
  • Emerson, Louville Eugene. "The feeling-value of unmusical tone-intervals", Harvard psychological studies, Mifflin and Company, Boston/Houghton, 1906, pp. 269-274.
  • Emerson, Phillip L.; Elisabeth Camus and Chris Richards. "Two-voice music programming system: The PDP-9 as an automatic electronic organ", Behavior Research Methods vol. 3 no. 3, 1971, pp. 164-166.
  • Émery, Éric. Les gammes et les problèmes d'esthétique musicale qui s'y rapportent. PhD thesis, École Polytechnique fédérale de Zürich, Presses Universitaires de France, Paris, 1961, 168 pages.
  • Émery, Éric. La gamme et le langage musical. Bibliothèque internationale de musicologie, Gisèle Brelet (ed.), Presses universitaires de France, Paris, 1961, 165 pages.
  • Emmanuel, Maurice. "The creation of the violin and its consequences", English translation by G.R., The Musical Quarterly vol. 23 no. 4, Oct 1937, pp. 509-515. Also here.
  • Enders, Bernd. Studien zur Durchhörbarkeit und Intonationsbeurteilung von Akkorden. Kölner Beiträge zur Musikforschung Band 115, Bosse Verlag, Regensburg, 1981, 228 pages.
  • Enders, Bernd. "Stimmungswechsel - Variable Stimmungen per Computersteuerung", Das Musikinstrument vol. 38 no. 8, 1989, pp. 26-32.
  • Enders, Bernd (ed.) Mathematische Musik - musikalische Mathematik. Pfau Verlag, Saarbrücken, 2005, 137 pages with audio CD and CDROM.
  • Enevoldsen, Keith. "Twelve-Tone Musical Scale", WWW, 2003-2016.
  • Engel, Carl. Music of the most Ancient Nations, particularly of the Assyrians, Egyptians, Hebrews. John Murray, London, 1864. Facsimile reprint William Reeves, London, 1929, 379 pages. Yokai Publishing, Sep 2010, Franklin Classics, Oct 2018, 386 pages.
  • Engel, Carl. An Introduction to the Study of National Music. Longmans, Green, Reader and Dyer, London, 1866, 435 pages.
  • Engel, Gustav. Die Vocaltheorie von Helmholtz & die Kopfstimme: Separatabdruck aus dem Programm der neuen Akademie der Tonkunst für 1867. W. Hertz, Berlin, 1867, 18 pages.
  • Engel, Gustav. Das mathematische Harmonium: Ein Hülfsmittel zur Veranschaulichung der reinen Ton-Verhältnisse. Verlag von Carl Habel, Berlin, 1881, 73 pages.
  • Engel, Gustav. "Eine mathematische-harmonische Analyse des Don Giovanne von Mozart", Vierteljahrsschrift für Musikwissenschaft vol. 3, 1887, p. 491.
  • Engel, Gustav. Die Bedeutung der Zahlenverhältnisse für die Tonempfindung. Dresden, 1892.
  • Engelhardt, Jakob. "Comment on 'A Reconstruction of the Well-Tempered Tuning of Johann Sebastian Bach'", Das Musikinstrument vol. 29, 1980, pp. 956-960.
  • Eppelsheim, Jürgen. "Stimmlagen und Stimmungen der Ensemble-Streichinstrumente im 16. und frühen 17. Jahrhundert", Capella Antiqua München Festschrift, Verlang Hans Schneider, Tutzing, 1988, pp. 145-173.
  • Epstein, Abraham. Piano tuning: Its significance in music education. MA thesis, University of Southern California, Los Angeles, Aug 1950, 147 pages.
  • Eradus, W.J. "Stemmen en stemmingen in de muziek", Kerk en Muziek vol. 34 no. 5, Sep-Oct 1985, pp. 2-5.
  • Erb, J. Lawrence. Elementary theory: comprising the study of scales and intervals. Conservatory Press, Wooster OH, c.1911, 14 pages.
  • Erdman, James. "The influence and reputation of Andreas Werckmeister in the United States", Bericht über das Werckmeister-Kolloquium, Kultur- und Forschungsstätte Michaelstein, Michaelstein/Blankenburg, 1986, pp. 77-90.
  • Erdmann, Jerzy. "Ein Rechenmodell für historische Mensurationsmethoden", Acta Organologica vol. 23, 1992, pp. 339-350 with French and English abstract.
  • Eren, Ozan and Ugur Zeynep Güven. "Microtonal Guitar Culture in Turkey", Musicologist vol. 6 no. 1, June 2022, pp. 1-25. Also here.
  • Ergin, Sedat (ed.) "Türkiye'den evrensel müzige önemli bulus: Mikrotonal gitar", Hürriyet Pazar, Mar 2013, 6 pages.
  • Erguner, Suleyman. Rauf Yektâ Bey (in Turkish). Kitabevi Yayinlari, Istanbul, 2003, 2015.
  • Erickson, Raymond. "Concerning Measured Music (De Mensurabili Musica) by Johannes de Garlandia translated by Stanley H. Birnbaum (book review)", Journal of Music Theory vol. 26 no. 1, spring 1982, pp. 169-178.
  • Erickson, Raymond. Musica enchiriadis and Scolica enchiriadis. English translation with introduction and critical notes, Claude V. Palisca (ed.), Yale University Press, New York, 1995.
  • Erickson, Robert. "The Musical System of Archytas", San Francisco, Apr 1965. Also in ex tempore vol. 6 no. 2, summer 1993.
  • Erickson, Ron. "The Music of James Tenney (book review)", 1/1 vol. 1 no. 3, 1985, p. 4.
  • Erickson, Ron. "Timbre and tuning of the Balinese gamelan", Soundings vol. 14-15, Santa Fe NM, 1986, pp. 61-62.
  • Erkvanidze, Malkhaz. "Kartuli Musikis Bgerattsqoba / On Georgian scale system", Proceedings of the First International Symposium on Traditional Polyphony, International Research Center for Traditional Polyphony of Tbilisi State Conservatoire, Tbilisi, 2002, pp. 178-185.
  • Erkvanidze, Malkhaz. "The Georgian Musical System (a Short Review)" (in Georgian and English), The Seventh International Symposium on Traditional Polyphony, Rusudan Turtsumia and Joseph Jordania (eds.), Tbilisi, 2015, pp. 456-470.
  • Erkvanidze, Malkhaz. "The Georgian Musical System", 6th International Workshop on Folk Music Analysis, Dublin, June 2016, pp. 74-79. Also here.
  • Erkvanidze, Malkhaz. "The Georgian Modal System", Georgian Chant, WWW, 2016. Article above is a previous version.
  • d'Erlanger, Rodolphe. La musique arabe. Band I-VI, Librairie Orientaliste Paul Geuthner, Paris, 1930, 1935, 1938, 1939, 1949, 1959. Reprint Geuthner, Paris, 2001. Translations of al-Farabi, Avicenna, Al-Urmawî, etc. (vols. 1-4). Vol. 5: Essai de codification des règles usuelles de la musique arabe moderne. Book 1: "L'échelle générale des sons mélodiques employés en musique arabe moderne", Book 2: "Le système modal de la musique arabe moderne." Vol. 6: Essai de codification des règles de la musique arabe moderne. Book 1: "Le système rythmique de la musique arabe modern", Book 2: "Les diverses formes de composition artistique connues en musique arabe moderne."
  • Erlich, Paul. "On Harmonic Entropy", WWW, 1997.
  • Erlich, Paul. "Tuning, Tonality and Twenty-Two-Tone Temperament", Xenharmonikôn vol. 17, spring 1998, pp. 12-40.
  • Erlich, Paul. "A gentle introduction to Fokker periodicity blocks, WWW, 1999.
  • Erlich, Paul. The Forms of Tonality, a preview. self-published, 2001, 22 pages.
  • Erlich, Paul. "A Middle Path. Between Just Intonation and the Equal Temperaments, part 1", Xenharmonikôn vol. 18, 2006, pp. 159-199.
  • Erményi, Ludwig. "Petzvals Theorie der Tonsysteme", Zeitschrift für Mathematik und Physik vol. 51, B.G. Teubner, Leipzig, 1904, pp. 281-410.
  • Ernst, Friedrich. "Tasteninstrumente in Deutschland um 1800", Glareana vol. 19 no. 2, June 1970, pp. 2-9.
  • Ernst, Friedrich. Über das Stimmen von Cembalo, Spinett, Clavichord und Klavier. Verlag Erwin Bochinsky, Das Musikinstrument, Frankfurt a.M., 1971, 47 pages.
  • Ertelt, Thomas F.; Frieder Zaminer; F.A. Gallo et al. (eds.) Vom Mythos zur Fachdisziplin: Antike und Byzanz. Geschichte der Musiktheorie Bd. 2, WBG (Wissenschaftliche Buchgesellschaft), Darmstadt, 1984, 2006, 128 pages.
  • Ertelt, Thomas F.; Frieder Zaminer; F.A. Gallo et al. (eds.) Rechnen, Messen, Hören in der frühen Neuzeit. Geschichte der Musiktheorie Bd. 6, WBG (Wissenschaftliche Buchgesellschaft), Darmstadt, 1987. Chapter 1, "Introduction" and 2, "Vorstufen zur quantitativen Theorie der Temperierung" by Mark Lindley, pp. 130-331.
  • Ertelt, Thomas F.; Frieder Zaminer; F.A. Gallo et al. (eds.) Italienische Musiktheorie im 16. und 17. Jahrhundert. Geschichte der Musiktheorie Bd. 7, WBG (Wissenschaftliche Buchgesellschaft), Darmstadt, Jan 1989, 418 pages.
  • Esbroeck, Guy van, and Franz Montfort. Qu'est-ce que jouer juste? - donnée scientifiques et essai sur la psycho-physiologie de l'audition. Editions Lumière, A. Manteau, Brussels, Jan 1946, 125 pages.
  • Esbroeck, Guy van. Le problème des gammes. Émile Leipp (ed.), Université de Paris VII, Paris, Dec 1963.
  • Escal, Françoise. "D'Alembert et la théorie harmonique de Rameau", Persée vol. 16, 1984, pp. 151-162.
  • Escamilla García, Sebastian. Fractales y Música. MSc thesis, University of Alicante, Sep 2022, 113 pages.
  • Eskola, Kare. "Instruments that play between the notes", English translation by Jaakko Mäntyjärvi from Finnish Music Quarterly vol. 4, Dec 2019, 4 pages.
  • Esper, Erwin. "Max Meyer and the Psychology of Music", Journal of Music Theory vol. 10 no. 2, winter 1960, pp. 182-199.
  • Espinal, Jamir Mauricio Moreno and John Manuel Restrepo Rueda. "La afinación temperada de instrumentos autóctonos de las músicas tradicionales colombianas: problemáticas relacionales entre la tradición y la música comercial", Revista Académica Estesis vol. 7, Dec 2019, pp. 62-77.
  • Espinosas, Juan de. "Retractiones de los errores y falsedas que escribe Gonçalo Martinez de Bizcargui", Arte de canto Ilano, 1514, 1528, 1550.
  • Essen, Thomas van and Frédéric Michel. Les manuscrits autographes de Marc-Antoine Charpentier. Catherine Cessac (ed.), Editions Mardaga, Feb 2007, pp. 200-230.
  • Essl, Georg; Stefania Serafin; Perry R. Cook and Julius O. Smith. "Musical Applications of Banded Waveguides", Computer Music Journal vol. 28 no. 1, spring 2004, pp. 51-63.
  • Estève, Pierre. Nouvelle découverte du principe de l'harmonie, avec un examen de ce que M. Rameau a publié sous le titre de Démonstration de ce principe. Huart et Moreau fils, Durand, Paris, 1751, 54 pages. 2nd ed., S. Jorry, Paris, 1752.
  • Estève, Pierre. Recherches sur le meilleur système de musique harmonique & sur son meilleur tempérament. M. Estève, Paris, 1755, 28 pages. Reprint Hachette Livre BNF, Mar 2018.
  • Estève, Pierre. Réplique aux réflexions que Mr. Romieu à faites sur les recherches concernant le meilleur sistème de musique et son tempérament. Paris, 1756.
  • Estrada, Julio. "Une théorie générale de l'intervallique élémentaire dans les échelles et quelques applications en analyse musicale", Memoria del XV Congreso Internacional de Musicología, Madrid, España, 1992, 21 pages.
  • Estrada, Julio. Théorie de la composition: discontinuum continuum. PhD thesis, Université de Strasbourg II, Sciences Humaines, 1994, 932 pages.
  • Estrada, Julio; Román Osorio and Mario Peña. "Sistema de graficación para música informática microtonal", Memorias del 2do. Congreso Internacional de Informática en la Cultura, Convención Internacional Informática 96, Havana, 1996, 12 pages.
  • Étienne, Luc. Un système musical nouveau: le tempérament décimal (la musique de l'autre côté du miroir). Bulletin du Groupe d'Acoustique Musicale no. 61 bis, Université de Paris VII, Paris, June 1972.
  • Eubanks Winkler, Amanda. "Music, Science, and Natural Magic in Seventeenth-Century England by Penelope Gouk (book review)", Notes Second series vol. 57 no. 1, Sep 2000, pp. 125-127.
  • Euclides. Euclidis rudimenta musices Sectio regulae harmonicae. Joannes Pena (ed.), Andreas Wechel, Paris, 1557, 26 pages.
  • Euclides. Sectio canonis. c. 300 B.C. English translation by Thomas J. Mathiesen (ed.), "An annotated translation of Euclid's 'Division of a monochord'", Journal of Music Theory vol. 19 no. 2, autumn 1975, pp. 236-258.
  • Euler, Leonhard. Tentamen novae theoriae musicae ex certissimis harmoniae principiis dilucide expositae. Imperial Academy of Sciences vol. 1739, St. Petersburg, 1731, 1739, 263 pages. In Opera Omnia series III volumen I, B.G. Teubner, Leipzig, 1926. German translation by Lorenz Mizler in Neu eröffnete Musikalische Bibliothek vol. 3, 1752: chapters 1-3, vol. 4, Leipzig, 1754: chapter 4. Reprint Frits Knuf, Hilversum, 1966. French translation Essai d'une nouvelle théorie de la musique, 1839. English translation with commentary by Charles Samuel Smith, PhD diss., Indiana University, Bloomington, June 1960, 365 pages. French translation Écrits sur la musique vol. 1 by Renzo Caddeo, Xavier Hascher, Pierre Jehel, Athanase Papadopoulos and Hélène Papadopoulos (eds.), Editions Hermann, Paris, Oct 2015.
  • Euler, Leonhard. "Esame del Trattato di Tartini", manuscript, 1754/56, in: Giovanni Tebaldini (ed.), "Giuseppe Tartini. Appunti storico-critici. I: Tartini ed Euler", Gazzetta musical di Milano vol. 51 no. 31, 5 Aug 1897, pp. 444-448.
  • Euler, Leonhard. Exposition de quelques nouvelles vues mathématiques dans la théorie de la musique. Amsterdam, 1760.
  • Euler, Leonhard. "Conjecture de la raison de quelques dissonances généralement reçues dans la musique", 1760, Mémoires de l'academie Royale de Berlin vol. 20, 1766, pp. 165-173. Also in Musique mathématique, Paris, 1865, pp. 217-224. Also in Opera Omnia series III volumen I, B.G. Teubner, Leipzig, 1926, pp. 508-515. English translation "Conjecture on the Reason for some Dissonances Generally Accepted in Music" by Jasen A. Scaramazza, 2011, 11 pages.
  • Euler, Leonhard. "Du véritable caractère de la musique moderne", Mémoires de l'académie des sciences de Berlin vol. 20, 1766, pp. 174-199. English translation "Euler's Theories of Musical Tuning" by Larry G. Blaine and Susan Ferré, Euleriana vol. 1 no. 1, 2021, pp. 112-140.
  • Euler, Leonhard. "Tentamen de sono campanarum", Novi commentarii academiae Scientiarum Imperialis Petropolitanae vol. 10, 1764.
  • Euler, Leonhard. "Lettres à une Princesse d'Allemagne", Mitau and Leipzig, 1770, p. 28.
  • Euler, Leonhard. "De harmoniae veris principiis per speculum musicum repraesentatis", 1773, Novi Commentarii academiae scientiarum Petropolitanae vol. 18, 1774, pp. 330-353. Also in Opera Omnia series III volumen I, B.G. Teubner, Leipzig, 1926, pp. 568-586. English translation "On the true principles of harmony as presented through the speculum musicum" by Larry G. Blaine and Douglas Kendall, 2013, 12 pages.
  • Euler, Leonhard. Briefwechsel von Leonhard Euler mit Johann I Bernoulli und Niklaus I Bernoulli. E.A. Fellmann and G.K. Mikhajlov (eds.), Opera Omnia (4A): Commercium epistolicum vol. 2, Birkhäuser, Basel, 1998.
  • Euser, Martin. "Pythagorean Triangles and Musical Proportions", Nexus Network Journal vol. 2, June 2000, pp. 33-40.
  • Evans, E. "Extending techniques: developing the saxophone's capacity for lower-end dynamics and microtonal playing", 2016.
  • Evans, Jeffrey. "The Keyboard Tuning Rules of 'The Modern Musick-Master'", Early Music vol. 11 no. 3, July 1983, pp. 360-363.
  • Everett, Timm. "Intonation Facts", Music Educators Journal vol. 29 no. 3, Jan 1943, pp. 19-20.
  • Everett, Walter. "Pitch down the middle", Expression in Pop-Rock Music, Walter Everett (ed.), Routledge, New York, 2008, pp. 111-174.
  • Ewell, Terry B. The Bassoon-Family Fingering Companion: An Annotated Index of Fingerings for Instruments in the Bassoon Family Contained in English Wind Periodicals and Other Select Publications with Additional Material. International Double Reed Society, 1996.
  • Ewing, Charles E. Practical Piano Tuning. Charles E. Ewing, Lincoln NB, 1913.
  • Exargos, Dimitris and Yannis Stamos. "Iannis Xenakis's writing and outside-time musical structures", Proceedings of the fourth Conference on Interdisciplinary Musicology (CIM08), Thessaloniki, July 2008, 11 pages.
  • Exargos, Dimitris. "Hors temps", A Xenakis Dictionary, Jean-Baptiste Romain (ed.), WWW, 2025.
  • Ezgi, Suphi Z. Nazarî ve Amelî Türk Mûsikisi. (Theory and practice of Turkish music), 5 vols., Istanbul Conservatory Publication, Milli Mecmua Matbaasi, Istanbul, 1933-1940.

- F -

- G -

- H -

- I -

- J -

- K -

- L -

- M -

- N -

- O -

- P -

- Q -

- R -

- S -

- T -

- U -

- V -

  • Vackar, Dalibor. "Habovy ctvrttony", Tempo vol. 15, Prague, 1935-1936, pp. 88-90, 125-126.
  • Vadillo Cardenas, Michelle. "Microtones and microtonal music", Arts on the Brain, WWW, Dec 2020.
  • Vaiana, Antonio. "Quarto di tono", WWW, Oct 2017.
  • Vail, Mark. Vintage Synthesizers: Groundbreaking Instruments and Pioneering Designers of Electronic Music Synthesizers. Backbeat Books, Aug 1993, 307 pages. Miller Freeman Books, Mar 2000, 352 pages.
  • Väisälä, Olli. "Prolongation of Harmonies Related to the Harmonic Series in Early Post-Tonal Music", Journal of Music Theory vol. 46 no. 1/2, spring-autumn 2002, pp. 207-283.
  • Vaisvil, Chris. "About 31 edo", WWW.
  • Vaisvil, Chris. "Comparative Tuning of Debussy's Arabesque No. 1", WWW.
  • Valentine, C.W. "The method of comparison in experiments with musical intervals and the effect of practice on the appreciation of discords", British Journal of Psychology 1904-1920 vol. 7 no. 1, May 1914, pp. 118-135.
  • Valentine, W.M. "A System of Tuning", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 5, William Reeves, London, 1866, p. 324.
  • Valentini, Pier Francesco. Il leuto anatomizzato. Rome, c.1642-1645. Studio per Edizioni Scelte, Florence, 1989, 2 vols., 63 and 102 pages. English translation The Anatomized lute by Aidan Paul Deasy (ed.) with contextualising essay, PhD thesis, Edith Cowan University, Perth, 2019, 379 pages.
  • Valentini, Pier Francesco. Come l'Autore.... e la constituzione con toni, semitoni e con tutti gli altri intervalli eguali e qual'ordine habbia tenuti. Rome, c.1642-1645.
  • Valentini, Pier Francesco. Monochordo et nova costitutione di musica et accordatura di cimbali, d'arpa, d'organo e simili istrumenti.... Rome, c.1642-1645.
  • Valenzuela, Pedro Michaca. "La Heterofonía Basada en la Escala 7a de la Serie de los Armónicos Naturales", Heterofonía vol. 5 no. 29, 1973, pp. 5-11.
  • Valenzuela Lavado, Salvador. Tritono. Ensayos Armónicos. Junta de Andalucia, Consejería de Cultura, Granada, 2007, 184 pages.
  • Vallotti, Francesco Antonio. "Discourse by Padre Francescantonio Calegari aiming to support his system of the minor musical harmonial Tone in the note and Octave of D la sol re against Padre Vallotti, who maintains that it is founded on the note and octave of A la mi re for the reasons which shall be seen as a reply to the objections of the above mentioned Padre", Padua, Nov 1731. English translation by Massimo Redaelli, WWW, Oct 2019.
  • Vallotti, Francesco Antonio. Trattato de Tuoni Modali si Ecclesiastici e Corali, che Musicali ed Armoniali del Padre Frà Francescantonio Vallotti Minore Conuentuale Maestro di Cappella del Santo in Padoua. Padua, 1733. English translation Treatise of the Modal Tones, both Ecclesiastical and Choral, as well as Musical and Harmonial, by Padre Francescantonio Vallotti Minore Conventuale, Master of the Chapel of Saint Anthony at Padua by Massimo Redaelli.
  • Vallotti, Francesco Antonio. Letter to F.M. Preti. Bibl. Antoniana, Padova, 6 Jan 1735.
  • Vallotti, Francesco Antonio. Trattato della moderna musica. c.1770. Arnaldo Forni Editore, Bologna, 1950, 518 pages.
  • Vallotti, Francesco Antonio. Della scienza teoretica, e prattica della moderna musica. nella stamperia del Seminario, appresso Giovanni Manfrè, Padua, 1779, 168 pages. Arnaldo Forni Editore, Bologna, 1950.
  • Vallotti, Francesco Antonio. Raggionamenti del Padre Francescantonio Calegari che seruono per sostenere il di lui sistema del Tuono minore musicale armoniale nella corda, ed Ottaua di D. la sol re contro il Padre Uallotti che lo uuole fondato nella corda, ed ottaua di A la mi re per le raggioni che si uedranno in risposta alle obbiezioni del sudetto Padre. MS A.VI.537, Padua. English translation by Massimo Redaelli.
  • Van Duuren, Skylar Dering. Manifestations: A fixed media microtonal octet. MA thesis, The University of Tennessee, Knoxville, Aug 2017, 57 pages.
  • Van Evera, Angeline Ashley Smith. Rediscovering Forgotten Meanings in Schubert's Song Cycles: Towards an Understanding of Well Temperament as an Expressive Device in the Nineteenth-Century Lied. PhD thesis, Catholic University of America, Washington DC, 2012, 481 pages.
  • Van Troyer, Akito and Jim Hearon. "Aspects of Sahnsi and Polos in Balinese Gamelan Instruments", Csound Journal no. 8, spring 2008.
  • Vandenheede, Jan. "Jonathan Harvey's Ritual Melodies (music review)", Interface vol. 21 no. 2, 1992, pp. 149-183.
  • Vandermonde, Alexandre-Théophile. "Système d'harmonie applicable à l'état actuel de la musique", Journal des sçavans, Dec 1778, pp. 1-18.
  • Vandermonde, Alexandre-Théophile. "Second mémoire sur un nouveau système d'harmonie applicable à l'état actuel de la musique", Journal des sçavans, Jan-Feb 1781, Paris.
  • Vanni, Stefano. Recanetum de musica aurea. Valerius Doricus, Rome, 1533. Arnaldo Forni Editore, Bologna, 1969.
  • VanOyen, Larry and Rich Wilders. "Delving Deeper: How Is Geometry in Tune with Bach?", The Mathematics Teacher vol. 101 no. 1, Aug 2007, pp. 62-68.
  • Varadarangan, Krishna Iyengar. Srutis and Srutibheda. Lalitha Prakashana, Bangalore, 2002, 161 pages.
  • Varadarangan, Krishna Iyengar. Shruti Lakshana Prakashini (in Kannada). Navabharati Publishers, Mysore, 2005.
  • Vardell Sandresky, Margaret. "The Continuing Concept of the Platonic-Pythagorean System and its Application to the Analysis of Fifteenth-Century Music", Music Theory Spectrum vol. 1 no. 1, Mar 1979, pp. 107-120.
  • Varela Ruiz, Leticia Teresita. "Novaro Novaro, Augusto", Diccionario de la Música Española e Hispanoamericana, Emilio Casares Rodicio (ed.), Sociedad General De Autores y Editores, Madrid, 1999, June 2004.
  • Varela Ruiz, Leticia Teresita (ed.) Manual de Introducción al Sistema Natural de la Música de Augusto Novaro. Ed. Conaculta/ISC/IMCA, Hermosillo, Sonora, 2013, 168 pages.
  • Varela Ruiz, Leticia Teresita. "El sistema natural de la música de Augusto Novaro. Un nuevo paradigma musical para el siglo XXI", Arte, entre paréntesis no. 3, July-Dec 2016, pp. 13-20.
  • Varela Ruiz, Leticia Teresita. Augusto Novaro Novaro. En busca del sonido infinito. PhD thesis, Universidad de Sonora, Oct 2019.
  • Varella, Domingo de São José. Compendio de musica theorica e prática ... melhores methodos d'affinar Organo, Cravo &c... Antonio Alvarez Ribeiro, Porto, 1806, 130 pages. Also here.
  • Varga, Bálint András (ed.) "Alois Hába: 1893-1973", From Boulanger to Stockhausen: Interviews and a Memoir, Eastman Studies in Music vol. 104, Boydell & Brewer, University of Rochester Press, Rochester NY, 2013, pp. 14-18.
  • Varga, George (ed.) "Q&A: Jon Szanto on unique legacy of Harry Partch", The San Diego Union-Tribune, WWW, 19 March 2016.
  • Varieschi, Gabriele U. and Christina M. Gower. "Intonation and Compensation of Fretted String Instruments", American Journal of Physics vol. 78 no. 1, 2010, pp. 47-55. Also here, arXiv 0906.0127, WWW, Sep 2009, 26 pages.
  • various authors. "Tuning", Mechanical Music Digest, WWW, 1995-2023.
  • various authors. "Goldberg Variations BWV 988 played by Richard Egarr (discussions)", WWW, 2006.
  • various authors. "Harmonik-Vorträge", WWW, 1979-1999.
  • various authors. "Equal temperament", WWW, c.2008.
  • various authors. "Microtonal Encyclopedia", WWW, 2018.
  • various authors. Lala Lab - The mathematics of music. Heidelberg Laureate Forum Foundation, Heidelberg, 2019, 47 pages.
  • Vassilakis, Pantelis N. "Auditory roughness estimation of complex spectra - roughness degrees and dissonance ratings of harmonic intervals revisited", Journal of the Acoustical Society of America vol. 110 no. 5, Nov 2001, p. 2755.
  • Vasudevan, D.V.K.; Nagamani Molakatala; Nikil Priyatham; Ravikant Gautam and M. Rajender. "Equal Temperament and Just Intonation Feature Based Analysis of Indian Music", International Conference on Intelligent Human Computer Interaction, H. Zaynidinov; M. Singh; U.S. Tiwary and D. Singh (eds.), Lecture Notes in Computer Science vol. 13741, Springer, Cham, 2022, pp. 109-120.
  • Vathsan, Radhika; Pravin Singru and Chandrasekhar Chauhan. "Experimental basis of the concept of Sruti (microtones) in Indian Classical Music, using the Sarasvati Veena", ICSV25 Conference, Hiroshima, July 2018.
  • Vaucher, Alphonse. Théorie mathématique de l'échelle musicale. Gauthier-Villars, Paris, 1913, 67 pages.
  • Vaughn, Kathryn. Perceptual and cognitive implications of the tambura drone: Figure-ground interaction with ten North Indian scale types. PhD diss., University of California, Los Angeles, 1991, 262 pages.
  • Vaughn, Kathryn. "Experimental Ethnomusicology: A Perceptual Basis for Jairazbhoy's Circle of that", the world of music vol. 34 no. 3, Ethnomusicology and Music Cognition, 1992, pp. 99-119.
  • Vaughn, Kathryn and Edward C. Carterette. "Mode and mood in North Indian râga", Proceedings of the 3rd International Conference on Music Perception & Cognition, European Society for the Cognitive Sciences of Music, Liège, pp. 111-113.
  • Veale, Peter; Claus-Steffen Mahnkopf; Wolfgang Motz and Thomas Hummel. The Techniques of Oboe Playing: A Compendium with Additional Remarks on the Oboe d'Amore and the Cor Anglais. Bärenreiter Verlag, 1995. German/English/French edition Die Spieltechnik der Oboe. Ein Kompendium mit Anmerkungen zur gesamten Oboenfamilie - La technique du hautbois, Bärenreiter Verlag, 1998, 181 pages with audio CD.
  • Veen, Hugo van. "Nogmaals: stemmen en stemmingen", Het Orgel vol. 67 no. 10, 1971.
  • Veer, Ram Avtar. Theory of Indian Music: the first book containing the sentiments, their effects on shrutis, notes and ragas in ornamental shape along with formation and manner of display. Pankaj Publications, New Delhi, 1980, 1999, 2006, 159 pages.
  • Vega, Carlos. "Tonleitern mit Halbtönen in der Musik der alten Peruaner", Acta Musicologica vol. 9 fasc. 1/2, Jan-June 1939, pp. 41-53.
  • Velasco Urda, José. J. Julián Carrillo: Su vida y su obra. Grupo 13 Metropolitano, Mexico City, 1945, 423 pages.
  • Velázquez, Dolores Ayala and Pablo A. Lonngi. "Contribuciones de Leonhard Euler a la acústica", Miscelánea Matemática vol. 46, 2008, pp. 1-25.
  • Veldcamps, Aegbert Enno (Aeneas). Onderrichtinge wegens eenige perioden tegens hem uitgegeven in het boek, genaamt 'Oorspronk en voortgang der orgelen'. Klaas Mol, Alkmaar, 1727, 37 pages. Reprint Arend Jan Gierveld (ed.), Bibliotheca Organologica vol. 13, Frits Knuf, Buren 1985.
  • Velde, Henk de. "Giacinto Scelsi. Ein Meister des noch kleineren Übergangs", Musik-Konzepte vol. 31, Text+Kritik, Munich, 1983, pp. 82-95.
  • Venckus, Antanas. "Sesiagarsès lietuviu liaudies muzikos dermès", Liaudies küryba vol. 1, Mintis, Vilnius, 1969, pp. 68-78.
  • Venderslice, R. "Ultra-well-tempered clavier", Journal of the Acoustical Society of America vol. 55 no. S1, Apr 1974, pp. S48-S49.
  • Vendome, Richard. "The calculation and evaluation of keyboard temperaments by computer", Informatique et musique: Orsay 1981, pp. 227-242.
  • Vendrix, Philippe. (ed.) Music and Mathematics in late medieval and early modern Europe (bilingual French/English). Brepols Publishers, Turnhout, Jan 2008, 394 pages.
  • Venkataramana, Praveen. "A count of constant structures - with 4 distinct superparticular 7 limit steps with sizes between 5/4 and 126/125 that span the 7 limit lattice", Xenharmonikôn, WWW, July 2019.
  • Vente, Maarten Albert. "Aeneas Egbertus Veldcamps, Drager van oudhollandse Orgeltradities (1686-1741)", Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis vol. 20 no. 4, Amsterdam, 1967, pp. 249-264.
  • Vente, Maarten Albert. Vijf eeuwen Zwolse orgels. Een terugblik naar aanleiding van het 250-jarig bestaan van het Schnitgerorgel in de St. Michaels- of Grote Kerk te Zwolle 1721-1971. Bibliotheca organologica vol. 49, Uitgeverij Frits Knuf, Amsterdam, 1971, 82 pages + ill.
  • Venturino, Paolo; Giampiero Bof and Graziano Interbartolo. BACH 1722. Il temperamento di Dio. Edizioni Bolla, Melodia srl, Scandicci, 2008, 136 pages.
  • Verbeek, Pierre. "The Urbino clavichord revisited", Proceedings of the X International Clavichord Symposium, Magnano, 6-10 Sep 2011, 17 pages.
  • Verbeek, Pierre. "The monochord as a practical tuning tool", informal notes, Medieval Keyboard Meeting, Utrecht, Sep 2013, 12 pages.
  • Verdi, Luigi. L'uso delle scale sintetiche nella musica del XX secolo: tecniche compositive e analitiche. Composition course, Accademia Filarmonica di Bologna, Jan-Nov 1994.
  • Verdi, Luigi. Organizzazione delle altezze nello spazio temperato. Diastema Analisi 4, Associazione 'Ensemble 900', Treviso, Oct 1998, 384 pages.
  • Verdi, Luigi. "Protagonists of the Musical Renewal in Russia and Ukraine at the Beginning of the 20th Century", Niall O'Loughlin (ed.), 'Music in the Twenties of the 20th Century', The 23th Slovenian Music Days, 21-24 Apr 2008, 2009, pp. 187-196.
  • Vereertbrugghen, Liesbet. "'Juistheid' en het gebruik van ongelijk zwevende stemmingen in het samenspel met oude instrumenten, in het bijzonder in bezettingen met blokfluiten", Musica Antiqua vol. 1, 1984.
  • Verheijen, Abraham. "Brief an Simon Stevin", 1595.
  • Vermeij, Koen. Tuning and Maintenance of the Clavichord (bilingual English/Dutch). Het Nederlands Clavichord Genootschap & British Clavichord Society, Sidcup, 1987.
  • Vermeij, Koen. "Clavichorden; stemming en onderhoud", deel I: Bouwbrief vol. 58, 1990, pp. 3-6; deel II: Bouwbrief vol. 59, Vereniging Huismuziek, Utrecht, 1990, pp. 3-6.
  • Vermeulen, Ernst. "Lamento Pacis van Ton de Leeuw", Sonorum Speculum no. 39, Amsterdam, 1969, pp. 23-32.
  • Vermeulen, Ernst. "Zevende 'Rencontres internationales' in Metz", Mens en Melodie vol. 34 no. 1, Jan 1979, pp. 13-16.
  • Vermeulen, Greta. "Pitch Problems of a Performer", Interface vol. 14 no. 1-2, 1985, pp. 109-124.
  • Vermeulen, Matthijs. Princiepen der Europese Muziek. Uitgeversmaatschappij Holland, Amsterdam, 1949, 153 pages.
  • Vermeulen, R. "Melodic Scales", Journal of the Acoustical Society of America vol. 20 no. 4, July 1948, pp. 545-549.
  • Vernet, S. Juan. "Caramuel y Lobkowitz, DSB, und P. Barbieri, Da Vigevano. Il convegno di studi su Juan Caramuel", Nuova Rivista Musicale Italiana vol. 17 no. 1, 1983, p. 164 ff.
  • Vernon, E.V. "An electronic aid to the tuning of percussive musical instruments", Journal of Sound and Vibration vol. 6 no. 2, Sep 1967, pp. 180-186.
  • Vernon, M. Analogy of the Laws of Musical Temperament to the Natural Dissonance of Creation. Whittingham, London, 1867, 26 pages.
  • Vetter, Eddy. "Modi en weekdagen: over het ontstaan van het modaal systeem", Tijdschrift voor Muziektheorie vol. 10 no. 2, 2005, pp. 133-147 with English abstract.
  • Vetter, Manfred. "Alois Hába zu Besuch in der DDR. Anregungen zu einem neuen Musikverständnis", Gedanken zu Alois Hába, Horst-Peter Hesse und Wolfgang Thies (eds.), Verlag Müller-Speiser, Anif, 1996.
  • Vetter, Roger. "Flexibility in the performance practice of central Javanese Music", Ethnomusicology vol. 25 no. 2, May 1981, pp. 199-214.
  • Vetter, Roger. "A Retrospect on a Century of Gamelan Tone Measurements", Ethnomusicology: Journal of the Society for Ethnomusicology vol. 33 no. 2, spring-summer 1989, pp. 217-227.
  • Viaene, Dirk. Muziektheorie. WWW, 2004, 55 pages.
  • Vicentino, Nicola. L'antica musica ridotta alla moderna prattica. Fascimile PDF, Aug 2011. Antonio Barre, Rome, 1555, 1557. Facsimile edition by Edward E. Lowinsky (ed.), Documenta Musicologica 17, 1st ser., Bärenreiter, Kassel, 1959. English translation Ancient music adapted to modern practice by Maria Rika Maniates (ed.), Claude V. Palisca (ed.), Yale University Press, New Haven CN, 1996, 487 pages.
  • Vicentino, Nicola. Descrizione dell'arciorgano. Nicolo Bevilacqua (ed.), Venice, Oct 1561, 1 page.
  • Vichney, Dimitri. "Notes sur l'évangile rouge de Ivan Wyschnegradsky", Les Cahiers du CIREM no. 14-15, Presses Universitaires de Tours, Tours, 1990, pp. 186-223.
  • Vicinanca, Domenico. "Some remarks about well formedness", Slides of presentation held at special Session on Mathematical Techniques in Musical Analysis, American Mathematical Society Meeting, Evanston, Oct 2004.
  • Vicinanca, Domenico. "Paths on the Stern-Brocot Tree and Winding Numbers of Modes", Proceedings of the International Computer Music Conference, Barcelona, 2005, 4 pages.
  • Vicol, Adrian. "Contributii la cercetarea monografica a tambalului", Revista de etnografie si folclor vol. 15 no. 5, Bucharest, 1970, pp. 355-374.
  • Vidwans, Amruta; Prateek Verma and Preeti Rao. "Classifying Cultural Music using Melodic Features", International Conference on Signal Processing and Communications (SPCOM), Bangalore, July 2020.
  • Vidwans, Vinod. The Doctrine of Shruti in Indian Music. Monograph, FLAME University, Pune, 2016, 148 pages. Also here.
  • Vidyasankar, Sundaresan. "Derivation of the 22 Srutis", WWW, 1994.
  • Vier, Peter. "Bachs Tonsprache und die mitteltönige Orgel", Ars organi vol. 33 no. 1, 1985, pp. 3-12.
  • Vier, Peter. "Die Orgelstimmung Gottfried Silbermanns nach Georg Andreas Sorge", Ars organi vol. 34 no. 1, 1986, pp. 14-21.
  • Vier, Peter. "Zur Frage der Rekonstruierung historischer Stimmungen", Acta Organologica vol. 19, Stuttgart, 1987, pp. 216-238.
  • Vier, Peter. "Die Stimmweise der alten Meister", Acta Organologica vol. 21, 1990, pp. 103-120.
  • Vieru, Anatol. Cartea modurilor. Editura Muzicala, Bucarest, 1980. English translation The book of modes, Editura Muzicala a Uniunii Compozitorilor si Muzicologilor din România, Bucarest, 1993.
  • Vieru, Anatol. "Generating Modal Sequences (A Remote Approach to Minimal Music)", Perspectives of New Music vol. 30 no. 2, summer 1992, pp. 178-200.
  • Vieru, Anatol. "Diatonicity and chromaticity", Muzica vol. 21, 1995, pp. 64-68.
  • Vigder, Scott. "A table of quarter-tone fingerings for the bassoon", The Double Reed vol. 4 no. 2, Oct 1981, p. 44.
  • Vigreux, Philippe (ed.) Musique arabe: le congres du Caire de 1932. Contents: Les documents du premier Congres sur la musique arabe, Le Caire, 1932 (Qasr al-Ghoury, 25-28 mai 1989) -- Le Congres de musique arabe du Caire dans la presse egyptienne (janvier-juin 1932), CEDEJ, Cairo, 1992, 440 pages.
  • Viitasari, Markku. How to deal with the syntonic comma? Recognition, preferences of usage, and utility. PhD thesis, Acta Universitatis Ouluensis no. 196, University of Oulu, Dec 2020, 293 pages.
  • Villalba Muñoz, Alberto. The tonal system of Incan music. Doubleday, Page & Co., New York, 1921, 265 pages. Spanish translation Sistema tonal de la música incaica, New York, 1943.
  • Villard, Jean Albert and Jean Marie Bourot. "Le tempérament mésotonique et la partition de Dom Bédos de Celles", Revue du son vol. 149, Paris, Sep 1965, pp. 337-341.
  • Villavicencio, Luke Anthony. "Simplifying the Understanding and Composition of Microtones with Microtonal Planes", WWW, State University of New York, Fredonia, 2023, 14 pages.
  • Villegas, Julián and Michael Cohen. "Roughness Minimization Through Automatic Intonation Adjustments", Journal of New Music Research vol. 39 no. 1, Apr 2010, pp. 75-92. Also here.
  • Villoteau, Guillaume André. Mémoire sur la possibilité et l'utilité d'une théorie exacte des principes naturels de la musique. l'Imprimerie impériale, Paris, 1807.
  • Vincent, Alexandre Joseph Hidulphe. Notice sur divers manuscrits grecs relatifs à la musique, comprenant une traduction française et des commentaires. Imprimerie royale, Paris, 1847, 12 pages.
  • Vincent, Alexandre Joseph Hidulphe. Mémoire sur la théorie des battements, accord orgue & instruments. Bachelier, Paris, 1849, 73 pages. Reprint Hachette Livre BNF, Paris, Sep 2018, 84 pages.
  • Vincent, Alexandre Joseph Hidulphe. "Emploi des quarts de ton dans le chant grégorien: constaté sur l'antiphonaire de Montpellier", La revue archéologique vol. 11, Leleux, Paris, Oct 1854, pp. 362-372. Reprint Hachette Livre BNF, Paris, Aug 2016, 18 pages.
  • Vincent, Alexandre Joseph Hidulphe. "Emploi des quarts de ton dans le chant liturgique", La revue archéologique vol. 11, Leleux, Paris, Oct 1854. "Supplément a une précédente note sur l'emploi des quarts de ton dans le chant liturgique", La revue archéologique vol. 12 no. 2, Leleux, Paris, Oct 1855, pp. 669-676.
  • Vincent, Alexandre Joseph Hidulphe. Sur la théorie de la gamme et des accords. Imprimerie de Mallet-Bachelier, Paris, 1855, 24 pages. Extract from Comptes rendus des séances de l'Académie des Science vol 41, 1855, pp. 808, 1116, 1206.
  • Vincent, Heinrich Josef. Die Neuklaviatur. Ihre Vortheile gegenüber den Nachteilen der alten. Ein Aufruf zur Beherzigung an alle Musiker und Dilettanten, Klavier-Lehrer und Fabrikanten. Adolf Hothan, Malchin, 1875.
  • Vincenzi, Marco. "Appunti di accordatura", WWW, Mar 2003, 10 pages.
  • Viraraghavan, Venkata Subramaniam; R. Aravind and Hema A. Murthy. "A Statistical Analysis of Gamakas in Carnatic Music", 18th International Society for Music Information Retrieval Conference (ISMIR 2017), Suzhou, 23-27 Oct 2017, pp. 243-249.
  • Virdung, Sebastian. Musica getutscht und ausgezogen durch Sebastianum Virdung Priesters von Amberg und alles Gesang auss den Noten in die Ta-bulaturen diser benanten dryer Instrumenten der Orgeln, der Lau-ten und der Flöten transferieren zu lernen Kurtzlich gemacht zu Er-en den hoch wirdigen hoch gebornen Fürsten und herren: Herr Wilhalmen Bischove zü Straszburg, seynem gnedigen herren. Michael Furter, Basel, 1511. Reprint Leo Schrade, Kassel, 1931. Facsimile reprint Klaus Wolfgang Niemöller (ed.), Documenta musicologica 1st series vol. 31, Bärenreiter, Kassel, 1970. French and Dutch translation Livre plaisant... et Dit is een school boecxke, Antwerp, 1529, 1568. Reprint J.H. van der Meer (ed.), Frits Knuf, Amsterdam, 1973. English translation Musica getutscht. A Treatise on Musical Instruments by Beth Bullard (ed.), Cambridge University Press, Cambridge, 1993, 287 pages.
  • Viret, Jacques. "Music, numbers, space: Some 'Pythagorean' meditations: Musique, nombres, cosmos: Quelques réflexions 'Pythagoriciennes'", International Review of the Aesthetics and Sociology of Music vol. 17 no. 2, Croatian Musicological Society, Zagreb, Dec 1986, pp. 147-161.
  • Viret, Jacques. "La musique occidentale classique est-elle anti-traditionnelle?", Connaissance des Regligions vol. 10 no. 3-4, Oct-Dec 1994, pp. 265-281.
  • Vorobyov, Igor S. "Bruce Mather and His Memories of Wyschnegradsky" (in Russian), Opera Musicologica vol. 13 no. 1, Rimsky-Korsakov State Conservatory, St. Petersburg, Mar 2021, pp. 84-89.
  • Visscher, Eric de. "Die Musik von James Tenney", MusikTexte vol. 37, Dec 1990.
  • Vitale, Raoul. "La Musique suméro-accadienne - gamme et notation musicales", Ugarit-Forschungen vol. 14, Ugarit-Verlag, 1982, pp. 241-263.
  • Vitale, Wayne. "Balinese Kebyar Music Breaks the Five-Tone Barrier", Perspectives of New Music vol. 40 no. 1, winter 2002, pp. 5-69.
  • Vitale, Wayne and Marc Paelinck. "Repair and tuning of Balinese gamelan instruments", Gamelan Tuning and Repair workshop report, Bali Summer School 2006, Codarts, Rotterdam, Aug 2006, 11 pages.
  • Vitale, Wayne and William Sethares. "Balinese Gamelan Tuning: The Toth Archives", Analytical Approaches to World Music Journal vol. 9 no. 2, 2021, 39 pages.
  • Vitali, Alexandre J.H. Regola per accordare clavicembalo o spinetta, Lugo di Romagna. 2nd half 18th cent.
  • Vitry, Philippe de. Ars Nova. Paris, 1322-1323. English translation by Leon Plantinga, "Philippe de Vitry's Ars Nova: a translation", Journal of Music Theory vol. 5 no. 2, winter 1961, pp. 204-223.
  • Vogel, Harald. "Tuning and temperament in the North German school of the Seventeenth and Eighteenth Centuries", Charles Brenton Fisk, Organ Builder: Essays in His Honor, Fenner Douglass, Owen Jander and Barbara Owen (eds.), Westfield Center for Early Keyboard Studies, Easthampton MA, 1986, pp. 237-266.
  • Vogel, Harald. "North German organ building of the late seventeenth century: Registration and tuning", J.S. Bach as organist: His instruments, music, and performance practices, George B. Stauffer and Ernest May (eds.), English translation by Lynn Edwards and Edward Pepe, Indiana University Press, Bloomington IN, 1986, pp. 31-40.
  • Vogel, Harald. "Der Wandel der Orgelstimmung", English translation "The alteration of organ tuning" by Susan Marie Praeder, French translation "L'évolution du tempérament" by Christian Lutz, booklet CD-box Dietrich Buxtehude, Complete Organ Works, Harald Vogel, organ. MDG 314 1438-2, 1988, 163 pages.
  • Vogel, Harald. "Mitteltönig - Wohltemperiert: Der Wandel der Stimmungsästhetik im norddeutschen Orgelbau und Orgelrepertoire des 17. und 18. Jahrhunderts", Jahrbuch alte Musik vol. 1, Thomas Albert and Gisela Jaacks (eds.), Florian Noetzel, Wilhelmshaven, 1989, pp. 119-151. English translation by Harald Vogel, 1989.
  • Vogel, Harald. "Zur Stimmung der Orgel in der Deutschen Kirche in Stockholm", Övertorneåprojektet. Om dokumentationen av orgeln i Övertorneå och rekonstruktionen av 1684 års orgel i Tyska kyrkan, Lena Weman Ericsson (ed.), Musikhögskolan i Piteå und Luleå tekniska universitet, Luleå, 1997, pp. 27-65. Swedish translation, pp. 161-168.
  • Vogel, Martin. Die Zahl Sieben in der spekulativen Musiktheorie. PhD thesis, Rheinische Friedrich-Wilhelms-Universität, Bonn, 1955, 339 pages.
  • Vogel, Martin. "Blechblasinstrumente mit Umstimmhebel", Instrumentenbau-Zeitschrift vol. 14, Oct 1959, 2 pages.
  • Vogel, Martin. "Die Musikschriften Leonhard Euler", in the preface to Euleri opera omnia series III, vols. 11-12, Zürich, 1960.
  • Vogel, Martin. Die Intonation der Blechbläser. Neue Wege im Metallblasinstrumentenbau. Orpheus Schriftenreihe zur Grundfragen der Musik, Band 1, Düsseldorf, 1961, 104 pages.
  • Vogel, Martin. "Anregendes Griechentum", Die Musikforschung vol. 15 no. 1, Jan-Mar 1962, pp. 1-11.
  • Vogel, Martin. "Die Orchesterinstrumente sind nicht gleichschwebend temperiert gestimmt", Das Musikinstrument und Phono vol. 11, 1962, pp. 96-97.
  • Vogel, Martin. Die Enharmonik der Griechen. Teil 1: Tonsystem und Notation, 152 pages. Teil 2: Der Ursprung der Enharmonik, 189 pages. Orpheus Schriftenreihe zur Grundfragen der Musik, Band 3 & 4, Düsseldorf, 1963.
  • Vogel, Martin. "An den Grenzen des Tonsystem", Musica vol. 17, 1963, pp. 155-158.
  • Vogel, Martin. "Eine enharmonische Trompete", Das Orchester vol. 12, 1964, pp. 41-45. Also in Das Musikinstrument vol. 14, 1965.
  • Vogel, Martin. "Tasteninstrumente in Reiner Stimmung", Dokumentation Europiano-Kongress Berlin 1965, Hans Kurt Herzog (ed.), May 1965, Fördergemeinschaft Klavier e.V., Frankfurt a.M., 1966, pp. 52-62.
  • Vogel, Martin. "Arthur von Oettingen und der harmonische Dualismus", Beiträge zur Musiktheorie des 19. Jahrhunderts, Regensburg, 1966, pp. 103-132.
  • Vogel, Martin. Apollinisch und Dionysisch. Geschichte eines genialen Irrtums. Gustav Bosse Verlag, Regensburg, 1966, 452 pages.
  • Vogel, Martin. "Die Kirnberger Stimmung vor und nach Kirnberger", Festschrift Josef Schmidt-Görg zum 70. Geburtstag, Beethovenhaus, Bonn, 1967.
  • Vogel, Martin. Die Zukunft der Musik. Orpheus-Schriftenreihe zu Grundfragen der Musik Band 8, Gesellschaft zur Forderung der systematischen Musikwissenschaft, Düsseldorf, 1968, 231 pages.
  • Vogel, Martin. "Funktionszeichen auf akustischer Grundlage", Zeitschrift für Musiktheorie vol. 1, 1970, pp. 5-19.
  • Vogel, Martin. "Läßt sich die Reine Stimmung verwirklichen?", Bericht über den internationalen musikwissenschaftlichen Kongreß, Leipzig 1966, 1972, pp. 397-406.
  • Vogel, Martin. "Schönberg und die Obertöne", Kongreß-Bericht Berlin 1974, Berlin, 1974, pp. 562-567.
  • Vogel, Martin. "Ton und Zahl", Vortrag a.d. Tagung 'Mathematik und Musik', Darmstadt, 1975.
  • Vogel, Martin. Die Lehre von den Tonbeziehungen. Orpheus, Band 16, Verlag für systematische Musikwissenschaft, Bonn-Bad Godesberg, 1975, 480 pages. English translation On the Relations of Tone by Vincent Jean Kisselbach and edited by Carl A. Poldy (ed.), Orpheus-Schriftenreihe zu Grundfragen der Musik Bd. 16, Verlag für systematische Musikwissenschaft, Bonn-Bad Godesberg, 1993, 502 pages.
  • Vogel, Martin. "Reine Stimmung und Temperierung", Musik und Zahl, Günter Schnitzler (ed.), Verlag für systematische Musikwissenschaft, Bonn-Bad Godesberg, 1976, pp. 265-293.
  • Vogel, Martin. Chiron, der Kentaur mit der Kithara. Verlag für systematische Musikwissenschaft, Bonn-Bad Godesberg, 1978, 764 pages.
  • Vogel, Martin. Musiktheater I, Die Krise des Theaters und ihre Überwindung. Orpheus: Schriftenreihe zu Grundfragen der Musik vol. 30, Verlag für systematische Musikwissenschaft, Bonn, 1980, 460 pages.
  • Vogel, Martin. Musiktheater II, Lehrstücke. Bonn, 1981, 464 pages.
  • Vogel, Martin. "Bruckner in Reiner Stimmung. Eine Analyse des Orgelpräludiums in C-Dur", Bruckner-Jahrbuch 1981, F. Grasberger (ed.), Linz, 1982, pp. 159-166.
  • Vogel, Martin. Anleitung zur harmonischen Analyse und zu reiner Intonation. Verlag für systematische Musikwissenschaft, Bonn-Bad Godesberg, 1984, 209 pages.
  • Vogel, Martin. Schönberg und die Folgen: Die Irrwege der Neuen Musik. Verlag für systematische Musikwissenschaft, Bonn-Bad Godesberg, 1984, 2 vols., 552 pages.
  • Vogel, Martin. "Mikrotöne im Rahmen der reinen Stimmung", Mikrotöne I, Edition Helbling, Innsbruck, 1986, pp. 127-150.
  • Vogel, Martin. Denkschrift zum Bau von Tasteninstrumenten in reiner Stimmung. Verlag für systematische Musikwissenschaft, Bonn-Bad Godesberg, 1986, 20 pages.
  • Vogel, Martin. "Der Bau von Tasteninstrumenten in reiner Stimmung", das Orchester vol. 34 no. 6, 1986, pp. 631-639.
  • Vogel, Martin. Die enharmonische Gitarre. Orpheus-Schriftenreihe zu Grundfragen der Musik no. 45, Verlag für systematische Musikwissenschaft, Bonn-Bad Godesberg, 1986, 264 pages.
  • Vogel, Martin. "Erfahrungen mit Bunden bei der Geige", Hamburger Jahrbuch für Musikwissenschaft vol. 9, 1986, pp. 201-208.
  • Vogel, Martin. "Die Berechnung emmelischer und ekmelischer Mehrklänge", Mikrotöne II, Edition Helbling, Innsbruck, 1988, pp. 65-72.
  • Vogel, Martin. Musiktheater V: Stücke für Salzburg. Orpheus-Schriftenreihe zu Grundfragen der Musik no. 50, BW-Verlag für Systematische Musikwissenschaft, Bonn, 1988, 478 pages.
  • Vogel, Martin. Das Problem der Ventilkombinationen bei Blechblasinstrumenten. Musikinstrumente neu Bd. 1, BW-Verlag Bildung und Wissen, Nürnberg, 1988, 31 pages.
  • Vogel, Martin. Tasteninstrumenten in reiner Stimmung. Musikinstrumente neu Bd. 6, BW-Verlag Bildung und Wissen, Nürnberg, 1988.
  • Vogel, Martin. "Vierteltöne bei den Griechen", Mikrotöne III, Edition Helbling, Innsbruck, 1990.
  • Vogel, Martin. Die Naturseptime. Ihre Geschichte und ihre Anwendung. Orpheus, Band 61, Verlag für systematische Musikwissenschaft, Bonn-Bad Godesberg, 1991, 510 pages.
  • Vogel, Martin. "Ausführbare Vierteltöne", Mikrotöne IV, Filmkunst-Musikverlag, München, 1993, pp. 191-204.
  • Vogel, Martin. "Wie nahe kann man der reinen Stimmung mit zwölf Tönen kommen?", Stimmungen im 17. und 18. Jahrhundert: Vielfalt oder Konfusion?, 15. Musikinstrumentenbau-Symposium in Michaelstein am 11. und 12. November 1994, 1997.
  • Vogel, Martin. "Chromatische und enharmonische Musik & Musikinstrumente des 16. und 17. Jahrhunderts", Kolloquium der Schola Cantorum Basiliensis, Hochschule für Alte Musik Basel, und des Musikwissenschaftlichen Instituts der Universität Basel am 9. April 2002, Martin Kirnbauer and Thomas Drescher (eds.), Schweizer Jahrbuch für Musikwissenschaft vol. 22, 2002, pp. 302-316.
  • Vogel, Stephan. "Sensation of Tone, Perception of Sound, and Empiricism: Helmholtz's Physiological Acoustics", Hermann Von Helmholtz and the Foundations of Nineteenth-Century Science, David Cahan (ed.), University of California Press, Berkeley CA, 1993, pp. 259-288.
  • Vogel, Wim. "Mijn pleidooi om de middentoonstemming terug te krijgen op kerkorgels", WWW, 2010.
  • Vogel, Wim. "Toelichting op het Pythagoreisch komma en het Syntonisch komma in de muziekleer", WWW, 2010.
  • Vogel, C.J. de. Pythagoras and early Pythagoreanism. An Interpretation of Neglected Evidence on the Philosopher Pythagoras. Van Gorcum, Assen, 1966, 323 pages.
  • Vogel, A. von. "Über den Zusammenhang zwischen Rauhigkeit und Modulationsgrad", Acustica vol. 32, 1975, pp. 300-306.
  • Vogler, Georg Joseph. Tonwissenschaft und Tonsetzkunst. Der kuhrfürstlichen Hofbuchdruckerei, Mannheim, 1776, 90 pages.
  • Vogler, Georg Joseph. Système de Simplification pour les Orgues. Manuscript, Mannheim, 1798.
  • Vogler, Georg Joseph. Data zur Akustik: eine Abhandlung vorgelesen bey der Sitzung der naturforschenden Freunde in Berlin, den 15ten Dezember 1800. Breitkopf und Härtel, Leipzig, 1801, 38 pages.
  • Vogler, Georg Joseph. Handbuch zur Harmonielehre und für den Generalbaß, nach den Grundfäßen der Mannheimer Tonschule. In Kommißion bei Karl Barth, Prag, 1802, 142 pages.
  • Vogler, Georg Joseph. Abbé Voglers Gründliche Anleitung zum Clavierstimmen, für die welche gutes Gehör haben. Nebst einer neuen Anzeige, jedes Saiteninstrument vortheilhaf. Stuttgart, 1807, 16 pages.
  • Vogler, Georg Joseph. Vogler's Handbuch zur Harmonielehre und für den Generalbass: nach den Grundsätzen der Mannheimer Tonschule, zum Behuf öffentlicher Vorlesungen. André, Offenbach a.M., c.1810, 168 pages.
  • Voigt, Dieter. "Ungleichstufige Temperierungen - aber wie?", International Society of Organbuilders Journal vol. 8, July 2000, pp. 51-65.
  • Voigt, Wolfgang. Dissonanz und Klangfarbe. Orpheus Verlag für systematische Musikwissenschaft, Bonn-Bad Godesberg, 1985, 238 pages.
  • Voigt, Wolfgang. "The Structure of Recognizable Diatonic Tunings by Easley Blackwood (book review)", Die Musikforschung vol. 42 no. 1, Jan-Mar 1989, pp. 99-100.
  • Voigt, Wolfgang. "Grundlagen der Harmonik in mikrotonaler Musik by Horst-Peter Hesse (book review)", Die Musikforschung vol. 45 no. 3, July-Sep 1992, pp. 345-346.
  • Voisin, Frédéric. "La modelisation des systèmes d'accord des xylophones centrafricains", Analyse musicale no. 23, Apr 1991, pp. 42-46.
  • Voisin, Frédéric. "Musical scales in Central Africa and Java: Modeling by synthesis", Leonardo Music Journal vol. 4, 1994, pp. 85-90.
  • Vokácová, Martina. Mikrointervalová hudba se zamèrením na ctvrttónový systém Aloise Háby. MA thesis, Pedagogická fakulta, Univerzita Jana Evangelisty, Ústí nad Labem, 2015.
  • Volk, Anja. Ein Hebungskriterium für affine Endomorphismen endlich erzeugter Z­Moduln und dessen musiktheoretische Bedeutung (A lifting criterion for affine endomorphisms of finitely generated Z-modules and its music-theoretic meaning). MA thesis, Humboldt University Berlin, 1998, 59 pages.
  • Volk, Anja and Aline Honingh. "Mathematical and Computational Approaches to Music: Three Methodological Reflections", Journal of Mathematics and Music vol. 6 no. 2, July 2012, pp. 73-81.
  • Volk, Konrad. "Musikalische Praxis und Theorie im Alten Orient", Vom Mythos zur Fachdisziplin: Antike und Byzanz, Geschichte der Musiktheorie Bd. 2, Wissenschaftliche Buchgesellschaft, Darmstadt, 2006, pp. 3-46.
  • Volkmann, Richard (ed.) Plutarchi de Musica. Leipzig, 1856. Contains De organis sive instrumentis veterum musicis epimetrum. Creative Media Partners LLC, July 2023, 200 pages.
  • Volkov, Andrei and Jorge Merino. "Musica y Matemáticas", WWW.
  • Volkov, Dmitri. "Pivotuner: automatic real-time pure intonation and microtonal modulation", arXiv 2306.03873, WWW, June 2023, 5 pages.
  • Vollmer, Carl Gottfried Wilhelm. Naturkräfte und Naturgesetze: populäres Handbuch der Physik zum Selbstunterricht für die Gebildeten jeden Standes. 2, Akustik, Calorik, Optik. Hempel, Berlin, 1857, 624 pages.
  • Vorreiter, Leopold. "Bau und Stimmung der antiken Syringe (Pan-Flöten und Pan-Pfeifen)", Archiv für Musikorganologie vol. 1 no. 1, Dec 1976, pp. 16-33.
  • Vos, Gert. Algebraïsche toonsystemen. MA thesis, Universiteit van Amsterdam, 1993, 61 pages.
  • Vos, Joos. "The perception of pure and mistuned musical fifths and major thirds: Thresholds for discrimination, beats and identification", Perception & Psychophysics vol. 32 no. 4, July 1982, pp. 297-313.
  • Vos, Joos. "Spectral effects in the perception of pure and tempered intervals: Discrimination and beats", Perception & Psychophysics vol. 35 no. 2, Mar 1984, pp. 173-185.
  • Vos, Joos and Ben G. van Vianen. "The effect of fundamental frequency on the discriminability between pure and tempered fifths and major thirds", Perception & Psychophysics vol. 37 no. 6, Nov 1985, pp. 507-514.
  • Vos, Joos and Ben G. van Vianen. "Thresholds for discrimination between pure and tempered intervals: The relevance of nearly coinciding harmonics", Journal of the Acoustical Society of America vol. 77 no. 1, Jan 1985, pp. 176-187.
  • Vos, Joos. "Purity ratings of tempered fifths and major thirds", Music Perception vol. 3 no. 3, spring 1986, pp. 221-258.
  • Vos, Joos. The Perception of pure and tempered musical intervals. PhD thesis, Rijksuniversiteit Leiden, Leiden, 1987, 151 pages.
  • Vos, Joos. "Subjective acceptability of various regular twelve-tone tuning systems in two-part musical fragments", Journal of the Acoustical Society of America vol. 83 no. 6, June 1988, pp. 2383-2392.
  • Vos, Joos. "De waarneming van zuivere en ontstemde muzikale intervallen", Muziekwaarneming, Psychonomische Publikaties vol. 3, G. ten Hoopen et al. (eds.), Swets & Zeitlinger, Amsterdam, 1991, pp. 97-130.
  • Vos, Joos. "Commentary on 'Calculating Sensory Dissonance: Some Discrepancies Arising from the Models of Kameoka & Kuriyagawa and Hutchinson & Knopoff' by Keith Mashinter (letter)", Empirical Musicology Review vol. 1 no. 3, July 2006, pp. 180-181.
  • Vos, Joos. "Subjectieve aanvaardbaarheid van stemmingssystemen", lecture at Masterclass Muziekakoestiek en Akoestiek voor Muziek, Arnhem, 29 nov 2023, Nederlands Akoestisch Genootschap, Utrecht, 2 pages.
  • Votaw, Lyravine. "Choral Intonation", Music Supervisors' Journal vol. 18 no. 1, Oct 1931, pp. 50, 53.
  • Voxman, Himie. "Intonation Deficiencies of Wind Instruments in Ensemble by Donald W. Stauffer (book review)", Journal of Research in Music Education vol. 3 no. 1, spring 1955, p. 61. Also here.
  • Vries, Leo de. "Pleidooi voor een nieuwe indeling van het klavier. Een nieuw notatiesysteem", Mens en Melodie vol. 35 no. 9, Sep 1980, pp. 425-431.
  • Vries, Leo de. "Het chromatisch klavier en het voortekenloos notatiesysteem", Mens en Melodie vol. 36 no. 9, Sep 1981, pp. 424-429.
  • Vries, Leo de. "Het is tijd voor een fijnere toonindeling", Mens en Melodie vol. 38 no. 8, Aug 1983, pp. 322-324.
  • Vries, Leo de. "Een tonale ordening in de kwarttoonsmuziek", Mens en Melodie vol. 38 no. 11, Nov 1983, pp. 474-480.
  • Vries, Leo de. "Continue tonaliteit met doortransponerende toongeslachten" (through-transposing tonalities), Jaarboek van de Stichting Huygens-Fokker, 1992, Amsterdam, pp. 88-110.
  • Vries, Leo de. "Some more 18 note scales in the 72 note system", Jaarboek van de Stichting Huygens-Fokker, 1994, Amsterdam, pp. 152-154.
  • Vries, Leo de. "Fifth and Relatives", Proceedings of the Third MNMA Conference, Rotterdam, 1994, Thomas S. Reed (ed.), 1999, pp. 41-42.
  • Vries, Leo de. "Een tonale ordening in de kwarttoonsmuziek", Zuiver muzikaal, programmatoelichting van het microtonaal festival ter gelegenheid van 50 jaar Huygens-Fokker, Haarlem, 6-13 oktober 1996, pp. 34-40.
  • Vries, Leo de. "A solution to the microtone-keyboard problem", Music Notation News vol. 8 no. 4, MNMA, 1998, pp. 4-7.
  • Vries, Leo de. "Microtone Scales in Equal Temperament Tone Systems", Thirty One vol. 1, Stichting Huygens-Fokker, 2004, pp. 37-51.
  • Vries, Leo de. "The Keyboard-Notation coherence and a variable keyboard", Thirty One vol. 1, Stichting Huygens-Fokker, 2004, pp. 53-63.
  • Vries, Leo de. "Du-Tri, a Refined Time Notation", Thirty One vol. 1, Stichting Huygens-Fokker, 2004, pp. 65-68.
  • Vries, Leo de. "The Violalino as microtonal bowing instrument", Thirty One vol. 1, Stichting Huygens-Fokker, 2004, pp. 69-77.
  • Vriksha, Kavya. "From 12 musical notes to 16 svaras in Carnatic music - the brilliance of Venkatamakhi", WWW, July 2022.
  • Vurma, Allan and Jaan Ross. "Production and Perception of Musical Intervals", Music Perception: An Interdisciplinary Journal vol. 23 no. 4, Apr 2006, pp. 331-344.
  • Vurma, Allan. "Mistuning in two-part singing", Logopedics Phoniatrics Vocology vol. 35 no. 1, Mar 2010, pp. 24-33.
  • Vurma, Allan; Marju Raju and Annika Kuuda. "Does timbre affect pitch?: Estimations by musicians and non-musicians", Psychology of Music vol. 39 no. 3, 2011, pp. 291-306.
  • Vuylsteke, Hubert A. "Notre Gamme Musicale Occidentale", Journal des Ingenieurs de L.H.T.B. no. 3, Apr 1952, pp. 15-17. English translation "The True Occidental Musical Scale", Journal of the Acoustical Society of America vol. 24 no. 1, Jan 1952, p. 87.
  • Vuza, Dan Tudor. "Some Mathematical Aspects of David Lewin's Book: Generalized Musical Intervals and Transformations (book review)", Perspectives of New Music vol. 26 no. 1, winter 1988, pp. 258-287.
  • Vuza, Dan Tudor. "Supplementary Sets and Regular Complementary Unending Canons (Part Four)", Perspectives of New Music vol. 31 no. 1, winter 1993, pp. 270-305.
  • Vuza, Dan Tudor and Moreno Andreatta. "On Some Properties of Periodic Sequences in Anatol Vieru's Modal Theory", Tatra Mountains Mathematical Publications vol. 23, 2001, pp. 1-15.
  • Vyslouzil, Jirí. "Alois Hába als Kompositionslehrer", Sbornik praci filosoficke fakulty Brnenskè University vol. 14, Brno, 1965, pp. 379-387.
  • Vyslouzil, Jirí. "K Hábovu postavení ve vývoji ceské a evropské moderní hudby", Hudební veda vol. 3, 1965, pp. 567-584.
  • Vyslouzil, Jirí. "Prvni ctvrttonovè sklaby Aloise Háby", Hudebni Veda Académie Tchèque vol. 4, Prague, 1966, pp. 607-622.
  • Vyslouzil, Jirí. "Zu Hába's Symphonischer Phantasie Op. 8 (music review)", Sbornik praci filosofickè fakulty Brnenskè University vol. 17, Brno, 1968, pp 75-85.
  • Vyslouzil, Jirí. "L'origine, l'apparition et la fonction du quart de ton dans l'oeuvre de Georges Enesco", Studii de muzicologie vol. 4, Bucharest, 1968, pp. 253-259.
  • Vyslouzil, Jirí. "Ivan Vyschnegradskij, kapitolaze zapomenutych hudenich avantgard", Opus Musicum vol. 1, Brno, 1969, pp. 30-40.
  • Vyslouzil, Jirí. Alois Hába: Zivot a dílo. Brno, 1970. Panton, Prague, 1974, 468 pages.
  • Vyslouzil, Jirí. "A note on Alois Hába", The Musical Times vol. 114 no. 1564, Jan 1973, pp. 590-592.
  • Vyslouzil, Jirí and J. Pauer. "Rozlouceni s Aloisem Hábou", HRo vol. 26, 1973, p. 530.
  • Vyslouzil, Jirí. "Habova hudba pro cturttonovy klavier (de skladatelovym osmdesatimam)", Opus Musicum vol. 5, 1973, pp. 101-107. German translation in Musicologica slovaca vol. 7, 1978, pp. 107-116.
  • Vyslouzil, Jirí. "Alois Hába: muz hudebniho a positickèho pokroku", Opus musicum vol. 6, 1974, pp. 2-6.
  • Vyslouzil, Jirí. "Aloïs Hába und die Dodekaphonie", Schweizerische Musikzeitung vol. 118 no. 2, 1978, pp. 95-102.
  • Vyslouzil, Jirí. "Alois Hába heute", Muzikoloski Zbornik / Musicological Annual vol. 20 no. 1, Ljubljana, Dec 1984, pp. 55-64 with Slovenian abstract. Also in Gedanken zu Alois Hába, Horst-Peter Hesse und Wolfgang Thies (eds.), Verlag Müller-Speiser, Anif, 1996.
  • Vyslouzil, Jirí. "Aloïs Hába, Meister der klanglichen Nuance", Musik und Gesellschaft no. 6, 1984, pp. 300-304.
  • Vyslouzil, Jirí. "Cesky Svoboda, struktura a forma v hudbè Aloise Háby", Opus musicum vol. 23 no. 3, 1991, pp. 81-84.
  • Vyslouzil, Jirí. "Nezapominejte na Aloise Hábu", Hudebni rozhledy vol. 44 no. 10, 1991, pp. 475-477.
  • Vyslouzil, Jirí. "Aloïs Hába, ein Komponist zwischen der freien und verwalteten Walt", Salzburg, 1993.
  • Vyslouzil, Jirí. "Alois Hába und das moderne Wien", Österreichische Musikzeitschrift vol. 48 no. 9, Sep 1993, pp. 476-477.
  • Vyslouzil, Jirí. Aloïs Hába (1893-1973), Sbornik k zivotu a dilu skladatele, Usporadal Jirí Vyslouzil. A.J. Rychlik (ed.), Lipa, Vizovice, 1993.
  • Vyslouzil, Jirí. "Alois Hába in der Musikentwicklung des 20. Jahrhunderts", Gedanken zu Alois Hába, Horst-Peter Hesse und Wolfgang Thies (eds.), Verlag Müller-Speiser, Anif, 1996.

- W -

- X -

  • Xenakis, Iannis. Musiques formelles: nouveaux principes formels de composition musicale. Éditions Richard-Masse, Paris, 1963. Rev. ed., Stock, Paris, 1981. Revised English translation Formalized Music. Thought and Mathematics in Music by Sharon Kanach (ed.), Pendragon Press, Stuyvesant NY, 1992, 387 pages.
  • Xenakis, Iannis. "Towards a Metamusic", Tempo no. 93, summer 1970, pp. 2-19.
  • Xenakis, Iannis. "Structures Hors-Temps", Proceedings of an International Symposium on the Musics of Asia, Manila, 1971.
  • Xenotechnites, Bhishma. "Monochord metaphors or the power of harmonia", WWW, 2014, 24 pages.
  • Xiao, Lintao; Chenyu Bao; Qiuhan Jia; Haoyang Wu and Huijun Zhou. "On the nonlinearity of a tuning fork", WWW, June 2020.
  • Xing, Zhaoliang. Zhu Zaiyu pingzhuan (A critical biography of Zhu Zaiyu). Zhongguo sixiangjia pingzhuan congshu (Critical biography series of Chinese thinkers) no. 133, Nanjing Daxue Chubanshe, Nanjing, 1998.
  • Xu, Amy. "The Mathematics of Music", WWW, Apr 2020, 6 pages.
  • Xu, Fei. "Zhu Zaiyu shier pinjunlü guan de lilun yanzheng" (A theoretical test of the 12 equal-tempered pitch-pipes of Zhu Zaiyu), Kexue jishu yu bianzhengfa (Science, technology and dialectics) vol. 12 no. 4, 1996, pp. 31-38.
  • Xu, Fei. "Zhu Zaiyu yijingguanlü fuyuan ceyin yanjiu kaoshi" (A textual research on reproducing and frequencies detecting of Zhu Zaiyu's pitch-pipes), Ziran bianzhengfa tongxun (J. dialectics of nature) vol. 23 no. 2 (cum. no. 132), 2001, pp. 65-72.
  • Xu, Fei. "Zhu Zaiyu and the Equal Temperament", The High Tide of Science and Technology Development in China, X. Jiang (ed.), History of Science and Technology in China, Springer Nature, Singapore, 2021, pp. 427-483.
  • Xu, Jamie. "Jacob Collier: The Master of Microtones (music review)", WWW, Jan 2021.

- Y -

- Z -

Publishers

Related periodicals

 

If you know of any texts, books or articles that should be in this list, please e-mail coul@huygens-fokker.org (Manuel Op de Coul)
This bibliography was created by Manuel Op de Coul, Brian McLaren, Gerben Bisschop, Franck Jedrzejewski and Dominique Devie. Originally part of Brian McLaren's article "A Brief History of Microtonality in the Twentieth Century", Xenharmonikôn vol. 17, 1998.

Page last modified 8 June 2025