Tuning & temperament bibliography

- A -

Aalst, Jules A. van. Chinese Music. Statistical Dept. of the Inspectorate General of Customs, Shanghai, 1884, 106 pages.
Aanes, Brendan. "Gareth Loy's Musimathics Volumes I and II (book reviews)", array the journal of the ICMA, 2009, pp. 100-107.
Aaron, Pietro. De institutione harmonica libri tres. Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, 1516, 127 pages. Reprint Broude Brothers Ltd., New York, 1978. Liber primus, liber secundus, liber tertius. Also here.
Aaron, Pietro. Thoscanello de la musica. Toscanello in musica. Impressa per Bernardino et Mattheo de Uitali, Venezia, 1523, 1529, 1539, 1562. Reprint Broude Brothers Ltd., New York, 1969. English translation Toscanello in musica by Peter Bergquist, Colorado College Music Press, Colorado Springs, 1970.
Aaron, Pietro. Trattato della natura et cognitione di tutti gli tuoni di canto figurato. Bernardino Vitali, Venezia, 1525, 1531.
Aaron, Pietro. Lucidario in musica. Venice, 1545. Reprint, 1969.
Aaron, Pietro. Compendiolo di molti dubbi. Venice, after 1545.
Abate, Ezra. "Ethiopian Kiñit (scales). Analysis of the formation and structure of the Ethiopian scale system", Proceedings of the 16th International Conference of Ethiopian Studies, Svein Ege, Harald Aspen, Birhanu Teferra, Shiferaw Bekele (eds.), Trondheim, 2009, pp. 1213-1224.
Abbado, Michelangelo. "Terzo e quarto suono", Rivista italiana di musicologia vol. 5, 1970, pp. 99-147.
Abbatini, Antonio Maria. Codici contenenti diverse lezioni teorice. Bologna, 1667-1668. (below)
Abbatini, Antonio Maria. "De Diatessaron Consonantia li 18 febbraio 1667. MS C.48", Bologna, 1667.
Abbatini, Antonio Maria. "Che i Modi ò Tuoni sono sei. Li 11 Settembre i667. MS C.48", Bologna, 1667.
Abbatini, Antonio Maria. "Lettione quarta De Genere Multiplici et eius species. Li 2 Luglio 1668. MS C.48", Bologna, 1668.
Abbatini, Antonio Maria. "Lectio settima Delle varie spetie dell' ottaua et quinta. MS C.48", Bologna.
Abbatini, Antonio Maria. "Del Genere Moltiplice ch' è De le Proportioni che danno la forma all' Interualli. MS C.48", Bologna. English translation "On the Multiplex Genus which belongs to the Proportions which represent the Intervals", WWW, 2012, 3 pages.
Abbatini, Antonio Maria. "De Generi di Proportione. MS C.48", Bologna.
Abbatini, Antonio Maria. "Numero 12 De Dissonantijs. MS C.48. f.84r-92r", Bologna. English translation by Massimo Redaelli "On the Dissonances", WWW, 2012, 6 pages.
Abbott, Curtis. "Marching to a Different Ratio. Xenharmonikon. Interval: A Microtonal Newsletter (reviews)", Computer Music Journal vol. 2 no. 2, Sep 1978, pp. 7-8.
Abddon, Seifed-Din Shehadeh. "Arabic Music: Samaie Farhafza Analysis", May 2003, WWW, 14 pages.
Abdoli, Sajjad. "Iranian Traditional Music Dastgah Classification", 12th International Society for Music Information Retrieval Conference (ISMIR 2011), 2011, pp. 275-280.
Abdounur, Oscar João. Matemática e Música: Pensamento Analógico na Construção de Significados. Série Ensaios Transversais, 2nd ed., Escrituras Editora, São Paulo, 1999, 315 pages.
Abdounur, Oscar João. "Ratios and music in the late middle ages: a preliminary survey", Music and mathematics in late medieval and early modern Europe, Philippe Vendrix (ed.), Brepols Publishers, Turnhout, 2008, 394 pages.
Abdounur, Oscar João. "The Emergence of the Idea of Irrationality In Renaissance Theoretical Music Contexts", Music Journal of Interdisciplinary Sciences vol. 3 no. 2, Mar 2015, pp. 155-172. Also here, Culture and Cognition. Essays in Honor of Peter Damerow, Jürgen Renn, Matthias Schemmel (eds.), workshop at Max Planck Institute for the History of Science, Dec 2013.
Abdounur, Oscar João. "Mathematics and Music in Context: The Contribution of Erasmus Horicius to the Emergence of the Idea of Modern Number", International Journal of Mathematical, Engineering and Management Sciences vol. 1 no. 2, 2016, pp. 62-67.
Abdounur, Oscar João. "Irrationality in theoretical music in the Renaissance", 16th Seminário Nacional de História da Ciência e da Tecnologia, Paraíba, Oct 2018, 9 pages.
Abdounur, Oscar João. "Structural Mathematical Changes in Theoretical Music in the Early Renaissance", International journal of mathematical, engineering and management sciences vol. 4 no. 1, 2019, pp. 191-198.
Abdy Williams, C.F. "The 'System' in Greek Music - a Suggestion", The Classical Review vol. 9 no. 82, Nov 1895, pp. 421-427.
Abel, Carl Friedrich. The pure method for tuning the Harpsichord, according to Abel. London, 2nd half 18th cent.
Abel, Markus and Steffen Bergweiler. "Synchronization of higher harmonics in coupled organ pipes", International Journal of Bifurcation and Chaos in Applied Sciences and Engineering vol. 17 no. 10, Oct 2007, pp. 3483-3491.
Abel, Volker, Peter Reiss and Rudolf Wille. "Mutabor II - Ein computergesteuertes Musikinstrument zum Experimentieren mit Stimmungslogiken und Mikrotönen", Preprint no. 1513, TH Fachbereich Mathematik, Darmstadt, 1992. Also in Mikrotöne IV, Filmkunst-Musikverlag, München, 1993.
Abel, Volker, Peter Reiss, Rüdiger Krauße and Tobias Schlemmer. "MUTABOR - Ein computergesteuertes Musikinstrument zum Experimentieren mit Stimmungslogiken und Mikrotönen", Technische Universität Dresden, WWW, 2006.
Abeßer, Jakob; Estafanía Cano; Klaus Frieler; Martin Pfleiderer and Wolf-Georg Zaddach. "Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos", Proceedings of the 16th International Society for Music Information Retrieval Conference, Málaga, Oct 2015, pp. 823-829. Also in IEEE/ACM Transactions on Audio, Speech and Language Processing vol. 25 no. 1, Jan 2017, pp. 168-177.
Abraham, Gerald u.a. (ed.) Bericht über den siebenten internationalen musikwissenschaftlichen Kongreß, Köln 1958. Bärenreiter, Kassel, 1959, 366 pages.
Abraham, Otto and Erich Moritz von Hornbostel. "Zur Psychologie der Tondistanz", Zeitschrift für Psychologie und Physiologie der Sinnesorgane vol. 98, 1899.
Abraham, Otto and Erich Moritz von Hornbostel. "Studien über das Tonsystem und die Musik der Japaner", Sammelbände der internationalen Musikgesellschaft vol. 4 no. 2, Leipzig, Feb 1903, pp. 302-360. Reprint Sammelbände für vergleichende Musikwissenschaft vol. 1, 1922, p. 179.
Abraham, Otto. "Das absolute Tonbewußtsein und die Musik", Sammelbände der internationalen Musikgesellschaft vol. 8 no. 3, Leipzig, 1907, pp. 486-491.
Abraham, Otto and Erich Moritz von Hornbostel. "Vorschläge für die Transkription exotischer Melodien", Sammelbände der internationalen Musikgesellschaft vol. 11 no. 1, Oct-Dec 1909, pp. 1-25. Reprint in Musical transcription, Garland, New York, 1990. English translation "Suggested methods for the transcription of exotic music", Ethnomusicology vol. 38 no. 3, autumn 1994, pp. 425-456.
Abreu, Edward Ayres de. "Sampaio Bruno: melomania tessaradecatónica", A obra e o pensamento de Sampaio Bruno, Celeste Natário; Jorge Cunha and Renato Epifânio (eds.), Universidade Católica Editora, Porto, May 2018, pp. 159-172.
Abromont, Claude and Eugène de Montalembert. Guide de la Théorie de la Musique. Henry Lemoine, Fayard, 2001, 380 pages.
Abu Shumays, Sami. "Maqam Analysis. A Primer", Music Theory Spectrum vol. 35 no. 2, 2013, pp. 235-268.
Accurso, Howard. The Decline of Unequal Temperments in the Nineteenth Century. PhD thesis, in progress.
Acet, Rusen Can; Batuhan Basar; Tolgahan Cogulu; Atlas Cogulu; Tony Italia and Selcuk Keser. "New Additions to the Guitar Family: Lego and Automatic Microtonal Guitars", Musicologist vol. 6 no. 1, Trabzon University State Conservatory, June 2022, pp. 26-41. Also here.
Achtélik, Josef. Der Naturklang als Wurzel aller Harmonien. Eine Aesthetische Musiktheorie in Zwei Teilen. 2 vols., Verlag von C.F. Kahnt, Leipzig, 1922. Reprint Forgotten Books, Feb 2019, 234 pages.
Adamer, Lorenz. "Plutarch's Platonic Question IX: The Trichonomy of the Soul from the Perspective of Music Theory (Politeia 443d-e)", Ploutarchos vol. 17, May 2020, pp. 9-24.
Adams, Charles R. "Measuring Order and Beauty: On Isaac Newton's 'Discourses of Strings Sounding and Colors Compounding'", WWW, July 2013, rev. 2016, 147 pages.
Adams, Evan. "What is Rhythmic Dissonance?", The Eagle Feather vol. 14 no. 1, 2017, 22 pages.
Ader, Lidia Olegovna. "Survivor from Leningrad: an episode from Soviet quarter-tone music" (in Russian), musicus vol. 4, autumn 2008, pp. 45-48.
Ader, Lidia Olegovna. "Georgy Rimsky-Korsakov and the Circle of quarter-tone music", Museums of theatre and music in the international world: Experience, traditions, collaboration, St. Petersburg, 2008, pp. 89-99.
Ader, Lidia Olegovna. "Quarter-tone boom at the Conservatory: Petrograd news" (in Russian), Vestsi Belaruskay dzyarzhaunai akademii muzyki vol. 4, 2008, pp. 91-95.
Ader, Lidia Olegovna. "Microtonal Storm and Stress: Georgy Rimsky-Korsakov and Quarter-Tone Music in 1920s Soviet Russia", Tempo vol. 63 no. 250, Cambridge University Press, Cambridge, Oct 2009, pp. 27-44.
Ader, Lidia Olegovna. "Art of forgetting-Some mechanisms of resistance to microtonal memory in Russia's 1960s avant-garde", BTC Proceedings, Thessaloniki, July 2010.
Ader, Lidia Olegovna. "A life paradox of Georgy Rimsky-Korsakov" (in Russian), N.A. Rimsky-Korsakov and his Heritage in Historical perspective. Materials of an international musicological conference, L. Ader, N. Kostenko, N. Metelitsa, N. Feofanova, Ya. Shigareva (eds.), St. Petersburg, 2010, 452 pages.
Ader, Lidia Olegovna. "Microtonal Instruments: The First Steps from Utopia to Practice" (in Russian), Instrumentalism in the history of culture, Evgenia Vladimirovna Hazdan (ed.), Rossijskij Institut Istorii Iskusstv, St. Petersburg, 2011, pp. 52-65.
Ader, Lidia Olegovna. "The Concept of Microtonality: Its Origin and Background" (in Russian), Opera musicologica vols. 3-4 nos. 8-9, St. Petersburg, 2011, pp. 114-134.
Ader, Lidia Olegovna. "Microtonal Instruments: The First Steps from Utopia to Practice" (in Russian), Vremennik Zubovskogo Instituta vol. 7, Evgenia Vladimirovna Hazdan (ed.), Rossijskij Institut Istorii Iskusstv, St. Petersburg, 2011, pp. 52-65.
Ader, Lidia Olegovna. "Rosyjska muzyka mikrotonowa w latach 10.-20. XX wieku: teorie i praktyki", Glissando: Magazyn o muzyce wspólczesnej vol. 17, Warsaw, 2011, pp. 78-82.
Ader, Lidia Olegovna. "Microtonal idea: Its Origin and Premises" (in Russian), Opera Musicologica vol. 3-4 no. 9-10, 2012, pp. 114-134.
Ader, Lidia Olegovna. "Avant-garde headquarters (The Circle of Quarter-tone Music in Petrograd Conservatory)", Opera Musicologica vol. 2, 2012, pp. 80-88.
Ader, Lidia Olegovna. Mikrotonovaja muzika v Evrope i Rossii v 1900-1920e godi. MSc thesis, Gosudarstvennaâ Konservatoriâ imeni N.A. Rimskogo-Korsakova, St. Petersburg, 2013.
Ader, Lidia Olegovna. "Game of two cities: Russian microtonal contests in 1920s" (in Russian), Papers collection, Margarita Katounian (ed.), Moscow, 2013.
Ader, Lidia Olegovna. "Microtonal Russia: 1950-1970s myths and realities", New Sound vol. 41 no. 1, Sep 2013, pp. 42-57.
Ader, Lidia Olegovna. "Parallel History of Russian Musical Avant-garde", Lietuvos muzikologija vol. 16, 2015, pp. 90-101.
Ader, Lidia Olegovna. "Elementy romantyczne w muzyce mikrotonowej (The Romantic Approach in Microtonal Music)", Twórczosc kompozytorów slowianskich I polowy XX wieku, Kinga Krzymowska-Szaco (ed.), Lublin, 2017, pp. 157-168.
Ader, Lidia Olegovna. "Introduction to Microtonal Music", Microtonal Music in Central and Eastern Europe: Historical Outlines and Current Practices, Leon Stefanija and Ruta Staneviciute (eds.), University of Ljubljana, Litovska akademija za glasbo in gledalisce, Vilnius, 2020, 34 pages.
Adkins, Cecil D. The Theory and Practice of the Monochord. PhD thesis, University of Iowa, 1963. Reprint UMI Dissertation Services (64-3344), Ann Arbor, 501 pages.
Adkins, Cecil D. "The Technique of the Monochord", Acta Musicologica vol. 39 fasc. 1/2, Jan-June 1967, pp. 34-43.
Adlington, Robert. "Antara by George Benjamin (CD review)", The Musical Times vol. 135 no. 1812, Feb 1994, p. 95.
Adlung, Jakob. Anleitung zu der musikalischen Gelahrtheit, theils vor alle Gelehrte, so das Band aller Wissenschaften einsehen, theils vor die Liebhaber der edlen Tonkunst überhaupt, theils und sonderlich vor die, so das Clavier vorzüglich lieben, theils vor die Orgel- und Instrumentenmacher. J.D. Jungnicol, Erfurt, 1758, 844 pages. Also here. 2nd edition Dresden/Leipzig, 1783. Facsimile reprint, Hans-Joachim Moser (ed.), Documenta Musicologica Bd. 4, Bärenreiter, Kassel, 1953.
Adlung, Jakob; Johann Lorenz Albrecht and Johann Friedrich Agricola. Musica mechanica organoedi: Das ist: Gründlicher Unterricht von der Struktur, Gebrauch und Erhaltung [et]c. der Orgeln, Clavicymbel, Clavichordien und anderer Instrumente ... ; Nebst zwey Tabellen und vielen Figuren. Friedrich Wilhelm Birnstiel, Berlin, 1768, 205 pages. Also here and here. Facsimile reprint, Christhard Mahrenholz, Bärenreiter, Kassel, 1930, 1961. English translation Musical mechanics for the organist by Quentin Faulkner, Zea E-Books, Lincoln NE, Oct 2011, 1224 pages (incl. original).
Adou, Heather Maxwell. "Acoustic Aspects of the Balani of Mali", SAVAIL Working Papers, 2003.
Adriaansz, Peter. "How I Became a Convert", Thirty-One vol. 1, summer 2009, pp. 8-33.
Agayeva, S. and S. Hajiyev. "On the Problems of Research the Pitch System of Azerbaijani Mughams", Proceedings of the IInd International Musicological Symposium Space of Mugham, 15-17 March 2011, M. Aliyeva (ed.), International Council for Traditional Music, Baku, 2011, pp. 19-30.
Agazzari, Agostino. Sacrarum Cantionum quae Binis, Ternis, Quaternisque vocibus concinuntur. Liber II. Cum basso ad organum. Ricciardus Amadinus, Venice, Jan 1608, 1613, 1616.
Ager, Klaus. "Der Ultrachromatismus Ivan Wyschnegradskys in melodischer und rhythmischer Hinsicht", Mikrotöne I, Edition Helbling, Innsbruck, 1986, pp. 123-126.
Ager, Klaus; Johannes Kretz; Klaus Lang; Hossam Mahmoud and Dana Cristina Probst. "Mikrotonal komponieren", Österreichische Musikzeitschrift vol. 63 no. 7, July 2008, pp. 26-31. Also here.
Aggelos, Bousmpouras. "Perceiving patterns of ratios when they are converted from relative durations to melody and from cross rhythms to harmony", Journal of Music and Dance vol. 8 no. 1, Jan 2018, 12 pages.
Agmon, Eytan. Diatonicism, Chromaticism and Enharmonicism: A Study in Cognition and Perception. City University of New York, University Microfilms International, 1986, 257 pages.
Agmon, Eytan. "A Mathematical Model of the Diatonic System", Journal of Music Theory vol. 33 no. 1, spring 1989, pp. 1-25. Correction in vol. 33 no. 2, 1989, p. 462.
Agmon, Eytan. "Equal Division of the Octave in a Scarlatti Sonata", In Theory Only vol. 13 no. 5, 1990, pp. 1-8.
Agmon, Eytan. "Linear Transformations Between Cyclically Generated Chords", Musikometrika vol. 3, 1991, pp. 15-40.
Agmon, Eytan. "Towards a Theory of Diatonic Intonation", Interface vol. 22 no. 2, 1993, pp. 151-163.
Agmon, Eytan. "Coherent Tone-Systems: A Study in the Theory of Diatonicism", Journal of Music Theory vol. 40 no. 1, spring 1996, pp. 39-59.
Agmon, Eytan. "Numbers and the Western Tone-System: Beyond Psychoacoustics", Journal of the American Mathematical Society, Mar 2003, 18 pages.
Agmon, Eytan. "Proto-Tonal Theory: Tapping into 9th-Century Insights", Music Theory Spectrum vol. 35 no. 1, spring 2013, pp. 103-110.
Agmon, Eytan. "Communicating the Primary Intervals", The Languages of Western Tonality, Computational Music Science, Springer, Berlin/Heidelberg, 2013, pp. 67-81.
Ágnes, Ratkó. Eine Annäherung an historische Stimmungen aus künstlerischer Sicht. MSc thesis, Liszt Ferenc Universität für Musik Doktorandenschule Nr.28 zur Wissenschaft der Kunst- und Kulturgeschichte gehörend, Budapest, 2009.
Agon, Carlos and Moreno Andreatta. "Outils informatiques pour la classification et la notation des structures micro-intervalliques", Séminaire MaMuX, séance Micro-tonalité et systématique modale, IRCAM, Paris, 8 Nov 2003.
Aguilar, Juan R. and Renato Salinas. "New Trends in Sound Synthesis and Automatic Tuning of Electronic Musical Instruments", Revista Facultad de Ingeniería, U.T.A. vol. 11 no. 2, University of Santiago of Chile, Dec 2003, pp. 17-23.
Agustín-Aquino, Octavio Alberto; Julien Junod and Guerino Mazzola. "Towers of Counterpoint", Computational Counterpoint Worlds, Computational Music Science, Springer, 2015, pp. 135-148.
Agustín-Aquino, Octavio Alberto and Guerino Mazzola. "Modulation in Tetradic Harmony and its Role in Jazz", arXiv 1809.04755, WWW, Sep 2018, 8 pages.
Agricola, Johann Friedrich. Anleitung zur Singkunst. George Ludewig Winter, Berlin, 1757, 93 pages. Facsimile edition by Erwin R. Jacobi (ed.), Hermann Moeck Verlag, Celle, 1966.
Agricola, Martin. Musica instrumentalis deudsch, ynn welcher begriffen ist, wie man nach dem Gesange auff mancherley pfeiffen lernen sol, auch wie auff die Orgel, Harffen, Lauten, Geigen und allerley Instrument und Seytenspiel nach der rechtgegründten Tabelthur sey abzusetzen. Georg Rhau, Wittemberg, 1528, 1529, 1542, enlarged 1545, 295 pages. Facsimile edition, Breitkopf und Härtel, Leipzig, 1896. Reprint Georg Olms Verlag, Hildesheim, 1969. Also here. English translation A Treatise on Musical Instruments, 1529 and 1545 by William E. Hettrick (ed.), Cambridge University Press, Cambridge, 1994, 214 pages.
Agricola, Martin. Musica figuralis deudsch: mit ihrem zugehörenden Exempeln, sampt einem besunderlichen schönen Büchelein von den Proportionibus, welche allen gemeinen Sengern, Instrumentisten und Anhebern dieser Kunst, ganz nützbarlich zu wissen, auffs einfeltigst und vorstentlichst ins Deudsche verfasset. Georg Rhau, Wittemberg, 1532, 120 pages.
Agricola, Martin. Rudimenta musices, quibus canendi artificium compendiosissime complexum, pueris una cum monochordi dimensione traditur. Georg Rhau, Wittemberg, 1539. Also here. Reprint Broude Brothers, New York, June 1966. English translation The Rudiments of Music by John Trowell, Boethius Press, Aberystwyth, July 1991, 132 pages.
Agustín-Aquino, Octavio; Jeffery Liu and Guerino Mazzola. "Exploring Exotic Counterpoint Compositions", arXiv 2106.00806, WWW, June 2021, 18 pages.
Ahlvers, Arthur. Zahl und Klang bei Platon. Noctes Romanae: Forschungen über die Kultur der Antike, Verlag Paul Haupt, Bern & Stuttgart, 1952, 67 pages. English translation Number and Sound in Plato by John Black, Studies in the History of Philosophy, vol. 67, Edwin Mellen Press, Lewiston NY, 2002.
Ahola, Anu. "Sampo Haapamäki: Quarter-Tone Miracle Man", Suomalaisen Musiikin Tiedotuskeskus/Finnish Music Information Centre (FIMIC), 2012.
Ahrens, Alvin W. "Characteristic Limitations of the Internal Tuning of Selected Wind Instruments", Journal of Experimental Education vol. 15 no. 4, June 1947, pp. 269-290.
Ahrens, Christian. "Anmerkungen zu Birsaks Frequenzmessungen an 2 Chalumeaux", Die Musikforschung vol. 28 no. 4, Bärenreiter, Oct-Dec 1975, pp. 442-443.
Ahrens, Christian. "Ein griechischer Volksmusiker und sein Instrument. Zur Stimmung folkloristischer Aerophone", Studia Instrumentorum Musicae Popularis vol. 7, Erich Stockmann (ed.), Music museum, Stockholm, 1981, pp. 95-101.
Aikin, Jim. "Discover 19-Tone Equal Temperament", Keyboard, March 1988, pp. 74-80.
Aikin, Jim. "Just intonation with synth tuning tables", Keyboard, Nov 1994.
Aikin, Jim. "Playing in the Cracks, Electronic Musician, June 2003.
Aikin, Jim (ed.) "An Interview with Robert Rich", Keyboard, 2004.
Aikin, Jim. "Just Intonation Tutor", WWW, 2006.
Aimé, Puech. "Théodore Reinach. La Musique grecque (book review)", Journal des Savants vol. 2, 1927, pp. 88-89.
Ainslie Hight, G. "Scales and Tonality", The Musical Times vol. 62 no. 946, Dec 1921, pp. 859-860. Also here.
Airoldi, Roberto. La teoria del temperamento nell'etá di Gioseffo Zarlino. Presentazione a cura di Elena Ferrari Barassi, Turris, Cremona, 1989, 172 pages.
Airy, George Bidell. On Sound and Atmospheric Vibrations with the Mathematical Elements of Music. MacMillan and Co, London and Cambridge, 1868, 1871, 280 pages. Reprint Adamant Media Corporation, 2001, 367 pages.
Aiton, E.J.; A.M. Duncan and J.V. Field. "The Harmony of the World by Johannes Kepler. Translated into English with an Introduction and Notes", Memoirs of the Amercian Philosophical Society held at Philadelphia for Promoting Useful Knowledge vol. 209, 1997.
Ajotikar, Rasika (ed.) "Sound Collections and Postcolonial India's Cultural Politics: An Interview with Felix van Lamsweerde", the world of music vol. 10 no. 1, 2021, pp. 21-37.
Akbel, Burcu Avci. "Ögretim Elemanlarinin Viyolonsel Egitiminde Türk Müziginin Kullanilma Durumuna ve Ögretim Yöntemlerine Iliskin Görüsleri" (Opinions of Instructors on The Teaching Methodsof Turkish Music in Cello Education), Egitimde Nitel Arastirmalar Dergisi vol. 6 no. 2, July 2018, pp. 84-107 with English abstract.
Akkoç, Can. "Non-Deterministic Scales Used in Traditional Turkish Music", Journal of New Music Research vol. 31 no. 4, Dec 2002, pp. 285-293.
Akkoç, Can; William A. Sethares and Mustafa Kemal Karaosmanoglu. "Experiments on the Relationship between Perde and Seyir in Turkish Makam Music", Music Perception: An Interdisciplinary Journal vol. 32 no. 4, Apr 2015, pp. 322-343.
Aksoy, Bülent, "Makamin Tanimina Dogru", 1995. Trans. K. Agartan. Musikisinas, Bogaziçi University Turkish Music Club Publication, 2000, pp. 70-87.
Aksoy, Bülent. Avrupali Gezginlerin Gözüyle Osmanlilarda musikî. 2nd rev. ed., Pan Yayincilik, Istanbul, 2003.
Alaleona, Domenico. "I moderni orrizonti della tecnica musicale. Teoria della divisione dell'ottava in parti uguali", Rivista Musicale Italiana vol. 18, 1911, pp. 382-420.
Alaleona, Domenico. "Le tonalità neutre e l'arte di stupore", Rivista Musicale Italiana vol. 18, 1911, pp. 769-838.
Al-attas, Ahmad Fahmy. "Tala", WWW, 2015, 94 pages.
Albèra, Philippe. "Ivan Wyschnegradsky 'Quatuor no.1' opus 13 (1923-24)", Concert 10, Contrechamps, Genève, 2000.
Albersheim, Gerhard. "Overtones and Music Theory", Bulletin of the American Musicological Society no. 11/12/13, Sep 1948, pp. 69-71.
Albersheim, Gerhard. "Die Tonstufe", Die Musikforschung vol. 16 no. 2, Apr-June 1963, pp. 139-152. English translation "The Scale Step", Philosophy and Phenomenological Research vol. 26 no. 1, Sep 1965, pp. 63-79.
Albersheim, Gerhard. "On some new ideas in the psychology and theory of music", Journal of the Indian Musicological Society vol. 11 no. 3-4, Sep-Dec 1980.
Albini, Giovanni and Samuele Antonini. "Hamiltonian Cycles in the Topological Dual of the Tonnetz", 2nd International Conference Mathematics and Computation in Music, 19-22 June 2009, Yale University Press, New Haven CN, pp. 1-10.
d'Albiz, Joseph Lubet. Création Harmonique, étoile musicale composée pour piano ou orgue à quarts de ton. BN Vm (8) 532, Paris, Jan 1858. Reprint Hachette Livre, 2018.
Albornoz, A. "Computer Music in Chile: The Beginning and some paths to the future: An historical review", 2015.
Albrecht, Jan. "Essays über Kunst. Ein Teufelsgespräch über die Zukunft der Musik (zu Thomas Manns Roman Doktor Faustus)", Zbornik filosoficke fakulty university Komenskeho vol. 22, Bratislava, 1971, pp. 99-137.
Albrecht, Johann. Gründliche Einleitung in die Anfangslehren der Tonkunst: zum Gebrauche musikalischer Lehrstunden nebst einer Erklärung der vornehmsten sowohl in der Vokal- als Instrumentalmusik vorkommenden Kunstwörter und einem Abrisse einer musikalischen Bibliothek. Martini, Langensalza, 1761, 136 pages.
Albrecht, Joshua and David Huron. "On the emergence of the major-minor system: cluster analysis suggests the late 16th century collapse of the dorian and aeolian modes", WWW, July 2012, 35 pages.
Albrecht, Hartwig. Tonartencharakteristik und Temperatur. 'Ein Märchen aus alten Zeiten', oder auch: Die Geburt der Mathematik aus dem Geist der Musik. WWW, 2011, 45 pages.
Albrechtsberger, Johann Georg. Gründliche Anweisung zur Composition: mit deutlichen und ausführlichen Exempeln, zum Selbstunterrichte, erläutert und mit einem Anhange: Von der Beschaffenheit und Anwendung aller jetzt üblichen musikalischen Instrumente. Johann Gottlob Immanuel Breitkopf, Leipzig, 1790, 440 pages, p. 419.
Albritton, Jerry Samuel. A historical survey of important tuning systems in Western music. MA thesis, Florida State University, Tallahassee, 1969.
Alburger, Mark. "La Mont Young to 1960", 21st Century Music vol. 10 no. 3, 2003.
Albus, T. Überlegungen zur chorischen Intonation in Abhängigkeit von verschiedenen Stimmungssystemen. MSc thesis, music theory, Hochschule für Musik Würzburg, 1994.
Alekseyev, Eduard. "Notnaya zapis' narodnoy muzyki: Teoriya i praktika", Sovetskiy kompozitor, Moscow, 1990.
d'Alembert, Jean Le Rond. Éléments de musique théorique et pratique, suivant les principes de M. Rameau, éclaircis développés et simplifiés. David l'Ainé, Paris, 1752, 171 pages. Nouvelle édition, revue, corrigée, Jean Marie Bruysset, Lyon, 1759, 1762, 1766, 1772, 1779, 236 pages. Nabu Press, Sep 2011, 308 pages. German translation by Friedrich Wilhelm Marpurg (ed.) Systematische Einleitung in die musicalische Setzkunst, Johann Gottlob Immanuel Breitkopf, Leipzig, 1757, 136 pages. Also here.
d'Alembert, Jean Le Rond. Réponse de M. d'Alembert à une lettre imprimée de M. Rameau. Paris, 1762.
Alessi, Rosario. Sonometro. Misura matematica del suono musicale. Metodo téorico per la giusta divisione della scala cromatica...per accordare i pianoforti. A. Morano, Naples, 1881, 91 pages.
Alexjander, Susan. "DNA tunings", Experimental Musical Instruments vol. 8 no. 2, Sep 1992, pp. 30-31.
Alexjander, Susan. "The Infrared Frequencies of DNA Bases, as Science and Art", IEEE Engineering in Medicine and Biology Magazine, Mar/Apr 1999, pp. 74-75.
al-Farabi. Kitab al-musiqa al-kabir. Reprint Gattas 'Abd al-Malik Hashaba, Dar al-katib al-'arabi, Cairo, 1967. French translation by F.R. d'Erlanger, 1930. Reprint Ed. Eckhard Neubauer, Frankfurt a.M., 1998, 482 pages.
al-Faruqi. An Annotated Glossary of Arabic Musical Terms. Greenwood Press, Westport CN, 1981.
Algaraz, José Antonio. "A Propósito de Julián Carrillo", Heterofonía vol. 8 no. 31, 1975, pp. 20-23.
Aliyeva, Imina G. and Irina B. Gorbunova. "The Intonational System of Azerbaijani Modes: a Study with the Use of Computer Technologies", ICONI 2022 no. 1, pp. 79-91 with Russian summary.
Alkire, Eddie. "Pure and tempered tuning for Spanish guitar, from the Alkire guitar system", 1958.
Allaerts, Wilfried. "On Music and Computability: Contrasts between Harry Partch's 'Bitter Music' and Guerino Mazzola's 'Topos of Music' (book reviews)", International Journal of Arts and Humanities vol. 2 no. 1, Oct 2021, pp. 44-55.
Allain-Dupré, Philippe. "Jobin versus Lehman", WWW, 2005.
Allaire, Gaston G. The Theory of Hexachords, Solmization, and the Modal System. Musicological Studies and Documents vol. 24, American Institute of Musicology, 1972, 165 pages.
Allan, G.E. "The Musical Scale of the Highland Bagpipe", Philosophical Magazine vol. 29, 1940, pp. 154-161.
Alldahl, Per-Gunnar. Korintonation: Du skall icke sjunga falskt mot din nästa. SKS musikböcker no. 5. Gehrmans Musikförlag, Stockholm, 1990, 142 pages. English translation Choral Intonation, Gehrmans Musikförlag, Stockholm, 2008, 57 pages.
Allen, John S. "Mathematical representations of musical tunings", WWW, 1997.
Allen, John S. "Equal temperaments as mathematical series", WWW, 1997.
Allen, John S. "On Rabbits, Mathematics and Musical Scales", WWW, 1998.
Allen, John S. "The general keyboard in the age of MIDI", WWW, 1997-1999.
Allende-Blin, Juan. "Ein gespräch mit Ivan Wyschnegradsky", Alexander Skrjabin und die Skrjabinisten, Musik Konzept vols. 32-33, München, 1983, p. 103.
Allende-Blin, Juan. "Prélude für Vierteltonklavier; von Arthur Vincent Lourié", Musik Texte vol. 4, 1984.
Allende-Blin, Juan. "Ist Bachs Kunst der Fuge mitteltönig komponiert?", Ars Organi vol. 48, Sep 2000, p. 167.
Allworth, Edward A. Central Asia, 130 Years of Russian Dominance, A Historical Overview. 3rd ed., 1994, Edward Allworth (ed.), Duke University Press, Durham NC, 1994, 672 pages.
Alm, Jeremy F. and James S. Walker. "Time-Frequency Analysis of Musical Instruments", SIAM Review vol. 44 no. 3, Sep 2002, pp. 457-476.
Almeida Ribeiro, Felipe de and Charles Klippel Neimog. "Uma Aproximação aos Sistemas de Afinação de Harry Partch e Ben Johnston", WWW, Feb 2019, 23 pages.
Almeida Ribeiro, Felipe de and Charles Klippel Neimog. "Impasses no uso de estruturas microtonais na composição eletroacústica", Capa vol. 26 no. 3, Sep-Dec 2020, 24 pages with English abstract.
Almén, Byron. "Musical 'Temperament': Theorists and the Functions of Music Analysis", Theoria vol. 12, 2005, p. 46.
Aloe, Wanja and Claire Roberts. "Wie kirnbergerisch muss ungleichstufige Stimmung sein? Tonartwahl und Satzcharaktere in Franz Schuberts Liedern als Indikatoren für verwendete Temperaturen", Dissonance vol. 111, 2010, pp. 30-35.
Alphonce, Bo. "Generalized Musical Intervals and Transformations by David Lewin (book review)", Intégral vol. 2, 1988, pp. 161-177.
Alrich, Alexis. "'Lou Harrison: Composing a World' by Leta E. Miller and Frederic Lieberman (book review)", 1/1 vol. 10 no. 3, autumn 2000, pp. 2, 16.
Althuis, Theo A. and F. Göbel. Z-related pairs in microtonal systems. Technical Report Memorandum No. 1524, Universiteit Twente, Enschede, Apr 2000, 8 pages.
Althuis, Theo A. and F. Göbel. Graph theoretic aspects of music theory. Report Memorandum No. 1573, Mathematical Sciences, Universiteit Twente, Enschede, Feb 2001, 7 pages.
Altmann, Hans (ed.) Intonationsforschungen. Series Linguistische Arbeiten vol. 200, Max Niemeyer Verlag, Tübingen, Jan 1988, 329 pages.
Altoft, Stephen. "Donald Bousted", Xenharmonikon, WWW, Dec 2021.
Altun, Firat and Hauke Egermann. "Temperament systems influence emotion induction but not makam recognition performance in Turkish makam music", Psychology of Music vol. 49 no. 5, University of York, 2020, pp. 1-14. Also here.
Altun, Firat. The Effect of Temperament Systems on Goodness-of-Fit Ratings in Turkish Makam Music. PhD thesis, University of York, Mar 2021, 262 pages.
Altwein, Erich F. "Bemerkungen zu Paul Hindemiths Unterweisung im Tonsatz", Die Musikforschung vol. 23 no. 1, Jan-Mar 1970, pp. 54-55.
Altwein, Erich F. "Versuch über das arabische Komma", Die Musikforschung vol. 24 no. 4, Oct-Dec 1971, pp. 432-437.
Alvarez, Geoffrey. "Antara by George Benjamin (CD review)", Tempo New Series no. 206, Sep 1998, pp. 44-45.
Alves, Bill. "The Just Intonation System of Nicola Vicentino", 1/1 vol. 5 no. 2, spring 1989, pp. 8-13.
Alves, Bill. "Key Characteristics and Pitch Sets in Composing with Just Intonation", 1/1 vol. 6 no. 3, summer 1990, pp. 1, 6-8, 14.
Alves, Bill. "Pleng: Composing for a Justly Tuned Gender Barung", Intercultural Music vol. 5, proceedings of the Fourth Biannual Symposium and Festival of Intercultural Music. Reprint in 1/1 vol. 9 no. 4, spring 1997, pp. 1,4-11.
Alves, Bill. "Graphic Representation of Some Gamelan Tunings", WWW, 1996.
Alves, Bill. "'Uncommon Practice: Selected Compositions 1984-1995' by David B. Doty (CD review)", 1/1 vol. 10 no. 3, autumn 2000, pp. 16-17.
Alves, Bill. "Using Alternate Tunings in Csound", in CD-ROM accompanying The Csound Book, Richard Boulanger (ed.), MIT University Press, Cambridge MA, 2000.
Alves, Bill. "The Journey of Light and Darkness in Toby Twinings 'Chrysalid Requiem' (CD review)", 1/1 vol. 11 no. 3, autumn 2003, pp. 1, 4-9.
Alves, Bill. "Lou Harrison: Complete Harpsichord Works. Music for Tack Piano and Fortepiano in Historic and Experimental Tunings by Linda Burman-Hall, Lou Harrison, William Slye (CD review)", American Music vol. 23 no. 4, winter 2005, pp. 536-539.
Alves, Bill. "Digital Harmony of Sound and Light", Computer Music Journal vol. 29 no. 4, Dec 2005, pp. 45-54.
Alves, Bill. "The Tuning of Lou Harrison's National Steel Guitar", WWW, 2007.
Alves, Bill. "The Tuning of Lou Harrison: Por Gitaro: Suites for Tuned Guitars (CD liner notes)", Mode Records, New York, 2007.
Alves, Bill. "Consonance and Dissonance in Visual Music", Organised Sound vol. 17 no. 2, Cambridge University Press, Aug 2012, pp. 114-119. Also here.
Alves, Bill and Brett Campbell. Lou Harrison: American Musical Maverick. Indiana University Press, Bloomington IN, Apr 2017, 582 pages.
Alves, Bill and Brett Campbell. "Lou Harrison: American Musical Maverick", WWW, 2017-2018.
Amann, Dominique. Gammes, Accords, Tempéraments. self-published, Toulon, 1999, 160 pages.
Amano, Shigeaki. "Perception of tonal and microtonal structure over octaves", Japanese Psychological Research vol. 34 no. 3, Tokyo, 1992, pp. 89-95.
Amargianakis, Georgios. "The Ancient Musical Nomos, the Byzantine Echos and the Indian Raga", Musicologia vol. 2 no. 2, 1985.
Amario, Sara D'; David M. Howard; Helena Daffern and Nicola Pennill. "A Longitudinal Study of Intonation in an a cappella Singing Quintet", Journal of Voice vol. 34 no. 1, Aug 2018, pp. 159.e13-159.e27.
Amblard, Jacques (ed.) "Pascal Dusapin, l'intonation ou le secret", Musica Falsa, Paris, 2002.
Ambrazevicius, Rytis. "The Perception and Transcription of the Scale Reconsidered: Several Lithuanian Cases", the world of music vol. 47 no. 2, Notation, Transcription, Visual Representation, 2005, pp. 31-53.
Ambrazevicius, Rytis. "Modeling of scales in traditional solo singing", Musicae Scientiae, Special Issue "Interdisciplinary Musicology", 2005-2006, pp. 65-87.
Ambrazevicius, Rytis and I. Wisniewska. "Chromaticisms or performance rules? Evidence from traditional singing", Journal of Interdisciplinary Music Studies vol. 2 no. 1&2, 2008, pp. 19-31.
Ambrazevicius, Rytis and Anna Pärtlas. "Searching for the 'natural' origins of the symmetrical scales: Traditional multipart Setu songs", Journal of Interdisciplinary Music Studies vol. 5 no. 1, spring 2011, pp. 1-17.
Ambrazevicius, Rytis. "Performance of musical scale in traditional vocal homophony: Lithuanian examples (in Lithuanian)", Journal of the Institute of Musicology SASA vol. 17, 2014, pp. 45-68.
Ambrazevicius, Rytis. "Transformations of musical scales in traditional unaccompanied singing", Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, J. Ginsborg; A. Lamont; M. Phillips and S. Bramley (eds.), Manchester, Aug 2015, 7 pages.
Ambrosino, Jonathan. "Mean and keen", Choir & Organ, Nov-Dec 2006, pp. 54-57.
Ames, Charles. "'Crystals': Recursive Structures in Automated Composition", Computer Music Journal vol. 6 no. 3, autumn 1982, pp. 46-64.
Ames, Charles. "The ASHTON score-transcription utility", Interface vol. 14 no. 3-4, 1985, pp. 165-183.
Ames, Charles. "Reflections on James Tenney", Perspectives of New Music vol. 25 no. 1/2, 25th Anniversary Issue, winter-summer 1987, pp. 455-458.
Ames, Charles; Warren Burt; David Feldman; Daniel Goode; Mary Simoni; Laurie Spiegel and Christian Wolff. "Contributors' Notes", Leonardo Music Journal vol. 7, 1997, pp. 81-91.
Amiot, Emmanuel. "Mathématiques et analyse musicale: Une fécondation réciproque", Analyse musicale vol. 28, June 1992, pp. 37-41.
Amiot, Emmanuel, "Gammes bien réparties et transformée de Fourier discrète", arXiv 0604210, WWW, Apr 2006, 16 pages.
Amiot, Emmanuel, "David Lewin and Maximally Even Sets", Journal of Mathematics and Music vol. 1 no. 3, 2007, pp. 157-172.
Amiot, Emmanuel, "Eine Kleine Fourier Musik", Mathematics and Computation in Music, Proceedings of the MCM 2007, May 2007, Berlin, pp. 469-476.
Amiot, Emmanuel. "Of the different generators of a scale", WWW, 2008, 13 pages.
Amiot, Emmanuel. "Discrete Fourier Transform and Bach's Good Temperament", Music Theory Online vol. 15 no. 2, WWW, June 2009.
Amiot, Emmanuel. "About the number of generators of a musical scale", arXiv 0909.0039, WWW, Aug 2009, 14 pages.
Amiot, Emmanuel. Modèles algébriques et algorithmes pour la formalisation mathématique de structures musicales. PhD thesis, Université Pierre et Marie Curie, Paris, May 2010, 138 pages.
Amiot, Emmanuel and William A. Sethares. "An algebra for periodic rhythms and scales", Journal of Mathematics and Music vol. 5 no. 3, 2011, pp. 149-169.
Amiot, Emmanuel. "The Torii of phases", arXiv 1208.4774, WWW, Aug 2012, 19 pages.
Amiot, Emmanuel. "Can a Musical Scale Have 14 Generators?", Mathematics and Computation in Music. 5th International Conference, Tom Collins; David Meredith and Anja Volk (eds.), 22-25 June 2015, London, Springer Verlag, pp. 349-360.
Amiot, Emmanuel and Gilles Baroin. "Old and New Isometries between Pc sets in the Planet-4D Model", Music Theory Online vol. 21 no. 3, WWW, Sep 2015.
Amiot, Jean Joseph Marie. Mémoire sur la musique des Chinois: tant anciens que modernes. Vol. VI of Mémoires concernant L'Histoire, les Sciences, les Arts, les Moeurs et les Usages, des Chinois, par les Missionaires de Pékin, Pierre-Joseph Roussier (ed.), Chez Nyon l'aîné, Paris, 1779, 257 pages. Treuttel et Würtz, Paris, 1780.
Amirkhanian, Charles. "Lou Harrison: The Tuning of the Babylonian Harp", sound recording, 12-02-1971, 27 mins.
Amirkhanian, Charles (ed.) "Interview with Ivan Wyschnegradsky", sound recording, 04-06-1976, 62 mins.
Amirkhanian, Charles (ed.) "Interview with La Monte Young", sound recording, 1984, 40 mins.
Amman, Walter (ed.) Hans Kayser zum 100. Geburtstag am 1. April 1991. Biographische Fragmente. Schriften über Harmonik nr. 21, Bern, 1991.
Ammann, Peter J. "The Musical Theory and Philosophy of Robert Fludd", Journal of the Warburg and Courtauld Institutes vol. 30, 1967, pp. 198-227.
Ammann, Raymond; Andrea Kammermann and Yannick Wey. Alpenstimmung: Musikalische Beziehung zwischen Alphorn und Jodel - Fakt oder Ideologie?. Chronos Verlag, Zürich, 2019, 231 pages.
Ammerbach, Elias Nicolaus. Orgel oder Instrument Tabulatur. Leipzig, 1571, Nürnberg, 1583. Reprint Charles Jacobs (ed.), Oxford, 1984.
Amos, Tom. "Isometrics and the origin of modal systems: A brief experimental inquiry", ex tempore vol. 1 no. 2, Oct 1981, pp. 30-38.
Anda, Antoine. Les gammes musicales: essai historique sur les Modes et sur les Tons de la Musique, depuis l'Antiquité jusqu'à l'Époque Moderne. Edition Nationale Belge, Bruxelles, 1939, 424 pages.
Anders, Torsten. Composing Music by Composing Rules: Design and Usage of a Generic Music Constraint System. PhD thesis, Faculty of Arts, Humanities and Social Sciences, Queen's University Belfast, 2007, 244 pages.
Anders, Torsten and Eduardo Reck Miranda. "A computational model that generalises Schoenberg's guidelines for favourable chord progressions", Proceedings of the SMC 2009 - 6th Sound and Music Computing Conference, 23-25 July 2009, Porto, Jan 2009, pp. 48-52.
Anders, Torsten and Eduardo Reck Miranda. "Interfacing Manual and Machine Composition", Contemporary Music Review vol. 28 no. 2, Apr 2009, pp. 133-147.
Anders, Torsten and Eduardo Reck Miranda. "A Computational Model for Rule-based Microtonal Music Theory and Composition", Perspectives of New Music vol. 48 no. 2, 2011, pp. 47-77.
Anders, Torsten. "A constraint-based framework to model harmony for algorithmic composition", Proceedings of the 14th Sound and Music Computing Conference, 5-8 July 2017, Espoo, pp. 407-414.
Anders, Torsten. "Compositions Created with Constraint Programming", chapter in The Oxford Handbook of Algorithmic Music, Oxford University Press, New York, May 2018, pp. 1333-1350.
Andersen, Johannes Carl. Maori music, with its Polynesian background. T. Avery, New Plymouth, 1934, 493 pages. Reprint AMS Press, New York, 1978.
Anderson, B.E. and W.J. Strong. "The effect of inharmonic partials on pitch of piano tones", Journal of the Acoustical Society of America vol. 117 no. 5, 2005, pp. 3268-3272.
Anderson, Carola B. "Glenn Branca and the Harmonic Series", 1/1 vol. 1 no. 1, winter 1985, pp. 4-6.
Anderson, Carola B. "The Trouble with Didymus", 1/1 vol. 1 no. 3, 1985, pp. 1, 11-13.
Anderson, Gene H. "Pythagoras and the Origin of Music Theory", Indiana Theory Review vol. 6 no. 3, spring 1983, pp. 35-61.
Anderson, Gene H. "Pythagors Musicus", Journal of the Science and Practice of Music vol. 2 no. 3, Music Research Center, Hanyang University, 1985, pp. 75-106.
Anderson, Julian (ed.) "In Harmony: Julian Anderson Introduces the Music and Ideas of Tristan Murail", The Musical Times vol. 134 no. 1804, 1993, pp. 321-323.
Anderson, Julian. "La Note Juste. Julian Anderson Appraises the Work of the Enigmatic Giacinto Scelsi (music review)", The Musical Times vol. 136 no. 1823, Jan 1995, pp. 22-27.
Anderson, Lois Ann. "A reassessment of the distribution, origin, tunings and stylistic criteria in African xylophone traditions", African Studies Association vol. 6, 1968.
Anderson, R.D. "Het historisch gebruik van de Middentoonstemming op het orgel", WWW, 2012.
Anderson, Warren D. Music and Musicians in Ancient Greece. Cornell University Press, Ithaca NY, 1994, Feb 1997, 256 pages.
Anderton, Craig. "Alternate Scales for Even-Tempered Samplers", Electronic Musician, Dec 1986, pp. 48-49.
Ando, Masateru. "Koto scales and tuning", Journal of the Acoustical Society of Japan vol. 10 no. 5, May 1989, pp. 279-287. Also here.
Ando, Yoshinori. "Pitch Intonation of 'Shamisen' Musics (in Japanese)", Acoustical Science and Technology vol. 26 no. 2, 1970, pp. 78-84.
Ando, Yoshinori and Taeko Sagara. "Pitch intonation of koto music" (in Japanese), Nomura Festschrift, 1970, pp. 25-39.
Andreae, Hans-Volkmar. Elementar-Harmonik. Zur Phänomenologie der Töne und Intervalle abendländischer Musik. Amadeus Verlag, Zürich, 1973, 93 pages.
Andreatta, Moreno. Méthodes algébriques dans la musique et la musicologie du XXème siècle : aspects théoriques, analytiques et compositionnels. PhD thesis, Ecole des Hautes Etudes en Sciences Sociales, Dec 2003, 272 pages.
Anfilov, Gleb. Fyzika i muzika. Mir Publishers, Moscow, 1961. English translation Physics of Music by Boris Kuznetsov, University Press of the Pacific, July 2001, 272 pages.
Anger, Joseph Humfrey. The modern enharmonic scale. As the basis of the chromatic element in music; a new phase in the science of harmony. Lecture delivered at the Toronto Conservatory of Music under the auspices of the Toronto Clef Club 1 Dec 1906, W. Tyrrell, Toronto, 1907, 55 pages. G. Schirmer Jr, Boston, c.1907.
Angharad Pound, Eleri; Kia Ng and Michael Spencer. "Writing for Microtonal Triple Harp", Axmedis 2006: proceedings of the 2nd International conference on automated production of cross media content for multi-channel distribution, Firenze University Press, Florence, 2006, pp. 1-7.
Anglas, Jules Philippe Louis. Précis d'acoustique physique, musical, physiologique. H. Paulin et Cie, Paris, 1910, 382 pages.
Anglmayer, Paul. Zur Intonationskorrektur bei Trompeten. MA thesis, Institut für Wiener Klangstil (IWK), Universität für Musik und darstellende Kunst Wien (MDW), Vienna, 1997.
Anglmayer, Paul. "Ein neuer Optimierungsalgorithmus zur Intonationskorrektur bei Blechblasinstrumenten", Fortschritte der Akustik, DAGA, Zürich, 1998.
Anglmayer, Paul. "Physical Modelling von Blechblasinstrumenten und dessen Anwendung zur Intonationsoptimierung von Trompeten", Tagungsprogramm zum 19. Musikinstrumentenbau-Symposium in Michaelstein 20.-22.11.1998, Michaelstein, 1998, pp. 28-29.
Aning, Ben. "Tuning the kora: A case study of the norms of a Gambian musician", Journal of African Studies vol. 9 no. 3, autumn 1982, pp. 164-175.
Anmarkrud, Bjørn. De ulike felestille i hardingfeletradisjonene. MA diss., Musicology, University of Oslo, 1975, 168 pages.
Annoni, Maria Therese. Tuning, temperament and pedagogy for the vihuela in Juan Bermudo's 'Declaración de instrumentos musicales' (1555). PhD diss., Music Theory, Ohio State University, 1989, 245 pages.
anonymus. Pro clavichordiis faciendis. Erlangen, Manuscript 554, fol. 202v-203r, 1454-1480.
anonymus. Discours non plus mélancoliques que divers, de choses memement qui appartiennent à notre France. Poitiers, 1556, pp. 101-104.
anonymus. "Temperamentum musicum universalis", Acta Eruditor, Lips. suppl. 1717, p. 114.
anonymus. "Ob und was für Harmonie die Alten gehabt, und zu welcher Zeit dieselbe zur Vollkommenheit gebracht worden", Historisch-kritische Beyträge zur Aufnahme der Musik Band 2 St. 4, 1758, pp. 273-322.
anonymus. Exposition de quelques nouvelles vues mathematiques dans la theorie de la musique. Amsterdam, 1760, 28 pages.
anonymus. Verhandeling, over de Muziek; Waer in men tracht, de zelve tot meerder klaerheit te brengen, van het overtollige te zuiveren, ze gemakkelyker in de beoeffening te maeken en eenen grooteren trap van volkoomenheit te doen bereiken; ten welken einde, Het rechte gebruik der Nooten, Sleutels, Maet- en andere Tekenen wordt opgegeeven, ...als mede Hoe men de Klawier instrumenten tot volkoomenheit kan brengen, met eene beschryving van een nieuw uitgevonden Klavesimbel, waer op alle moogelyke klanken zuiver zyn. Jan Abraham Bouvink, 's-Gravenhage, 1777, 379 pages.
anonymus. Moyens De Diviser Les Touches Des Instruments à Cordes....Un Moyen D'Accorder Les Clavessins. Mérigot le jeune, Paris, 1780.
anonymus. Méthode la plus facile pour accorder les clavecins et forte-piano. Imbault, Paris, 1789.
anonymus. Anweisung der mechanischen Behandlung, das Klavier nach einer vorgeschlagenen neuen Temperatur zu stimmen. Hilscher, Dresden, 1790, 2 pages.
anonymus. A New and Easy Method for Tuning the Grand and Small Piano-Forte, and Harpsichord, With Proper Instructions, and Descriptions of the Rules to Be Observed in Performing the Same. A. Coblenz, London, 1797.
anonymus. "Observations on Earl Stanhope's Musical Work", The Monthly Magazine vol. 22 no. 1, 1806, pp. 112-115.
anonymus. "Observations on Earl Stanhope's late publication", The Monthly Magazine vol. 22 no. 2, British Register, Richard Phillips, London, Sep 1806, pp. 112-115.
anonymus. "Reviews of Lord Stanhope 'Principles of the Science of tuning Insturments with fixed Tones', and John Farey 'On Music'", Retrospect of Philosophical, Mechanical, Chemical, And Agricultural Discoveries, J. Wyatt, London, Oct-Dec 1806, pp. 412-421.
anonymus. "Remarks on Earl Stanhope's Musical Work", The Monthly Magazine vol. 22 no. 1, 1806, pp. 349-351.
anonymus. "Reply to Dr. Calcott, on Temperament, &c. in Music", The Monthly Magazine vol. 24 no. 1, 1807, pp. 29-30.
anonymus. "Remarks on the Rev. C. J. Smyth's Letter on Systems of Tuning Musical Instruments", The Philosophical Magazine vol. 36, London, Aug 1810, pp. 165-167.
anonymus. "An Examination of the Instructions given in an anonymous Pamphlet published in 1809, for Tuning an Equal Temperament of the Musical Scale", The Philosophical Magazine vol. 36, London, Aug 1810, pp. 167-171.
anonymus. "On the Scale of Certain Musical Instruments, which are said to be without Temperament", The Monthly Magazine vol. 29 no. 1, 1810, pp. 115-116.
anonymus. "No Friend To Tuning Quacks: On Tuning Musical Instruments", The Philosophical Magazine vol. 37, Mar 1811, pp. 185-187.
anonymus. "William Steetz: New Musical Publications: A Treatise on the Elements of Music, in a series of Letters to a Lady. Illustrated with Plates (book review)", The Monthly Magazine, Monthly Literary Register vol. 34, 1812, p. 350.
anonymus. "Explanation of the Musical Scale", The North-American Review and Miscellaneous Journal, 1816, pp. 18-32.
anonymus. Osservazioni Sul Temperamento Proprio Degl'Istromenti Stabili: Dirette Agli Accordatori Di Pianoforte Ed Organo. G. Ricordi, Milan, 1816.
anonymus. "J.T. Lehmann: 'Gründliches vollständiges und leichtfaßliches Stimmsystem. Wie ein jeder Fortepianos...auf die beste und leichteste Art rein und richtig in kurzer Zeit stimmen lernen kann (book review)", Leipziger Literatur Zeitung no. 259, Breitkopf & Härtel, Leipzig, Oct 1827, pp. 1802-1803, 1812-1834, 2072.
anonymus. "On Major and Minor Semitones", The Harmonicon vol. 2 no. 1, W. Pinnock, Edinburgh, Mar 1828, pp. 97-101.
anonymus. "On the Characters of the Keys", The Harmonicon vol. 2 no. 1, W. Pinnock, London, Dec 1828, p. 6; pp. 26-27; pp. 79; pp. 103-104; pp. 180-181.
anonymus. "Woolhouse's Essay on Musical Intervals, &c. (book review)", The Westminster Review vol. 23 no. 1, July 1835, pp. 100-102.
anonymus. The Tuner's Guide: Containing A Complete Treatise on tuning the Piano-Forte, Organ, Melodeon, and Seraphine; together with A Spcification Of Defects And Their Remedies. 2nd edition, Musical Bouquet Office, London, c.1835. J. Allen, Boston, c.1840, 72 pages. Oliver Ditson, New York. Berry & Gordon, Philadelphia. J.E. Gould, Cincinnati. D.A. Truax, c.1840.
anonymus. "Für Orgelbauer und Orgelfreunde: Tabelle zur Ermittelung des Tones a auf der Orgel und Stimmungstafel für die Orgel", Allgemeine Musikalische Zeitung vol. 38 no. 12, Friedrich Rochlitz (ed.), Oct 1836, pp. 703-704.
anonymus. "Was verstehen wir unter mathematischer Temperatur?", Cäcilia no. 73-76, Mainz, 1837.
anonymus. "On the laws of Harmony. From the Persian; by an attaché to the Persian Embassy", The Musical World vol. 12 no. 176, Aug 1839, pp. 210-212.
anonymus. "Disposition der von J.F. Schulze erbauten Orgel in der Marienkirche zu Wismar. Anmerkungen no. 6", Allgemeine Musikalische Zeitung vol. 44 no. 52, Apr 1842, p. 1050.
anonymus. Ganz Neue Und Vollständige Anleitung, Nach Welcher Man Clavierinstrumente Temperiren...Nach Asioli, Pizzati, D'Alembert, Rameau, Kirnberger, Vogler, Weller, Fritzen. Artaria Verlag, Vienna.
anonymus. "Ueber mathematische Stimmung, gleichmässige und ungleichmässige Temperatur überhaupt, so wie über Orgel- und Klavierstimmung nach der Scheibler'schen Methode insbesondere. Ein Leitfaden für Musiker, Organisten, Instrumentenmacher, Klavier- und Orgelstimmer von L. Schwabe, Kantor an der Stadtkirche zu Giessen (book review)", Allgemeine Musikalische Zeitung vol. 50 no. 40, Oct 1848, pp. 651-655.
anonymus. "Zur Geschichte der Charakteristik der Tonarten", Niederrheinische Musik-Zeitung für Kunstfreunde und Künstler vol. 5 no. 17 and no. 19, DuMont-Schauberg, Cologne, 09 May 1857.
anonymus. "Theory and Practive of Just Intonation: with a View to the Abolition of Temperament by Effingham Wilson (article review)", The Living Age vol. 54 no. 689, Aug 1857, p. 352.
anonymus. Nouvel essai sur la théorie physico-mathématique de la musique. de Vanlinthout, Louvain, 1859.
anonymus. On the Principles and Practice of Just Intonation. 6th edition, 1862.
anonymus. "The Principle and Practice of Just Intonation by T. Perronet Thompson (book review)", Orchestra and the Choir vol. 6 no. 153, Sep 1866, p. 358.
anonymus. "Zur Temperatur-Frage", Leipziger Allgemeine Musikalische Zeitung vol. 1 no. 45, Nov 1866, pp. 356-358.
anonymus. "Nochmals zur Temperatur-Frage", Allgemeine Musikalische Zeitung vol. 51 no. 51, G.W. Fink (ed.), Dec 1866, pp. 408-410.
anonymus. "Correspondence: Mr. R. Brown, of Fairlie, has kindly addressed us a long and abstruse reply to two of Mr. Parkinson's queries in our paper of the 29th of September", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 5, William Reeves, London, 1866, p. 309.
anonymus. "A Contemplated Act of Vandalism", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 9, William Reeves, London, 1868, p. 72.
anonymus. "A Reply to Mr. Essex", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 9, William Reeves, London, 1868, p. 73.
anonymus. "Organ News", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 9, William Reeves, London, 1868, pp. 89-90.
anonymus. "Bericht der Wetterauischen Gesellschaft für die Gesamte Naturkunde zu Hanau: über den Zeitraum .... 1863/67. - 1868", Wetterauische Gesellschaft für die Gesamte Naturkunde, Hanau, 1868.
anonymus. "Bericht. 8. 1866/68. - 1868", Naturforschende Gesellschaft Bamberg, Bamberg, 1868.
anonymus. "Colonel Perronet Thompson's Organ (letter)", The Musical World vol. 47 no. 41, Oct 1869, p. 707.
anonymus. Die Kunst des Klavierstimmens: [Aus Schafhäutls Nachlass.] Anweisung wodurch sich jeder Musikverständige sein Klavier selbst rein stimmen und etwaige Störungen in der Mechanik beseitigen kann. Nebst belehrenden Regeln bei Ankauf, Transport, Aufstellung und Haltung desselben. Eine neue leicht begreifliche Stimm-Methode auf 48 jährige Erfahrung begründet von einem praktischen Klavierstimmer und Lehrer. Verlag von Carl Minde, Leipzig, c.1870, 64 pages.
anonymus. "The Tritone: a Method of Harmony and Modulation by Joseph N. Green (book review)", The Athenaeum no. 2282, 22 July 1871, pp. 119-120.
anonymus. "Reply to Query 12217: Violin Tuning", English Mechanic and World of Science no. 379, E.J. Kibblewhite (ed.), 28 June 1872, pp. 391-392.
anonymus. "Query 4598: The Tremolo on the Violin - Violin Tuning and Fiddleana", English Mechanic and World of Science no. 379, E.J. Kibblewhite (ed.), 28 June 1872, pp. 487-488.
anonymus. "Query 4626: The Harp", English Mechanic and World of Science no. 379, 28 June 1872, pp. 510-511.
anonymus. "Query 4740: On Tuning, and Reduction in the Size of Musical Instruments", English Mechanic and World of Science no. 379, 28 June 1872, p. 567.
anonymus. "Query 4806 and 4842: Tuning Keyed Instruments", English Mechanic and World of Science no. 379, 28 June 1872, p. 618, 643.
anonymus. "Die reine oder natürliche Stimmung musikalischer Instrumente", Musikalisches Wochenblatt: Organ für Musiker und Musikfreunde, Ludwig Frankenstein (ed.), Fritzsch, Leipzig, 26 July 1872.
anonymus. "Science in Music", Nature: the international journal of science vol. 11, Macmillan Publishers Limited, London, 3 Dec 1874, pp. 88-89.
anonymus. "An Organist of Fifty Years Ago Upon Tuning", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 6, William Reeves, London, 1874, pp. 34-35.
anonymus. "Meetings of Societies. Musical Association (meeting review)", The Academy vol. 7 no. 145, Feb 1875, p. 172.
anonymus. "A.J. Ellis: Musical Duodenes (article review)", The Galaxy vol. 19 no. 3, Mar 1875, p. 412.
anonymus. "John Curwen: A Tract on Musical Statics: An Attempt to Show the Bearing of the Facts of Acoustics on Chords, Discords, Transitions, Modulations and Tuning (book review)", 1875, William Reeves, London, pp. 7-10. The Musical Times and Singing Class Circular vol. 17 no. 389, July 1875, p. 151.
anonymus. "On the Sensations of Tone as a Physiological Basis for the Theory of Music by Hermann Helmholtz (book review)", The Athenaeum no. 2493, Aug 1875, p. 190.
anonymus. "On the Sensations of Tone as a Physiological Basis for the Theory of Music by Hermann Helmholtz (book review)", Orchestra and the Choir vol. 2 no. 13, Aug 1875, pp. 14-15.
anonymus. "The Musical Association: Dr. Stephen's Lecture on the Fallacies of Dr. Day's Theory of Harmony", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 8, William Reeves, London, p. 98.
anonymus. "Musical Intelligence: The Musical Association", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 8, William Reeves, London, 1875, p. 365.
anonymus. "Mr. Brown's 'Voice-Organ'", Orchestra and the Choir vol. 2 no. 21, Apr 1876, pp. 264-265.
anonymus. "The Enharmonic Organ", The Quaver vol. 6, June 1876, p. 40.
anonymus (A.R.C.) "Just Intonation", Nature: the international journal of science vol. 15, Macmillan Publishers Limited, London, Dec 1876, pp. 159-160.
anonymus. "Hindu Music", The Musical Times and Singing Class Circular vol. 18 no. 409, Mar 1877, pp. 111-113.
anonymus. "Novello's Music Primers by Stainer (ed.), The Scientific Basis of Music by W.H. Stone et al. (book reviews)", The Musical Times and Singing Class Circular vol. 19 no. 422, Apr 1878, pp. 221-222.
anonymus. "The Philosophy of Music by William Pole (book review)", The Musical Times and Singing Class Circular vol. 20 no. 438, Aug 1879, pp. 418-420. Also here.
anonymus. "The 'Natural' Scale by Alexander Ellis (article review)", Orchestra and the Choir vol. 12 no. 149, Apr 1885, pp. 6-7.
anonymus. "Alexander J. Ellis: Musical Scales of Various Nations (book review)", Orchestra and the Choir vol. 12 no. 149, Apr 1885, pp. 7-8.
anonymus. "On the Sensations of Tone, as a Physiological Basis for the Theory of Music by H.L.F. Helmholtz, Alexander J. Ellis (book review)", Orchestra and the Choir vol. 12 no. 172, Sep 1885, pp. 280-281.
anonymus (A.O.D.) "De gustibus - Musical temperament", Knowledge: An Illustrated Magazine of Science Plainly Worded-Exactly Described vol. 8 no. 199, Aug 1885, p. 166.
anonymus (A.O.D.) "Musical Temperament", Knowledge: An Illustrated Magazine of Science Plainly Worded-Exactly Described vol. 8 no. 204, Sep 1885, p. 276.
anonymus. "The meaning of musical keys (letter)", Orchestra and the Choir vol. 12 no. 191, Jan 1886, p. 511.
anonymus. "On the Sensations of Tone, as a Physiological Basis for the Theory of Music by H.L.F. Helmholtz, Alexander J. Ellis (book review)", The Musical Times and Singing Class Circular vol. 27 no. 522, Aug 1886, pp. 481-484. Also here.
anonymus. "W.S.B. Woolhouse: Treatise on Musical Intervals, Temperament, and the Elementary Principles of Music (book review)", The Musical Times and Singing Class Circular vol. 30 no. 552, Feb 1889, p. 106.
anonymus. "Dr. Shoe [sic] Tanaka's Enharmonium", Lyra Ecclesiastica: Monthly Bulletin of the Irish Society of St. Cecilia and List of Catholic Church Music vol. 12, 1891, p. 36.
anonymus (H.T.H.) "Sound and Music by J. Zahm (book review)", American Ecclesiastical Review vol. 8 no. 1, Jan 1893, pp. 70-75.
anonymus. "The Enharmonium (letter)", The Magazine of Music vol. 8 no. 9, Sep 1891, p. 179.
anonymous. "Musical Association (letter)", The Musical Times and Singing Class Circular vol. 38 no. 651, May 1897, p. 317.
anonymus. "Temperament", The Musical Herald and Tonic Sol-fa Reporter no. 634-645, 1900, p. 5.
anonymus. "Vermischtes", Zeitschrift für Instrumentenbau vol. 21 no. 36, Paul de Wit, Leipzig, 1901, p. 953.
anonymus. Max Meyer: Contributions to a Psychological Theory of Music (book review)", Psychological review, 1901, pp. 633-634.
anonymus. Tuning, care and repair of reed and pipe organs. Niles Bryant School of Piano Tuning, Battle Creek MI, c.1906, 103 pages. Vestal Press, New York, 1968, 87 pages.
anonymus. "Suggesting a New Musical Scale for Modern Composers", The Lotus Magazine vol. 2 no. 4, Apr 1911, pp. 114-116.
anonymus. "Equal Temperament: An Unrealised Theory", The Musical Times vol. 54 no. 840, 1 Feb 1913, pp. 91-92.
anonymus (E.H.B.) "Musical Acoustics based on the Pure Third System by Thorvald Kornerup (book review)", Nature vol. 111 no. 2791, Apr 1923, p. 565.
anonymus. "Quarti di tono", Musica d'oggi vol. 6, 1924, p. 344.
anonymus. "Spoglio di riviste", Il pianoforte vol. 5 no. 11, Nov 1924, p. 301.
anonymus. "Black's Dictionary of Music and Musicians by L.J. de Bekker, A. and C. Black (book review)", Music & Letters vol. 6 no. 1, Jan 1925, pp. 96-97.
anonymus. "The Equal Temperament Committee: A Tuner Speaks", The Musical Times vol. 73 no. 1075, Sep 1932, p. 837.
anonymus. "Wilhelm Dupont: Geschichte der musikalischen Temperatur (book review)", Die Musik vol. 29 no. 1, 1936, p. 70.
anonymus. Chinese music. Edited for and copyrighted by Quon-Quon Company, Los Angeles, 1944, 15 pages.
anonymus. Klokken no. 1 en 2, verslag van de enquête door N.V. Eijsbouts naar het gebruik van de middentoonstemming voor beiaarden. Asten, 1951.
anonymus. "The Archiphone Invented in the Early 1970s by Professor Adrian Fokker", Early Music vol. 7 no. 3, July 1979, p. 11.
anonymus. "Patrizio Barbieri: Acustica, accordatura e temperamento nell'illuminismo veneto (book review)", Orgues meridionales no. 34, 1989, pp. 109-110.
anonymus. "Posvjashhaetsja Ivanu Aleksandrovichu Vyshnegradskomu (Dedicated to Ivan Vyshnegradskii)", Muzykal'naja Akademija vol. 2, 1992, pp. 135-137.
anonymus. "Translation of Richard Münnich's 'Von Entwicklung der Riemannschen Harmonielehre und ihrem Verhältnis zu Oettingen und Stumpf' by Robert W. Wason, et al. (book review)", Indiana Theory Review vol. 16 no. 1-2, spring/autumn 1995, pp. 197-199.
anonymus. The Study of Pitch Frequency of Thai Traditional Music - An HM the King Bhumibol's Initiative. Chulalongkorn University, 1999, RueanKaew Press, Bangkok.
anonymus. "SynKet - (SYNthesizer-KEToff) - Fonosynth (synthesizer review)", WWW, 2006.
anonymous. "Early Keyboard Music by Paul Simmonds (book review)", Early Music vol. 35 no. 3, Aug 2007, pp. 474-477.
anonymus. "13-Limit Extended Just Intonation in Ben Johnston's String Quartet #7 and Toby Twining's 'Chrysalid Requiem'", "Gradual/Tract.", 2008.
anonymus. "What is all this stuff about the Motorola Scalatron?", WWW, Barcelona, Jan 2010.
anonymus. "Archicémbalo, WWW, June 2010.
anonymus. "Jörg Mager. El genio huraño", WWW, Palma de Mallorca, Oct 2010.
anonymus. "A Translation of Arthur Ahlvers' Zahl Und Klang Bei Platon/Number and Sound in Plato (book review)", WWW, 2010.
anonymus. "Oskar Sala. El último artesano", WWW, Palma de Mallorca, Oct 2011.
anonymus. "The Relationship Between Just Intonation and Gesture: Tracking the Evolution of Sound to Inform the Choral Rehearsal", California State University, Los Angeles, 2011.
anonymus. "Eivind Groven's automat for adaptive just intonation. Upgrading of system", Eivind Grovens institutt for renstemming and Notam, Oslo, WWW, 2013.
anonymus. "Tutorial: Microtonality in the IT format", OpenMPT Wiki, WWW, 2020.
Anselmi, Georgio. De musica. Dieta prima de celesti harmonia, Dieta secunda de instrumento harmonia, Dieta tertia de cantabili harmonia. Parma, 1434. Reedition by Gioseppe Massera (ed.), Historiae Musicae Cultores Biblioteca vol. 14, Leo S. Olshki, Florence, 1961.
Antegnati, Costanzo. L'arte organica. Francesco Tebaldino, Brescia, 1608, 14 pages. English translation by C. Meyer, 1980.
Antokoletz, Elliott. "Diatonic Extension and Chromatic Compression as a Basic Unifying Principle in Bartók's 'Music for Strings, Percussion, and Celesta'", International Journal of Musicology vol. 9, 2000, pp. 303-328.
Anyumba, Henry Owuor. "Contemporary Lyres in Eastern Africa", African Musicology vol. 1 no. 1, A. Darkwa and W.A. Omondi (eds.), Institute of African Studies, Nairobi, Sep 1983, pp. 18-33.
Apel, Willy. Geschichte der Orgel- und Klaviermusik bis 1700. Bärenreiter, Kassel, 1967, Feb 2004, 817 pages. English translation The History of Keyboard Music to 1700 by Hans Tischler (ed.), Indiana University Press, Bloomington IN, 1972, 836 pages. Italian translation Storia della musica per organo e altri strumenti da tasto fino al 1700. Sansoni, Firenze, 1985, 3 vols.
Appenheimer, John. "Small Number Ratios and Harmonicity", Computer Music Journal vol. 11 no. 4, winter 1987, pp. 9-10.
Appunn, Anton. Letter to Pietro Blaserna about 48-tone harmonium, Hanau, 12 June 1887.
Appunn, Anton. "Ueber Combinationstöne und Summationstöne", Annalen der Physik vol. 278 no. 2, 1891, pp. 338-343.
Appunn, Georg. "Über die Helmholtzsche Lehre von den Tonempfindungen als Grundlage für die Theorie der Musik, nebst Beschreibung einiger, zum Theil ganz neuer Apparate, welche zur Erläuterung und zum Beweis dieser Theorie geeignet sind", Bericht der Wetterauischen Gesellschaft für die gesammte Naturkunde zu Hanau über den Zeitabschnitt vom 4. October bis 31. Dezember 1867, Friedrich Becker (ed.), Hanau, 1868, pp. 73-90.
Aramaki, Mitsuko; Richard Kronland-Martinet; Thierry Voinier and Sølvi Ystad. "A Percussive Sound Synthesizer Based on Physical and Perceptual Attributes", Computer Music Journal vol. 30 no. 2, summer 2006, pp. 32-41.
Araya-Salas, Marcelo. "Is birdsong music? Evaluating harmonic intervals in songs of a Neotropical songbird", Animal Behaviour vol. 84, Elsevier, June 2012, pp. 309-313. Also here.
Arbonés, Javier and Pablo Milrud. La armonía es numérica: Música y matemáticas. Series El mundo es matemático, RBA Coleccionables, WWW, 2012, 164 pages.
Arcela, Aluizio. "Harmonização formal de melodias", Capa vol. 4 no. 1, 2019, pp. 145-146.
Archambault, Ellen Jane. Andreas Werckmeister (1645-1706) as a Teacher of Composition. PhD thesis, Florida State University, Tallahassee, 1999, 325 pages.
Archer, William Kay. "Microtonality Revisited. Genesis of a Music by Harry Partch (book review)", Etc: A Review of General Semantics vol. 8 no. 2, winter 1951, pp. 146-150.
Archibald, R.C. "Mathematicians and Music", The American Mathematical Monthly vol. 31 no. 1, Jan 1924, pp. 1-25. Also here.
Archibald, Sean. "Making microtonal scales with Scale Workshop 1.0", WWW, Apr 2019.
Ardila, Alfredo Enrique and Maribel Becerra Sierra. "Escalas musicais - Guia Completa para a Técnica Instrumental e a Improvisação, Pensamiento Palabra y Obra no. 14, July-Dec 2015, pp. 45-57.
Arel, Hüseyin Sadettin. Türk mûsikîsi kimindir? (Who does Turkish music belong to?). T.C. Kültür Bakanligi Yayinlari, Istanbul, 1939-1940. Reprint 1969, Ankara, 1988.
Arel, Hüseyin Sadettin. "Modal systems in the Turkish music", Musical Magazine vol. 7, Istanbul, 1948, p. 3.
Arel, Hüseyin Sadettin. Türk musikîsi nazariyati dersleri (Lessons on the theories of Turkish music). Onur 23-jan-2021 20:2623-jan-2021 20:26 (ed.), Istanbul, 1968. Kültür Bakanligi Yayinlari, Ankara, 1993.
Arellano, Luis. Musical mathematics (the modern theory of scale construction). self-published, Philadelphia PA, 1943.
Arend, Max. "Das chromatische Tonsystem", Sammelbände der internationalen Musikgesellschaft vol. 3 no. 4, Aug 1902, pp. 718-740.
Arfib, Daniel; Jacques Dudon and Patrick Sanchez. "'WaveLoom', logiciel d'aide à la création de disques photosoniques", 3e Journées d'Informatique Musicale, actes du colloque. Cahiers du GREYC, Université de Caen, 1996, pp. 313-319. Proceedings of the 2002 Conference on New Interfaces for Musical Expression, Dublin, 2002.
Arfib, Daniel and Jacques Dudon. "A digital version of the photosonic instrument", Proceedings of the International Computer Music Conference, Oct 1999, Beijing, Michigan Publishing, pp. 288-290.
Arfib, Daniel, Patrick Sanchez and Jacques Dudon. "Synthèse photosonique: de la géométrie des ondes au disque virtuel, Proceedings Journées d'Informatique Musicale, 9e édition, Marseille, 29-31 May 2002, pp. 97-104.
Arfib, Daniel and Jacques Dudon. "A Digital Emulator Of The Photosonic Instrument", Proceedings of the International Conference on New Interfaces for Musical Expression, Dublin, June 2002, pp. 1-4.
Argondizza, Peter. "The Order of Things: A Reappraisal of Vincenzo Galilei's Fronimo Dialogues, 1568 and 1584", WWW, 2011, 14 pages.
Ariel (pseudonym). Das Relativitätsprinzip der musikalischen Harmonie. Band I: Die Gesetze der inneren Tonbewegungen, das evolutionäre Temperierungsverfahren und das 19-stufiges Tonsystem. Neunzehn Stufen Verlag, Leipzig, 1925, 171 pages.
Arin, Erel. "Yerelden Küresele Açilan Bir Model Olarak Perdesiz Gitar" (Fretless Guitar as a Model Evolving from Region to Globe), Journal of Humanities and Tourism Research vol. 4 no. 1, 2014, pp. 79-90 with English abstract.
Aristoxenos. Harmonika stoicheia. Elsevier, Leiden, 1616. Latin translation by A. Gogavinus, Venice, 1562 and Marcus Meibom (ed.) in Antiquae Musicae Auctores Septem, Elsevier, Amsterdam, 1652, 910 pages. Italian translation Aristoxeni Elementa harmonica by Rosetta da Rios, 2 vols., Typis publicae officinae polygrahicae, Rome, 1954. German translation Die Harmonischen Fragmente des Aristoxenus. Griechisch und Deutsch mit kritischem und exegetischem commentar und einem Anhang die rhythmischen Fragmente des Aristoxenus Enthaltend, Paul Marquard (ed.), Weidmannsche Buchhandlung, Berlin, 1868, 464 pages. English translation The Harmonics of Aristoxenus by Henry Stewart Macran (ed.), Clarendon Press, Oxford, 1902, 324 pages. Reprint Georg Olms Verlag, Hildesheim, 1974, 1990. Russian translation Jelementy garmoniki, Ot Gvido do kejdzha. Polifonicheskie chtenija, Moscow, 2006, pp. 315-337.
Ariza, Christopher. An Open Design for Computer-Aided Algorithmic Music Composition: athenaCL. PhD thesis, New York University, Sep 2005, 415 pages.
Ariza, Christopher and Michael Scott Cuthbert. Analytical and Compositional Applications of a Network-Based Scale Model in music21", Proceedings of the International Computer Music Conference 2011, Huddersfield, 31 July - 5 Aug 2011, pp. 701-708.
Ariza, Christopher. Two Pioneering Projects from the Early History of Computer-Aided Algorithmic Composition", Computer Music Journal vol. 35 no. 3, autumn 2011, pp. 40-56. Also here.
Armbrust, Ansgar. Tonsysteme und Stimmungen. Fachübergreifende Themen Im Mathematikunterrich, Studienmaterial Band 160, Speyer, 1999.
Armbrust, Ansgar. "Vom Bambusrohr zur Orgelpfeife. Mathematische Aspekte von Tonsystemen", Der mathematische und naturwissenschaftliche Unterricht vol. 52, 1999, pp. 76-82.
Armellino, Giorgio. Manuel simplifié de l'accordeur, ou L'art d'accorder les pianos mis à la portée de tout le monde. Roret, Paris, 1834. 2nd rev. ed. Roret, Paris, 1855, 62 pages. Spanish translation Manual simplificado del afinador: ó Arte de afinar los pianos, puesto al alcance de todos : traducido de la secunda edicion Francesca, corregido y aumentado con una noticia sobre los medios de remediar los principales accidentes que pueden ocurrir en el mecanismo de los pianos y dedicado al distinguido Profesor Don Roman Gimeno / por Don Lope de Rey, Imp. de A. Peña, Madrid, 1853, 54 pages.
Armellino, Giorgio. Die Kunst des Klavierstimmens: nebst einer vollständigen Anleitung zur Erhaltung und Wiederherstellung gebrauchter, sowie zur Prüfung neuer Instrumente. Nach dem "Accordeur" des G. Armellino, mit Benutzung vie 1er andern Quellen frei bearbeitet von einem vielerfahrenen Clavierstimmer. Mit 25 Figuren und 9 Notenbeispielen. Neuer Schauplatz der Künste und Handwerke Bd. 21, Bernhard Friedrich Voigt, Weimar, 1857, 1863, 83 pages, 1881, 107 pages.
Armellino, Giorgio. Der Klavierstimmer: enthaltend eine kurzgefaßte Beschreibung des Klaviers, die Lehre von der Stimmung und der Technik des Stimmens. Bernhard Friedrich Voigt, Leipzig, 1920, 70 pages.
Arms, Jay M. Gamelan as World Citizen: American Experimental Music and the Internationalization of Gamelan. PhD thesis, University of California, Santa Cruz, 2018, 384 pages.
Arms, Jay M. "Tuning 'American Gamelan': Transforming Javanese Gamelan Tunings in North America", Asian Music vol. 52 no. 1, University of Texas Press, winter/spring 2021, pp. 88-120.
Arnautoff, Philip. "A Few Observations with Respect to the Canon's Tuning for 'Soliloquy'", 1/1 vol. 12 no. 1, winter 2005, pp. 1, 12-17.
Arndt-Jeamart, Joachim. "Zur Konstruktion und Stimmung von Saiteninstrumenten nach den musikalischen Keilschrifttexten", Orientalia Nova Series vol. 61 no. 4, 1992, pp. 425-447.
Arnold, E. James; Bernard Bel and Wasiuddin J. Arnold, "L'intonation des musiques monodiques: méthodologies experimentales", Revue de musicologie vol. 71 no. 1-2, Échelles Musicales: Modes et Tempéraments, 1985, pp. 159-163.
Arnold, Lynda. "Music Theory: Exploring The 432 Hz Tuning Debate", WWW, Feb 2016.
Arnold, Wasiuddin James. "L'intonation juste dans la théorie ancienne de l'Inde: Ses applications aux musiques modales et harmoniques", Revue de musicologie vol. 71 no. 1-2, 1985, pp. 11-38.
Arnold, Wasiuddin James, Joep Bor and Wim van der Meer. "On measuring notes. A response to N.A. Jairazbhoy", ISTAR Newsletter no. 3-4, International Society for Traditional Arts Research, New Delhi, July 1984 - June 1985, pp. 46-51.
Arnold, Wasiuddin James, Bernard Bel and Wim van der Meer. "Stretching scales", ISTAR Newsletter no. 3-4, New Delhi, 1985, pp. 52-53.
Arnold, Wasiuddin James. "Playing with intonation", ISTAR Newsletter no. 3-4, New Delhi, 1985, pp. 60-62.
Arnoux, André (ed.) Science et musique. Chastanier frères et Bertrand, Nîmes, 1956, 57 pages.
Arntzen, Kees. "Ali Baba en de veertig tonen - over microtonale muziek", Muziek & Dans, Jul/Aug 1985.
Arntzen, Kees. "Uit de diepste lagen van de historie. De kwarttoonsmuziek van Alois Hába", Mens en Melodie vol. 51 no. 7-8, Jul/Aug 1996, pp. 322-325.
Arntzen, Kees. "Softness in the air. About Ton Bruynèl", Keynotes vol. 30 no. 2, June 1996, pp. 12-15.
Arom, Simha. "A Synthesizer in the Central African Bush: A Method of Interactive Exploration of Musical Scales", Für György Ligeti: Die Referate des Ligeti-Kongresses, Peter Peterson (ed.), Hamburg, 1988, Laaber-Verlag, Laaber, 1991, pp. 163-178.
Arom, Simha. "L'étude des échelles dans les musiques traditionnelles: une approche interactive", Analyse Musicale no. 23, SFAM, Paris, 1991, pp. 22-24.
Arom, Simha; Nathalie Fernando and Fabrice Marandola. "An Innovative Method For The Study Of African Musical Scales: Cognitive And Technical Aspects", Proceedings SMC'07, 4th Sound and Music Computing Conference, Lefkada, July 2007, pp. 107-116.
Arrachart, Jean-Marc. "La musique, la poésie, les mathématiques", Premier Cahier Ivan Wyschnegradsky, Paris, Mar 1985, pp. 83-85.
Arslan, Fazli. Safi al-Din al-Urmawi and the Theory of Music: Al-Risala al-sharafiyya fi al-nisab al-ta'lifiyya. Content, Analysis and Influences. Foundation for Science Technology and Civilisation, Mar 2007, 24 pages.
Artaud, Pierre-Yves. La flûte. Jean-Claude Lattès/Salabert, Paris, Jan 1986, 95 pages.
Artom, Camillo. Gli elementi d'espressione della musica. G.B. Paravia & c., Torino, 1937, 102 pages.
Artusi, Giovanni Maria. L'Artusi, ouero Delle imperfettioni della moderna musica ragionamenti dui. Ne' quali si ragiona di molte cose vtili, & necessarie alli moderni compositori. Del R.P.D. Gio. Maria Artusi da Bologna, canonico regolare nella Congregatione del Saluatore: Seconda parte dell'Artusi ouero delle imperfettioni della moderna musica nella quale si tratta de molti abusi introdotti dai moderni scrittori, & compositori. Volume 2, Parresso Giacomo Vincenti, Venice, 1603, 54 pages. Reprint 1969.
Artusi, Giovanni Maria. Considerationi musicali. Venice, 1603.
Aruffo, Christopher; Robert L. Goldstone and David J.D. Earn. "Absolute Judgment of Musical Interval Width", Music Perception vol. 32 no. 2, Dec 2014, pp. 186-200.
Arvidsen, Jørn K. "Eivind Grovens renstemte orgel med automatisk toneoppvalg", Norsk kirkemusikk vol. 8, Oct 1982, pp. 295-303.
Asensio Palacios, Juan Carlos. "'Falsa musica' en el codex 'Las Huelgas:' alteraciones cromáticas no usuales en los manuscritos de transición del 'Ars Antiqua' al 'Ars Nova'", Revista de Musicología vol. 32 no. 2, July 2009, pp. 709-720.
Ashley, Richard D. "Modelling Ensemble Performance: Dynamic Just Intonation", Proceedings of the International Computer Music Conference, San Jose CA, 1992, pp. 38-41.
Ashton, Anthony. Harmonograph: A Visual Guide to the Mathematics of Music. Walker & Company, New York, 2003, 64 pages.
Ashton-Bell, Robert Linton Tavis. "On the Geometric Realisation of Equal Tempered Music", Mapana Journal of Sciences vol. 18 no. 3, May 2019, pp. 53-75.
Ashworth, Jack and Paul O'dette. "Proto-Continuo", A Performer's Guide to Renaissance Music, 2nd ed., Indiana University Press, Bloomington IN, 2007, pp. 225-237.
Asid, Jalil. Kurdische Musik - Gattungen und Struktur. PhD thesis, Faculty of Arts, University of Zurich, autumn 2007, 180 pages.
Asioli, Bonifazio. Osservazioni sul temperamento proprio degl'istromenti stabili: Dirette agli accordatori di pianoforte ed organo. Emilio Giusti, Milano, 1816, 18 pages.
Asioli, Bonifazio. Disinganno sulle osservazioni fatte sul temperamento...in aggiunta al suo opusculo. Opera postuma. G. Ricordi, Milan.
Asioli, Bonifazio. Anleitung, Clavierinstrumente zu Temperiren und auf die leichteste Art ohne Beihülfe eines Meister rein und richtig zu stimmen. Artaria, Vienna, c.1819.
Askenfelt, Anders (ed.) Five lectures on the acoustics of the piano. Royal Swedish Academy of Music, Stockholm, 1990, WWW, 2000.
AsKew, Ashley; Kristie Kennedy and Vicky Klima. "Modular Arithmetic and Microtonal Music Theory", Problems, Resources, and Issues in Mathematics Undergraduate Studies vol. 28 no. 5, 2018, pp. 458-471.
Asmussen, Robert. Periodicity of sinusoidal frequencies as a basis for the analysis of Baroque and Classical harmony: a computer based study. PhD diss., University of Leeds, Sep 2001, 289 pages.
Asmussen, Robert. "A Rule-based System for Tuning Chord Progressions", WWW, 2008, 25 pages. With chord progressions.
Asperen, Bob van. "Consonant or dissonant? - Reflections at the keyboards of a Clavemusicum Omnitonum, cimbalo cromatico, and 'cembalo naturale'", Schweizer Jahrbuch für Musikwissenschaft vol. 22, 2002, Schweizerische Musikforschende Gesellschaft, Verlag Peter Lang, Bern, 2003.
Assayag, Gérard and G. Bloch. "Quantification et Creation Musicale", colloqium, Apr 1995.
Assayag, Gérard and Jean-Pierre Cholleton. "Musique, Nombre et Ordinateurs", La Recherche vol. 278 (Numéro spécial sur les nombres), Jul/Aug 1995.
Assayag, Gérard, Hans Georg Feichtinger and José Francisco Rodrigues (eds.) Mathematics and Music. A Diderot Mathematical Forum. Springer, New York, 2002, 290 pages.
Asselin, Pierre-Yves. "Le tempérament en France au XVIIIème siècle", L'orgue à notre époque, Université Mac Gill, Montréal, 1982, pp. 45-69.
Asselin, Pierre-Yves. Compréhension et réalisation des systèmes d'accord à l'ancienne. Université Pierre et Marie Curie, Paris, 1983.
Asselin, Pierre-Yves. "Rameau et la manière d'accorder", Rameau: Le coloris instrumental, Musée Instrumental du Conservatoire National Supérieur de Musique, Paris, 1983, pp. 35-38.
Asselin, Pierre-Yves. Musique et tempérament, théorie et pratique de l'accord à l'ancienne. Editions Jobert, Paris, 1984. Editions Costallat, Paris, 1985, 2000, 236 pages.
Assis, Paolo de (ed.) Experimental Affinities in Music. Leuven University Press, 2015, 252 pages.
Asuar, José Vincente. "De los Microtonos y su Aplicación como Sistemas temperados", Revista Musical Chilena vol. 11, Oct-Nov 1957, p. 59.
Athanasopoulos, Georgios D. Theoria tes byzantines mousikes. Patras, 1950.
Atkinson, Charles M. The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music. AMS Studies in Music, Oxford University Press, Oxford, 2009, 315 pages.
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Clarendon Press, Oxford, Dec 1996, 180 pages.
Atlas, Allan W. "A 41-cent emendation: a textual problem in Wheatstone's publication of Giulio Regondi's 'Serenade' for English concertina and piano", Early Music vol. 33 no. 4, Nov 2005, pp. 609-617.
Atli, Hasan Sercan; Sertan Sentürk; Baris Bozkurt and Xavier Serra. "Synthesis of Turkish Makam Music Scores Using An Adaptive Tuning Approach", International Workshop on Folk Music Analysis, Málaga, 14-16 June 2017.
Attakitmongcol, Kittiphong; Rudeerat Chinvejkitvanich and Sarawut Sujitjorn. "Characterization of Traditional Thai Musical Scale", paper presented at the 5th WSEAS International Conference on Acoustics and Music: Theory and Applications, Venice, 15-17 Nov 2004.
Attanasio, Luca. "Armodue: elementi di base di armonia", WWW.
Aucouturier, Jean-Julien. "The Hypothesis of Self-Organization for Musical Tuning Systems", Leonardo Music Journal vol. 18, Why Live? Performance in the Age of Digital Reproduction, Dec 2008, pp. 63-69. Also here.
Auda, Antoine. Les Modes et les tons de la musique et spécialement de la musique médiévale. M. Hayez, Brussels, 1929-1930. Reprint Georg Olms Verlag, Hildesheim, 1979, 203 pages.
Auda, Antoine. Les gammes musicales. Antoine Auda, Woluwé-Saint-Pierre, 1947, 424 pages.
Audétat, Pierre and Julien Junod. "La cloche diatonique", also English, WWW, 2006-2009.
Audsley, George Ashdown. The Art of Organ-Building. Low, Marston and Company, London, 1905. Dodd, Mead and Company, New York, 1905. Reprint Dover Publications, New York, 1965, Nov 2011, 612 pages. Reprint, Courier Corporation, Aug 2013.
Augustine, Daniel Schuyler. Four theories of music in the United States, 1900 - 1950: Cowell, Yasser, Partch, Schillinger. PhD thesis, University of Texas at Austin, 1979, 616 pages.
Augustinus, Saint Aurelius. On Music. Writings of Saint Augustine. English translation by Robert Catesby Taliaferro, vol. 2, Cima Publishing Co., New York, 1947.
Auhagen, Wolfgang. "Studien zur Tonartencharakteristik in theoretischen Schriften und Kompostionen vom späten 17. bis zum Beginn des 20. Jahrhunderts", Musikwissenschaft vol. 36 no. 6, Verlag Peter Lang, Frankfurt a.M., Bern, New York, 1983.
Auhagen, Wolfgang. "Mikrotöne. Bericht über das internationale Symposium Mikrotonforschung, Musik in Mikrotönen, Ekmelische Musik, 10. bis 12. Mai 1985 in Salzburg by Franz Richter Herf (book review)", Die Musikforschung vol. 41 no. 1, Jan-Mar 1988, pp. 70-72.
Auhagen, Wolfgang. "Experimente zum melodisch-tonalen Hören im zwölfstufig-chromatischen Tonsystem: Schlußfolgerungen für Ekmelische Musik", Mikrotöne III, Edition Helbling, Innsbruck, 1990.
Auhagen, Wolfgang. Experimentelle Untersuchung zur auditiven Tonalitätsbestimmung in Melodien. Kölner Beiträge zur Musikforschung Bd. 180, Gustav Bosse-Verlag, Kassel, Jan 1994.
Auhagen, Wolfgang, Bram Gätjen und Klaus Wolfgang Niemöller (eds.) Systemische Musikwissenschaft - Festschrift Jobst Peter Fricke zum 65. Geburtstag. Köln 1995, 1998, 2010.
Auhagen, Wolfgang. "Zur Entstehung der Tonartencharakteristik im 18. Jahrhundert", Systemische Musikwissenschaft - Festschrift Jobst Peter Fricke zum 65. Geburtstag, Köln 1995, pp. 89-96.
Auhagen, Wolfgang. "Stimmung und Temperatur", Die Musik in Geschichte und Gegenwart, Bärenreiter, Kassel, 1998, pp. 1831-1847.
Auhagen, Wolfgang. "Die Musiktheorie Friedrich Wilhelm Opelts", Musikwissenschaft - Musikpraxis. Festschrift für Horst-Peter Hesse zum 65. Geburtstag, Kai Bachmann and Wolfgang Thies (eds.), Verlag Müller-Speiser, Anif, 2000.
Auhagen, Wolfgang. "Musikalische Skalen bei Naturwissenschaftlern der frühen Neuzeit - Eine elementarmathematische Analyse by Walter Bühler (book review)", Die Musikforschung vol. 67 no. 2, 2014, pp. 176-178.
Aussem, Jos. "Über die temperierte und die natürliche Tonleiter", Jahresbericht über das Kaiser-Karls-Gymnasium zu Aachen, 1886-1887.
Avdeev, Leonid V. and Pavel B. Ivanov. "Pitch Scales and the Psychophysics of Perception" (in Russian), Presentation for the Acoustic Wednesdays seminar in the Laboratory of Musical Acoustics of the Moscow State Conservatory, 1983.
Avdeev, Leonid V. and Pavel B. Ivanov. "A mathematical model of scale perception" (in Russian), Preprint P5-90-4 of the Joint Institute for Nuclear Research, Dubna, 1990. English translation in Journal of Moscow Physical Society vol. 3, Moscow, 1993, pp. 331-353.
Avdeev, Leonid V.; Y.I. Varivoda; V.M. Dubovik and Pavel B. Ivanov. The origin of the musical scale (in Russian). BODLib, St. Petersburg, 2006, 92 pages.
Aventinus, Johannes (Johannes Turmair). Musicae rudimenta. Augsburg, 1516. With English translation by T. Herman Keahey (ed.), Institute of Mediaeval Music, Brooklyn NY, Jan 1971, 136 pages. ed. Bernard, 1980.
Averill, Gage. "Bell Tones and Ringing Chords: Sense and Sensation in Barbershop Harmony", the world of music vol. 41 no. 1, Hearing and Listening in Cultural Contexts, 1999, pp. 37-51.
Avicenna (Ibn-Sina). Kitabu al-Sifa, Gawami' 'ilm al-musika. ca. 1030. Zekeriyya Yusuf (ed.), Cairo, 1956. French translation by F. Rodolphe d'Erlanger, 1935. Turkish translation Mûsikî by A.H. Turabi, Litera Yayincilik, Istanbul, 2004.
Avicenna (Ibn-Sina). Auicene perhypatetici philosophi: ac medicorum facile primi opera in luce redacta... Latin translation published in 1508. Facsimile edition, Minerva, Frankfurt a.M., 1961.
Avoni, V. L'accordature di piano-forte. F.M. Geidel, Leipzig, 1894.
Avraamov, Arseny N. "The Open Strings of the Quintet as a Basis for Detuned Orchestral Sound" (in Russian), Muzyka vol. 5 no. 222, Moscow, 5 Sep 1915, pp. 315-318. English translation by Anton Rovner, 21st Century Music vol. 10 no. 3, March 2003, pp. 1-3.
Avraamov, Arseny N. "The Emerging Musical Science and a New Era of Music History" (in Russian), Muzykal'ny Sovremennik no. 6, St. Petersburg, 1916.
Avraamov, Arseny N. "Jenseits von Temperierung und Tonalität", Melos vol. 1, 1920, p. 131.
Avraamov, Arseny N. The Universal Tonal System (in Russian). PhD diss., State Institute of history and fine arts, St. Petersburg, Mar 1926.
Avraamov, Arseny N. "Universal Tonal System (U.T.S.)" (in Russian), Zhizn'iskusstva, 1926, no. 12, pp. 3-4; no. 38, pp. 9-10; no. 40, pp. 6-7.
Avraamov, Arseny N. "Vierteltonmusik" (in Russian), Muzika i Revolyutsiya vol. 5-6, p. 39. German translation by Detlef Gojowy, Neue Sowjetische Musik der 20er Jahre, Laaber Verlag, Regensburg, 1980, pp. 445-446.
Ayangil, Ruhi. "Western Notation in Turkish Music", Journal of the Royal Asiatic Society, Third Series vol. 18 no. 4, Oct 2008, pp. 401-447.
Ayari, Mondher and Stephen McAdams. "Aural Analysis of Arabic Improvised Instrumental Music (Taqsim)", Music Perception vol. 21 no. 2, winter 2003, pp. 159-216.
Aydemir, Murat. Turkish music makam guide. With 2 CDs, Erman Dirikcan (ed.), Pan Yayincilik, Istanbul, Jan 2010, 216 pages.
Aydin, Ali Fuat. "The Tuning Systems (Duzen) of the Saz (Turkish Baglama)", 10th International Weekend Conference "Researching Rebetika: Present Projects and Future Prospects", Institute of Rebetology, London / Hydra, 14-17 Oct 2010.
Aydin, Ali Fuat. "The Tuning Systems of the Baglama in Turkey", WWW, Nov 2016, 17 pages.
Ayers, Lydia. Exploring microtonal tunings: A kaleidoscope of extended Just Tunings and Their Compositional Applications. PhD thesis, Performance, University of Illinois, Champaign-Urbana, 1994, 2vols., 931 pages.
Ayers, Lydia. "The Chinese Connection: Harry Partch and the Li Po Settings", 1/1 vol. 9 no. 2, 1995, p. 1.
Ayers, Lydia. "Ellen Fullman: Body Music (CD review)", 1/1 vol. 9 no. 2, 1995, p. 2.
Ayers, Lydia. "Just West Coast: Microtonal Music for Guitar and Harp, performed by Just Strings (CD review)", 1/1 vol. 9 no. 1, Mar 1995, pp. 14-16.
Ayers, Lydia. "A Composition for Gamelan and Computer-Generated Tape: Merapi", Leonardo Music Journal vol. 6, 1996, pp. 7-14.
Ayers, Lydia. "Harry Partch: 17 Lyrics of Li Po, performed by Stephen Kalm and Ted Mook (CD review)", 1/1 vol. 9 no. 4, spring 1997, p. 15.
Ayers, Lydia. "Enclosure Two: Historic Speech-Music Recordings from the Harry Partch Archives, Four CD set, Produced by Philip Blackburn (CD review)", 1/1 vol. 9 no. 4, spring 1997, pp. 14-19.
Ayers, Lydia. "Improvising with Tunings: Themes and Improvisations for Woodstock Gamelan", Balungan Magazine.
Ayers, Lydia. "Indonesian Music as a Source of Microtonal Inspiration in Music of American Composers", Balungan Magazine.
Ayers, Lydia. "Indonesian Music as a Source of Microtonal Inspiration in Lou Harrison's Music", Balungan Magazine.
Ayers, Lydia. "Improvising with Tunings: Themes and Improvisations for Woodstock Gamelan", 1/1 vol. 10 no. 2, autumn 1999, pp. 1, 4-8, 20.
Ayers, Lydia. "Synthesising Chinese Flutes Using Csound", Organised Sound vol. 10 no. 1, Cambridge University Press, Cambridge, 2005, pp. 37-49.
Ayers, Lydia. "Making Scales from Mathematical Means", Xenharmonikôn vol. 18, 2006, pp. 200-223.
Ayers, R. Dean; Peter R. Nordquist and Justin S. Corn. "Visual feedback for retuning to just intonation intervals", Journal of the Acoustical Society of America vol. 117 no. 4, Apr 2005, p. 2476.
Ayyar, C. Subrahmania. The Grammar of South Indian (Karnatic) Music. Ananda Press, Madras, 1939, May 1951, 157 pages. 3rd edition, S.V. Shankar, 1976, 178 pages. Also here.
Ayyar, C. Subrahmania. "Quartertones in South Indian (Carnatic) Music", Journal of the Musical Academy Madras vol. 11, Madras, 1940, p. 95.
Ayyar, C. Subrahmania. "A Study of the Microtonal Variations in Frequencies in Karnatic Music with an Oscillograph", Current Science vol. 18 no. 8, Aug 1949, pp. 272-274. part 2, Current Science vol. 22 no. 2, Feb 1953, pp. 39-40. Also in Journal of the Musical Academy Madras vol. 20, Madras, 1949, p. 114.
Ayyar, C. Subrahmania. "Musical Research and Frequency Ratios", Journal of the Musical Academy Madras vol. 21, Madras, 1950, p. 64.
Ayyar, C. Subrahmania. "Physics and Aesthetics of Hindustani Music", Journal of the Musical Academy Madras vol. 22, Madras, 1951, p. 86.
Azarm, Ben (ed.) "Ear Interview: Allen Strange", Ear Magazine vol. 8 no. 3, 1983, pp. 1, 3.
Azevedo, Luiz Heitor Corrêa de. "Scale, rhythm and melody in the music of Brazilian indians", Vibrant vol. 8 no. 1, June 2011, pp. 460-494.
Azizol, Ainolnaim. "Sonic Exploration of Alto Recorder for Nadi Bumi: Applied Research in Contemporary Classical Music Composition", Malaysian Journal of Music vol. 6 no. 2, Dec 2017, pp. 71-93. Also here.

- B -

Baan, Jan Pieter. "Toonsoorten en hun karakteristiek", Geervliet, WWW, 2016.
Babbington, Charles. Tuning and Repairing Pianofortes. 'The Bazaar' Office, London, 1881, 28 pages. L. Upcott Gill, London, 1897, 1902.
Bacanos, Yorgo. Classical Turkish Music Theory and Song Notes. H.T.S.T. Students Society Publications no. 1, 1976.
Bach, Vincent. "Problems of Intonation on Brass Instruments", Symphony, Sep 1950.
Bachem, A. "Chroma fixation at the ends of the musical frequency scale", Journal of the Acoustical Society of America vol. 20 no. 5, Sep 1948, pp. 704-705.
Bachem, A. "Tone height and tone chroma as two different pitch qualities", Acta Psychologica vol. 7, 1950, pp. 80-88.
Bachmann, Kai and Wolfgang Thies (eds.) Musikwissenschaft - Musikpraxis. Festschrift für Horst-Peter Hesse zum 65. Geburtstag. Wort und Musik. Salzburger Akademische Beiträge, Band 43, Verlag Müller-Speiser, Anif, 2000, 251 pages.
Backers, Cor. "Een weinig bekende stemming - Inleiding tot een drietal artikelen van prof. ir. Henk Badings", Musica vol. 56 no. 6, June 1977, pp. 3-7.
Backus, John. "Influence of the Reed on the Vibration Frequency of Clarinet Tones", Journal of the Acoustical Society of America vol. 33 no. 6, June 1961, p. 862.
Backus, John. The Acoustical Foundations of Music. W.W. Norton, New York, 1969, 312 pages. London, 1970. 2nd edition, W.W. Norton & Co., 1977, 384 pages.
Bader, Rolf; Christiane Neuhaus and Ulrich Morgenstern (eds.) Concepts, Experiments, and Field Work - Studies in Systematic Musicology and Ethnomusicology. Verlag Peter Lang, Frankfurt a.M., Dec 2009, 424 pages.
Bader, Rolf. "Temperament in Tuning Systems of Southeast Asia and Ancient India", Computational Phonogram Archiving, Rolf Bader (ed.), Current Research in Systematic Musicology vol. 5, Springer, 2012, pp. 75-108.
Bader, Rolf. "Finite-Difference model of mode shape changes of the Myanmar 'pat wain' drum circle using tuning paste", Proceedings of Meetings on Acoustics vol. 29 no. 1, 2016.
Bader, Rolf. "Temperament in tuning systems of Southeast Asia and ancient India", Computational Phonogram Archiving, Current Research in Systematic Musicology vol. 5, Springer, 2019, pp. 75-107.
Bader, Rolf; Michael Blaß and Jonas Franke. "Computational timbre and tonal system similarity analysis of the music of Northern Myanmar-based Kachin compared to Xinjiang-based Uyghur ethnic groups", arXiv 2103.08203v1, WWW, Mar 2021, 12 pages.
Badings, Henk. Tonaliteitsproblemen in de nieuwe muziek. With musical examples, Mededeelingen van de Koninklijke Vlaamsche Academie voor Wetenschappen, Letteren en Schoone Kunsten van België vol. 13 no. 1, Brussels, 1951.
Badings, Henk. "A.D. Fokker: New music with 31 notes (book review)", Zeitschrift für Musiktheorie vol. 7 no. 2, 1976, pp. 46-48.
Badings, Henk. "31-toon-stemming", Musica vol. 56 no. 6, June 1977, pp. 7-11. Part 2, Musica vol. 56 no. 7-8, July-Aug 1977, pp. 7-11. Part 3, Musica vol. 56 no. 9, Sep 1977, pp. 9-11.
Badings, Henk. "Over 31-toon-stemming. In het algemeen en in het bijzonder gedemonstreerd aan de hand van een eigen compositie" (about 31-note tuning: general principles and a specific demonstration by means of a composition by the author). iae analecta: Mededelingen van de Koninklijke ie voor Wetenschappen, Letteren en Schone Kunsten van België vol. 40 no. 6, Koninklijke ie voor wetenschappen, letteren en schone Kunsten van België, Brussels, 1978, 23 pages.
Badings, Henk. "Aantekeningen over enige fundamentele elementen in de muziek" deel 3, Mens en Melodie vol. 41 no. 11, Nov 1986, pp. 503-509.
Baer, David (ed.) "Interview with Warren Burt", SoundBytes, WWW, July 2013.
Baeumer, Dorothea. Victor Goldschmidts Harmonielehre der Kristalle. Orpheus, Band 36, Verlag für systematische Musikwissenschaft, Bonn-Bad Godesberg, 1984, 223 pages.
Baez, John. "Thomas Noll's Talks at Chicago on Mathematical Music Theory", WWW, July 2009.
Bagge, S. "Ueber Herrn Appunn's Vorlesungen in Leipzig. Ein theoretischer Excurs", Leipziger Allgemeine musikalische Zeitung vol. 1 no. 15, Rieter-Biedermann, Leipzig/Winterthur, 11 Apr 1866, pp. 116-119.
Baggett, Larry W. In the Dark on the Sunny Side: A Memoir of an Out-of-Sight Mathematician. Mathematical Association of America Press, Dec 2012, 218 pages.
Baglioni, Silvestro. "Quelques observations expérimentales sur les intervalles musicaux enharmoniques également tempérés (enharmonium)", Archives Internationales de Physiologie vol. 17, 1921, pp. 343-354.
Baglioni, Silvestro. Udito e Voce: elementi fisiologici della parola e della musica. Ed. Stock, Rome, 1924, 467 pages.
Baglioni, Silvestro. Divagazioni musicali. Dall'acustica e fonetica fisiologica all'arte. Cuggiani, Rome, 1943.
Bähr, Otto. Das Tonsystem unserer Musik. Nebst einer Darstellung der griechischen Tonarten und der Kirchentonarten des Mittelalters. F.A. Brockhaus, Leipzig, 1882, 270 pages.
Bailes, Freya; Roger T. Dean and Mary C. Broughton. "How Different Are Our Perceptions of Equal-Tempered and Microtonal Intervals? A Behavioural and EEG Survey", PLoS ONE vol. 10 no. 8, Lutz Jaencke (ed.), Aug 2015, pp. 1-16.
Bailey, Christopher Dylan. Sand, an acousmatic composition with a listener interface. Dissertation, Columbia University, New York, 2002.
Bailey, Nicholas J.; Graham Hair; Amanda Morrison; Ingrid Pearson and Richard Parncutt. "The Rosegarden Codicil: Rehearsing Music in Nineteen-Tone Equal Temperament", Scottish Music Review vol. 1 no. 1, 2007, pp. 99-126.
Bailey, Nicholas J.; Théo Cremel and Alex South. "Using Acoustic Modelling to Design and Print a Microtonal Clarinet", Proceedings of the 9th Conference on Interdisciplinary Musicology - CIM14, Berlin, 2014, 4 pages.
Bailey, Nicholas J.; Alex South; Ingrid Pearson; Roslyn Dunlop; Henri Bok and Katrina Nimmo. "Developing a Microtonal Clarinet via Wind Controller and 3D Printing Lecture with the International Clarinet Consortium", International Clarinet Association Clarinetfest 24th July 2015, Madrid, 2015.
Bailey, Nicholas J. and Keziah Milligan. "A review of software for note onset detection (software review)", 4th International Scientific Meeting for Sound and Musical Instrument Studies, Tavira, 18-20 Dec 2015.
Bailey, Nicholas J.; Alex South; Bill Evans and Graham Hair. "A microtonal wind controller building on Yamaha's technology to facilitate the performance of music based on the '19-EDO' scale", Scottish Music Review vol. 4, 2016, pp. 1-46. Also here.
Bailhache, Patrice. "Valeur actuelle de l'acoustique musicale de Helmholtz", Revue d'histoire des sciences vol. 39 no. 4, 1986, pp. 301-324.
Bailhache, Patrice. "Leibniz et la théorie de la musique", Leibniz, Tradition und Aktualität, V. Internationaler Leibniz-Kongreß, Hannover, 14-19 Nov 1988, pp. 34-41.
Bailhache, Patrice. "Le système musical de Conrad Henfling (1706) (book review)", Revue de musicologie vol. 74 no. 1, Société française de musicologie, Paris, 1988, pp. 5-25.
Bailhache, Patrice. "Tempéraments musicaux et mathématiques", Sciences et techniques en perspective vol. 16, Université de Nantes, 1989, pp. 83-114.
Bailhache, Patrice. "Le miroir de l'Harmonie universelle: musique et théorie de la musique chez Leibniz", L'esprit de la musique, Essais d'esthétique et de philosophie (participation à un ouvrage collectif sous la direction de Hugues Dufourt, Joël-Marie Fauquet et François Hurard), Klincksieck, Paris, 1992, pp. 203-216.
Bailhache, Patrice. Leibniz et la théorie de la musique. Klincksieck, Series Domaine musicologique, Paris, 1992, 158 pages. French translation of Leibniz by Patrice Bailhache.
Bailhache, Patrice. "Isaac Beeckman a-t-il démontré la loi des cordes vibrantes selon laquelle la fréquence est inversement proportionnelle à la longueur?", Revue d'histoire des sciences vol. 45 no. 2-3, 1992, pp. 337-344.
Bailhache, Patrice. "Théorie de la musique et plaisir musical chez Gassendi", Actes du Colloque International Pierre Gassendi (Digne, 18-21 mai 1992), Annales de Haute-Provence, vol. 321-322, 1992-1993, pp. 387-396.
Bailhache, Patrice. "Cordes vibrantes et consonances chez Beeckman, Mersenne et Galilée", Sciences et techniques en perspective vol. 23, Université de Nantes, "Musique et mathématiques", 1993, pp. 73-91.
Bailhache, Patrice. "L'Harmonie universelle : la musique entre les mathématiques, la physique, la métaphysique et la religion", Les Études philosophiques no. 1-2, 1994, pp. 13-24.
Bailhache, Patrice. "D'Alembert théoricien de la musique: empirisme et nature", WWW, 1995, 10 pages. In Analyse et dynamique, Études sur l'Oeuvre de D'Alembert, Michel Paty (ed.), Les Presses de l'Université Laval, Québec, 2002, pp. 359-377.
Bailhache, Patrice. "La musique, une pratique cachée de l'arithmétique?", Studia Leibnitiana, Actes du colloque L'actualité de Leibniz: les deux labyrinthes, Cerisy, 15-22 June 1995.
Bailhache, Patrice. "Deux mathématiciens musiciens: Euler et d'Alembert", Physis vol. 32, 1995, pp. 1-35.
Bailhache, Patrice. "Sciences et musique: quelques grandes étapes en théorie musicale", Littérature, médecine, société vol. 13, Université de Nantes, 1996. In PDF.
Bailhache, Patrice. "La Musique traduite en Mathématiques: Leonhard Euler", Communication au colloque du Centre François Viète, "Problèmes de traduction au XVIIIe siècle", Nantes, 17 janvier 1997. In PDF. English translation by Joseph Monzo, WWW, 1999.
Bailhache, Patrice. Une Histoire de l'acoustique musicale. CNRS Éditions, Paris, 2001, 199 pages.
Bailhache, Patrice. "D'Alembert théoricien de la musique : empirisme et nature", Analyse et dynamique, Études sur l'oeuvre de D'Alembert, Les Presses de l'Université Laval, Québec, 2002, pp. 359-377. In PDF.
Bailhache, Patrice; Antonia Soulez and Céline Vautrin. Helmholtz, du son à la musique. Librairie Philosophique Vrin, Paris, June 2011, 256 pages.
Baily, John. "Anthropological and psychological approaches to the study of music theory and musical cognition", Yearbook for Traditional Music vol. 20, 1988, pp. 114-124.
Bain, Reginald. "A Web based Multimedia Approach to the Harmonic Series", ATMI Presentation, Kansas City, Sep 2002.
Baines, Anthony. "The Music of Ancient Greece: An Encyclopaedia by Solon Michaelides (book review)", Galpin Society Journal vol. 32, May 1979, pp. 145-146.
Bak, Niels. "Investigating the Influence of Blowing Technique on Pitch and Tone in Recorder Playing", Annual Report of the Institute of Phonetics vol. 6, 1971, pp. 307-313.
Bake, Arnold Adriaan. Bijdrage tot de kennis der Voor-Indische Muziek. PhD thesis, with English translation of Sangita-darpana, Universiteit Utrecht, 1930. Paul Geuthner, Paris, 1930.
Bake, Arnold Adriaan. "Die beide Tongeschlechter bei Bharata", Kongreßbericht D.G.M. Lüneburg, 1950, p. 158.
Bake, Arnold Adriaan. "The Impact of Western Music on the Indian Musical System", Journal of the International Folk Music Council vol. 5 no. 1, 1953, pp. 57-60.
Bake, Arnold Adriaan. "Bharata's Experiment with the Two vinas", Bulletin of the School of Oriental and African Studies vol. 20 no. 1/3, Studies in Honour of Sir Ralph Turner, Director of the School of Oriental and African Studies, University of London, 1957, pp. 61-67.
Bake, Arnold Adriaan. "Indische Musik", Die Musik in Geschichte und Gegenwart Band 6, Friedrich Blume, Kassel, 1957, pp. 1150-1185. Also in Außereuropäische Musik in Einzeldarstellungen, Joseph Kuckertz (ed.), Deutscher Taschenbuch Verlag/Bärenreiter Verlag, edition MGG, Kassel, 1980, pp. 190-225.
Bake, Arnold Adriaan. "Alain Daniélou: Traité de musicologie comparée (book review)", Ethnomusicology vol. 5 no. 3, Sep 1961, pp. 231-237.
Baker, A (ed.) "An interview with Lou Harrison", Minnesota Public Radio, June 2002.
Baker, Gene V. The name of Zeus: notions of trance and the 17-note microtonal 'Chancey'. MA thesis, Mills College, Oakland CA, 2004.
Baker, Ray Stannard. "Music by Telharmony", Electrical World vol. 47, 1906, p. 509.
Baker, Ray Stannard. "The Generating and Distributing of Music by Means of Alternators", Electrical World vol. 47, 1906, p. 519.
Baker, Ray Stannard. "New Music for an Old World. Dr. Thaddeus Cahill's Dynamophone an extraordinary electrical invention for producing scientifically perfect music", McClure's Magazine vol. 27 no. 3, July 1906, pp. 291-301.
Bakker, Pieter. "De goddelijke oorsprong van de muziek. Andreas Werckmeister en de getallensymboliek", Mens en Melodie vol. 49 no. 3, Mar 1994, pp. 188-194.
Bakker, Pieter. "De bronnen van Andreas Werckmeister", Tijdschrift voor Muziektheorie vol. 2 no. 1, 1997.
Bakker, Pieter. Andreas Werckmeister. Die historische Einordnung seiner Schriften. Stichting de Studenten Uitgeverij, Schraard, 1998, 31 pages. English translation by Pleuke Boyce Andreas Werckmeister. The Historical Positioning of his Writings, 2015.
Bakker, Pieter. "Andreas Werckmeister in de twintigste eeuw", De Rode Leeuw no. 95, 1998. Also in Harmonische getallen, 2012, pp. 27-32.
Bakker, Pieter. "De gulden snede in de muziek", Kunst en Wetenschap vol. 7 no. 3, 1998.
Bakker, Pieter. "Kleine kunstkroniek. Abraham Bartolus", Kunst en Wetenschap vol. 8 no. 1, 1999, p. 33.
Bakker, Pieter. "Musica mathematica", Het Orgel vol. 98 no. 2, 2002, pp. 11-14. Also in Harmonische getallen, 2012, pp. 9-14. English summary, WWW, 2011.
Bakker, Pieter. "Stemmen volgens Werckmeister", De Rode Leeuw no. 141, 2002. Also in Harmonische getallen, 2012, pp. 15-20.
Bakker, Pieter. "Getallen in de muziek", Het Orgel vol. 99 no. 6, 2003. Also in Harmonische getallen, 2012, pp. 33-37.
Bakker, Pieter. "Het karakter van een toonaard", Het Orgel vol. 100 no. 1, 2004. Also in Harmonische getallen, 2012, pp. 21-26.
Bakker, Pieter. Harmonische getallen. De muziektheorie van Andreas Werckmeister. Stichting Kunst en Wetenschap, Schraard, Mar 2012, 43 pages.
Bakker, Pieter. Harmonische Zahlen. Die Musiktheorie des Andreas Werckmeister. Translated by Bianca Fleßner, Stichting Kunst en Wetenschap, Schraard, 2013, 104 pages.
Bakker, Pieter. Proportionen. Ein Fall von Serendipität in der Musikforschung. Translated by Pieter Bakker, Stichting Kunst en Wetenschap, Schraard, 2014, 16 pages.
Bakker, Pieter. "Postmoderne getallen. Ruth Tatlow over getalsverhoudingen in de geschreven muziek van Johann Sebastian Bach (book review)", Kunst en Wetenschap, 2015. English translation by Pleuke Boyce "Postmodern Numbers. Ruth Tatlow on Proportions in the Written Music of Johann Sebastian Bach", 28 pages.
Bakogiannis, Konstantinos; Spyros Polychronopoulos; Dimitra Marini; Chrestos Terzes and Georgios Th. Kouroupetroglou. "ENTROTUNER: A computational method adopting the musician's interaction with the instrument to estimate its tuning", IEEE Access vol. 8, Mar 2020, pp. 53185-53195.
Bakshi, Haresh. 101 Raga-s For The 21st Century And Beyond: A Music Lover's Guide to Hindustani Music. SoundOfIndia.com, 2006, 116 pages.
Balasubramanian, K. "Combinatorial enumeration of ragas (scales of integer sequences) of Indian music", Journal of Integer Sequences vol. 5 no. 2, 2002, Article 02.2.6.
Balasubramanian, Sai Venkatesh. "Analysis Of Emotions due to Various Aspects of Carnatic and World Music", viXra 1601.0112, WWW, Jan 2016, 42 pages.
Balena, Francesco. The Scale Omnibus. WWW, 2014, 430 pages.
Bales, Sumner L. (ed.) The Tuners' Magazine V3: A Monthly Journal Devoted to the Mutual Interests of the Tuners and Manufacturers of Musical Instruments. Cincinnati OH, 1915. Reprint Kessinger Pub Co., Sep 2010.
Ballard, Dana and Cornelia Yarbrough. "The effect of accidentals, scale degrees, direction, and performer opinions on intonation", Update: Applications of Research in Music Education vol. 8, 1990, pp. 19-22.
Ballard, Dennis L. Relationships Between College Level Wind Instrumentalists' Achievement in Intonation Perception and Performance. PhD thesis, 2006, Indiana University, Bloomington IN, ProQuest, Feb 2016, 169 pages.
Ballard, Dennis L. "Relationships Between College-level Wind Instrumentalists' Achievement in Intonation Perception and Performance", Bulletin of the Council for Research in Music Education no. 187, winter 2011, pp. 19-32.
Ballière de Laisement, Denis. Théorie de la musique. P.F. Didot le jeune, Paris, 1764, 178 pages.
Ballif, Claude. "Idéalisme et matérialité", La Revue Musicale vol. 290-291, Richard Masse, Paris, 1972, pp. 5-24.
Ballif, Claude. "Ivan Wyschnegradsky: harmonie du soir", Premier Cahier Ivan Wyschnegradsky, Association Ivan Wyschnegradsky, Paris, Mar 1985, pp. 9-22.
Ballif, Claude. "Du Grand Cluster au Micro-tonalisme", L'Habitant du Labyrinthe, Pro Musica, 1992, pp. 99-108.
Ballinger, Brad; Nadia Benbernou; Francisco Gomez; Joseph O'Rourke and Godfried Toussaint. "The Continuous Hexachordal Theorem", International Conference on Mathematics and Computation in Music, New Haven CT, June 2009, pp. 11-21.
Ballon, Fabien. "Dénombrement des échelles et des modes dans les systèmes micro-tempérés", WWW, 2004, 20 pages.
Ballora, Mark. "Gareth Loy: Musimathics: The Mathematical Foundations of Music, Volume One (book review)", Computer Music Journal vol. 31 no. 4, Microtonal Controllers and Notation, winter 2007, pp. 77-79.
Balsach, Llorenç. La convergència harmònica. Morfogènesi dels acords i de les escales musicals. Clivis Publications, Barcelona, 1994.
Balsach, Llorenç. "Tonos virtuales y análisis armónico", WWW, 1996.
Balsach, Llorenç. "Application of pitch theory in music analysis", PDF, WWW, 1996.
Balzano, Gerald John. Chronometric Studies of the Musical Interval Sense. Doctoral diss. Stanford University, 1977, 270 pages. Univ. Microfilms, no. 77-25, 643.
Balzano, Gerald John. "On the Bases of Similarity of Musical Intervals: A chronometric analysis", Journal of the Acoustical Society of America vol. 61 no. S1, June 1977, p. S51.
Balzano, Gerald John. "The Structural Uniqueness of the Diatonic Order", paper presented at the Western Psychological Association Symposium, Cognitive Structure of Musical Pitch, San Francisco, 20 April 1978.
Balzano, Gerald John. "The Group-theoretic Description of 12-Fold and Microtonal Pitch Systems", Computer Music Journal vol. 4 no. 4, winter 1980, pp. 66-84.
Balzano, Gerald John. "Musical vs. Psychoacoustical Variables and Their Influence on the Perception of Musical Intervals", Bulletin of the Council for Research in Music Education vol. 70, spring 1982, pp. 1-11.
Balzano, Gerald John and B.W. Liesch. "The role of chroma and scalestep in the recognition of musical intervals in and out of context", Psychomusicology vol. 2 no. 2, 1982, pp. 3-31.
Balzano, Gerald John. "The Pitch Set as a Level of Description for Studying Musical Pitch Perception", Music, Mind and Brain, Manfred Clynes (ed.), Plenum Press, New York, 1982, pp. 321-351.
Balzano, Gerald John. "Changing Conceptions of Pitch and Timbre: A Modest Proposal", paper presented at the 106th meeting of the Acoustical Society of America, San Diego, Nov 1983, 12 pages. Abstract in The Journal of the Acoustical Society of America vol. 74, 1983, p. S18.
Balzano, Gerald John. "What Are Musical Pitch and Timbre?", Music Perception vol. 3 no. 3, spring 1986, pp. 297-314.
Balzano, Gerald John. "Two approaches to tuning and pitch systems", Journal of the Acoustical Society of America vol. 84 no. S1, Nov 1988, p. S204.
Balzer, Klaus and Bernd Streitberg. "Counterpoint compositions on non-tempered systems: Theory and algorithms", Proceedings of the International Computer Music Conference, Glasgow, 1990, pp. 328-331.
Ban, Joan Albert. Dissertatio epistolica de musicae natura, origine, progressu et denique studio bene instituendo. Isaac Commelin, Leiden, 1637, 60 pages. Also in H. de Groot et alii, Dissertationes de studiis instituendis. Elsevier, Amsterdam, 1645.
Ban, Joan Albert. Zangh-Bloemzel & Kort Sangh-Bericht. Elsevier, Amsterdam, 1642/1643. Reprint Frits Knuf, Amsterdam, 1969, Series: Early Music Theory in the Low Countries vol. 1, Frits R. Noske (ed.), 83 pages.
Banchieri, Adriano. "Regola in accordare arpicordi per suonare solo o in concerto", L'Organo suonarino, Ricciardo Amadino, Venice, 1605.
Bancquart, Alain. "Clefs pour mémoire, 20-ième siècle", Images de la musique française, Sacem & Papiers, Paris, 1986, pp. 129-134.
Bancquart, Alain. "Imaginaire, combinatoire. Essai sur la composition en micro-intervalles", Les Cahiers du CIREM vols. 28-29, P.U.T., Tours, 1994, p. 9.
Bancquart, Alain. "Musique: Habiter le temps", Symétrie, Lyon, 2003, pp. 28-43.
Bancquart, Alain; Carlos Agon and Moreno Andreatta. "Microtonal Composition", The OM Composer's Book vol. 2, Jean Bresson; Carlos Agon and Gérard Assayag (eds.), Ircam-Centre Pompidou, Delatour France, Paris, 2008, pp. 279-302.
Bandt, Ros. "Taming the wind: Aeolian sound practices in Australasia", Organised Sound vol. 8 no. 2, Aug 2003, pp. 195-204. Also here.
Bandyopadhyaya, Ramaswami. The Origin of Raga. Munshiram Manoharlal Publishers, Delhi, Jan 1861, 1946, June 1995.
Bandyopadhyay, Shripada. The origin of raga: a concise history of the evolution, growth, and the treatment of raga from the age of Bharatamuni to Bhatkhande. Munshiram Manoharlal Publishers, New Delhi, 1977, 1995, 2007, 98 pages.
Bane, Michael. "Meantone Temperaments on Lutes and Viols by David Dolata (book review)", Notes vol. 74 no. 3, Mar 2018, pp. 438-440.
Banerjee, Kaushik; Anirban Patranabis; Ranjan Sengupta and Dipak Ghosh. "How Harmonium Accompaniment in Hindustani Music is Changing the Scale System", Kolkata, Apr 2015, 8 pages.
Bank, Michael J. and Nicola Scafetta. "Scaling, Mirror Symmetries and Musical Consonances Among the Distances of the Planets of the Solar System", Frontiers in Astronomy and Space Sciences vol. 14, Jan 2022, 18 pages.
Bannerman, Aricca; James Emington and Anil Venkatesh. "Optimal Tuning of Two-Dimensional Keyboards", arXiv 1711.05260, WWW, Nov 2017, 14 pages.
Banta, Christopher C. "Resonators, Part 1: Types and How They Work", Interval vol. 3 no. 2, autumn 1981, pp. 13-17.
Banta, Christopher C. "New Approaches to Pentatonic Notation", Interval vol. 3 no. 3, winter 1981, pp. 9-10, 23.
Banta, Christopher C. "Resonators, Part 2: How to Tune and Measure Them", Interval vol. 3 no. 3, winter 1981, pp. 16-19.
Banta, Christopher C. Marimba bar fabrication and tuning. Funhouse Press, Agoura Hills CA, c.1994, 148 pages.
Bantock, Granville. "Cnfucianism and Music", New Quarterly Musical Review vol. 2 no. 4, Feb 1896, pp. 157-164.
Bao, Nguyen Vinh. Introduction to Vietnamese music. Oct 1970, 11 pages.
Baqueiro Foster, G. "La impugnación y el sonido 13", El Sonido 13, Dec 1924, pp. 2-9.
Baqueiro Foster, G. and D. Castañeda. "Teoría general de la subdivisión del tono, su fondamento científico, su critica y su porvenir", Trabajos técnicos del Primer Congreso Nacional de Musica, Talleres Gráficos de la Nación, Mexico City, 1928, pp. 31-42.
Baqueiro Foster, G. "El 'Novaro-clave' invento mexicano que revolucionará el mundo musical", Color, pensiamento y acción de México< vol. 1 no. 5, 14 Oct 1944, pp. 36-40. Also in Pauta vol. 7 no. 25, Jan-Mar 1988, pp. 36-40.
Baqueiro Foster, G. "Augusto Novaro, revolucionario mexicano del arte de violería", Revista del Conservatorio vol. 9, p. 6, vol. 10, p. 6, vol. 11, p. 5.
Baralli, R and L. Torry. "Il Trattato di Prosdocimo", RMI vol. 20, 1913, p. 751 ff.
Barassi, Elena Ferrari. "Il monocordo di Prosdocimo de Beldemandi. Nota bibliografica", Nuova Rivista Musicale Italiana vol. 25, 1991, pp. 83-89.
Barassi, Elena Ferrari. "Giovanni Maria Lanfranco teorico degli strumenti musicali e il suo tempo", Philomusica on-line vol. 15 no. 1, 2016, pp. 353-422 with English abstract.
Baratè, Adriano and Luca A. Ludovico. "Generalizing Messiaen's Modes of Limited Transposition to a n-tone Equal Temperament", Proceedings of the 12th International Conference on Sound and Music Computing (SMC-15), T. Lysaght and J. Timoney (eds.), Music Technology Research Group, Department of Computer Science, Maynooth University, Maynooth, 2015, pp. 287-293.
Barbaro, Daniele. "Della Musica MS B.26, f.1r-20r", Bologna. English translation On Music, by Monsignor Monsignor Danielle Barbaro", WWW, 2012, 40 pages.
Barber, Barbara. "Intonation: A Sensory Experience", American String Teacher vol. 40 no. 4, Nov 1990, pp. 81-85.
Barber, Barbara. "Intonation: The Major/Minor Difference", American String Teacher vol. 41 no. 1, Feb 1991, pp. 82-86.
Barbera, Charles André. "Arithmetic and Geometric Division of the Tetrachord", Journal of Music Theory vol. 21 no. 2, autumn 1977, pp. 294-323.
Barbera, Charles André. The persistence of Pythagorean mathematics in ancient musical thought. PhD thesis, University of North Carolina, Chapel Hill, 1980.
Barbera, Charles André. "Interpreting an arithmetical error in Boethius's 'De institutione musica' (iii. 14-16)", Arch. Internat. Hist. Sci. vol. 31 no. 106, 1981, pp. 26-41.
Barbera, Charles André. "The Consonant Eleventh and the Expansion of the Musical Tetractys: A Study of Ancient Pythagoreanism", Journal of Music Theory vol. 28 no. 2, 1984, pp. 191-223.
Barbera, Charles André. "Octave Species", The Journal of Musicology vol. 3 no. 3, summer 1984, pp. 229-241.
Barbera, Charles André. "Diesis", The New Harvard Dictionary of Music, Don Michael Randel (ed.), The Belknap Press of Harvard University Press, Cambridge MA, 1986, p. 231.
Barbera, Charles André. "Easley Blackwood: The Structure of Recognizable Diatonic Tunings (book review)", Journal of Music Theory vol. 32 no. 1, spring 1988, pp. 158-169.
Barbera, Charles André. "Adriaan Daniël Fokker: Selected Musical Compositions, R.A. Rasch (ed.) (book review)", Journal of Music Theory vol. 33 no. 2, autumn 1989, pp. 393-400.
Barbera, Charles André (ed.) The Euclidean Division of the canon: Greek and Latin sources: new critical texts and translations on facing pages, with an introduction, annotations, and indices verborum and nominum et rerum. Sometimes attributed to Euclid or Porphyry. Translation of: Sectio canonis. University of Nebraska Press, Lincoln NE, 1991, 316 pages.
Barbereau, Mathurin Auguste Balthasar. Traité d'harmonie théorique et pratique. Lemoine, Paris, 1848, 2 vols.
Barbereau, Mathurin Auguste Balthasar. Etudes sur l'origine du système musical. Chez Bachelier, Paris, 1852, 85 pages. Pallez-Rousseau, Metz, 1864.
Barbier, Pierre-Émile. Article Alois Hába in Guide de la musique de chambre, Fayard, Paris, 1989, pp. 366-372.
Barbieri, Patrizio. "Persistenza dei temperamenti inequabili nell'Ottocento italiano", L'Organo vol. 20, Bologna, 1982, pp. 57-124.
Barbieri, Patrizio. "I temperamenti ciclici da Vicentino (1555) a Buliowski (1699): teoria e pratica 'archicembalistica'", L'Organo vol. 21, Pàtron Editore, Bologna, 1983, pp. 129-208.
Barbieri, Patrizio. "Giuseppe Sarti fisico acustico e teorico musicale", Giuseppe Sarti musicista faentino. Atti del convegno internazionale (Faenza, 25-27 novembre 1983), Mario Baroni and Maria Gioia Tavoni (eds.), Mucchi Editore, Modena, 1986.
Barbieri, Patrizio. Ancora sul temperamento degli organi di S. Petronio. Ancona, 1984.
Barbieri, Patrizio. "Giordano Riccati on the diameters of strings and pipes", Galpin Society Journal vol. 38, Apr 1985, pp. 20-34.
Barbieri, Patrizio. "Il temperamento equabile nel periodo frescobaldiano", Girolamo Frescobaldi nel IV centenario della nascità: Ferrara 1983, Sergio Durante and Dinko Fabris (eds.), Olschki, Firenze, 1986, pp. 387-424.
Barbieri, Patrizio. "Cembali enarmonici e organi negli scritti di Athanasius Kircher - Con documenti inediti su Galeazzo Sabbatini", Enciclopedismo in Roma barocca - Athanasius Kircher e il museo del Collegio Romano fra Wunderkammer e Museo Scientifico, Maristella Casciato; Maria Grazia Ianniello and Maria Vitale (eds.), Marsilio, Venice, 1986, pp. 111-128.
Barbieri, Patrizio and Lindoro Massimo Del Duca. "Renaissance and Baroque Microtonal Music Research in Computer Real Time Performance", Proceedings of the International Computer Music Conference, Oct 1986, Royal Conservatory of Music, The Hague, Paul Berg (ed.), Computer Music Association, San Francisco, 1986, p. 51.
Barbieri, Patrizio. "L'espressione degli 'affetti' mediante l'ineguale accordatura degli strumenti da tasto nel Settecento veneto", Convegno di studi "Organaria veneta: patrimonio e salvaguardia", Centro studi di arte organaria veneta, Vicenza, Oct 1986, pp. 42-67.
Barbieri, Patrizio (ed.), Giordano Riccati, Alessandro Barca, Francesco Antonio Vallotti. Acustica, accordatura e temperamento nell'illuminismo veneto. Series: Pubblicazioni del Corso Superiore di Paleografia e Semiografia Musicale dell'Umanesmo al Barocco no. I:5:2. Edizioni Torre d'Orfeo, Roma, 1987, 382 + 264 pages.
Barbieri, Patrizio. "La 'Sambuca Lincea' di Fabio Colonna e il 'Tricembalo' di Scipione Stella - Con notizie sugli strumenti enarmonici del Domenichino", La musica a Napoli durante il Seicento, Atti del Convegno Internazionale di Studi, Napoli, 11-14 Apr 1985, Doimenico Antonio D'Alessandro and Agostino Ziino (eds.), Torre d'Orfeo, Roma, 1987, pp. 167-216.
Barbieri, Patrizio. "Martini e gli armonisti 'fisico-matematici': Tartini, Rameau, Riccati, Vallotti", Padre Martini. Musica e cultura nel Settecento europeo, Angelo Pompilio (ed.), Olschki, Florence, 1987, pp. 173-209.
Barbieri, Patrizio. "Juan Caramuel Lobkowitz (1606-1682): Über die musikalischen Logarithmen und das Problem der musikalischen Temperatur", Musiktheorie vol. 2 no. 2, 1987, pp. 145-168.
Barbieri, Patrizio. "Organ tonal finishing and fine tuning (review)", Nuova Rivista Musicale Italiana vol. 21 no. 3, July-Sep 1987, pp. 489-490.
Barbieri, Patrizio and Sandra Mangsen. "Violin Intonation: A Historical Survey", Boston Early Festival, Cornell University Press, 1987. Early Music vol. 19 no. 1, Feb 1991, pp. 69-88.
Barbieri, Patrizio. "Il Cembalo Omnicordo di Francesco Nigetti in due memorie inedite di G.B. Doni (1647) e B. Bresciani (1719)", Rivista Italiana di Musicologia vol. 22, 1987, pp. 34-113.
Barbieri, Patrizio. "An unknown 15th-century French manuscript on organ building and tuning", The Organ Yearbook vol. 20, 1989, pp. 5-20.
Barbieri, Patrizio. "Conflitti di intonazione tra cembalo, liuto ed archi nel 'concerto' italiano del Seicento", Studi Corelliani vol. 4, Pierluigi Petrobelli and Gloria Staffieri (eds.), Olschki, Florence, 1990, pp. 123-153.
Barbieri, Patrizio. "L'intonazione violinistica da Corelli al Romanticismo", Studi Musicali vol. 19 no. 2, 1990, pp. 319-384.
Barbieri, Patrizio. "Gli armonisti padovani del Santo nel settecento", Storia della musica, Neri Pozza Editore, Vicenza, 1990, pp. 199-221.
Barbieri, Patrizio. "Gli ingegnosi cembali e 'violicembali' inventati da Juan Caramuel Lobkowitz per Ferdinando III (c.1650): notizie inedite dal manoscritto Musica", Le meraviglie del probabile. Juan Caramuel 1606-1682. Atti del Convegno internazionale di studi (Vigevano, 29-31 ottobre 1982), Paolo Pissavino (ed.), Edizioni del Comune, Vigevano, 1990, pp. 91-112.
Barbieri, Patrizio. "La Nuova teoria di musica di Alessandro Barca in un inedito esame di Giordano Riccati (1786-90)", Scritti in onore di Giulio Cattin, Francesco Luisi (ed.), Torre d'Orfeo, Roma, 1990, pp. 159-176.
Barbieri, Patrizio. "Diapason, 'chiavette' et intonation dans l'interprétation de Palestrina", L'interprétation de Palestrina - Journées d'étude, Royaumont, Oct 1990, Association Palestrina, Paris, 1991, pp. 25-43.
Barbieri, Patrizio. "Considerazioni sull' Accordatura Strumentale al Tempo di Mozart", Strumenti per Mozart, Marco Tiella and Romano Vettori (eds.), Longo Editore, Rovereto, 1991, pp. 61-69.
Barbieri, Patrizio. "Calegari, Vallotti, Riccati e le teorie armoniche di Rameau: priorità, concordanze, contrasti", Rivista Italiana di Musicologia vol. 26 no. 2, 1991, pp. 241-302.
Barbieri, Patrizio. "Il 'migliore' sistema musicale temperato: 'Querelles' fra Estève, Romieu e altri accademici francesi (c.1740-60)", L'Organo vol. 27, Bologna, 1991-1992, pp. 31-81.
Barbieri, Patrizio. "Krizanic, Caramuel e P.F. Valentini sulla divisione dell'ottava musicale", Krizanicev doprinos teorij glazbe (International Symposium on Juraj Krizanic) vol. 4, Zagreb, 1983. Hrvatska Akademija Znanosti i Umjetnosti u Zagrebu, Zagreb, 1992, pp. 19-40. Summary in Croatian.
Barbieri, Patrizio. "Giordano Riccati fisico acustico e teorico musicale: Con una memoria inedità di acustica architettonica", I Riccati e la cultura della Marca nel Settecento europeo, Olschki, Florence, 1992, pp. 279-304.
Barbieri, Patrizio. "Tartinis Dritter Ton und Eulers Harmonische Exponenten. Mit einem unveröffentlichten Manuskript Tartinis", Musiktheorie vol. 7 no. 3, 1992, pp. 219-234. revised version in Musiktheorie vol. 8 no. 1, 1993.
Barbieri, Patrizio. "L'accordatura strumentale in Toscana: proposte e contrasti da V. Galilei a Cristofori (c.1580-1730)", Musicologia humana. Studies in honor of Warren and Ursula Kirkendale, Sigfried Gmeinwieser; David Hiley and Joerg Riedlbauer (eds.), Olschki, Firenze, 1994, pp. 209-232.
Barbieri, Patrizio. "Il sistema armonico di Tartini nelle 'censure' di due celebri fisico-matematici: Eulero e Riccati", Tartini. Il tempo e le opere, A. Bombi & M.N. Massaro (eds.), Il Mulino, Bologna, 1994, pp. 321-344.
Barbieri, Patrizio. "L'inarmonicità degli strumenti musicali a corda (1543-1993). Con una memoria inedita di J.-B. Mercadier (1784)", Strumenti, musica e ricerca. Atti del Convegno internazionale, Cremona, 28-29 October 1994, Elena Ferrari Barassi, Marco Fracassi and Giampaolo Gregori (eds.), Ente Triennale Internazionale degli Strumenti ad Arco, Cremona, 2000.
Barbieri, Patrizio. "L'accordatura strumentale in Toscana: proposte e contrasti da V. Galilei a Cristofori (c.1580-1730)", Musicologia humana. Studies in honor of Warren and Ursula Kirkendale, Siegfried Gmeinwieser, David Hiley and Jörg Riedlbauer (eds.), Olschki, Florence, 1994.
Barbieri, Patrizio. "Il mesolabio e il compasso di proporzione: le applicazioni musicali di due strumenti matematici (1558-1675)", Musica, scienze e idee nella Serenissima durante il Seicento. Atti del Convegno Internazionale di studi, Venezia 13-15 dicembre 1993, Francesco Passadore and Franco Rossi (eds.), Edizioni Fondazione Levi, Venice, 1996.
Barbieri, Patrizio. "Gli strumenti poliarmonici di G.B. Doni e il ripristino dell'antica musica greca (c.1630-1650)", Analecta Musicologica vol. 30, 1998, pp. 79-114.
Barbieri, Patrizio. "The inharmonicity of musical string instruments (1543-1993). With an unpublished memoir by J.-B. Mercadier (1784)", Studi Musicali vol. 27 no. 2, 1998, pp. 383-419. Italian translation by P. Barbieri "L'inarmonicità degli strumenti musicali a corda (1543-1993). Con una memoria inedita di J.-B. Mercadier (1784)", Strumenti, musica e ricerca. Atti del Convegno internazionale, Cremona 28-29 ottobre 1994, Elena Ferrari Barassi, Marco Fracassi and Giampaolo Gregori (eds.), Ente Triennale Internazionale degli Strumenti ad Arco, Cremona, 2000, pp. 254-292.
Barbieri, Patrizio. "Corista, chiavette e intonazione nella prassi romana e veneto-bolognese del tardo Rinascimento", Ruggero Giovannelli [...], Atti del Convegno Internazionale di Studi, Carmela Bongiovanni and Giancarlo Rostirolla (eds.), Fondazione Giovanni Pierluigi da Palestrina, Palestrina, 1998, pp. 433-457.
Barbieri, Patrizio. "Gli strumenti poliarmonici di G.B. Doni e il ripristino dell'antica musica greca (c.1630-1650)", Analecta Musicologica vol. 30, 1998, pp. 79-114.
Barbieri, Patrizio. "G.B. Orazi's Enharmonic Flute and its Music (1797-1815)", Galpin Society Journal vol. 52, 1999, pp. 281-304.
Barbieri, Patrizio and Lindoro Massimo del Duca. "Late-Renaissance Quarter-tone Compositions (1555-1618): The Performance of the ETS-31 with a DSP System", Musical Sounds from Past Millennia: Proceedings of the International Symposium on Musical Acoustics 2001, Diego L. González, Domenico Stanzial and Davide Bonsi (eds.), 2 vols., Fondazione Giorgio Cini, Venice, 2001.
Barbieri, Patrizio. "'Galileo's' coincidence theory of consonances, from Nicomachus to Sauveur", Recercare vol. 13, 2001, pp. 201-232.
Barbieri, Patrizio. "Il temperamento equabile nell'Ottocento napoletano: l'acustico P. A. de Luca (1778-1864) e i suoi manoscritti inediti", L'Organo vol. 35, 2002, pp. 93-122.
Barbieri, Patrizio. "The evolution of open-chain enharmonic keyboards c.1480-1650", "L'evoluzione delle tastiere enarmoniche a catena aperta c.1480-1650", Chromatische und enharmonische Musik und Musikinstrumente des 16. und 17. Jahrhunderts, Schweizer Jahrbuch für Musikwissenschaft vol. 22, Joseph Willimann (ed.), Verlag Peter Lang, Bern, 2002, pp. 145-184, 185-228.
Barbieri, Patrizio. "La nascita delle teorie continue della consonanza. La ignorata curva di Draghetti e Foderà, poi di Helmholtz (1771-1837)", Acta Musicologica vol. 74, 2002, pp. 55-75.
Barbieri, Patrizio. "Temperaments - Historical", Piano: An Encyclopedia, 2nd edition, Robert Palmieri and Margaret W. Palmieri (eds.), Routledge, New York, 2003, pp. 402-409.
Barbieri, Patrizio. "Consonanze, scale e temperamenti", Acustica musicale e architettonica, Sergio Cingolani and Renato Spagnolo (eds.), UTET Libreria, Torino, 2005, pp. 31-70, 913-916.
Barbieri, Patrizio. "Pietro Della Valle: the Esthèr oratorio (1639) and other experiments in the stylus metabolicus. With new documents on triharmonic instruments", Recercare vol. 19 no. 1-2, 2007, pp. 73-124.
Barbieri, Patrizio. "Il revival delle tastiere enarmoniche: nuove soluzioni (1760-1880)", L'Organo vol. 39, 2007, pp. 175-236.
Barbieri, Patrizio. "Cembali a tasti spezzati: 'cromatci' oppure 'enarmonici'?", Bollettino della Deputazione di Storia patria per l'Umbria CV-2, 2008, pp. 125-130. Reprint Arte organaria e musica per organo nell'età moderna. L'Umbria nel quadro europeo, Erika Bellini (ed.), Deputazione di Storia patria per l'Umbria, Perugia, 2008, pp. 125-130.
Barbieri, Patrizio. Enharmonic instruments and music, 1470-1900. Revised and translated studies. Il Levante Libreria Editrice, Latina, 2008, 628 pages with CD.
Barbieri, Patrizio. "On the linear approximation of equal temperament proposed by the organ builder Giambattista De Lorenzi (1870)", Musica e Storia vol. 17, Aug 2009, pp. 451-463. Italian translation by P. Barbieri "Su di una approssimazione del temperamento equabile proposta da Giambattista De Lorenzi (1870)", Contributi per la storia dell'arte organaria e organistica in Italia, Paola Dessì (ed.), Edizioni Fondazione Levi, Venezia, 2012.
Barbieri, Patrizio. "Musiche e strumenti 'alla Greca' nel Seicento italiano", Francesco Buti tra Roma e Parigi: diplomazia, poesia, teatro, Francesco Luisi (ed.), Torre d'Orfeo, Roma, 2009, pp. 349-364.
Barbieri, Patrizio. Physics of wind instruments and organ pipes 1100-2010. New and extended writings. Il Levante Libreria Editrice, Latina, 2013, 580 pages.
Barbieri, Patrizio. "Harps Versus Pianos: Parisian querelles on Tuning 1770-1830", Galpin Society Journal vol. 70, Apr 2017, pp. 45-63.
Barbieri, Patrizio (ed.) Symposium on Nicola Vicentino's Arciorgano and the Clavemusicum Omnitonum, Basel, 23-25 November 2017", Musik-Akademie, Basel, 2017.
Barbieri, Patrizio. Un ignorato manoscritto francese del secolo XV sulla costruzione e accordatura dell'organo", Arte Organaria Italiana vol. 10, 2018, pp. 9-26.
Barbieri, Patrizio. Allargamento tonale nelle composizioni per tastiera al tempo di Frescobaldi. Con sviluppi tardo-seicenteschi verso temperamenti di tipo circolante", Informazione Organistica vol. 31 no. 2, Dec 2019, pp. 179-216.
Barbieri, Patrizio. Quarrels on Harmonic Theories in the Venetian Enlightenment. Libreria Musicale Italiana, Lucca, 2020, 386 pages.
Barbieri, Patrizio. "L'organo romano: nuove acquisizioni sul corista, tastiere e registri, c.1480-1750", Arte organaria italiana vol. 13, 2021, pp. 151-232.
Barbiero, Daniel. "Review of Johnston Quartets 6, 7, 8 (CD review)", 2016.
Barbour, James Murray. "Synthetic Musical Scales", American Mathematical Monthly vol. 36 no. 3, 1929, pp. 155-160. Also here.
Barbour, James Murray. Equal Temperament: its History from Ramis (1482) to Rameau (1737). PhD thesis, Cornell University, Ithaca NY, 1932, 353 pages.
Barbour, James Murray. "The Persistence of the Pythagorean Tuning System", Scripta Mathematica vol. 1, 1933, pp. 286-304.
Barbour, James Murray. "Nierop's Hackebort", The Musical Quarterly vol. 20 no. 3, July 1934, pp. 312-319. Also here.
Barbour, James Murray. "Just Intonation Confuted", Music & Letters vol. 19 no. 1, Jan 1938, pp. 48-60.
Barbour, James Murray. "Musical logarithms", Scripta Mathematica vol. 7, 1940, pp. 21-31.
Barbour, James Murray. "Bach and the 'Art of Temperament'", The Musical Quarterly vol. 33 no. 1, Jan 1947, pp. 64-89. Also in Garland Library of HWM vol. 6, 1985, pp. 2-27.
Barbour, James Murray. "Music and Ternary Continued Fractions", American Mathematical Monthly vol. 55 no. 9, Nov 1948, pp. 545-555.
Barbour, James Murray. "Irregular Systems of Temperament", Journal of the American Musicological Society vol. 1 no. 3, 1948, pp. 20-26.
Barbour, James Murray. "Musical Scales and Their Classification", Journal of the Acoustical Society of America vol. 21 no. 6, Nov 1949, pp. 586-589.
Barbour, James Murray. "Genesis of a Music by Harry Partch (book review)", The Musical Quarterly vol. 36 no. 1, Jan 1950, pp. 131-135.
Barbour, James Murray. "More on the Leipzig Organ Tuning", Journal of the American Musicological Society vol. 3 no. 1, spring 1950, pp. 41-44.
Barbour, James Murray. Tuning and Temperament: A Historical Survey. Michigan State College Press, East Lansing, 1951. Reprint Da Capo Press, New York, 1973, 228 pages. Reprint Dover, New York, 2004, 256 pages.
Barbour, James Murray. "Les Gammes musicales by Antoine Auda (book review)", Journal of the American Musicological Society vol. 4 no. 1, spring 1951, pp. 40-42.
Barbour, James Murray. "Violin Intonation in the 18th Century", Journal of the American Musicological Society vol. 5 no. 3, autumn 1952, pp. 224-234.
Barbour, James Murray. "The Grammar of South Indian (Karnatic) Music by C. Subrahmanya Ayyar (book review)", Notes vol. 10 no. 4, Sep 1953, pp. 641-642.
Barbour, James Murray. "A Geometrical Approximation to the Roots of Numbers", The American Mathematical Monthly vol. 64 no. 1, Jan 1957, pp. 1-9.
Barbour, James Murray. "The Principles of Greek Notation", Journal of the American Musicological Society vol. 13 no. 1/3, A Musicological Offering to Otto Kinkeldey upon the Occasion of his 80th Anniversary, 1960, pp. 1-17.
Barbour, James Murray. "Mißverständnisse über die Stimmung des javanischen Gamelans", Die Musikforschung vol. 16 no. 4, Kassel, Oct-Dec 1963, pp. 315-323.
Barbour, James Murray. "Temperatur und Stimmung", Die Musik in Geschichte und Gegenwart Band 12, Friedrich Blume (ed.), Kassel, 1965, pp. 213-227.
Barca, Alessandro. Nuove teoremi per la divisione delle ragioni... Bergamo, 1781.
Barca, Alessandro. "Introduzione ad una Nuova teoria di musica - Memoria prima", Saggi scientifici e lattari, Accademia di scienze, lettere ed arti in Padova, 1786, pp. 365-418.
Barca, Alessandro. Introduzione ad una Nuova teoria di musica - Memoria seconda. Padova, 1789. New edition Introduzione a una Nuova teoria di musica - Memoria seconda: De suoni aggiunti ossia delle dissonanze e dell'armonia dissonante. 1809.
Barca, Alessandro. Di una nuova Teoria di Musica - Memoria III: Dei sistemi e delle scale. I. Bg. S. Aless, Bergamo, 1800-1805. Also in Saggi scientifici e letterari dell' ia di Padova vol. 4, 1809, pp. 184-221.
Barca, Alessandro. De 'Principi del temperamento della nostra musica. I. Bg. S. Aless, Bergamo, 1806.
Barcelona, John. "Tone Color and Intonation", Flute Talk, Sep 2004, p. 32.
Barclay, Robert L. (ed.) The Care of Historic Musical Instruments. Museums & Galleries Commission, Jan 1997, 145 pages.
Bárdos, Lajos. "Natürliche Tonsysteme. Methode ihrer Messung", Studia memoriae Belae Bartok sacra, Budapest 1957, Budapest, 1956, pp. 209-248.
Bares, Peter. "Maß und Zahl: Über Orgeln und Musik", Werkzeuge der Stille: die neuen Orgeln in Sankt Peter zu Köln, Michael Gassmann (ed.), Wienand, 2004, 64 pages.
Bargrizan, Navid. "A new opera concept: an identity quest mediated by digital media and microtones in Manfred Stahnke's Orpheus Kristall (2001)", Proceedings of the 9th Conference on Interdisciplinary Musicology - CIM14, Berlin, 2014, 4 pages.
Bargrizan, Navid. "Technology, Microtones, and Mediation in Manfred Stahnke's Orpheus Kristall", Müzik-Bilim Dergisi: The Journal of Musicology vol. 1 no. 6, 2015, pp. 11-28.
Bargrizan, Navid. "Review of Kepler Quartet's CD of Ben Johnston's String Quartets nos. 6, 7, 8 (CD review)", Journal of the Society for American Music vol. 11 no. 1, Feb 2017, pp. 118-120.
Bargrizan, Navid. "S. Andrew Granade: Harry Partch, Hobo Composer (book review)", Journal of the Society for American Music vol. 11 no. 2, Cambridge University Press, New York, May 2017, pp. 235-237.
Barkechli, Mehdi. "La gamme de la musique Iranienne", Cahier d'Acoustique in Annales des Télécommunications vol. 5, May 1947, p. 5.
Barkechli, Mehdi. "La gamme persane et ses rapports avec la gamme occidentale", Olympia vol. 1 no. 1, 1950, p. 53.
Barkechli, Mehdi. "Mésure des intervalles harmoniques de la gamme à partir de la sensation subjective de consonnance", Acta Acustica vol. 2 no. 6, 1952, pp. 242-250.
Barkechli, Mehdi. "Quelques idées nouvelles sur la consonance", Colloque International d'Acoustique Musicale, Centre National de la Recherche Scientifique no. 84, Paris, 1958, pp. 21-28.
Barkechli, Mehdi. "L'évolution de la gamme dans la musique orientale", Colloque International d'Acoustique Musicale, Centre National de la Recherche Scientifique no. 84, Paris, 1958, pp. 39-45.
Barkechli, Mehdi. "Les échelles régulières du cycle des quintes et leurs déformations occasionelles dans les cadres non pentatoniques", in coll. intern. CNRS La résonance dans les échelles musicales, Edt. CNRS, Paris, 1960, p. 173.
Barkechli, Mehdi and Moussa Ma'aroufi. La musique traditionelle de l'Iran / Les systèmes de la musique traditionnelle de l'Iran (radif) avec Transcription et notation musicale occidentale. Secrétariat d'État aux Beaux-Arts, Teheran, 1963. Also in Farsi moosiqi-ye sonnati-ye iran, Teheran, 1963.
Barker, Andrew. "Music and Perception: A Study in Aristoxenus", Journal of Hellenistic Studies vol. 98, 1978, pp. 9-16.
Barker, Andrew. "Hoi Kaloumenoi Harmonikoi: The Predecessors of Aristoxenus", Proceedings of the Cambridge Philological Society vol. 24, 1978, pp. 1-21.
Barker, Andrew. "Aristides Quintilianus and Constructions in Early Music Theory", The Classical Quarterly vol. 32 no. 1, 1982, pp. 184-197.
Barker, Andrew; John Stevens and Peter le Huray (eds.) Greek Musical Writings. Vol. 1 The Musician and his Art. Vol. 2 Harmonic and Acoustic Theory. Cambridge Readings in the Literature of Music, Cambridge University Press, Cambridge, 1984, 1989, 1990, 2004, 328 and 592 pages.
Barker, Andrew. "Ptolemy's Pythagoreans, Archytas, and Plato's Conception of Mathematics", Phronesis vol. 39 no. 2, 1994, pp. 113-135.
Barker, Andrew. Scientific Method in Ptolemy's 'Harmonics'. Cambridge University Press, Cambridge, 2001, 290 pages.
Barker, Andrew. "Words for sounds", Science and mathematics in ancient Greek culture, Jan 2002.
Barker, Andrew. The Science of Harmonics in Classical Greece. Cambridge University Press, Cambridge, 2007, 481 pages.
Barker, Andrew. "Musical Theory and Philosophy: The Case of Archestratus", Phronesis vol. 54 no. 4/5, 2009, pp. 390-422.
Barker, Andrew. "Greek Musicologists in the Roman Empire", Apeiron vol. 27 no. 4, 2011, pp. 53-74.
Barker, Andrew. Andrew Barker Collection. Open source collection of 36 works, WWW, 2021.
Barkeshli, Mandana. "Iranian scale of music can be considered as a universal scale", Journal of the Acoustical Society of America vol. 81 no. S1, May 1987, p. S83.
Barkowsky, Johannes. Anleitung zur Berechnung von Intervallen in einigen musikalischen Stimmungssystemen. Forschungsbericht 5, Hochschule für Musik, Theater und Medien, Hannover, 1996, Feb 2011, 19 pages.
Barlow, Clarence. Bus journey to Parametron. Feedback Papers vol. 21-23, Feedback Studio Verlag, Köln, 1980. Deutsche Zusammenfassung "Busreise nach Parametron", Neuland vol. 1, Herbert Henck (ed.), Bergisch Gladbach, 1980, pp. 114-118.
Barlow, Clarence. "Zur Harmonik nordindischer Raagen oder: Was ist überhaupt ein Raag?", Weltmusik vol. 1, Feedback Papers (Sonderheft), Peter Ausländer and Johannes Fritsch (eds.), Köln, 1981, pp. 103-114.
Barlow, Clarence and Henning Lohner (ed.) "Two Essays on Theory", Computer Music Journal vol. 11 no. 1, spring 1987, pp. 44-60.
Barlow, Clarence. "AUTOBUSK - An Algorithmic Real-Time Pitch & Rhythm Improvisation Programme", Proceedings of the International Computer Music Conference, Glasgow, 1990, pp. 166-168.
Barlow, Clarence. "Harmonik und Quantität", Ex Machina 1990: Das Buch zum Festival, Folkwang-Hochschule Essen, 1990, pp. 47-55.
Barlow, Clarence (ed.) The Ratio Book. Proceedings of the Ratio Symposium from 14 to 16 December 1992 in The Hague, Feedback Papers vol. 43, Feedback Studio Verlag, Köln, 1999, 349 pages. Articles by Clarence Barlow, Demetrios Lekkas, Anne La Berge, Wim van der Meer, Schu-chi Lee, Bernard Bel, James Tenney, Pascal Decroupet, Volker Abel, Hartmut Möller, Daniel Wolf, Keith Howard, Habib Touma, Stan Tempelaars, Barbara Thornton and Wouter Swets.
Barlow, Clarence. "'...Eine arithmetische Übung der Seele...' (Über die Rationalisierung einer harmonisch irrationalen Tonhöhenmenge sowie Ist die Harmonik ein Spezialfall der Polymetrik?)", Drei ausgewählte Vorträge zur Musikinformatik, Musikwissenschaftliches Institut der Johannes-Gutenberg-Universität Mainz, IAK-Sonderband, Bericht Nr.34, 1998, pp. 11-32.
Barlow, Clarence. Von der Musiquantenlehre. Band 1: Texte. Feedback Papers vol. 34, Feedback Studio Verlag, Köln, 2008, 68 pages. English translation On Musiquantics, Musikinformatik & Medientechnik vol. 51, University of Mainz, 2012.
Barlow, Clarence. "Chorale Synthesis by the Multidimensional Scaling of Pitches", 11th Sound and Music Computing Conference and 40th International Computer Music Conference (SMC/ICMC2014), 14-20 Sep 2014, Athens, pp. 32-36.
Barlow, Wayne. "Tuning and Temperament by J. Murray Barbour (book review)", Journal of the American Musicological Society vol. 6 no. 2, summer 1953, pp. 185-186.
Barnard, Hans and D.J. Hamoen. "Het 19-toons orgel uit Keiolonië", Bouwbrief vol. 34, Vereniging Huismuziek, Utrecht, Aug 1984, pp. 14-19.
Barnard, Hans et al. De Keiaanse Muziek. Derde uitgave, Stichting Vrienden van Keiolonië, Amsterdam-Texel, 1985, 67 pages.
Barnard, Hans, L. Sluiter and B. den Hollander. "Keiaanse muziekinstrumenten", Bouwbrief vol. 37, Utrecht, May 1985, pp. 7-8.
Barnard, Hans, W.Z. Wendrich and Bart Hopkin. "Kayenian musical instruments", Experimental Musical Instruments vol. 3 no. 1, June 1987, pp. 14-15.
Barnard, Hans. "The matzaar and aliquot tonescales", Experimental Musical Instruments vol. 6, Dec 1990, pp. 18-19.
Barnard, Hans. "Musical Tuning and Notation in Kayolonia", WWW, 2003.
Barnes, John; John R. White and Hector C. Parr. "Mean Tone Tuning", The Musical Times vol. 105 no. 1460, Oct 1964, pp. 744-745.
Barnes, John. "The Specious Uniformity of Italian Harpsichords", Keyboard Instruments: Studies in Keyboard Organology, E.M. Ripin (ed.), Edinburg, 1971, 1977, pp. 1-10.
Barnes, John. "Bach's Keyboard Temperament: Internal Evidence from the Well-Tempered Clavier", Early Music vol. 7 no. 2, Apr 1979, pp. 236-249. Followup correspondence in Early Music vol. 8, 1980, pp. 511-513 (Philip P. Jones); vol. 9, Jan 1981, p. 141 (H.A. Kellner); Apr 1981, pp. 219-221 (Claudio Di Veroli); Oct 1981, p. 579 (John Barnes).
Barnes, John. "Reconstruction of Douwes' clavichord", De Clavicordio, Proceedings of the International Clavichord Symposium, B. Brauchli, S. Brauchli and A. Galazzo (eds.), Magnano, 1993, pp. 75-77.
Baroin, Gilles; André Calvet and Stéphane Marcand. "Tempéraments et visualisations", presentation at Séminaire MaMux, Paris, 6 Feb 2015.
Baroin, Gilles and André Calvet. "Visualizing Temperaments: Squaring the Circle?", Mathematics and Computation in Music, 7th International Conference, MCM 2019, Madrid, 18-21 June 2019 proceedings, Mariana Montiel; Francisco Gomez-Martin and Octavio A. Agustín-Aquino (eds.), Series: Lecture Notes in Computer Science, Springer International Publishing, 2019, pp. 333-337.
Baroin, Gilles and André Calvet. "Outils d'informatique musicale appliques en temperamentologie", Journées d'Informatique Musicale, Oct 2020, Strasbourg, 4 pages.
Baron, Carol K. "George Ives's Essay in Music Theory: An Introduction and Annotated Edition", American Music vol. 10 no. 3, autumn 1992, pp. 239-288.
Barontini, Michele and Tito M. Tonietti. "Umar Al-Khayyam's Contribution To The Arabic Mathematical Theory Of Music", Arabic Sciences and Philosophy vol. 20 no. 2, 2010, pp. 255-280.
Barrachina, José Ibáñez. Análisis matemático de los sistemas de afinación: estudio dela trompeta. MSc thesis, Universidad Politécnica de Valencia, 2004.
Barrachina, José Ibáñez. Métodos exactos y heurísticos de afinación. Aplicación a la trompeta. PhD thesis, Universidad Politécnica de Valencia, 2009.
Barrachina, José Ibáñez and María Isabel de Vicente-Yagüe Jara. "Didáctica de la afinación en los instrumentos de metal: ciencia, música y tecnología en las Enseñanzas Artísticas / Teaching of Brass Instruments Tuning: Science, Music and Technology in Arts Teaching", EDUTECHreview. International Education Technologies Review / Revista Internacional De Tecnologías Educativas vol. 1 no. 2, June 2014.
Barrachina, José Ibáñez and María Isabel de Vicente-Yagüe Jara. "Música y Astronomía en el aula. La composición musical en el Grado de Educación Primaria a partir de Kepler", 3rd International Congress of Educational Sciences and Development, San Sebastián, 24-26 June 2015, pp. 989-1000.
Barraud, J. "On the Beats of Mr. Hawke's Douzeave, or common System of Twelve musical Notes", The Philosophical Magazine vol. 37, Richard Taylor and Company, London, 1811, pp. 128-129.
Barrière, Jean-Baptiste. "Écriture et Modèles, remarques croisées sur séries et spectre", Entretemps, Sep 1989, vol. 8, Paris, pp. 13-23.
Barrière, Jean-Baptiste (ed.) Le timbre, métaphore pour la composition. Christian Bourgois (ed.), IRCAM, Paris, 1991, 565 pages.
Barry, Phillips. "Greek Music", The Musical Quarterly vol. 5 no. 4, Oct 1919, pp. 578-613.
Barry, Wilson. "Henri Arnaut de Zwolle's Clavicordium and the Origin of the Chekker", Journal of the American Musical Instrument Society vol. 11, 1985, pp. 5-13.
Bartel, Dietrich. "Andreas Werckmeister's Final Tuning: The Path to Equal Temperament", Early Music vol. 43 no. 3, June 2015, pp. 503-512.
Bartel, Kerstin. "Avantgarde im Zeichen von Mikrotonalität. Alois Hába - ein Porträt zum 100. Geburtstag", das Orchester vol. 7-8, 1993, p. 789.
Barthelmes, Barbara. "Kompositionen für Vierteltöne: Ästhetische Positionen", Mikrotöne II, Edition Helbling, Innsbruck, 1988, pp. 9-22.
Barthelmes, Barbara. "Salzburg, 22. bis 24. Mai 1987: Musikalische Grundlagenforschung und kompositorische Praxis 2. Internationales Symposion 'Mikrotonforschung, Musik mit Mikrotönen, Ekmelische Musik' (symposium review)", Die Musikforschung vol. 41 no. 1, Jan-Mar 1988, p. 58.
Barthelmes, Barbara. Son et Image. Le projet de la coupole lumineuse [de Wyschnegradsky]. 1990, unpublished.
Barthelmes, Barbara. "Selected musical compositions (1948-1972) by Adrian Daniël Fokker, Rudolf Rasch (book review)", Die Musikforschung vol. 44 no. 3, Bärenreiter, July-Sep 1991, pp. 303-304.
Barthelmes, Barbara. Raum und Klang. Das musikalische und theoretische Schaffen Ivan Wyschnegradskys. PhD thesis, Technische Universität Berlin, 1991. Wolke Verlag, Hofheim, 1995, 511 pages.
Barthelmes, Barbara. "Musik und Religion im russischen Symbolismus", Musik und Religion, Diether de la Motte (ed.), Laaber Verlag, Laaber, 1995, pp. 139-162.
Barthelmes, Barbara. "Mikrotöne", Die Musik in Geschichte und Gegenwart, Bärenreiter, Kassel, 1997.
Barthelmes, Barbara. "Der Künstler als ewiger Fremder. Kompositorische Reflexion der Emigration bei Ivan Visnegradskij", Musik zwischen Emigration und Stalinismus, F. Geiger and E. John (eds.), J.B. Metzler, Stuttgart, 2004, pp. 256-270.
Bartholomew, Wilmer Tillett. Acoustics of Music. Prentice Hall, New York, Jan 1942, 1950, 242 pages.
Bartlett, James C. and W. Jay Dowling. "Scale Structure and Similarity of Melodies", Music Perception vol. 5 no. 3, Cognitive and Perceptual Function, spring 1988, pp. 285-314.
Bartlett, Martin. "A Microcomputer-Controlled Synthesis System for Live Performance", Computer Music Journal vol. 3 no. 1, Mar 1979, pp. 25-29. Also in Foundations of Computer Music, MIT Press, Cambridge MA, 1985.
Bartlett, Martin. "Relative Ratio Tuning: An Intonational Strategy for Performance Systems", Leonardo Music Journal vol. 1 no. 1, 1991, pp. 71-73.
Bartók, Béla. "Das Problem der neuen Musik", Melos vol. 1, 1920. Reprinted in Melos vol. 25, 1958, pp. 232-235.
Bartók, Béla. "Vom Einfluß der Bauernmusik auf die Musik unserer Zeit", 1921. Reprint in Musik der Zeit vol. 3, 1953, p. 18. In Hungarian in: Uj Idok, 1931. English translation "The influence of peasant music on modern music" Tempo vol. 14, winter 1949-1950, London, pp. 19-24 and Contemporary Composers on Contemporary Music, Holt, Rinehart and Winston, New York, 1967, pp. 72-79.
Bartolozzi, Bruno. Nuovi suoni per i legni. Edizioni Suvini Zerboni, Milan, 1967, 1974, 88 pages. English translation by Reginald Smith Brindle (ed.), New Sounds for Woodwinds, Oxford University Press, London, 1967, 1971, Jan 1974, 114 pages. Zerboni, Milan, Jan 2003.
Bartolus, Abraham. Musica mathematica, Das ist: Das Fundament der allerlieblichsten Kunst der Musicae, wie nemlich dieselbe in der Natur stecke, und ihre gewisse proportiones, das ist, gewicht und mass habe, und wie dieselben in der Mathematica, fürnehmlich aber in der Geometria und Astronomia beschrieben seind: Sonnsten genennet die beschreibung des Instrumentes Magadis oder Monochordi: Allen liebhabern und Künstlern der Music zu gefallen und sonderlichen nutz in deutsch gegeben, durch M. Abrahamum Bartolum, Bentensem Minieum. Johann Meuschken, Altenburg in Meissen, 1614. VI. Teil des Theatrum Machinarum von Henning Groß. Heinrich Zersing, 1708.
Barton, David T. Robert Fludd's 'Temple of Music'. MSc thesis, University of Oregon, 1978.
Barton, Scott; Ethan Prihar and Paulo Carvalho. "Cyther: a human-playable, self-tuning robotic zither", NIME Proceedings 2017, Copenhagen, 2017, pp. 319-324.
Bary, Émile. Acoustique. Note sur un procédé très-simple pour accorder une guitare sans le secours de l'oreille. Imprimerie de Casimir, Paris, 1835.
Bar-Yosef, Amatzia. "A Cross-Cultural Structural Analogy Between Pitch And Time Organizations", Music Perception vol. 24 no. 3, Feb 2007, pp. 265-280.
Baschet, François. "The Baschet Experience", Interval vol. 4 no. 2, autumn 1983, pp. 12-14.
Baschet, François. "The Baschet Experience: Part II from the 'Sound Sculpture' Papers", Interval vol. 4 no. 3, spring 1984, pp. 6-7.
Bassett, Henry. "On Improvements in the Trumpet", Proceedings of the Musical Association vol. 3, Royal Musical Association, 1876, pp. 140-144. Also here.
Basu, Sharmadip. Tuning Modernity: Musical Knowledge and Subjectivities in Colonial India, c.1780s - c.1900. PhD thesis, Syracuse University, 2011, 393 pages.
Bateman, Wayne A. Introduction to Computer Music. Wiley, 1980, p. 221.
Bates, Charles Norman. Developing the ability to recognize microtones (musical perception). PhD thesis, Ohio State University, 1992, 189 pages.
Bates, Robert F. "Nivers' Tonal Material: Tuning Restrictions and the Developments of the Major-Minor System", The Organ Yearbook vol. 18, 1987, pp. 78-94.
Bates, Robert F. and Kimberley Marshall. "A Response from the Custodians: More Thoughts on the Stanford Temperaments", Performance Practice Review vol. 2 no. 2, 1989, pp. 147-169.
Bates, Robert F. "Le Tempérament musical: philosophie, histoire, théorie et pratique by Dominique Devie (book review)", Music & Letters vol. 72 no. 4, Nov 1991, pp. 581-583.
Bates, Robert F., Mark Lindley and Kimberley Marshall. "The Stanford Organ: A Synthesis of Views, The Stanford Eclectic Tunings", Performance Practice Review vol. 5, 1992, pp. 159-197.
Báthory-Kitsz, Dennis. "Construal of Musical Process Architecture", Consorting, June 1992.
Batish, Ashwin and S.D. Batish. Ragopedia: Exotic Scales of North India. Batish Institute, 1989, 190 pages.
Battan, Suzette Mary. Alois Hába's 'Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems'. PhD dissertation with annotated English translation, Eastman School of Music, Rochester NY, 1980, 2 vols., 366 pages.
Battey, Bret. "Bézier Spline Modeling of Pitch-Continuous Melodic Expression and Ornamentation", Computer Music Journal vol. 28 no. 4, winter 2004, pp. 25-39. Also here.
Baud-Bovy, Samuel. "L'accord de la lyre antique et la musique populaire de la Grèce moderne", Revue de musicologie vol 53 no. 1, 1967, pp. 3-20.
Baud-Bovy, Samuel. "Bourgault-Ducoudray et la musique grecque ecclésiastique et profane", Schaeffner Festschrift, 1982, pp. 153-163.
Bauer, Amy. "The Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's 'Galamb Borong'", Music Analysis vol. 27 no. 2/3, July-Oct 2008, pp. 337-372.
Bauer, Marion. "Natural Law: Its Influence on Modern Music", The Musical Quarterly vol. 6 no. 4, Oct 1920, pp. 469-477.
Bauer, Marion. "Twentieth century music; how it developed, how to listen to it. G.P. Putnam's Sons, New York, 1947, 430 pages.
Baumann, Dorothea and Barbara Haggh. "Musical Acoustics in the Middle Ages", Early Music vol. 18 no. 2, May 1990, pp. 199-210.
Baumbusch, Brian. The Lightbulb Instruments. MA thesis, Mills College, Oakland CA, 2013, 78 pages.
Baumeister, Tina and Jonas H. Eschenburg. "Kommata und Tonsysteme. Zur Geometrie der Töne", Augsburg, WWW, Aug 2009, 10 pages.
Bavington, Peter and Miles Hellon. "Evidence of historical temperament from fretted clavichords", FoMRHI Quarterly vol. 64 (Fomrhi Comm 1056), July 1991, pp. 55-58.
Bavington, Peter. "Clavichord tuning and maintenance 13: More thoughts on temperament setting", The British Clavichord Society Newsletter no. 20, June 2001, pp. 9-13.
Bavington, Peter. "The Temperament of the Donat Clavichord", WWW, July 2002.
Bavington, Peter. "Two books on temperament. Ross W. Duffin: How Equal Temperament Ruined Harmony, A.C.N. Mackenzie of Ord: The Temperament of Keyboard Music: Its Character; its Musicality; and its History (book reviews)", British Clavichord Society Newsletter vol. 41, June 2008.
Bayer, Francis. De Schönberg à Cage. Essai sur la notion d'espace sonore dans la musique contemporaine. Éd. Klincksieck, Paris, 1981, pp. 113-119.
Bayer, Karl. Auflösung der Antinomie Tonalität kontra Atonalität, Atonalität kontra Tonalität im Medium des Pytagoreischen Kommas und reinen-edlen-Gesanges. self-published, Lübeck, 1980, 1982, 20 pages.
Bayer, Karl. "Die Struktur der Intervalle : die pythagoreische Tonspirale", self-published, Odisheim, 1984.
Bayley, Lynn René. "Julián Carrillo, the Forgotten Genius", WWW, 2018.
Bayley, Lynn René. "More Wacky Music from Harry Partch (CD review)", WWW, 2019.
Bayley, Lynn René. "More Partch by Harry Himself", WWW, 2019.
Bayuk, Dimitri. "Literature, Music, and Science in Nineteenth Century Russian Culture: Prince Odoyevskiy's Quest for a Natural Enharmonic Scale", Science in Context vol. 15 no. 2, June 2002, pp. 183-207.
Beach, David Williams. The Harmonic Theories of Johann Philipp Kirnberger: Their Origins and Influences. PhD diss., Yale University, University Microfilms International, 1974, 248 pages.
Beach, David Williams. "The Origins of Harmonic Analysis", Journal of Music Theory vol. 18 no. 2, autumn 1974, pp. 274-306.
Beach, David Williams. "The Fundamental Line from Scale Degree 8: Criteria for Evaluation", Journal of Music Theory vol. 32 no. 2, autumn 1988, pp. 271-294.
Beach, David Williams. "Georg Andreas Sorge - Genealogia allegorica intervallorum octavae diatono-chromaticae. Translation and Edition", Theoria vol. 14, 2007, pp. 7-56.
Beal, Amy C. New Music, New Allies - American Experimental Music in West Germany from the Zero Hour to Reunification. California Studies in 20th Century Music vol. 4, University of California Press, Berkeley CA, 2006, 356 pages.
Beaufils, Daniel and Martine Grente. "À propos d'acoustique musicale: la question des gammes", Bulletin de l'Union des Physiciens vol. 775, 1995, pp. 1107-1122.
Beaufils, Daniel and Martine Grente. "À propos des gammes musicales", WWW, 1998.
Beaulieu, Marc. "Cyclical Structures and Linear Voice-Leading in the Music of Ivan Wyschnegradsky", ex tempore vol. 5 no. 2, West Springfield MA, autumn 1991.
Bebbington, Brian. "Folkmusic and computers", African Music: Journal of the African Music Society vol. 4 no. 2, June 1968, pp. 56-58.
Beccatelli, Giovanfrancesco. "Sposizione di Giovanfrancesco Beccatelli Fiorentino delle musiche Dottrine degli Antichi Musici Greci, e Latini. MS F 8, 1-60", Bologna.
Beccatelli, Giovanfrancesco. "Appendice Ò Sia Confutazione di due principali parti dell' antica Musica. MS F 8, 61-66", Bologna.
Becker, Alexander. "Wissen von der Musik im 16. Jahrhundert", Wissensideale und Wissenskulturen in der frühen Neuzeit, W. Detel and C. Zittel (eds.), Akademie-Verlag, Berlin, 2002, pp. 275-302.
Becker, Judith. "Music in Bali by Colin McPhee (book review)", Journal of the American Musicological Society vol. 21 no. 3, autumn 1968, pp. 404-406.
Becker, Judith. "Music in Java; Its History, Its Theory and Its Technique by Jaap Kunst, E.L. Heins (book review)", Ethnomusicology vol. 19 no. 2, May 1975, pp. 310-315.
Becker, Judith. Traditional Music in Modern Java. Gamelan in a Changing Society. University of Hawaii Press, Honolulu, 1980, 269 pages. Chapter 6 "Old Modes and New Music", pp. 79-99.
Becker, Judith. "Is Western Art Music Superior?", The Musical Quarterly vol. 72 no. 3, 1986, pp. 341-359.
Becker, Judith. "Time and tune in Java", Music as Culture, Garland, New York, 1990, pp. 233-246.
Becker, Judith. "Auf die Stimmung kommt es an - Entwicklung der Stimmtonhöhe bei Blockflöten", Instrumentenbau-Zeitschrift vol. 49, Siegburg, Jan-Feb 1996, pp. 80-81.
Becker, Luthfi. La viole de gambe. Dessain et Tolra, Paris, 1982, 112 pages.
Beckmann, Klaus. "Arp Schnitger und das Netzwerk Wohltemperierung", Ars Organi vol. 64 no. 4, 2016, pp. 215-222.
Bedford, L.H. "The Arithmetic of the Musical Scale", Journal of the Royal Society of Arts vol. 104 no. 4977, 11 May 1956, pp. 465-481.
Bédos de Celles, Dom François. L'Art du facteur d'orgues. 3 vols., Paris, 1766-1778, 676 pages. Reprint in Hamel, Encyclopédie Roret, Paris, 1849. Reprint Bärenreiter, Kassel, 1965.
Beebe, Carey. "Historic Temperaments, WWW, 2005.
Beebe, Carey. "Vallotti's Temperament: Something painless for modern piano technicians to tune, WWW, 2013.
Beeckman, Isaac. Journal tenu de Isaac Beeckman de 1604 à 1634 (in Latin and Dutch). 1604-1634. Cornelis de Waard (ed.), 4 vols., Martinus Nijhoff, Den Haag, 1939-1953.
Beer, Anton de. "The Development of 31-tone Music", Sonorum Speculum vol. 38, Amsterdam, 1969, pp. 3-16. German translation "Die Entwicklung der 31-Tonmusik", Sonorum Speculum vol. 38, 1969, pp. 26-39.
Beer, Anton de. Guide for the use of the archiphone. Stichting Huygens-Fokker, Haarlem, 1976.
Behrens-Senegalden, G.A. Die Vierteltöne in der Musik. Begleitschrift zu der Erfindung eines achromatischen Klaviers und Entwurf zur Darstellung der Vierteltöne als Notenschrift. R. Sulzer Nachfolger, Berlin, 1892.
Behrens, Jon. "Quantitative Analyse der Güte des Harmonievorrats gleichstufiger Tonsysteme", WWW.
Behringer, Reinhold. "Quantitative Metric for Tonality Morphology in the Tonnetz Torus", 2nd International Conference Mathematics and Computation in Music, 19-22 June 2009, Yale University Press, New Haven CN.
Beichert, Eugen Alfred. "Die Wissenschaft der Musik bei Al-Farabi", Regensburg, 1931. In Kirchenmusikalisches Jahrbuch vol. 27, 1937, pp. 9-48.
Békésy, Georg von. "Über die eben merkliche Amplituden- und Frequenzänderung eines Tones, Physikalische Zeitschrift vol. 29, 1928.
Békésy, Georg von. "Zur Theorie des Hörens. Über die Bestimmung des einem reinen Tonempfinden entsprechenden Erregungsgebietes des Basilamembran vermittelst Ermüdigungserscheinungen", Physikalische Zeitschrift vol. 30, 1929, p. 115.
Békésy, Georg von. "Über die nichtlinearen Verzerrungen des Ohres", Annalen der Physik vol. 412 no. 8, Sep 1934, pp. 809-827.
Békésy, Georg von. "Über akustische Rauhigkeit", Zeitschrift für technische Physik vol. 16, 1935, pp. 276-282.
Békésy, Georg von. Experiments in Hearing. McGraw-Hill, New York, 1960. Reprint Acoustical Society of America, June 1989, 745 pages.
Bel, Bernard. "Musical acoustics: Beyond Levy's 'Intonation of Indian Music'", ISTAR Newsletter no. 2, New Delhi, Apr-June 1984, pp. 7-12.
Bel, Bernard. "Pitch perception and pitch extraction in melodic music", ISTAR Newsletter no. 3-4, New Delhi, 1985, pp. 54-59.
Bel, Bernard. "Raga: approches conceptuelles et expérimentales", Actes du colloque 'Structures Musicales et Assistance Informatique', Bernard Bel and B. Vecchione (eds.), Laboratoire Musique et Informatique, Marseille, June 1988, pp. 87-108.
Bel, Bernard. A Mathematical Discussion of the Ancient Theory of Scales according to Natyasastra, Note 272, GRTC, CNRS, Marseille, 1988.
Belyaev, Victor. "Turkish Music (1934)" (in Russian), Sovyetskii Kompozitor, Moscow, 1971, pp. 163-176. abridged translation: Victor Belaiev, "Turkish Music", The Musical Quarterly vol. 21 no. 3, July 1935, pp. 356-367.
Belyaev (Belaiev), Victor. "The Formation of Folk Modal Systems", Journal of the International Folk Music Council vol. 15 no. 1, 1963, pp. 4-9.
Belet, Brian (ed.) "An Interview with James Tenney", Perspectives of New Music vol. 25 no. 1/2, 1987, pp. 459-466.
Belet, Brian. An Examination of the Theories and Compositions of James Tenney, 1982-1985. MA thesis, University of Illinois, Urbana-Champaign, 1990, 151 pages.
Belet, Brian. "Toward a Unification of Algorithmic Composition, Real-Time Software Synthesis, and Live Performance Interaction", Proceedings of the International Computer Music Conference, San Jose CA, 1992, pp. 158-161.
Belet, Brian. "Theoretical and formal continuity in James Tenney's music", Contemporary Music Review vol. 27 no. 1, The Music of James Tenney, June 2008, pp. 23-45. Also here.
Bélis, Annie. "Les 'nuances' dans le Traité d'Harmonique d'Aristoxène de Tarente", Revue des Etudes grecques vol. 95, 1982, pp. 54-73. Italian translation by Matilde Battistini "Le 'nuances' nel 'Trattato di armonica' di Aristosseno di Taranto", WWW, 1999.
Bélis, Annie. Aristoxène de Tarente et Aristote: le Traité d'Harmonique. Éd. Klincksieck, Paris, 1986, 274 pages.
Bélis, Annie. "L'harmonique comme science dans l'Antiquité", Quadrivium, musique et sciences, IPCM, Paris, 1992, pp. 201-209.
Bélis, Annie. "La musique grecque antique", Instruments, musiques et musiciens de l'Antiquité classique, Arthur Muller (ed.), Actes des rencontres de Lille, Ateliers vol. 4, 1995, Université de Lille III, pp. 13-45.
Beljajev, Victor. "Cetvertitonnaja muzyka", Zizn'isusstva vol. 18, Leningrad, 1925.
Beljajev, Victor. "The longitudinal open flutes of central Asia", The Musical Quarterly vol. 19 no. 1, 1933, pp. 84-100.
Beljajev, Victor. "The Formation of Folk Modal Systems", Journal of the International Folk Music Council vol. 15 no. 1, 1963, pp. 4-9.
Bell, Andrew. "Musical ratios in geometrical spacing of outer hair cells in the cochlea: strings of an underwater piano?", Proceedings of the International Conference on Music Perception and Cognition, C. Stevens; D. Burnham; G. McPherson; E. Schubert and J. Renwick (eds.), Sydney, 2002.
Bell, Andrew and W. Wiktor Jedrzejczak. "The 1.06 frequency ratio in the cochlea: evidence and outlook for a natural musical semitone", PeerJ vol. 5, Dec 2017, 21 pages.
Bell, Jonathan and Benjamin. Matuszewski. "SMARTVOX. A web-based distributed media player as notation tool for choral practices", International Conference on Technologies for Music Notation and Representation Proceedings, A Coruña, May 2017, 6 pages.
Bellamy, Sister Laurette (ed.) The Sonido Trece theoretical works of Julián Carrillo: A translation with commentary. PhD thesis, Indiana University, Bloomington IN, May 1972, 580 pages.
Bellasich, Alda, E. Fadini, S. Leschiutta, Mark Lindley. Il Clavicembalo. Organologia, accordatura, notazione, diteggiatura. EDT/Musica, Torino, 1984, 239 pages.
Belle, Shreyas; Rushikesh K. Joshi and Preeti S. Rao. "Raga Identification by using Swara Intonation", Journal of ITC Sangeet Research Academy vol. 23, Calcutta, Dec 2009, 7 pages.
Bellerman, Johann Gottfried Heinrich. Die Tonleitern und Musiknoten der Griechen. A. Förstner, Berlin, 1847. Springer, Berlin, 1873. Reprint Wiesbaden, 1969. Nabu Press, Apr 2010, 110 pages. Wentworth Press, July 2018, 108 pages. Forgotten Books, Sep 2018, 92 pages.
Bellerman, Johann Gottfried Heinrich. Die Größe der musikalischen Intervalle als Grundlage der Harmonie. Julius Springer, Berlin, 1873, 101 pages.
Bellerman, Johann Gottfried Heinrich. "Die Grundlage der Violin-Technik von Karl Courvoisier (book review)", Allgemeine musikalische Zeitung vol. 8, Breitkopf und Härtel, Leipzig, 26 Nov 1873, pp. 756-760.
Bellman, Jonathan. "Toward a Well-Tempered Chopin", Chopin in Performance: History, Theory, Practice. Proceedings of the 5th International Chopin in Performance Conference, Artur Szklener (ed.), Narodowy Instytut Fryderyka Chopina, Warsaw, 2005, pp. 25-38.
Bemetzrieder, Antoine. Leçons de clavecin, et principes d'harmonie. Bluet, Paris, 1771. Réédité dans les Oeuvres complètes de Diderot, vol. 12, Paris, 1876.
Bemetzrieder, Antoine. Lettre concernant les dièses et les bémols. Paris, 1773.
Bemetzrieder, Antoine. Traité de Musique concernant les tons, les harmonies, les accords et le discours musical. 2 vols. l'auteur et Pissot, Paris, 1776, 1779, 286 pages. Reprint Hachette Livre BNF, 2019. Hardpress Publishing, Oct 2019, 302 pages.
Bemetzrieder, Antoine. Nouvel essai sur l'harmonie, suite du Traité de musique. l'auteur, Onfroy, Paris, 1779-1780, c.300 pages. 2nd edition, B. Morin, Paris, 1781.
Bemetzrieder, Antoine. General instructions in music, containing precepts and examples in every branch of the science. With a new geometrical explanation of the musical scale, the modes and various kinds of music. London, 1790.
Bemetzrieder, Antoine. The Art of Tuning our Instruments made Interesting and easy to all Students in Music, And Dedicated to the Amateurs who like to tune occasionally their Piano Fortes. Goulding, Phipps, D'Almaine & Co., London, c.1808.
Benade, Arthur H. "Mathematical Theory of Woodwind Fingerholes", Journal of the Acoustical Society of America vol. 31 no. 11, Nov 1959, p. 1564.
Benade, Arthur H. "On the Mathematical Theory of Woodwind Fingerholes", Journal of the Acoustical Society of America vol. 32 no. 12, Dec 1960, pp. 1591-1608.
Benade, Arthur H. and J.S. Murday. "Measured end corrections for woodwind toneholes", Journal of the Acoustical Society of America vol. 41 no. 6, June 1967, p. 1609.
Benade, Arthur H. Fundamentals of Musical Acoustics. Oxford University Press, New York, 1976, 608 pages. Reprint with extensive corrections, Dover, New York, 1990.
Benade, Arthur H. and Roger B. Dannenberg. "An automated approach to tuning", CCRMA, Stanford University, 1983, 14 pages. Also in Proceedings of the International Computer Music Conference, New York, 1983, pp. 81-90.
Benade, Arthur H. "On the Tuning of Clarinets", The Clarinet, Nov/Dec 1990, pp. 18-20.
Benade, Arthur H. and Douglas H. Keefe. "The Physics of a New Clarinet Design", Galpin Society Journal vol. 49, Mar 1996, pp. 113-142.
Bendeler, Johann Philipp. Organopoeia, oder: Unterweisung, Wie eine Orgel nach ihren Hauptstücken, als Mensuriren, Abtheilung derer Laden, Zufall des Windes, Stim[m]ung oder Temperatur &c., aus wahren Mathematischen Gründen zuerbauen : Sam[m]t einer Zugabe, Wie alle übel-klingende Spinette, Clavicimbel [et]c. zu einem lieblichen Klange, ohne Veränderung der Decke, zu bringen; Ingleichen, wie sie wohl zubekielen. Calvisius, Gottschick, Frankfurt a.M., Leipzig, Quedlinburg, Merseburg, c.1690, 48 pages. Re-edition by Rudolf Bruhin (ed.), Frits Knuf, Amsterdam, 1972. Laaber Verlag, Bibliotheca Organologica 28, Laaber, 72 pages.
Bender, G. "Le Futurisme Musical", Le Guide du Concert III, Feb 1912.
Benedetti, Giovanni Battista. Diversarum speculationum mathematicarum & physicarum liber. Bevilacqua, Turin, 1585, 638 pages.
Benedetto, Alessio Di. "Johann Sebastian Bach odiava il temperamento equabile", Prospettive musicali vol. 18 no. 1, 2000.
Benedictis, Giovanni Battista. Diversarum speculationum mathematicarum & physicarum liber. Nicolai Bevilaquae, Turin, 1585, 426 pages.
Benetos, Emmanouil and André Holzapfel. "Incorporating pitch class profiles for improving automatic transcription of Turkish makam music", Proceedings of the 4th Workshop on Folk Music Analysis, Bogaziçi University, 2014, pp. 15-20.
Benetos, Emmanouil and André Holzapfel. "Automatic transcription of Turkish microtonal music", Journal of the Acoustical Society of America vol. 138 no. 4, Aug 2015, p. 2118.
Bengtsson, Ingmar. "Stemming", Cappelens musikkleksikon, Cappelen, Oslo, 1980.
Benguerel, André-Pierre and Carol Westdal. "Absolute Pitch and the Perception of Sequential Musical Intervals", Music Perception vol. 9 no. 1, Oct 1991, pp. 105-119. Also here.
Benjamin, Gerald R. "Julián Carrillo and 'sonido trece' ('Dedicated to the Memory of Nabor Carrillo')", Yearbook, Inter-American Institute for Musical Research vol. 3, 1967, pp. 33-68.
Benjamin, Mira. Thick Relationality: Microtonality and the Technique of Intonation in 21st Century String Performance. PhD thesis, University of Huddersfield, 2019, 238 pages.
Benjamin, William E. "On Pitch Reclassification: Unmaking some Myths of Octave Equivalence", American Society of University Composers Proceedings vol. 11-12, 1976-1977, pp. 28-39.
Bennett, Simon J. Atonalism and microtonality for The Guide formerly known as the Ravenspiral Guide. an informal guide to music theory as it relates to composition. WWW, 2002-2012, 101 pages.
Bennetts, Kathryn; Donald Bousted and Peter Bowman. The Quarter-Tone Recorder Manual. No. 2084, Moeck Verlag, Celle, 1998, 50 pages.
Bensa, Julien; Stefan Bilbao; Richard Kronland-Martinet; Julius Smith and Thierry Voinier. "Computational modeling of stiff piano strings using digital waveguides and finite differences", Acta Acustica vol. 91 no. 2, Mar 2005, pp. 289-298.
Benson, David J. "Musical scales and the Baker's Dozen", Matilde, Nyhedsbrev for Dansk Matematisk Forening no. 28, Sep 2006, pp. 15-16.
Benson, David J. Music: a Mathematical Offering. WWW, 1995-2008, 531 pages. Cambridge University Press, Cambridge, Dec 2006, 426 pages.
Bent, Margaret. "Diatonic 'ficta'", Early Music History vol. 4, Cambridge University Press, 1984, pp. 1-48.
Bent, Margaret. "Diatonic ficta revisited", Music Theory Online vol. 2 no. 6, WWW, 1996.
Bento, Pedro Manuel Branco dos Santos. "Natural Chords and Stiffness-Dependent Inharmonicity on the Harpsichord: Theoretical study and practical experiments", American Musical Instrument Society, Thirty-Fifth Annual Meeting, Vermillion, 19-23 May 2006.
Bento, Pedro Manuel Branco dos Santos. The Harpsichord: Its Timbre, Its Tuning Process, and Their Interrelations. PhD thesis, University of Edinburgh, 2013, 447 pages.
Benz, Wolfram. "Hans Kayser - ein Leben für die Harmonik der Welt", WWW, 1996.
Berard, Wilford W. "The Eleventh and Thirteenth Partials", Journal of Music Theory vol. 5 no. 2, spring 1961, pp. 95-107.
Berezovsky, Jesse. "The structure of musical harmony as an ordered phase of sound: A statistical mechanics approach to music theory", Science Advances vol. 5 no. 5, WWW, May 2019.
Berg, Reinhard Alexander. Tuning for slow beating: A resource in electronic music composition. MA thesis, University of California, San Diego, 1977, 36 pages plus tapes.
Berg, Richard E. and David G. Stork. The Physics of Sound. Prentice Hall, Englewood Cliffs NJ, 1982, 1995, chap. 9, pp. 223-244. 3rd ed., Pearson, 2005.
Bergami, Oreste. "L'armonia dal punto di vista della scala fisica", Editrice tipografia sociale, Portomaggiore (Ferrara), 1932.
Bergomi, Mattia Giuseppe. Dynamical and topological tools for (modern) music analysis. PhD thesis, Dipartimento di informatica, University of Milan, Dec 2015, 314 pages.
Bergeijk, Willem André Maria van; John R. Pierce and Edward E. David Jnr. Waves and the Ear. Doubleday Anchor, 1960, 235 pages. Heinemann, London, 1961.
Bergenfeld, Nathan. "The cross relation and Elizabethan music: Causes and classification", Diapason vol. 61 no. 5, Apr 1970, pp. 10-11.
Berger, Karol. Theories of chromatic and enharmonic music in Italy in the second half of the sixteenth century. PhD diss., Music History, Yale University, 1975, UMI Research Press, Ann Arbor MI, 1976, 1980, 243 pages.
Berger, Karol. "The expanding universe of musica ficta in theory from 1300 to 1550", The Journal of Musicology vol. 4 no. 4, autumn 1985-86, pp. 410-430.
Berger, Karol. Musica ficta. Theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge University Press, Cambridge, 1987, Jan 2004, 266 pages.
Berger, Karyn Ann. Flute Intonation: a Comparison of Modern and Theobald Boehm Flutes Scales. DMA thesis, University of Cincinnati, 1999, 181 pages.
Berger, Sven. "Stämmer man ciss rent, så blir dessvärre dess värre! Om medeltonstemperatur och harmonisk intonation", Tidskrift för tidig musik: Föreningen för tidig musik (FFTM) vol. 15 no. 3, 1993, p. 5-17.
Bergh, Gertrude van den. Principes de musique, à l'usage des classes d'enseignement mutuel, établies par Mlle van den Bergh. Den Haag, 1830.
Berghaus, Günther. "Noise: A category in futurist theatre and music", Teorija i istorija umetnosti/Theory and history of arts, 2018, pp. 15-35, with Serbocroatian abstract.
Berghmans, José. "A Music Stave for the Notation of Different Musics", Interface vol. 12 no. 4, 1983, pp. 525-540.
Bergholt, Ernest. "Ancient Greek Music", The Musical Times and Singing Class Circular vol. 35 no. 618, Aug 1894, p. 556.
Bergholt, Ernest. "Greek Musical Notation", The Musical Times and Singing Class Circular vol. 35 no. 620, Oct 1894, pp. 696-698.
Bergomi, Mattia G. and Simone Geravini. I Modi delle scale. Tutti i segreti delle scale modali con una nuova visione d'insieme e prospettiva di utilizzo. Casa musicale Eco, Monza, Nov 2012.
Bergomi, Mattia G. and Alessandro Portaluri. "Modes in modern music from a topological viewpoint", arXiv 1309.0687, WWW, Sep 2013, 26 pages.
Bergomi, Mattia G.; Riccardo D. Jadanza and Alessandro Portaluri. "Una geometrizzazione dello spazio degli accordi", Ithaca: Viaggio nella Scienza vol. 3, 2014, pp. 33-45.
Bergquist, Peter. The theoretical writings of Pietro Aaron. Columbia University, New York, 1964.
Bergquist, Peter. "Authur Michael Daniels: The De musica libri septem of Francisco de Salinas (book review)", Current Musicology vol. 1, Nov 2019, pp. 97-100.
Bergstrom, Ilias and R. Beau Lotto. "Harnessing the Enactive Knowledge of Musicians to Allow the Real-Time Performance of Correlated Music and Computer Graphics", Leonardo Music Journal vol. 42 no. 1, Feb 2009, pp. 92-93.
Bergstrom, Tony; Karrie Karahalios and John C. Hart. "Isochords: Visualizing Structure in Music", GI '07: Proc. Graphics Interface, ACM, May 2007, 8 pages.
Beringer, Maternus. Musicae, das ist der freyen lieblichen Singkunst. Georg Leopold Fuhrmann, Nürnberg, 1610. Reprint Bärenreiter, Kassel, 1974.
Berlin, Johan Daniel. Anleitung zur Tonometrie : oder, Wie man durch Hülfe der logarithmischen Rechnung nach der geometrischen Progressionsrechnung die so genannte gleichschwebende musikalische Temperatur leicht und bald ausrechnen kann : nebst einem Unterrichte von dem 1752 erfundenen und eingerichteten Monochordon. Der Drontheimischen Gesellschaft Schriften Band 3, Friedrich Christian Pelt, Leipzig, 1767. Norwegian translation Anledning til tonemetrien : eller, Hvorledes man ved hielp af logarithmus-regning kan komme let og snart afsted ned at udregne efter den geometriske progressions-regning, det saakaldte ligedansvævende musicaliske temperatur. Reprint in Series: Edition Norvegica, Bjarne Kortsen (ed.), vol. 10, Bjarne Kortsen, Bergen, 1976, 52 pages.
Berlin, Johan Daniel. "The collected works of Johan Daniel Berlin (1714-87)", The music of the Berlin family in Trondheim, Norway. Bjarne Kortsen (ed.), vol. 1, Bergen, 1977, 247 pages.
Bermel, Derek (ed.) "Derek Bermel Speaks with Ben Johnston", Paris New Music Review vol. 2 no. 4, 1995, pp. 2-3.
Bermudo, Juan. Declaración de instrumentos musicales. Osuna, 1549, 1555, 322 pages. Also here. Facsimile edition, Kassel, 1957. Dutch translation by Nelly van Ree Bernard Verklaring der muziekinstrumenten, Stichting voor Muziekhistorische Uitvoeringspraktijk, Utrecht, 1978.
Bernet Kempers, Karel Philippus. "Het ontstaan van toonsystemen", De Muziek vol. 7, Amsterdam, 1933, p. 258.
Bernini, Antonio and Federico Talamucci. "Consonance of Complex Tones with Harmonics of Different Intensity", Open Journal of Acoustics vol. 4 no. 2, June 2014, pp. 78-89.
Bernoulli, Daniel. Letter to Euler, St. Petersburg, 1843.
Bernoviz, Nimrod. The Chinese Diao: Modal Practice in 15th Century Qin Music. MA thesis, University of Pittsburgh, Pittsburgh PA, 1996.
Bernstein, Joshua G.W. and Andrew J. Oxenham. "Harmonic segregation through mistuning can improve fundamental frequency discrimination", Journal of the Acoustical Society of America vol. 124 no. 3, Sep 2008, pp. 1653-1667.
Bernstein, Zachary. "The Implications of Resonance: Spectralism and the French Music-Theoretical Tradition", The National Element in Music (Conference Proceedings), 2014, 13 pages.
Berry, Rob. "Wendy Carlos: Beauty in the Beast (CD review)", WWW, 1994.
Berryman, Lew. Intonation Plus: A comprehensive method for the jazz double bass player. Houston Publishing, Houston TX, Oct 1997, 96 pages.
Bertagnolli, Paul. "Halévy's Quarter Tones", Journal of the American Musicological Society, Society for Music Theory, Seattle, 11-14 Nov 2004.
Bertier, Jérôme. "The Elliptical Temperament", WWW, Feb 2015, 9 pages.
Bertier, Jérôme. "Catalogue de Tempéraments", WWW, Oct 2015, 16 pages.
Bertier, Jérôme. "Comparing Beatings: a Method for tuning historical Keyboards", WWW, Dec 2015, 16 pages.
Bertsch, Matthias A. Studien zur Tonerzeugung auf der Trompete. PhD diss., Universität Wien, Vienna, 1998, 252 pages.
Bertsch, Matthias A. "Intonation on trumpets", Proceedings of ISMA '98 (International Symposium on Musical Acoustics), ASA, Catgut, Leavenworth, 1998, 6 pages. German translation "Zur Intonation von Trompeten", 48. Jahrestagung der ÖPG, Fachausschuß für Akustik Karl-Franzens-Universität, ÖPG, Graz, 1998.
Bertsch, Matthias A. "Zur Tonerzeugung auf der Trompete. Versuch einer Systematik möglicher Einflussfaktoren unter Berücksichtigung einer empirischer Forschungsansätze", Zeitschrift für systematische Musikwissenschaft, 2000, 16 pages.
Bérubé, Alfred. La gamme tempérée et le violon. La Pocatière, Québec, c.1974.
Besada, José L. "Flamenco, Fractals, and the Refigured Past: Three Creative Paths for Implementing Microtones in Contemporary Spanish String Quartets", Perspectives of New Music vol. 55 no. 1, winter 2017, pp. 5-39.
Besouw, Rachel M. van; Jude S. Brereton and David M. Howard. "Defining the Limits of Tuning for Tones with and without Vibrato", Conference: Journal Revista de Acustica vol. 38 no. 3-4, Jan 2007, 19th International Congress on Acoustics Madrid, 2-7 Sep 2007, 7 pages.
Besouw, Rachel M. van; Jude S. Brereton and David M. Howard. "Range of tuning for tones with and without vibrato", Music Perception vol. 26 no. 2, Dec 2008, pp. 145-155.
Béthizy, Jean-Laurent de. "Reflexions sur les Elémens de musique théorique & pratique, suivant les principes de M. Rameau", Journal oeconomique, July 1752, pp. 89-121.
Béthizy, Jean-Laurent de. "Replique ... sur les Elémens de musique", Journal oeconomique, Mar 1753, pp. 64-95.
Béthizy, Jean-Laurent de. Exposition de la théorie et de la pratique de la musique, suivant les nouvelles découvertes. Michel Lambert, Paris, 1754. Seconde édition, corrigée et augmentée par l'auteur. F.G. Deschamps, Paris, 1764, 331 pages. Reprint Minkoff, Genève, 1972.
Bettenhaussen, Fred and Frits & Hans van Krevelen. Clavecimbel, clavichord en pianoforte. Stemmen, stemmingen en onderhoud. De Toorts, Haarlem, 1984, 214 pages.
Bettens, Olivier. "Zarlino. Justesse a cappella à la Renaissance", WWW, 1998. English translation by Brian Fisher and Todd McComb "Just Intonation in Renaissance A Capella Singing".
Beurmann, Andreas E. and Albrecht Schneider. "Probleme und Aufgaben akustisch-tonometrischer Forschung in der vergleichenden Musikwissenschaft", Acta Acustica vol. 69, no. 4, Oct 1989, pp. 156-162.
Bevil, J. Marshall. "Scale in southern Appalachian folksong: A reexamination", College Music Symposium vol. 26, 1986, pp. 77-91.
Beyhom, Amine. Systématique modale. PhD thesis, Université Paris IV - Sorbonne, 3 vols., Sep 2003, 881 pages. English abstract here.
Beyhom, Amine. "Systématique modale: génération et classement d'échelles modales", Musurgia vol. 11 no. 4, Editions ESKA, Paris, 2004, pp. 55-68.
Beyhom, Amine. "Systématique modale: modélisation des échelles musicales sur une grille de 24 quarts de ton", Revue Al Antouniah vol. 6, Presses de l'université Antonine, Baabda, 2005, pp. 228-236.
Beyhom, Amine. "Une approche contemporaine en théories des musiques orientales: les genres système", Congrès International - Safiyuddîn Al-Urmawî, Teheran, Jan 2005, 28 pages.
Beyhom, Amine. "Systématique modale: Une hypothèse sur la formation des échelles heptatoniques", Musurgia, Paris, 2005, 60 pages.
Beyhom, Amine. "Approche systématique de la musique arabe: genres et degrés système", De la théorie à l'Art de l'improvisation: analyse de performances et modélisation musicale, Ayari Mondher (ed.), Delatour, Paris, 4th trimester 2005, pp. 65-114. English translation "Systematic approach of Arabian music: systematic degrees and genera?".
Beyhom, Amine. "Influence de l'accordage du `ûd sur les théories contemporaines de la musique arabe: genres et degrés système", to be published in book on Arab music, Paris, 2005, 120 pages.
Beyhom, Amine. "Étude comparée sur des intervalles des musiques turque, persane et de l'Asie centrale", exposé pour le colloque Maqâm et création, Fondation de l'Abbaye de Royaumont, Oct 2005, pp. 18-24.
Beyhom, Amine. "Dossier: Mesures d'intervalles - méthodologie et pratique", Revue des Traditions Musicales des Mondes Arabe et Méditerranéen (RTMMAM) vol. 1, Publications de l'ISM-UPA, Baabda, 2007, pp. 181-235.
Beyhom, Amine. "A new hypothesis for the elaboration of heptatonic scales and consequences in understanding their origins", ICONEA 2008: Proceedings of the International Conference of Near Eastern Archaeomusicology, held at the British Museum, 4-6 December 2008, Richard Dumbrill and Irving Finkel (eds.), Iconea Publications, London, pp. 151-209, with appendices. Also here.
Beyhom, Amine and Hamdi Makhlouf. "Frettage du Ud (luth arabe) dans la théorie musicale arabe et influence sur la pratique", The fifth Conference on Interdisciplinary Musicology (CIM09), Paris, Oct 2009, 53 pages. English abstract here.
Beyhom, Amine. Théories de l'échelle et pratiques mélodiques chez les Arabes. volume 1: L'échelle générale et les genres - tome 1: Théories gréco-arabes de Kindi (IXe siècle) à Tusi (XIIIe siècle). Paul Geuthner, Paris, 2010. Also here.
Beyhom, Amine. "Kashf al-Asrâr 'an Karkarat al-Ahbar fi Ta'wîl al-Adwâr", NEMO-Online vol. 1 no. 1, WWW, Nov 2012, pp. 57-88. Version 2, Zenodo, WWW.
Beyhom, Amine. Théories Byzantines de l'échelle et pratique du chant Byzantin arabe. CERMAA, 2015, 648 pages.
Beyhom, Amine. "Théories et pratiques de l'échelle dans le chant byzantin arabe: Une approche comparative et analytique proposant une solution inédite pour le système théorique de Chrysanthos le Madyte", self-published, Broummana, 2015.
Beyhom, Amine. "A Hypothesis for the Elaboration of Heptatonic Scales", Near Eastern Musicology Online vol. 4 no. 6, May 2017, pp. 5-90. Also here.
Beyhom, Amine. "The lost art of maqam", NEMO-Online vol. 5 no. 8, WWW, Nov 2019, pp. 5-64.
Beyhom, Amine. "Byzantine Chant Theory and Practice in the Light of Ancient Greek Music Theory and Occicentrism", IMS-RASMB, Series Musicologica Balcanica vol. 1 no. 1, 2020, pp. 57-85.
Beyhom, Amine. "Theory and Practice of Psaltiki: Why do they not coincide?", 3rd International Musicological and Psaltic Conference, 2020, pp. 629-669.
Bhagyalekshmy, S. Ragas in Carnatic Music. CBH Publications, Tivandrum, 1990, 1999, 406 pages.
Bharata. Natyasastra. 3rd cent.? Pt. Shivadatta and Kasinath Pandurang Parab (eds.), Kavyamala Series no. 42, Bombay, 1894. Chowkhamba Sanskrit Series, Benares, 1929. Nirnaya Sagar Press, Bombay, 1943. English translation by Manomohan Ghosh (ed.), Bibliotheca Indica, The Asiatic Society, Calcutta, 1950-1961. French translation Édition Critique du Traité de Bharata sur le Théâtre by J. Grosset, Paris, 1898. German translation Die Grundelemente der alt-indischen Musik nach dem Bharatiya-natya-shastra by B. Breloer, PhD diss., 1921, Bonn, 1922.
Bhardarkar, Rao Sahib P.R. "Contribution to the Study of Ancient Hindu Music", Indian Antiquary vol. 41, 1912. Reprint British Indian Press, Mazgaon, Bombay, 1912.
Bharucha, J.J. "From frequency to pitch, and from pitch class to musical key: Shared principles of learning and perception", Connection Science vol. 21 no. 2, 2009, pp. 177-192.
Bhatkande, Vishnu Narayan. Hindustani-sangita-paddhati. 4 vols., Bombay, 1910-1932. Hindi translation, 1951-1957, 1005 pages. Also in Kramik Pustak Malika part 4, Lakshminarayan Garg. Hathras (ed.), Sangeet Karyalaya, 1976.
Bhatkande, Vishnu Narayan. A comparative study of some of the leading music systems of the 15th, 16th, 17th & 18th centuries. In: Sangeet 1930-1931. Reprint Bombay, 1941. Madras, 1949. Malinibai Sukthankar, Baroda, 1972, 1987, Indian Musicological Society.
Bhattacharya, Subhihushan. "Scales in Indian music", Folklore vol. 9 no. 3, Calcutta, Mar 1968.
Bhetiwal, Ankita. "The Role of Musical Notes and Color Frequencies for Balancing Chakras in Human Body", International Journal for Research in Applied Science and Engineering Technology vol. 5 no. 8, Aug 2017, pp. 1556-1561.
Bianchi, Francesco. De l'attraction harmonique ou sistème physico-mathématique de l'harmonie, fondé sur l'analyse des phenomènes que présente la corde sonore. manuscript, c.1790, 32 pages.
Bibby, N. "Tuning and temperament: Closing the spiral", Music and Mathematics, J. Fauvel, R. Flood and R. Wilson (eds.), Oxford University Press, New York, 2003, pp. 13-28.
Bicknell, Stephen. "Temperament: A Beginner's Guide", WWW, 1997.
Biddell, Airy George. On Sound and Atmospheric Vibrations with the Mathematical Elements of Music Designed for the Use of Students of the University. MacMillan and Co., London, 1871, 309 pages.
Biddle, Horace Peters. The Musical scale. Oliver Ditson & company, Boston, 1867, 111 pages.
Bidelman, Gavin M. and Ananthanarayan Krishnan. "Neural Correlates of Consonance, Dissonance, and the Hierarchy of Musical Pitch in the Human Brainstem", Journal of Neuroscience vol. 29 no. 42, Oct 2009, pp. 13165-13171.
Bie, Jos de. "Kan men Dom Bedos' stemming afleiden uit zijn mensuurdiagrammen?", typoscript, Putte, 1987.
Bie, Jos de. Stemtoon en stemmingsstelsels. self-published, Putte, 1993, 2001, 274 pages.
Bie, Jos de. "Une question de tempérament", Connoissance de l'Orgue no. 87-88, 1993.
Bie, Jos de. "Over de Rameau-stemmingen", Orgelkunst vol. 19 no. 4, 1996, pp. 151-160.
Bie, Jos de. "Klavierstemmingen in de Nederlanden ten tijde van A. van den Kerckhoven", Abraham van den Kerckhoven ca. 1618-1701, A. Zoutendijk (ed.), Vlaardingen, 2001, pp. 73-96.
Bie, Jos de. Historische Orgelstemmingen theorie & realiteit. Een onderzoek naar het gebruik van historische orgelstemmingen in Vlaanderen, met een algemeen overzicht van de stemmingstheorie. PhD thesis, 3 vols. plus CDROM, University of Gent, 2004.
Bie, Jos de. "The New Baroque Organ at the Orgelpark: Temperament", The New Baroque Organ at the Orgelpark, Hans Fidom (ed.), Orgelpark Research Reports vol. 5 no. 1, Orgelpark, Amsterdam, 2014, pp. 140-182.
Bieder, Eugen. Über Friedrich Wilhelm Marpurgs System der Harmonie, des Contrapunckts und der Temperatur. PhD thesis, Friedrich-Wilhelm Universität, Berlin, 1923, 123 pages.
Biehl, Claes Jasper. Microtonality in 20th Century Western Art Music: A Selective Overview, Microtonality in the Post-Spectral Era, 2013, pp. 158-189.
Bielova, Yelyzaveta D. "Sound images of percussion instruments: modernity and retrospections (in Russian)", Aspekty vol. 19-20, 2020, pp. 120-139, with English abstract.
Biezen, Jan van. Stemmingen, speciaal bij toetsinstrumenten. Stichting Centrum voor de Kerkzang, Den Haag, 1974, 22 pages. Also in Bouwbrief vol. 3, Vereniging Huismuziek, Utrecht, 1975.
Biezen, Jan van. Het Nederlandse orgel in de Renaissance en de Barok, in het bijzonder de school van Jan van Covelens. Muziekhistorische monografieën deel 14, Arend Jan Gierveld (ed.), Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, Utrecht, 1995, 420 pages.
Bignens, Michel. "Construction géométrique du tempérament mésotonique", Nachrichten der Schweizerischen Clavichord Gesellschaft vol. 3 no.6, 1998, pp. 23-31.
Bigo, Louis. "MCM 2013: The Fourth International Conference on Mathematics and Computation in Music (book review)", Computer Music Journal vol. 38 no. 3, autumn 2014, pp. 76-77.
Bigo, Louis, Daniele Ghisi; Antoine Spicher and Moreno Andreatta. "Spatial Transformations In Simplicial Chord Spaces", 11th Sound and Music Computing Conference and 40th International Computer Music Conference (SMC/ICMC2014), Anastasia Georgaki and Georgios Kouroupetroglou (eds.), Athens, Sep 2014, pp. 1112-1119.
Bigo, Louis, Daniele Ghisi; Antoine Spicher and Moreno Andreatta. "Representation of Musical Structures and Processes in Simplicial Chord Spaces", Computer Music Journal vol. 39 no. 3, autumn 2015, pp. 9-24.
Billeter, Otto Bernhard. "Die Silbermann-Stimmungen", Archiv für Musikwissenschaft vol. 27 no. 1, Apr 1970, pp. 73-85.
Billeter, Otto Bernhard. "Anweisung zum Stimmen von Tasteninstrumenten in verschiedenen Temperaturen", Österreichische Musikzeitschrift vol. 32 no. 4, Dec 1977, pp. 185-195.
Billeter, Otto Bernhard. "Die Stimmanweisung von Ignaz Bruder (1829). Rekonstruktionsversuch und historische Deutung", Acta Organologica vol. 12, Verlag Merseburger, Kassel, 1978, pp. 229-239.
Billeter, Otto Bernhard. Historische Stimmungen und elektronische Stimmgeräte. Frankfurt a.M., 1978.
Billeter, Otto Bernhard. Anweisung zum Stimmen von Tasteninstrumenten in verschiedenen Temperaturen. Veröffentlichung der Gesellschaft der Orgelfreunde vol. 59, Verlag Merseburger, Berlin, Kassel, 1979, 1982, 40 pages. Revised edition, 2010, 44 pages.
Billeter, Otto Bernhard. "Acustica accordatura e temperamento nell'Illuminismo Veneto (book review)", Musiktheorie vol. 4 no. 2, 1989, pp. 171-174.
Billeter, Otto Bernhard. "Die Orgelstimmung von Victor Ferdinand Bossart", Ars Organi vol. 45 no. 3, Sep 1997, pp. 173-177.
Billeter, Otto Bernhard. "Ist Bachs Kunst der Fuge mitteltönig komponiert?", Ars Organi vol. 48, 2000, p. 51.
Billeter, Otto Bernhard. "Zur 'Wohltemperierten' Stimmung von Johann Sebastian Bach. Wie hat Bach seine Cembali gestimmt?", Ars Organi vol. 56, 2008, pp. 18-21.
Billeter, Otto Bernhard. "Neue Erkenntnisse zur Orgelstimmung von Joseph und Viktor Ferdinand Bossart", Ars Organi vol. 60, 2012, pp. 15-17.
Bilotta, Eleonora; Stefania Gervasi and Pietro Pantano. "Reading complexity in Chua's oscillator through music. Part I: A new way of understanding chaos", International Journal of Bifurcation and Chaos vol. 15 no. 02, 2005, pp. 253-382. Also here.
Bilson, Malcolm. "Tuning, Containing the Perfection of Eighteenth-Century Temperament, the Lost Art of Nineteenth-Century Temperament, and the Science of Equal Temperament, Complete with Instructions for Aural and Electronic Tuning by Owen H. Jorgensen (book review)", Notes, Second Series vol. 49 no. 4, June 1993, pp. 1408-1410.
Bin, Ding. "On the Technique Characteristics in Gubaidulina's Quaternion", 2010.
Bindel, Ernst. Die Zahlengrundlagen der Musik im Wandel der Zeiten. 3 vols., Verlag Freies Geistesleben, Stuttgart, 1950-1953, 1985, 400 pages.
Bini, Claudio. L'accordatura. 1976.
Bini, Claudio. "La psicoacustica nell'accordatura della chitarra", Il Fronimo vol. 5 no. 21, Oct 1977, pp. 23-24.
Bini, Claudio. "Il temperamento equabile nella tastiera della chitarra moderna", Il Fronimo vol. 7 no. 26, Jan 1979, pp. 28-30.
Binnema, Folkert. "Dieterich Buxtehude", Friese Orgelkrant, 2007.
Biock, Hans-Reinhard. Zur Intonationsbeurteilung kontextbezogener Sukzessivintervalle. PhD thesis in Musicology: U. Köln, 1975. Kölner Beiträge zur Musikforschung vol. 82, Bosse Verlag, Regensburg, 1975, 190 pages.
Birchensha, John. Writings on Music. Unpublished, c.1675. Reconstruction, Christopher D.S. Field and Benjamin Wardhaugh (eds.), Ashgate, Aldershot, 2010. Routledge, Dec 2018, 342 pages.
Birkicht, Matthias. "Die Tuvas (von und nach Prof. Martin Stroh)", WWW, 2012.
Birkicht, Matthias. "Das kleine Obertonbrevier (Obertonkurs)", WWW, Bremerhaven, 2015, 35 pages.
Birsak, Kurt. "Die Stimmung des Klappenchalumeau von I.C. Denner. Ein Nachtrag", Die Musikforschung vol. 28 no. 1, Jan-Mar 1975, p. 82.
Bischoff, John, Rich Gold and Jim Horton. "Music for an Interactive Network of Microcomputers", Computer Music Journal vol. 2 no. 3, Dec 1978, pp. 24-29.
Bischoff, John. "I Weep by Erling Wold (music review)", Computer Music Journal vol. 15 no. 4, Dream Machines for Computer Music: In Honor of John R. Pierce's 80th Birthday, winter 1991, pp. 99-100.
Bischoff, John. "Software as Sculpture: Creating Music from the Ground Up", Leonardo Music Journal vol. 1 no. 1, 1991, pp. 37-40.
Bischoff Renninger, Laura; Michael P. Wilson and Emanuel Donchin. "The Processing of Pitch and Scale: An ERP Study of Musicians Trained Outside of the Western Musical System", Empirical Musicology Review vol. 1 no. 4, Oct 2006, pp. 185-197. Also here.
Bisel, Larry David. Seeking a perceptual preference among Pythagorean tuning, just intonation, one-quarter comma meantone tuning, and equal temperament. PhD diss. in Music, University of Michigan, 1987, 248 pages.
Bishan Swarup, Rai Bahadur. Theory of Indian Music. Maithan, Agra, 1933, 235 pages.
Bismantova, Bartolomeo. Compendio Musicale. In Cui S'Insegna...Il Vero Modo...Per Acordare Organi e Cembali. Ferrara, 1677, 1679, 123 pages.
Bister, Heribert and Albrecht Schneider-Klement. "Die Huygens-Fokker Orgel im Museum Teyler zu Haarlem und die Möglichkeiten der 31-Ton-Temperierung", Acta Organologica vol. 6, 1972, pp. 121-131.
Bister, Heribert. "Die Sept 7:4 in der Akkordfolge: Eine Untersuchung zu einigen harmonischen Zusammenhängen in Giuseppe Verdis Ave Maria - Scala enigmatica armonizzata a 4 voci miste", Vogel Festschrift, Gudrun Schröder (ed.), Bad Honnef, 1988, pp. 11-34.
Bister, Heribert. "Harmonische Grundlagen der Intonation, aufgezeigt am 'Locus Iste' von Anton Bruckner", Musica vol. 48, 1994, pp. 269-274.
Bittencourt, Marcus Alessi. "Rethinking Modal Gender in the Context of the Universe of Tn-Types: Definitions and Mathematical Models for Tonicity and Phonicity", OPUS - Revista Eletrônica da Associação Nacional de Pesquisa e Pós-graduação em Música (ANPPOM) vol. 22 no. 2, Dec 2016, pp. 399-428 with Portuguese abstract.
Bizcargui, Gonçalo Martinez de. Arte de canto Ilano y contrapunto y canto de organo. 1508, 1535, 72 pages.
Blackaller, E.R. "La revolución musical de Julián Carrillo", Cuadernos de lectura popular no. 237. Mexico City, 1969.
Blackburn, Bonnie J.; Edward E. Lowinsky and Clement Miller (eds.) A Correspondence of Renaissance Musicians. Clarendon Press, Oxford, 1991, 1120 pages.
Blackburn, Bradford A. Tonal modulation with Just Intonation; Corporeality and musical gesture in the music of Harry Partch. PhD thesis, University of Illinois, Urbana-Champaign, 2006.
Blackburn, Terry. "Alternate Temperaments: Theory and Philosophy (The beginner's field guide to alternate temperaments)", WWW, 1999.
Blacking, John. "Problems of Pitch, Pattern and Harmony in the Ocarina Music of the Venda", African Music: Journal of the International Library of African Music vol. 2 no. 2, 1959, pp. 15-23. Also here.
Blacking, John. "Patterns of Nsenga Kalimba music", African Music: Journal of the African Music Society, 1961, pp. 26-43.
Blackwell, H.R. and H. Schlosberg. "Octave Generalization, Pitch Discrimination and Loudness Tresholds in the White Rat", Journal of Experimental Psychology vol. 33, 1943, pp. 407-419.
Blackwood, Easley. The 31 Note Equal Tuning of Nicola Vicentino. typescript, Houston TX, 1974.
Blackwood, Easley. Liner notes for the LP and CD Twelve Microtonal Etudes for Electronic Music Media, 1980.
Blackwood, Easley. "Research Notes: NEH Grant R0-29376-78-0642", Privately circulated handwritten xerox, 1981.
Blackwood, Easley. "Discovering the Microtonal Resources of the Synthesizer", Keyboard vol. 8 no. 5, May 1982, pp. 26-38.
Blackwood, Easley. The Structure of Recognizable Diatonic Tunings. Princeton University Press, Princeton NJ, 1985, 318 pages. Reprint July 2014, 2016, 330 pages.
Blackwood, Easley. "Modes and Chordal Progressions in Equal Temperament", Perspectives of New Music vol. 29 no. 2, summer 1991, pp. 166-201.
Blaikley, D.J. "Communication Respecting a Point in the Theory of Brass Instruments", Proceedings of the Musical Association vol. 4 no. 1, 1877, pp. 56-60. Also here.
Blaikley, D.J. "Notes on the Trumpet Scale", Proceedings of the Musical Association 20th session, May 1894, pp. 115-123. Also here.
Blaikley, D.J. "How a Trumpet Is Made", The Musical Times vol. 51 no. 805, Mar 1910, pp. 154-157. Also here.
Blaine, Larry G. and Susan Ferré. "Euler's Theories of Musical Tuning With an English Translation of 'Du Véritable Caractère de la Musique Moderne'", Euleriana vol. 1 no. 1, 2021, pp. 112-140.
Blake, Andrew. "Tempering the clavier: Examining the intervallic content of Bach's Well-Tempered Clavier through the lens of historical temperaments", Proceedings of the Future Directions of Music Cognition International Conference, Ohio State University, Mar 2021, pp. 33-37.
Blanchet, Armand François Nicolas. Méthode abrégée pour accorder le clavecin et le piano-forte. La Cloye, Paris, 1801. MMe. Ve. Blanchet, Paris, 1818. Minkoff reprint, 1976, 76 pages.
Bland, John. New Instructions For Playing the Harpsichord, Piano-Forte or Spinnet. Bland's Music Warehouse, London, c.1790. Reprint by Broude Brothers Ltd., Monuments of music and music literature in facsimile series 1 no. 15, New York, June 1967, 36 pages.
Blandford, W.F.H. "Some Observations on 'Horn Chords: An Acoustical Problem'", The Musical Times vol. 67 no. 996, Feb 1926, pp. 128-131.
Blandford, W.F.H.; J.A. Fuller-Maitland; Harry Wall; H.H. Wintersgill, C. Stanley Wise, Walter Clayton and G.W. Stubbings. "Some Puzzles about Temperament" (reactions of readers on Percy Scholes' article), The Musical Times vol. 76 no. 1112, Oct 1935, pp. 927-929.
Blandford, W.F.H. "The Intonation of Brass Instruments", The Musical Times vol. 77 no. 1115-1116, Jan 1936, pp. 19-21, 118-121.
Blankenburg, Friedrich von. Litterarische Zusaetze zu Johann George Sulzers allegemeiner Theorie der schoenen Kuenste. Weidmann, Leipzig, 1796-1798.
Blankenburg, Friedrich von. "Temperatur", Friedrichs von Blankenburg Litterarische Zusätze zu Johann George Sulzers allgemeiner Theorie der schönen Künste, in einzelnen, nach alphabetischer Ordnung der Kunstwörter auf einander folgenden, Artikeln abgehandelt vol. 3 (S-Z), Weidmannischen Buchhandlung, 1798, pp. 211-212.
Blankenburg, Quirinus van. Onderwijzinge hoe men alle de Toonen en halve Toonen, die meest gebruijkelijck zijn, op de Handt-Fluijt zal konnen t'eene mael zuijver Blaezen, en hoe men op yeder 't gemackelyckst een Trammelant zal konnen maken, heel dienstigh voor de lief-hebbers. Paulus Matthysz, Amsterdam, 1684. Oscar, München, 1871. German translation, Mieroprint Musikverlag, Münster, 1989.
Blankenburg, Quirinus van. Elementa Musica, of Niew Licht tot het welverstaan van de musiec en de bas-continuo. Door Regelen, met Reden en bewys, gebouwd op een klare ontledinge der eerste Beginselen; Na een voorafgaande wederlegging van de dwalingen dezes tyds. Waar nevens De vinding en opkomst der Konst; De musiec der Ouden; De Redenmaat der Klanken; De ontdekking van een Wiskunstige Cirkel, Waar in de Wet der Nature al de Toonen verdeelt; De Stelkonst; De Speeltuigen En de Grondlegging van de Zangkunst. Laurens Berkoske, 's-Gravenhage, 1739. Reprint: Uitgeverij Frits Knuf, Amsterdam, 1972. Series: Early Music Theory in the Low Countries vol. 4, Frits R. Noske (ed.), 273 pages.
Blankertz, Benjamin, Hendrik Purwins and Klaus Obermayer. "Toroidal Models of Inter-key Relations in Tonal Music", Sixth International Conference on Systematic and Comparative Musicology, Oslo, 1999.
Blardone, Aurora et al. La terza mano del pianista. Testo & immagine, Venaria (Torino), 1997, 127 pages.
Blaserna, Pietro. La teoria del suono nei suoi rapporti con la musica. (Dieci conferenze), Ed. Dumolard, Milano, 1875. Reprint Nabu Press, Apr 2012, 188 pages. French edition Le son et la musique (with H. Helmholtz), G. Baillière, Paris, 1877. Reprint Kessinger Publishing, Nov 2009. English edition The Theory of Sound in its Relation to Music, London, 1875. D. Appleton & Co., New York, 1888, 1892, 192 pages.
Blasius, Leslie David. The Music Theory of Godfrey Winham. Princeton University Press, Princeton NJ, 2014, 184 pages.
Blatter, Alfred. Revisiting Music Theory: Basic Principles. Taylor & Francis Ltd., Routledge, Dec 2016, 416 pages.
Blaukopf, Kurt. "Tonsysteme und ihre gesellschaftliche Geltung in Max Webers Musiksoziologie", International Review of the Aesthetics and Sociology of Music vol. 1 no. 2, Dec 1970, pp. 159-167.
Blaukopf, Kurt. "Musiksoziologie-Bindung und Freiheit bei der Wahl von Tonsystemen", Texte zur Musiksoziologie, 1976, pp. 140-157.
Bledsoe, Helen. "Microtonality: some basic tips", WWW, 2010.
Bleeck, Stefan. Psychophysikalische Untersuchung von spektralen und zeitlichen Mechanismen des auditorischen Systems anhand harmonischer und unharmonischer Amplitudenmodulationen: relatives und absolutes Gehör. MSc thesis, Technische Hochschule Darmstadt, 1996.
Bleiler, Steven A. and Ewan Kummel. "Scales and Temperament from the Mathematical Viewpoint", Bridges Conference Proceedings, Jyväskylä, 9-13 Aug 2016, pp. 571-574.
Bleiler, Steven A.; Ewan Kummel and Michael Wells. "Exploring the Geometry of Music with Technology: Rhythm, Scales and Temperament via Geogebra", Bridges Conference Proceedings, Stockholm, 25-29 July 2018, pp. 667-672.
Blein, François-Ange-Alexandre. Exposé de quelques principes nouveaux sur l'acoustique et la théorie des vibrations, et leur application à plusieurs phénomènes de la physique. self-published, Paris, 1827, 43 pages.
Blein, François-Ange-Alexandre. Théorie des vibrations et son application à divers phénomènes de physique. Bachelier père et fils, Paris, 1831, 135 pages.
Blein, François-Ange-Alexandre. Principes de mélodie et d'harmonie déduits de la théorie des vibrations. Bachelier père et fils, Paris, 1832, 1838, 100 pages.
Blench, Roger. "Evidence for the Indonesian origins of certain elements of African culture: A review, with special reference to the arguments of A.M. Jones", African Music: Journal of the International Library of African Music vol. 6 no. 2, July 1982, pp. 81-93.
Blesh, Rudi. Shining Trumpets: A History of Jazz. Alfred A. Knopf, New York, 1946.
Bliek, Rob van der. "The Hendrix Chord: Blues, Flexible Pitch Relationships, and Self-Standing Harmony", Popular Music vol. 26 no. 2, May 2007, pp. 343-364. Also here.
Blinowska, Katarzyna J.; Konrad Kwaskiewicz; W. Wiktor Jedrzejczak and Henryk Skarzynski. "Musical Ratios in Sounds from the Human Cochlea", PLoS ONE vol. 7 no. 5, May 2012, pp. 1-7.
Bliss, Robert E. "How well tuned is your piano?", The Choral Journal vol. 12 no. 4, Dec 1971, p. 21.
Bloch, József. Kettösfogások iskolája hegedüre a kezdö foktól a legmagasabb kiképzésig elméleti és gyakorlati alapon / Doppelgriff-Schule für die Violine vom ersten Anfang bis zur höchsten Ausbildung auf theoretischer und praktischer Grundlage. Lehrstoff der Ungarische Landes-Musikacademie, Rozsnyai Károly, Budapest, Sep 1905, 114 pages.
Bloch, Thomas. "Les ondes Martenot: Vie ou survie? Un bilan pour 60 ans d'existence", Cahiers du CIREM, musiques et claviers vol. 10-11, 1989, pp. 163-174.
Block, Steven and Jack Douthett. "Vector Products and Intervallic Weighting", Journal of Music Theory vol. 38 no. 1, spring 1994, pp. 21-41.
Blok, Henk P. and Sander Germanus. "Het 31-toonssysteem en het Fokker-orgel", Nederlands Tijdschrift voor Natuurkunde July 2017, pp. 210-212.
Blood, Brian. "Music Theory Online: Lesson 7 - Small intervals", WWW.
Blood, Brian. "Music Theory Online: Lesson 27 - Pitch, Temperament & Scale", WWW.
Blood, William. "'Well-tempering' the clavier: five methods", Early Music vol. 7 no. 4, Oct 1979, pp. 491, 493, 495.
Bloothooft, Gerrit; Eldrid Bringmann; Marieke van Cappellen; Jolanda B. van Luipen; Koen P. Thomassen. "Acoustics and perception of overtone singing", The Journal of the Acoustical Society of America vol. 92 no. 4, Oct 1992, pp. 1827-1836.
Blum, Stephen. "Rousseau's Concept of 'Sistême musical' and the Comparative Study of Tonalities in Nineteenth-Century France", Journal of the American Musicological Society vol. 38 no. 2, summer 1985, pp. 349-361.
Blumeyer, Douglas. "Temperament addition", WWW, 2022-2023.
Boatwright, Howard. "Musical Acoustics by Charles A. Culver (book review)", Journal of Music Theory vol. 1 no. 2, Nov 1957, pp. 223-224.
Boatwright, Howard. "Re: "Contemporary Tone-Structures", Journal of Music Theory vol. 2 no. 1, spring 1958, pp. 85-92. Also here.
Boatwright, Howard. "Howard Hanson: Harmonic Materials of Modern Music: Resources of the Tempered Scale (book review)", Journal of the American Musicological Society vol. 17 no. 3, 1964, pp. 408-413.
Boatwright, Howard. "Ives' Quarter-Tone Impressions", Perspectives of New Music vol. 3 no. 2, spring-summer 1965, pp. 22-31.
Bobbitt, Richard. "The Physical Basis of Intervallic Quality and its Application to the Problem of Dissonance", Journal of Music Theory vol. 3 no. 2, Nov 1959, pp. 173-207.
Bobbitt, Richard. "Das Wohltemperierte Clavier: Tuning and Musical Structure", English Harpsichord Magazine vol. 2, Apr 1980, pp. 137-140.
Boccadoro, Brenno. "Jean-Adam Serre: un juste milieu entre Rameau et Tartini?", Revue de musicologie vol. 93 no. 1, 1993, pp. 31-62.
Bocking, R.M. Microtonal Music: Aesthetic Aspects of Quarter-Tone Music, With Particular Reference to Quarter-Tone Melody and Harmony. PhD thesis, Musicology, University of London.
Bodamer, Konstantin. "Albert Simon - ein ungarischer Autor", Zeitschrift der Gesellschaft für Musiktheorie vol. 8 no. 2, Nov 2011, pp. 335-349.
Boer, Dirk. "Stemmingen, de reine harmonie en Havingha", WWW, 2003.
Boer, Dirk. "Bachs eigen stemming voor Das Wohltemperierte Klavier", WWW, 2006.
Boer, Dirk. "Het effect van stemmingen op muziek: misschien groter dan u dacht...", WWW, 2007.
Boethius, Anicius Manlius Torquatus Severinus. De institutione musica libri quinque. Beginning 6th century. Venice, 1492, 1599. Gottfried Friedlein (ed.), Leipzig, 1867, Frankfurt a.M., 1966. Italian translation with critical notes by Giovanni Marzi, Cremona, 1990. English translation The Fundamentals of Music by Calvin M. Bower, Yale University Press, New Haven CN, 1989, 205 pages. French translation Traité de la musique by Christian Meyer, Turnhout, 2004. Spanish translation Sobre el fundamento de la música: cinco libros by Jesús Luque Moreno, Gredos, Madrid, 2009.
Bogino, Georgi. Musical Art and Science. Current methods of piano tuning (in Russian). Muzyka, Moscow, 1970.
Bohlen, Heinz. "Manuscript" (in German), untitled, undated, Hamburg, early 1972, 24 pages.
Bohlen, Heinz. Die Bildungsgesetze des 12-stufigen Tonsystems und ihre Anwendung auf einen Sonderfall. Manuscript, Hamburg, July 1972, 50 pages.
Bohlen, Heinz. Versuch über den Aufbau eines tonalen Systems auf der Basis einer 13-stufigen Skala. Manuscript second version, Hamburg, July 1974, 9 pages. First version, Hamburg, Dec 1972, 7 pages.
Bohlen, Heinz. "13 Tonstufen in der Duodezime", Acustica vol. 39 no. 2, S. Hirzel Verlag, Stuttgart, 1978, pp. 76-86. English translation by H. Bohlen, "13 Tone Steps in the Twelfth", 1994, Acustica vol. 87 no. 5, Sep/Oct 2001, pp. 617-624.
Bohlen, Heinz. The early history of the 13-Tone Scale, 2-page manuscript, 1996.
Bohlen, Heinz. "BP Scale Structures", WWW, 1998.
Bohlen, Heinz. "On 'Pythagorean' Scale Derivation", WWW, 1998.
Bohlen, Heinz. "The Musical Animal's Musical Adventures", Xenharmonikôn vol. 17, spring 1998, pp. 41-56.
Bohlen, Heinz. "Letter to the editor (letter)", Xenharmonikôn vol. 17, spring 1998, p. 124.
Bohlen, Heinz. "BP Tuning and Instruments", WWW, 1999.
Bohlen, Heinz. "BP Interval properties", WWW, 1999.
Bohlen, Heinz. "The 271 tone BP Scale", WWW, 1999.
Bohlen, Heinz. "Fokker lattice representation of BP", WWW, 2000.
Bohlen, Heinz. "BP Names and Definitions", WWW, 2000.
Bohlman, Philip V. "R.G. Kiesewetter's Die Musik der Araber: A Pioneering Ethnomusicological Study of Arabic Writings on Music (book review)", Asian Music vol. 18, 1986, pp. 164-196.
Böhm, Theobald. Über den Flötenbau und die neuesten Verbesserungen desselben. Schott, Mainz, 1847, 59 pages.
Bohrer, Jocelei Cirilo Soares. Intonational Strategies in Ensemble Singing. PhD thesis, City University, London, May 2002, 196 pages.
Bok, Henri Joseph. The deep-rooted microtonality of the bass clarinet. PhD thesis, y of Creative and Performing Arts (ACPA), Faculty of Humanities, Universiteit Leiden, Oct 2018, 498 pages.
Böker-Heil, Norbert. "Ein algebraisches Modell des dur-moll-tonalen Systems", Bericht über den 1. Internationalen Kongreß für Musiktheorie, Stuttgart, 1972, pp. 64-107.
Boland, Jeffrey R. and Lane P. Hughston. "Mathematical Foundations of Complex Tonality", arXiv 2208.04974v1, WWW, Aug 2022, 26 pages.
Bollioud, Mermet. Mémoire sur le tempérament que les voix observent en chantant. Lyon, 1741.
Boncella, Paul Anthony Luke. "Denying ancient music's power: Ghiselin Danckerts' essays in the 'Generi Inusitati'", Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis vol. 38, 1988, pp. 59-80.
Bond, Ann. "Bach and the Organ", The Musical Times vol. 128 no. 1731, May 1987, pp. 293-296.
Bondezan, Erico. "A Afinação Justa e Pitagórica nos Tratados do Período Renascentista e seu Uso e Interpretação na Música Coral", WWW, Jan 2009.
Bongionanni, Luigi Enrico. Norme per l'Accordatura dei Pianoforti, con 26 illustrazioni. Capra, Torino, 1908. Zanibon, Padova, 1908.
Bonhôte, Jean-Marc. "Aspetti dell'evoluzione del temperamento degli strumenti a tastiera", L'Organo vol. 11/1-2, Bologna, 1973, pp. 157-170.
Bonnard, D.; C. Micheyl; C. Semal; R. Dauman and L. Demany. "Auditory discrimination of frequency ratios: The octave singularity", Journal of Experimental Psychology: Human Perception and Performance vol. 39 no. 3, 2013, pp. 788-801.
Bononcini, Giovanni Maria. Musico Prattico. Bologna, 1673. Latin translation Musicus practicus. Stuttgart, 1701.
Bontempi, Giovanni Andrea Angelini. Historia musica, nella quale si ha piena cognitione della teorica, e della pratica antica della musica harmonica, secondo la dottrina de' Greci, i quali, inventata prima da Iubal avanti il Diluvio, e poi ritrovata da Mercurio, la restituirono nella sua pristina et antica dignità: e come dalla teorica, e dalla pratica antica sia poi nata la pratica moderna, che contiene la scientia del contrapunto. Opera non meno utile che necessaria a chi desidera di studiare in questa scientia. Di Giovanni Andrea Angelini Bontempi perugino. L. Costantini, Perugia, 1695. Reprint Minkoff, Genève, 1975, 304 pages.
Boomsliter, Paul C. and Warren Creel. "The Long Pattern Hypothesis in Harmony and Hearing", Journal of Music Theory vol. 5 no. 2, Apr 1961, pp. 2-31.
Boomsliter, Paul C. and Warren Creel. Interim Report on the Project on Organization in Auditory Perception at the State University College. Albany, New York, (with recorded illustrations), Feb 1962. part 1, part 2, part 3.
Boomsliter, Paul C. and Warren Creel. "Extended Reference: An Unrecognized Dynamic in Melody", Journal of Music Theory vol. 2 no. 1, spring 1963, pp. 2-22. preliminary version.
Boomsliter, Paul C. and Warren Creel. "Ratio Relationships in Melody", Journal of the Acoustical Society of America vol. 34 no. 9A, Sep 1962, pp. 1276-1277.
Boomsliter, Paul C. and Warren Creel. "Patterns of Ratio Relationships in Melody", Journal of the Acoustical Society of America vol. 35 no. 5, May 1963, p. 772.
Boon, Maxim. "New design for the quarter-tone piano unveiled in Finland", Limelight. Music, Arts & Culture, WWW, Jan 2016.
Boonchuay, Sawadt. The Sound Frequency of Notes used in the Thai Musical Scale (in Thai). Reurnkaew Karnphim, Bangkok, 1999.
Boonmatham, Pheerasut, Sunee Pongpinigpinyo and Tasawan Soonklang. "Musical- Scale Characteristics for Traditional Thai Music Genre Classification", International Computer Science and Engineering Conference, Nakorn Pathom, 4-6 Sep 2013.
Booth, George W. Pianos, piano tuners and their problems. Janus, London, 1996, 208 pages.
Bora, Uzay; Baris Tezel and Alper Vahaplar. "An Algorithm for Spelling the Pitches of Any Musical Scale", WWW, Aug 2018, 39 pages.
Bordas, Cristina; Luis Robledo and Tess Knighton. "José Zaragozá's Box: Science and Music in Charles II's Spain", Early Music vol. 26 no. 3, Aug 1998, pp. 391-413.
Borland, John E. "Modern Music and an Ancient Notation", The Musical Times vol. 77 no. 1119, May 1936, pp. 404-407.
Bormann, Karl. Orgel-und Spieluhrenbau. Kommentierte Aufzeichnungen des Orgel- und Musikwerkmachers Ignaz Bruder (1829) und die Entwicklung der Walzenorgeln. Sanssouci Verlag, Zürich, 1968, 332 pages.
Bormann, Karl. "Orgelbautraktat von Sebastian Wirth (1736-1820)", Acta Organologica vol. 4, 1970, pp. 166-204.
Borris, Siegfried. Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750. Bärenreiter, Kassel, 1933.
Borroff, Edith. "Ancient acoustical theory and a pre-Pythagorean comma", College Music Symposium vol. 18 no. 2, autumn 1978, pp. 20-23.
Bortolozzo, Roberta. "Giordano Riccati e la fisica del suono", Atti del Convegno 'I Riccati e le scienze nel Settecento veneto', Mirano, 1991, pp. 115-122.
Bortolozzo, Roberta. "Tracce di Illuminismo scientifico nella teorica musicale del Settecento veneto", Diastema vol. 9, Dec 1994, pp. 31-33.
Borup, Hasse. "A History of String Intonation", WWW, 2005, 11 pages.
Borup, Hasse. "Is that in tune, mr. Mozart?", American String Teacher vol. 58 no. 2, May 2008, pp. 32-35.
Borzacchini, Luigi and Domenico Minnuni. A Mathematica notebook about ancient Greek music and mathematics. University of Bari, 2001, 59 pages.
Borzacchini, Luigi. "Incommensurability, Music and continuum: A Cognitive Approach", Archive for History of Exact Sciences vol. 61 no. 3, May 2007, pp. 273-302.
Bos, Henk J.M., M.J.S. Rudwick, H.A.M. Snelders and R.P.W. Visser (eds.) Studies on Christiaan Huygens: Invited papers from the Symposium on the Life and Work of Christiaan Huygens, Amsterdam, 22-25 August 1979. Swets & Zeitlinger, Lisse, 1980, 321 pages. Reprint Routledge, Nov 2004.
Bosanquet, R.H.M. "On Just Intonation in Music; with a Description of a New Instrument for the Easy Control of All Systems of Tuning other than the Ordinary Equal Temperament", Proceedings of the Royal Society of London vol. 21, Jan 1873, pp. 131-132.
Bosanquet, R.H.M. "Temperament, or the division of the octave", The Philosophical Magazine Fourth Series, vol. 48 no. 321 (Supplement), July-Dec 1874, article no. 67, pp. 507-511. Also in Proceedings of the Musical Association vol. 1, Royal Musical Association, 1874-1875, pp. 4-17.
Bosanquet, R.H.M. "On the mathematical theory of Mr. Baillie Hamilton's string-organ", The Philosophical Magazine Fourth Series, vol. 49 no. 323, Feb 1874, article no. 12, pp. 98-104. As paperback, Jan 1875.
Bosanquet, R.H.M. "Temperament; or, the division of the octave", Proceedings of the Musical Association vol. 1, 1874, pp. 4-17, 112-158. Also here.
Bosanquet, R.H.M. "The Theory of the Division of the Octave, and the Practical Treatment of the Musical Systems thus Obtained" (Revised Version of a Paper Entitled 'On Just Intonation in Music; with a Description of a New Instrument for the Easy Control of Systems of Tuning other than the Equal Temperament of 12 Divisions in the Octave)", Proceedings of the Royal Society of London vol. 23, 1875, pp. 390-408. Also here.
Bosanquet, R.H.M. "On temperament or the division of the octave - no. II", The Philosophical Magazine Fourth Series, vol. 50 no. 330, Sep 1875.
Bosanquet, R.H.M. "On the Sensations of Tone as a Physiological Basis for the Theory of Music by Hermann Helmholtz (book review)", The Academy vol. 8 no. 187, Dec 1875, pp. 605-606.
Bosanquet, R.H.M. "Systems of Temperament (book review)", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 8, William Reeves, London, p. 365.
Bosanquet, Robert Halford Macdowall. An Elementary Treatise on Musical Intervals and Temperament, with an account of an enharmonic harmonium exhibited in the loan collection of scientific instruments, South Kensington, 1876, also of an enharmonic organ exhibited to the Musical Association of London. MacMillan & Co., London, 1876.
2nd edition with introduction by Rudolf Rasch (ed.), Tuning and temperament library vol. 4, Diapason Press, Utrecht, 1987, 179 pages.
Bosanquet, R.H.M. "On the Hindoo division of the octave, with additions to the theory of higher orders", Proceedings of the Royal Society of London vol. 25, 1876, pp. 540-541; vol. 26, 1877, pp. 372-384. Reproduced in Sourindra Mohun Tagore's Hindu Music.
Bosanquet, R.H.M. "On Some Points in the Harmony of Perfect Consonances", Proceedings of the Musical Association vol. 3, 1876, pp. 145-152. Also here.
Bosanquet, R.H.M. (ed.) "Deferred discussion on mr. Blaikley's paper", Proceedings of the Musical Association vol. 4 no. 1, Mar 1878, pp. 61-67. Also here.
Bosanquet, R.H.M. "On a Mode of Producing Continuous Notes from Resonators. Some Experiments with a Revolving Stop-Cock", Proceedings of the Musical Association 6th session, 1879-1880, pp. 15-30.
Bosanquet, R.H.M. "On the beats of consonances of the form h:1", The Philosophical Magazine Fifth Series, vol. 3 no. 70, June 1881, article no. 57, pp. 420-436.
Bosanquet, R.H.M. "On the beats of the consonances of the form h:1", Proceedings of the Physical Society of London vol. 4, 1881, article no. 24, pp. 221-256.
Bosanquet, R.H.M. "On the beats of consonances of the form h:1 - Continued", The Philosophical Magazine Fifth Series, vol. 11 no. 71, Supplement, Jan-June 1881, article no. 65, pp. 492-506.
Bosanquet, R.H.M. "On the history of the theory of the beats of mistuned consonances", The Philosophical Magazine Fifth Series, vol. 12 no. 75, Oct 1881, article no. 34, pp. 270-282.
Bosanquet, R.H.M. "On the beats of mistuned harmonic consonances", Proceedings of the Musical Association vol. 8, 1881, pp. 13-27.
Bosanquet, R.H.M. "On the beats of mistuned consonances", Philosophical Magazine Fifth series, vol. 12 no. 77, Dec 1881, article no. 52, pp. 434-436.
Bosanquet, R.H.M. "The beats of mistuned consonances (letter)", Philosophical Magazine Fifth Series, vol. 13 no. 79, Feb 1882, article no. 13, p. 131.
Bosanquet, R.H.M. "Scientific Basis of Music", Encyclopaedia Britannica 9th ed., vol. 17, Charles Scribner's Sons, New York, 1884, pp. 102-106.
Boscarino, Andrea. La chitarra ben temperata. MA thesis, Scuola universitaria di Musica, Lugano, June 2017, 21 pages.
Bose, Fritz. "Ein Hilfsmittel zur Bestimmung der Schrittgröße beliebiger Intervalle", Die Musikforschung vol. 5 no. 2/3, 1952, pp. 205-208.
Bose, Narendra Kumar. Melodic types of Hindusthan: A scientific interpretation of the Raga system of northern India. Jaico Publishing House, Bombay, 1960, 748 pages.
Bosi, Carlo. "Analisi modale, polifonia e teoria musicale tardo-medievale: un approccio storico-critico", Rivista Italiana di Musicologia vol. 39 no. 1, 2004, pp. 169-198.
Bosi, Mathieu (ed.) 120 Years of Electronic Music. Electronic Musical Instruments 1870 - 1990, WWW, Oct 2007, 160 pages.
Bosquet, Jean. De la gamme pentatonique à l'acoustique musicale chinoise.
Bosquet, Jean. L'Hélice des quintes de Pythagore. Report no. 26, Université de Bruxelles, Brussels, 1972, révision 1981.
Bosquet, Jean. Histoire, représentations symboliques des tempéraments. manuscript.
Bosquet, Jean. Perception auditive et Analyse spectrale. Université de Bruxelles, Brussels, 1973.
Bosquet, Jean. Le Baron de Prony et l'Acoustique musicale. 1974.
Bosquet, Jean. "Sons musicaux, intervalles et tempéraments", Bulletin de la Classe des Sciences vol. 60, 5° série, l'Académie Royale de Belgique, Brussels, 1974, pp. 1205-1247.
Bosquet, Jean. "Note concernant le 'monochorde' No. 4 de Marpurg", La facture de clavecin du XVe au XVIIIe siècle, Leuven, 1980.
Bosquet, Jean. "Les deux tempéraments de Dom Bédos de Celles et l'accord des instruments à clavier", La facture de clavecin du XVe au XVIIIe siècle, Leuven, 1980, pp. 89-109.
Bosquet, Jean. "M. Lindley: Lutes, Viols & Temperaments (book review)", Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap vol. 41, 1987, pp. 156-158.
Bosquet, Jean. "Histoire succincte et représentation synthétique des tempéraments musicaux", Bulletin de la Classe des Sciences vol. 19, l'Académie Royale de Belgique, Brussels, 2008, pp. 85-180.
Böß, Reinhard. Die ungleichschwebende Originalstimmung von Johann Sebastian Bach - Das wohltemperirte Clavier. Verlag Peter Lang, Frankfurt a.M., Feb 2009, 220 pages.
Bosseur, Dominique and Jean-Yves Bosseur. Révolutions musicales: La musique contemporaine depuis 1945. Collection Musique ouverte, Edition Le Sycomore, Paris, Jan 1979, 224 pages. Minerve, 1986, Dec 1993, Jan 1999, Mar 2000, 284 pages.
Bosseur, Jean-Yves. "Der Futurismus und das Werk von Edgar Varèse", Der musikalische Futurismus. Ästetisches Konzept und Auswirkungen auf die Moderne, Graz, 1976. Dutch translation "Varèse en de futuristen", De bevrijding van de klank. Teksten van en over Varèse, Elmer Schönberger (ed.), Stichting ASKO, Amsterdam, 1984, pp. 90-103.
Bosseur, Jean-Yves. "Une étude ultrachromatique d'Ivan Wyschnegradsky", Musique Passion d'Artistes, Skira, Paris, 1991.
Bosseur, Jean-Yves. Do som ao sinal: história da notação musical. Ed. UFPR, Curitiba, 2014.
Bossis, Bruno. "Mortuos Plango, Vivos Voco de Jonathan Harvey ou le miroir de la spiritualité (music review)", Musurgia vol. 11 no. 1/2, Images de la voix, 2004, pp. 119-144.
Bossis, Bruno. "Stria de John Chowning ou l'oxymoron musical: du nombre d'or comme poétique (music review)", John Chowning, Portraits Polychromes, INA-GRM/CDMC, Paris, 2005, pp. 87-115.
Boßler, Heinrich Philipp. Elementarbuch der Tonkunst zum Unterricht beim Klavier für Lehrende und Lernende : mit praktischen Beispielen ; eine musikalische Monatschrift. Speyer, 1782, 326 pages.
Boßler, Heinrich Philipp. Praktische Beiträge zu dem Elementarbuch der Tonkunst. Speyer, 1782, 80 pages.
Botermans, Wilco. De theremin aan het begin van de 21ste eeuw. MA thesis, Hogeschool voor de Kunsten, Utrecht, 2000. English translation The theremin at the start of the 21st century.
Botta, Carlo. Mémoire sur la nature des Tons et des Sons. Torino, 1802-1803.
Bottini, Franco & Roberto. Manuale di immediata comprensione e di estrema utilita per il fai da te dell'accordatura. Edition Carrera, Bergamo, 1987, 32 pages.
Bottrigari, Ercole. Il Patricio, o vero de' tetracordi armonici di Aristosseno. Vittorio Benacci, Bologna, 1593, 1603, 55 pages. Reprint Forni, Bologna, 1969.
Bottrigari, Ercole. Il desiderio overo de’concerti di varii strumenti musicali. Venice, 1594, 68 pages. Reprint Musik-Bibliothek Paul Hirsch, Berlin, 1924. Reprint Forni with introduction by Giuseppe Vecchi, Bologna, 1969.
Bottrigari, Ercole. "Enimma di Pitagora", Museo Internazionale e Biblioteca della Musica, MS B44, Bologna, Aug 1609, ff. 22r-25v. English translation "Pythagoras' Enigma", 2012, 5 pages.
Bottrigari, Ercole. "Della Musica Mondana Trattato di Macrobio Ambrosio Aurelio Teodosio", Museo Internazionale e Biblioteca della Musica, MS B44, Bologna. English translation "On the Music of the Cosmos", 2012, 12 pages.
Bottrigari, Ercole. Marginalia ad Galilei, Dialogo della musica antica, et della moderna, MS B.79. Bologna.
Bottrigari, Ercole. Il Melone secondo, overo considerationi del molto illustre Signore Caualiere Hercole Bottrigaro sopra un discorso di Messer Gandolfo Sigonio intorno à' madrigali et i libri dell' Antica Musica ridutta alla moderna prattica di Don Nicola Vicentino. MS 326, Busta III, 2. Bologna.
Bottrigari, Ercole. Del Primo libro della Musica di Anitio Manlio Seuerino Boethio. MS B 43. Secondo libro, Terzio libro, Quarto libro, Quinto libro, Bologna.
Botts, Trumann. "More on the Mathematics of Musical Scales", The Mathematics Teacher vol. 67 no. 1, Jan 1974, pp. 75-84.
Boucher, Pierre Émile. Vue nouvelle sur la musique; et, Vue nouvelle sur le paradis terrestre. self-published, Stoke, c.1998, 2011.
Boudet, Alain. "Gammes et modes musicaux. Panoplie de modes musicaux en usage dans notre vaste monde", WWW, 2005.
Boudet, Alain. "Une approche sensorielle et expérimentale du son: Hauteur, intensité, timbre", WWW, Nov 2005, 14 pages.
Boudot, Jean. "Nouveau systeme sur la transmission & les effets du Son, avec un nouveau Systême Sur le tempérament du Clavecin, & une nouvelle maniere de l'accorder", Mémoires pour l'histoire des sciences et des beaux-arts vol. 187, chez Jean Boudot, 1747, pp. 1588-1601.
Bougeret, Gérard. "Correction du tempérament de l'orgue de Lorris: Essai de généralisation", Revue de musicologie vol. 75 no. 1, 1989, pp. 5-24.
Boulanger, Richard Charles (ed.) The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming. MIT Press, Cambridge MA, 2000, 592 pages.
Boulez, Pierre. "At the Ends of Fruitful Land...", Die Reihe vol. 1, pp. 21-22. Original German edition 1955, English edition 1958.
Boulva, Lysiane. French Harpsichord Music of the Enlightenment: A Study of Jacques Duphly and the Aesthetic Context of his Life and Work. MA thesis, Department of Music, University of Toronto, 2015, 127 pages.
Bourgoin, A.C. "Contribution à l'étude des systèmes scalaires en Centre Afrique: l'orchestre de xylophones Ngbaka-Manza", M, Université Paris 4, Paris, 1992.
Bousted, Donald. "Microtonality, the Recorder and the Quarter-Tone Recorder Manual", The Recorder Magazine vol. 22 no. 3, autumn 2002, pp. 99-102.
Bousted, Donald. "An Empirical Study of Quarter-Tone Intonation", Contemporary Music Review vol. 22 no. 1-2, March-June 2003, pp. 53-86. Also in Thirty One vol. 1, Stichting Huygens-Fokker, 2004, pp. 1-35.
Bousted, Donald. "Next Step Quarter-Tone Resources: Melody", The Recorder Magazine vol. 25 no. 3, autumn 2005, pp. 88-91.
Bousted, Donald. The Microtonal Trumpet", WWW, 2013.
Bousted, Donald. "The 4 valve microtonal trumpet", WWW, 2015.
Bouterse, Curtis. "Reconstructing the Medieval Arabic Lute: a Reconsideration of Farmer's 'Structure of the Arabic and Persian Lute'", Galpin Society Journal vol. 32, May 1979, pp. 2-9.
Bouterse, Jan. "Tuning the traverso", FoMRHI Quarterly vol. 41 (Fomrhi Comm 653), Oct 1985, pp. 25-31.
Bouterse, Jan. De blokfluit: Handleiding voor aanschaf, onderhoud, bijstemmen en kleine reparaties. Luscinia, Alphen aan den Rijn, 1990, 140 pages.
Bouterse, Jan. "Stemming en stemmingstemperatuur: een introductie", Bouwbrief vol. 112, pp. 13-16 and vol. 113, pp. 8-13. Vereniging Huismuziek, Utrecht, 2004.
Bouterse, Jan. "Oude stemmingen en 31-toons muziek. Over het opnieuw geïnstalleerde Fokker orgel in de BAM zaal in het Muziekgebouw in Amsterdam", Bouwbrief vol. 134, Vereniging Huismuziek, Utrecht, 2009, p. 28.
Bouterse, Jan. "18th-century Clarinets in Holland", FoMRHI Quarterly vol. 124 (Fomrhi Comm 1988), June 2013, 8 pages.
Bouterse, Jan. "Making woodwind instruments 3a- Practical acoustics for woodwinds: sound waves and tuning", FoMRHI Quarterly vol. 132 (Fomrhi Comm 2040), Jan 2016, 10 pages.
Bouterse, Jan. "Making woodwind instruments 3b- Practical acoustics for woodwinds: sound research and pitch measurements. Pure tones, fundamentals, overtones and Harmonics", FoMRHI Quarterly vol. 132 (Fomrhi Comm 2041), Jan 2016, 8 pages.
Bouterse, Jan. "Tuning recorders", FoMRHI Quarterly vol. 146 (Fomrhi Comm 2114), Aug 2019, 10 pages.
Boutillon, Xavier and Bertrand David. "Assessing tuning and damping of historical carillon bells and their changes through restoration", Applied Acoustics vol. 63 no. 8, Aug 2002, pp. 901-910.
Bowan, Kate. "Living between Worlds Ancient and Modern: The Musical Collaboration of Kathleen Schlesinger and Elsie Hamilton", Journal of the Royal Musical Association vol. 137 no. 2, 2012, pp. 197-242.
Bowen, Alan C. and William R. Bowen. "The Translator as Interpreter: Euclid's 'Sectio canonis' and Ptolemy's 'Harmonica' in the Latin Tradition", Music Discourse from Classical to Early Modern Times. Editing and Translating Texts, Papers given and the 26th Conference on Editorial Problems, University of Toronto, 19-20 October 1990, Maria Rika Maniates (ed.), University of Toronto Press, Toronto, 1997, pp. 97-148.
Bowen, Meirion. "Harry Partch", Music and Musicians vol. 16, 1968, pp. 20-25.
Bower, Calvin M. "The Modes of Boethius", The Journal of Musicology vol. 3 no. 3, summer 1984, pp. 252-263.
Bowling, Daniel Liu; Kamraan Z. Gill; Jonathan D. Choi; Joseph Prinz and Dale Purves. "Major and minor music compared to excited and subdued speech", Journal of the Acoustical Society of America vol. 127 no. 1, Oct 2009, pp. 491-503. Also here.
Bowling, Daniel Liu; Janani Sundararajan; Shui'er Han; Dale Purves and Olaf Sporns. "Expression of Emotion in Eastern and Western Music Mirrors Vocalization", PLoS ONE vol. 7 no. 3, Mar 2012, WWW, pp. 1-8.
Bowling, Daniel Liu and Dale Purves. "A Biological Rationale for Musical Consonance", Proceedings of the National Academy of Sciences of the USA (Perspective) vol. 112 no. 36, Solomon H. Snyder (ed.), Sep 2015, pp. 11155-11160.
Bowling, Daniel Liu; Dale Purves and Kamraan Z. Gill. "Reply to Goffinet: In consonance, old ideas die hard (letter)", Proceedings of the National Academy of Sciences of the United States of America vol. 115 no. 22, May 2018, pp. E4958-E4959.
Bowling, Daniel Liu. "Harmonicity and Roughness in the Biology of Tonal Aesthetics", Music Perception vol. 38 no. 3, Feb 2021, pp. 331-334. Also here.
Bowman, Peter. "The quarter-tone recorder manual: Ein Vortrag", SAJM Zeitschrift vol. 27 no. 4, 1999, pp. 24-31.
Bowman, Peter. Microtonality and the recorder 1961-2013: repertoire, tone colour and performance. PhD thesis, Canterbury Christ Church University School of Music and Performing Arts, 2014, 414 pages.
Box, Lionel. "Just Intonation!", The Musical Times vol. 102 no. 1417, Mar 1961, pp. 167-168.
Boxall, Maria. "Principles of the Harpsichord by Monsieur de Saint Lambert by Rebecca Harris-Warrick (book review)", The Galpin Society Journal vol. 41, Oct 1988, pp. 128-130.
Boyce, David. "About Piano Tuning", "Electronic Tuning", WWW, 2020.
Boyd-Bennett, Harriet. "Crosscurrents: American and European Music in Interaction, 1900-2000 edited by Felix Meyer, Carol J. Oja, Wolfgang Rathert and Anne C. Shreffler (book review)", Tempo vol. 68 no. 270, Oct 2014, pp. 100-102.
Boyd-Brent, John. "Harmony and Proportion", WWW, 1998.
Boyden, David Dodge. "Prelleur, Geminiani, and Just Intonation", Journal of the American Musicological Society vol. 4 no. 3, autumn 1951, pp. 202-219.
Boyden, David Dodge. "Tuning and Temperament. A Historical Survey by J. Murray Barbour (book review)", The Musical Quarterly vol. 38 no. 3, July 1952, pp. 451-457.
Boye, Gary R. "Meantone temperaments on lutes and viols by David Dolata (book review)", Music Reference Services Quarterly, 2017, 2 pages.
Boyer-Cung, F. Note sur l'acoustique et la théorie musicale. Delor-Chabou, Toulouse, c.1904, 34 pages.
Boyer, Magali. La justesse, quelque chose de très relatif. MA thesis, CEFEDEM Auvergne Rhône-Alpes, Jan 2019, 68 pages.
Boyes, Francis Bryan. Das Jankó-Clavier in seiner vollkommenen Ausführung. Staatliches Institut für Musikforschung, Wien, 1894.
Boyle, William H. The Art of Pipe Organ Tuning. Salt City Tuning School, Syracuse NY, 1916.
Bozkurt, Baris; Ozan Yarman, Mustafa Kemal Karaosmanoglu and Can Akkoc. "Weighing diverse theoretical models on Turkish Maqam Music against pitch measurements: A comparison of peaks automatically derived from frequency histograms with proposed scale tones", Journal of New Music Research vol. 38 no. 1, Mar 2009, pp. 45-70. Also here.
Bozkurt, Baris. "A System for Tuning Instruments Using Recorded Music Instead of Theory-Based Frequency Presets", Computer Music Journal vol. 36 no. 3, autumn 2012, pp. 43-56.
Bozkurt, Baris; Ruhi Ayangil and André Holzapfel. "Computational Analysis of Turkish Makam Music: Review of State-of-the-Art and Challenges", Journal of New Music Research vol. 43 no. 1, Computational Approaches to the Art Music Traditions of India and Turkey, 2014, pp. 3-23.
Braatz, Thomas. "The Hänfling/Bümler Temperament a Trigger for Bach's Well-Tempered Clavier?", WWW, 2005, 10 pages.
Bradt, Sebastian. "Mikroton", Logos Blad, part 1, Apr 2007 to part 6, Sep 2007.
Brägelmann, Bernhard. De scala musica imprimis organi et clavicordii ab Europaeis usurpata : Dissertatio historico-physica ... PhD thesis, University of Bonn, Carthaus, Bonn, 1864, 35 pages.
Braguinski, Nikita. "Die Systeme der reinen Stimmung von August Eduard Grell und ihr geistesgeschichtlicher Kontext", Staatlichen Instituts für Musikforschung Jahrbuch, Simone Hohmaier (ed.), Schott Musik International, Mainz, 2011, pp. 75-124.
Brainin, Valeri. "Ein Brief über gewisse Möglichkeiten der mikrochromatischen Komposition in Zusammenhang mit denkbaren Perspektiven der Evolution der Musiksprache" (in Russian), Musykalnaja Akademia no. 3, Moscow, 1997. German translation by Melitta and Rudolf Neumann, 12 pages.
Brandsma, Engbert. "Über die Tonverhältnisse in der Alten und Neuen Musik", Bericht von III. Kongreß der Internationalen Musikgesellschaft, 1909, p. 387.
Brandt Buys, Hans. Het Wohltemperirte Klavier van Johann Sebastian Bach. Van Loghum Slaterus' Uitgeversmaatschappij, Arnhem, 1942, 322 pages.
Bras-Amorós, Maria. "Tempered Monoids of Real Numbers, the Golden Fractal Monoid, and the Well-Tempered Harmonic Semigroup", Semigroup Forum vol. 99 no. 2, Springer, Nov 2019, pp. 496-516. arXiv 1703.01077, WWW, 2017-2019, 17 pages.
Brauchli, Bernard. "The Clavichord in Christian Friedrich Gottlieb Thon's Keyboard Manual, Ueber Klavierinstrumente (1817)", American Musical Instrument Society Journal vol. 9, 1983, pp. 68-88.
Brauchli, Bernard. The Clavichord. Revised edition, Cambridge University Press, Aug 2008, 408 pages.
Braun, Christoph. Max Webers 'Musiksoziologie'. Laaber Verlag, Laaber, Jan 1992, 386 pages.
Braun, Martin. "The gamelan pelog scale of Central Java as an example of a non-harmonic musical scale", WWW, Aug 2002.
Braun, Martin. "Bell tuning in ancient China: a six-tone scale in a 12-tone system based on fifths and thirds", WWW, June 2003.
Braun, Peter Michael. Naturintervalle und -Klänge. 1984.
Braun, Peter Michael. Modi, Skalen und Klanggruppierungen. 1984.
Braun, Peter Michael. Ein harmonikaler Zugang zur Musiktheorie. 1992, 66 pages. Edition Tonger, Köln-Rodenkirchen, Jan 2000.
Braun, Peter Michael. Naturtöne, Dualität und Harmonische Spannung. Heidelberg, 1992. Bad Nauheim, 1996. Revised ed., Humboldt-Gesellschaft, Abhandlungen Band 14, Mannheim, 1997.
Braun, Peter Michael. "Credo", WWW, 2016.
Breakspeare, Eustace J. "On Certain Novel Aspects of Harmony", Proceedings of the Musical Association vol. 13, 1886, pp. 113-131. Also here.
Breed, Graham. "Documents on Alternative Tunings", WWW, 1998.
Breed, Graham. "Meantone Temperaments", WWW, 1999.
Breed, Graham. "Schismic Temperaments", WWW, 1999.
Breed, Graham. "Anomalous Saturated Suspensions", WWW, 1999.
Breed, Graham. "Octave Invariant Music Lattices", WWW, 1999.
Breed, Graham. "Decimal Notation", WWW, 2001.
Breed, Graham. "Lattices with Decimal Notation", WWW, 2001.
Breed, Graham. "Catalog of Linear Temperaments", WWW, 2001.
Breed, Graham. "Maximal Evenness Proofs", WWW, 2001.
Breed, Graham. "Miracle keyboard mappings", WWW, 2001.
Breed, Graham. "How to Find Linear Temperaments", WWW, 2001.
Breed, Graham. "The Regular Mapping Paradigm", WWW, 2006.
Breed, Graham. "Prime-Based Error and Complexity Measures", WWW, 2007, 29 pages.
Breed, Graham. "RMS-Based Error and Complexity Measures Involving Composite Intervals", WWW, 2008, 24 pages.
Breed, Graham. "Provably Complete Rank 2 Temperament Searches", WWW, Mar 2008, 9 pages.
Breed, Graham. "Exploring Parametric Badness", WWW, Jan 2009, 12 pages.
Breed, Graham. "Tripod Notation. A Magic Cauldron of Musical Possibilities", WWW, Jan 2009, 22 pages.
Breed, Graham. "Tenney-Euclidean Formulas", WWW, Jan 2011, 6 pages.
Breed, Graham. "Trippy Trojans", WWW, July 2011, 4 pages.
Breed, Graham. "Tenney-Euclidean Error Cutoffs for Equal Temperaments", WWW, July 2011, 3 pages.
Breed, Graham. "Microtonality in Lilypond", WWW.
Breen, Edward. "Well-tempered Woodwinds by Geoffrey Burgess (book review)", Early Music vol. 44 no. 4, Nov 2016, pp. 647-649.
Breloer, Bernhard. Die Grundelemente der altindischen Musik nach dem Bharatiya-natya-sastra. Inaugural Dissertation, Universitäts-buchdruckerei Gebr. Scheur, Bonn, 1922, 48 pages.
Bremmer, Bill. "The Equal Beating Victorian Temperament", WWW, 2002.
Bremmer, Bill. "Equal Temperament via the "Marpurg" Quasi Equal Temperament", WWW, July 2009.
Brenet, Michel (ed.) Deux traductions françaises inédites des institutions harmoniques de Zarlino. Paris, 1911.
Brenn, Franz. "Tonsysteme in Equiton und Fawcettzahlen", Bericht über den internationalen wissenschaftlichen Kongreß in Kassel, Kassel, 1962, pp. 275-276.
Brennan, D. "An experimental investigation of the perception of linear frequency scales found in Central Australian aboriginal vocal music", Proceedings of the 11th International Conference on Music Perception and Cognition, S.M. Demorest, S.J. Morrison and P.S. Campbell (eds.), 23-27 Aug 2010, Seattle WA, Causal Productions, Adelaide, 2010, p. 98.
Brennecke, Friedemann. "Schreiende Klänge' - zur Frühgeschichte des übermäßigen Dreiklangs. Detailstudien zu den Geistlichen Konzerten Samuel Scheidts", Klang: Wundertüte oder Stiefkind der Musiktheorie. 16. Jahreskongress der Gesellschaft für Musiktheorie (GMTH) Hannover 2016 (GMTH Proceedings 2016), Britta Giesecke von Bergh; Volker Helbing; Sebastian Knappe and Sören Sönksen (eds.), 2016, pp. 69-88. Also here.
Brennink, Albert. Wohltemperierte Notenschrift: die Ailler-Brennink chromatische Notation; Ergebnisse und Schlußfolgerungen der Notenschrift-Reform durch die Chroma-Stiftung. Ed. Chroma, Montreux, 1992, 95 pages.
Bresciani, Benedetto. Two trattati, unpublished, Firenze, Biblioteca Nazionale n. 802.
Brewster-Jones, Hooper. "Tuning of Ancient Instruments: Elsie Hamilton's Unique Work", The Advertiser, Adelaide, 11 Feb 1937.
Brewster, Todd. "Twangs and Tweedles", LIFE vol. 6 no. 11, Nov 1983, p. 139.
Bridges, Brian. "Can Harmony Be Non-Linear? Issues in Microtonal Composition and Perception in Response to Glenn Branca's '25 Questions'", Maynooth, 2008, 4 pages.
Bridges, Brian. "A Space for Tension", Mar 2012, 5 pages.
Bridges, Brian. Towards a Perceptually-grounded Theory of Microtonality: issues insonority, scale construction and auditory perception and cognition. PhD thesis, National University of Ireland, Maynooth, Oct 2012, 2 vols., 383+342 pages.
Brink, G. van den. "Octave and fifth settings for pure tones and residues sounds", Psychophysics and Physiology of Hearing, E.F. Evans and J.P. Wilson (eds.), Academic, London, 1977, pp. 373-379.
Brink, Paul Robert. The Archicembalo of Nicola Vicentino. PhD thesis, Ohio State University, 1966, 180 pages.
Brinkman, Alexander R. "A Binomial Representation of Pitch for Computer Processing of Musical Data", Music Theory Spectrum vol. 8, spring 1986, pp. 44-57.
Brisay, Aubrey C. de. "The German Temperament and the New Organ at Breslau", The Musical Times vol. 56 no. 866, 1 Apr 1915, p. 224.
Broadhouse, John. Musical Acoustics: Or the Phenomena of Sound As Connected with Music. William Reeves, London, 1881, 448 pages. Reprint Services Corporation, 1990.
Broadhouse, John. The organ viewed from within. A practical handbook on the mechanism of the organ, with a chapter on tuning. William Reeves, London, 1914, 141 pages.
Broadwood, H.F. Some Notes Made By J.S. Broadwood (James Shudi Broadwood (1772-1851)), 1838, with Observations & Elucidations. W.S. Johnson & Co., London, 1862.
Broadwood, James Shudi. "Method of Tuning Keyed Stringed Instruments", The Monthly Magazine and British Register vol. 32 no. 2, R. Phillips (ed.), 1811, pp. 106-107.
Brockett, Clyde W. Jr. "A comparison of the five monochords of Guido of Arezzo", Current musicology vol. 32, 1981, pp. 29-42.
Brodsky, Warren. "Joseph Schillinger (1895-1943): Music Science Promethean", American Music vol. 21 no. 1, spring 2003, pp. 45-73. Also here.
Broekaert, Johan M. "Muzikale structuren", WWW, 2010, 32 pages.
Broekaert, Johan M. "Welgetemperd Stemmen, volgens de Werckmeister Definitie. Verbeterde en aangevulde uitgave. Van Werckmeister, over Bach, Kirnberger en Vallotti, tot Gelijkzwevend. Geïnspireerd door Kelletat", WWW, 2016. English translation "Well Tempering based on the Werckmeister Definition". French translation "Bien Tempéré, selon la définition de Werckmeister". German translation "Wohltemperiert, laut Werckmeister Definition". Spanish translation "Bien Temperado, según definición de Werckmeister".
Broekaert, Johan M. "Well Temperaments based on the Werckmeister Definition From Werckmeister, passing Vallotti, Bach and Kirnberger, to Equal Temperament Inspired by Kelletat and Amiot", Journal of Mathematics and Music, arXiv 1912.10918, WWW, Sep 2019, 28 pages.
Broekaert, Johan M. "Music, commas and beats", WWW, Aug 2020, 19 pages.
Broekaert, Johan M. "Bach's Tempered Meantone (extended version)", WWW, Dec 2020, 32 pages. French translation "Le Mésotonique Tempéré de Bach (texte extensif)", WWW, Jan 2021, 34 pages.
Broekaert, Johan M. "The Auditory Tuning of a Keyboard", WWW, May 2021, 3 pages.
Broman, Per F. "Report from the Third Triennial ESCOM Conference in Uppsala, Sweden, 7-12 June, 1997", Music Theory Online vol. 3 no. 4, WWW, 1997.
Brombaugh, Mark A. "Tuning and temperament in the time of Scheidt and Buxtehude", Dietrich Buxtehude and Samuel Scheidt: An anniversary tribute, University of Saskatchewan, Saskatoon, 1988, pp. 71-78.
Bromberg, Carla. "A Preliminary Study of the Origin of Music in Cinquecento Musical Treatises", International Review of the Aesthetics and Sociology of Music vol. 41 no. 2, Dec 2010, pp. 161-183.
Bronda, Tymen Jan. "Gereconstrueerd Schnitger-orgel Lutherse Kerk Groningen in gebruik", Orgelnieuws, Oct 2017.
Bronk, Beth. "It's Just Intonation", Bandmasters Review, Texas Bandmasters Association, Dec 2010, pp. 15-21.
Bronson, Bertrand H. "Are the Modes Outmoded?", Yearbook of the International Folk Music Council vol. 4, 25th anniversary issue, 1972, pp. 23-31.
Brook, Taylor McNeal. Synergy of Orchestration, Rhythm, and Form in Three Microtonal Compositions. MA thesis, Columbia University, June 2018, 127 pages. Also here.
Brook, Taylor McNeal. "Orchestration and pitch precision in the orchestral music of Marc Sabat", Tempo vol. 75 no. 295, Jan 2021, pp. 17-30.
Brookbank, Joseph. The Well-tuned Organ, Or, An Exercitation; Wherein, this Question is Fully and Largely Discussed, Whether Or No Instrumental, and Organical Musick be Lawful in Holy Publick Assemblies?. Brookbank, London, 1660, 67 pages.
Brossard, Sébastien de. Dictionnaire de la musique contenant une explication des Termes Grecs, Latins, Italiens, & François les plus usitez dans la Musique. Christophe Ballard, Paris, 1703. Estienne Roger, Amsterdam, 1708. Reprint Minkoff, Genève, 1992. English translation by Albion Gruber, Henryville PA, 1982.
Brotbeck, Roman. "Völkerverbindende Tondifferenzierung. Mordecai Sandberg, ein verkannter Pionier der Mikrotonalität", Neue Zeitschrift für Musik vol. 152 no. 4, Apr 1991, pp. 38-44.
Brotbeck, Roman. "Flucht in die Praxis - Flucht aus der Praxis. Die amerikanischen Pioniere der Mikrotonalität", Mikrotöne IV, Musikwissenschaftliches Symposion Salzburg 1991, Kongressbericht, Innsbruck, 1992, pp. 43-78.
Brotbeck, Roman. "Eine Führung durch die pansonoren Musikräume des Ivan Wyschnegradsky", La Nouvelle Revue Musicale Suisse Dissonanz-Dissonance vol. 30, Zürich, Oct 1991, pp. 4-11.
Brotbeck, Roman. "Julián Carrillo" and "Mordecai Sandberg", Lexicon Komponisten der Gegenwart, Berlin, 1993.
Brotbeck, Roman. "Siete fragmentos sobre Carillo", Heterofonia vol. 26 no. 108, Jan-June 1993, pp. 15-18.
Brotbeck, Roman. "Harry Partch. A Humanizing Alchemist", Dissonanz vol. 39, Feb 1994, pp. 12-20.
Brotbeck, Roman. "La technique de composition de Pascale Criton dans le contexte de la musique microtonale", Pascale Criton, Paris, 1999, pp. 44-53.
Brotbeck, Roman. "Die musikhistorischen Selbstkonstruktionen von Julián Carrillo, Harry Partch und Ivan Wyschnegradsky", Musik und Verstehen, Christoph v. Blumröder (ed.), Spektrum der Musik Bd. 8, Laaber Verlag, 2004, pp. 176-184.
Brotbeck, Roman. "When things are hoping. Gedanken zur europäischen Erstaufführung von 'Delusion of the Fury' von Harry Partch und zum Nachbau seiner Instrumente", Dissonance vol. 124, Sep 2013, pp. 18-27.
Brotbeck, Roman. "Mikrotonalität als Reconquista. Der mexikanische Futurist Julián Carrillo (1875-1965)", Internationaler Kongress zur Mikrotonalität - Praxis und Utopie, Stuttgart 16-18 June 2011. Herausgegeben im Auftrag der Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart (Stuttgarter Musikwissenschaftliche Schriften), Schott, Mainz, 2014, pp. 157-177.
Brotbeck, Roman. "Stimmung gegen eine Stimmung. Plädoyer für eine diversité culturelle der Töne", spuren - Musikzeitschrift für Gegenwart, June 2015, p. 3.
Brotbeck, Roman. "Julián Carrillo. Entre futurismo triunfalista y bricolage inventivo", La Corriente vol. 35 no. 6, May/June 2015, pp. 16-18.
Brotbeck, Roman. "Julián Carrillo - un futurista triunfalista e inventivo", Keynote am Carrillo-Symposion 16-17 Oct 2016.
Brotbeck, Roman. "Der Sprechgesang bei Arnold Schönberg und Harry Partch. Eine Annäherung", Der doppelte Po und die Musik. Rätoromanisch-chinesische Studien, besonders zu Li Po, Harry Partch und Chasper Po, Königshausen & Neumann Würzburg, 2021, pp. 527-558.
Brouncker, William. "Animadversions", published as an appendix to his English translation of Rene Descartes's Compendium musicae, T. Harper for H. Moseley, London, 1653.
Brower, Candace. "Paradoxes of Pitch Space", Music Analysis vol. 27 no. 1, Mar 2008, pp. 51-106.
Brown, Adrian. The recorder: A basic workshop manual. Dolce, Brighton, 1989, 46 pages.
Brown, Barnaby. "Affirming an ancient intonation", Piping Today no. 38, The National Piping Centre, Glasgow, 2009, pp. 2-5.
Brown, Colin. Music in a Sound and Music in Figures (Music in Common Things, parts I and II). William Collins & Sons Ltd., London, 1885.
Brown, Howard Mayer and Kathleen Moretto Spencer. "How Alfonso della Viola tuned his viols, and how he transposed", Early Music vol. 14 no. 4, Nov 1986, pp. 520-533.
Brown, Judith C. "Frequency ratios of spectral components of musical sounds", Journal of the Acoustical Society of America vol. 99 no. 2, Feb 1996, pp. 1210-1219.
Brown, Judith C. and Kathryn V. Vaughn. "Pitch center of stringed instrument vibrato tones", Journal of the Acoustical Society of America vol. 100 no. 3, Sep 1996, pp. 1728-1735. Also here.
Brown, R.A. Dynamics of intonation in performances by artist violinists. Unpublished PhD diss., Indiana University, Bloomington IN, 1996.
Brown, Robert. An introduction to musical arithmetic with its application to temperament. London, 1865.
Brown, Steven E. "Determination of Location of Pitch within a Musical Vibrato", Bulletin of the Council for Research in Music Education no. 108, spring 1991, pp. 15-30.
Browne, Richmond. "Tonal Implications of the Diatonic Set", In Theory Only vol. 5 no. 6/7, 1981, pp. 3-21.
Brozek, Jan (Joannes Broscius). An diapason salvo harmonico concentu per aequalia septem intervalla dividi possit vel non ?, 1648.
Brucaeus, Henricus. Musica theorica. Rostock, 1609.
Bruchhäuser, Wilfried W. "Reintonale Mikrointervalle", Beilage zur Veranstaltung des Max-Planck-Institutes für Bildungsforschung vom 30. 4. 1983.
Brues, Austin M. "The Fusion of Non-Musical Intervals", The American Journal of Psychology vol. 38 no. 4, Oct 1927, pp. 624-638. Also here.
Brukman, Jeffrey. "Kárpáti's Mistuning Theory Reconsidered in the Context of Bártok's 'Supradiatonicism' and Friedrich Hartmann's Fully-Chromaticized Scales", ex tempore vol. 13 no. 2, spring-summer 2007.
Brümmer, Ludger. "Extending the Piano", eContact vol. 13 no. 2, WWW, 2011.
Brun, Viggo. "En generalisation av kjedebrøken", Norske Videnskabers Selskapets Skrifter vol. 1-2, 1919-20, Oslo. (avec des résumés en Français)
Brun, Viggo. "Music and Ternary Continued Fractions", Det Konelige Norsk Videnskabers Selskab, Forhandlinger Bd. 23 no. 10, 1950, pp. 38-40.
Brun, Viggo. "Algorithmes Euclidiens pour trois et quatre nombres", Sartryck ur Trettonde Skandinavska Matematikerkongressen XIII, Aug 1957, p. 45.
Brun, Viggo. "Mehrdimensionale Algorithmen, welche die Eulersche Kettenbruchentwicklung der Zahle verallgemeinern", Festschrift Leonard Euler zum 250. Geburtstag, Akademie-Verlag, Berlin, 1959.
Brun, Viggo. "Musikk og Euklidske algoritmer", Nordisk matematisk tidskrift vol. 9, Oslo, 1961, pp. 29-36.
Brun, Viggo. "Euclidien algorithms and musical theory", L'Enseignement mathématique revue internationale vol. 10 no. 1-2, Genève, 1964, pp. 125-137.
Brundin, Verner. "Intervall-lära (om tonhöjd och tonavstånd)", self-published, Stockholm, 1936.
Bruni, Severino. Succinto di teoria fondamentale per lo schiarimento dell'intonazione e per l'accordatura istrumentale. Tipografia del R.I. de'Sordi-Muti, Genova, 1861.
Brunia, Sjoerd. "Aspecten van de theorie en praktijk van het kwarttoonsysteem bij Wyschnegradsky", Werkgroep muziek van de 20e eeuw, Rudolf A. Rasch (ed.), Utrecht, 1992, pp. 3-23.
Brunner, David Lee. "Cultural diversity in the choral music of Lou Harrison", The Choral Journal vol. 32 no. 10, May 1992, pp. 17-28.
Bruno, Sampaio. Harmonium Tessaradécatonique. 1911.
Bruns, Winfried. Die wohltemperierte Mathematik. Universität Osnabrück, WWW, Nov 2011, 16 pages.
Bruschi, Michael. "Microtonality and the Tuning Systems of Erv Wilson by Terumi Narushima (book review)", Journal of Music Theory vol. 64 no. 1, 2020, pp. 105-121.
Bruter, Claude Paul. "A mathematical interpretation of expressive intonation", Mathematics and art: mathematical visualization in art and education, Springer, 2002, pp. 141-148.
Bruyn, J. de. "Ghiselinus Danckerts kapelaan-zanger van de Pauselijke kapel van 1538 tot 1565. Zijn leven, werken en onuitgegeven tractaat", Tijdschrift der Vereniging voor Nederlandse Musiekgeschiedenis vol. 16, 1946, pp. 217-252; vol. 17, 1949, pp. 128-157.
Bruyr, José. La belle histoire de la musique. Corrêa, Paris, 1946.
Bryant, Niles. Tuning, Care and Repair of Reed And Pipe Organs. The Niles Bryant school of Piano Tuning, Battle Creek MI, 1996.
Bryant, Stephen Peter. Practice-led research into music: a synergetic trifecta of glissandi, microtonality, and isorhythms. PhD thesis, University of Central Lancashire, 2016.
Bryennius, Manuel. Armonika. Constantinople, 1300. The harmonics of Manuel Bryennius, G.H. Jonker (ed.), PhD thesis, Groningen University, 1970. Wolters-Noordhoff Publishing, Groningen, 1970, 454 pages.
Buccio, Daniele. "La psicologia della Gestalt. Ricerche teoriche e sperimentali sulla percezione sonora e musicale (1890-1939). MSc thesis, University of Bologna, 2010, 195 pages.
Buch, Francis. Du Piano. Simples Notions Sur Son Histoires, Sa Fabrication, Sa Conservation, Son Accord... Chez Tous les Libraires, Rouen, 1869.
Buch, Peter. "Favored cardinalities of scales", WWW, 15 pages.
Buchler, Michael. "Broken and Unbroken Interval Cycles and Their Use in Determining Pitch-Class Set Resemblance", Perspectives of New Music vol. 38 no. 2, summer 2000, pp. 52-87.
Bucht, Saku and Erkki Huovinen. "Perceived consonance of harmonic intervals in 19-tone equal temperament", Proceedings of the Conference on Interdisciplinary Musicology (CIM04), Richard Parncutt; A. Kessler; F. Zimmer (eds.), Graz, 15-18 April 2004, pp. 1-10.
Buck, Percy C. "Equal and Mean-Tone Temperament", Acoustics for Musicians, Clarendon Press, Oxford, 1918, pp. 91-106.
Budden, F.J. "Modern Mathematics and Music", The Mathematical Gazette vol. 51 no. 377, Oct 1967, pp. 204-215.
Buehler-MacWilliams, Kathryn and Russell E. Murray Jr. "The Monochord in the Medieval and Modern Classroom", Journal of Music History Pedagogy vol. 3 no. 2, 2013, pp. 151-172.
Buetens, Stanley. "On fretting a lute", Journal of the Lute Society of America vol. 3, 1970, pp. 53-63.
Bühler, Walter. "Musikalische Skalen und Intervalle bei Leibniz unter Einbeziehung bisher nicht veröffentlichter Texte", Part 1, Studia Leibnitiana vol. 42 no. 2, Republic and common good in Leibniz' political thought, 2010, pp. 129-161. Part 2, Studia Leibnitiana vol. 44 no. 2, 2012, pp. 134-165.
Bühler, Walter. Musikalische Skalen bei Naturwissenschaftlern der frühen Neuzeit: Eine elementarmathematische Analyse. Verlag Peter Lang, Frankfurt a.M., July 2013, 274 pages.
Bühler, Walter. Rechnen mit musikalischen Intervallen, Skalen und Stimmungen im historischen Kontext. PL ic Research, Verlag Peter Lang, Frankfurt a.M., Mar 2014, 187 pages.
Bühler, Walter. Aristoxenos und Pythagoras : ein elementarmathematischer Streifzug durch die Geschichte der musikalischen Skalen und Intervalle. PL ic Research, Verlag Peter Lang, Frankfurt a.M., 2017, 512 pages.
Bühler, Walter. "Consonance based interval systems and their matrices: Leibniz's harmonic equations", Journal of Mathematics and Music vol. 13 no. 2, Apr 2019, pp. 1-18.
Bukofzer, Manfred F. "Präzisionsmessungen an primitiven Musikinstrumenten", Zeitschrift für Physik vol. 99 no. 9-10, 1936, pp. 643-665.
Bukofzer, Manfred F. "Kann die 'Blasquintentheorie' zur Erklärung exotischer Tonsysteme beitragen?", Anthropos vol. 32, Salzburg, 1937, pp. 402-418.
Bukofzer, Manfred F. "The evolution of Javanese tone systems", Papers read at the International Congress of Musicology, New York, Sep 1939, New York, 1944, pp. 241-250.
Buks, Eyal. "Musical tonality and synchronization", arXiv 1910.03402, WWW, 2019, 6 pages.
Bulgakova, D.V.; N. Buzhinsky and Y.O. Goncharov. "On balanced and abelian properties of circular words over a ternary alphabet", Theoretical Computer Science vol. 939, Jan 2023, pp. 227-236.
Bülow, George J. "Andreas Werckmeister", New Grove Dictionary of Music and Musicians, MacMillan, London, 1980.
Bülow, George J. "Symposium on Seventeenth-Century Music Theory", Journal of Music Theory vol. 16, 1972, pp. 36-47.
Bülow, Hans von. "Das Enharmonium des Herrn Doctor Shohé Tanaka", Hamburgische Musikzeitung vol. 18 no. 3, 1889, pp. 155-156.
Bulyowsky, Michael (Mihály Bulyovszky de Dulycz). Brevis de emendatione organi musici tractatio. Kurtze Vorstellung von Verbesserung des Orgelwercks. Johann Eberhard Zetzner, Strasbourg, 1680, bilingual. Reprint: Frits Knuf, Buren, 1988, 121 pages. Reprint Laaber Verlag, Bibliotheca Organologica 68, Laaber, 150 pages.
Bulyowsky, Michael. Neu-erfundenes vollkommenes fünff-faches Clavier, bestehend aus fünff Reyhen der Palmulen und so genandten Clavium, dessen eine gantze Octav XXXII. Commata begreifft, so alle in geometrischer Continuen und ungetrenneten Progression aufeinander gehen.... Paul Treu, Stuttgart, 1699.
Bulyowsky, Michael. Tastatura quinqueformis panarmonico-metathetica. Theodor Hecht, Durlach, 1711.
Bulyowsky, Michael. Fünff-faches, vollständiges Transponier-Clavier, in einigen seinen Tugenden vorgestellt..... Theodor Hecht, Durlach, 1711.
Bumpus, Jonathan. "Trombonisms: A Trombone-Centric Analysis of Kid Ory, Jimmy Harrison, Jimmy Cleveland, Roswell Rudd, and Robin Eubanks", Jazz Education in Research and Practice vol. 1 no. 1, spring 2020, pp. 5-23.
Bunjes, Paul George. The Praetorius Organ. PhD thesis, University of Rochester NY, Concordia Publishing House, St. Louis, 1966, 1024 pages.
Bunk, G.C. "Gelijkzwevende temperatuur ten dienste van het onderwijs in de theorie der muziek", Nijgh & van Ditmar, Rotterdam, 1920.
Burgess, Geoffrey. Well-Tempered Woodwinds: Friedrich von Huene and the Making of Early Music in a New World. Indiana University Press, Bloomington IN, May 2015, 320 pages.
Burgubura, H. Relations des mathématiques et de la musique dans l'histoire des gammes. Paris, 1973.
Burgvliet, Lucas Jakob. De Muzykonderwijzer, of, Volledig onderwijs in de gronden der muzyk-kunde. L.J. Burgvliet, Rotterdam, 1780, 388 pages.
Burk, James M. "Schillinger's Double Equal Temperament System", Psychology and Acoustics of Music: A Collection of Papers, Edward W. Asmus (ed.), vol. 70, 1984, pp. 423-456.
Burk, Phil; Larry Polansky; Douglas Repetto; Mary Roberts and Daniel Rockmore. Music and Computers. A Theoretical and Historical Approach. Course, Columbia University, New York, WWW, 2011.
Burkert, Walter. Weisheit und Wissenschaft: Studien zu Pythagoras, Philolaos und Platon. 1962. English translation Lore and Science in Ancient Pythagoreanism by E.L. Minar jr., Harvard University Press, Cambridge MA, 1972.
Burkholder, J. Peter. Charles Ives. The Ideas behind the Music. Yale University Press, New Haven CN, 1985, 166 pages.
Burleigh, Ian George. An Application of Calculated Consonance in Computer-Assisted Microtonal Music. MA thesis, University of Calgary, Alberta, Dec 2013, 159 pages.
Burman, Eric. De proportione harmonica. 2 vols. Uppsala, 1715-1716, 506 pages.
Burney, Charles. The Present State of Music in France and Italy. Or, the Journal of a Tour through those Countries, Undertaken to Collect Materials for a General History of Music. T. Becket, 1772, 311 pages. Reprint, Cambridge University Press, 2014. German translation Tagebuch einer musikalischen Reise durch Frankreich und Italien by E.D. Ebeling, Hamburg, 1772, 343 pages (see next).
Burney, Charles and Richard Schall. Tagebuch einer musikalische Reise: durch Frankreich, Italien, Flandern, die Niederlande und am Rhein bis Wien, durch Böhmen, Sachsen, Brandenburg, Hamburg und Holland 1772-1773. E.D. Ebeling, Hamburg, 1772, 354 pages.
Burney, Charles and Christoph Daniel Ebeling. Tagebuch seiner Musikalischen Reisen durch Böhmen, Sachsen, Brandenburg, Hamburg und Holland: Mit einigen Zusätzen und Anmerkungen zum zweyten und dritten Bande. Volume 3, Bode, 1773, 314 pages.
Burney, Charles. The Present State of Music in Germany, The Netherlands, and United Provinces. T. Becket, J. Robson and G. Robinson, London, 2nd ed., 1775.
Burney, Charles and Johann Joachim Eschenburg. Karl Burney's Abhandlung über die Musik der Alten. Schwickert, 1781, 216 pages.
Burns, Edward M. "In search of the Shruti", Journal of the Acoustical Society of America vol. 56 no. S1, Nov 1974, p. S26(A).
Burns, Edward M. and W. Dixon Ward. "Categorical Perception of Musical Intervals - Phenomenon or Epiphenomenon? Evidence and Experiments in the Perception of Melodic Intervals", Journal of the Acoustical Society of America vol. 55 no. 2, Feb 1974, pp. 456-468.
Burns, Edward M. and W. Dixon Ward. "Categorical Perception - Phenomenon or Epiphenomenon: Evidence from Experiments in the Perception of Melodic Musical Intervals", Journal of the Acoustical Society of America vol. 63 no. 2, Feb 1978, pp. 456-468.
Burns, Edward M. "Circularity in relative pitch judgements for inharmonic complex tones: The Shepard demonstration revisited, again", Perception & Psychophysics vol. 30 no. 5, Sep 1981, pp. 467-472.
Burns, Edward M. and W. Dixon Ward. "Intervals, Scales and Tuning", The Psychology of Music, Diana Deutsch (ed.), Academic Press, New York, 1982, pp. 241-269. Second ed., 1999, pp. 215-264.
Burns, Edward M. and Shari L. Campbell. "Frequency and frequency ratio resolution by possessors of relative and absolute pitch: Example of categorical perception?", Journal of the Acoustical Society of America vol. 96 no. 1, July 1994, pp. 2704-2719.
Burskii, Vladimir P. "The organization of a three-manual keyboard for 53-tone tempered and other tempered systems" (in Russian), arXiv 1712.03569, WWW, Dec 2017, 16 pages.
Burstein, Zily; Christina M. Gower and Gabriele U. Varieschi. "Simulating a Guitar with a Conventional Sonometer", Open Journal of Acoustics vol. 2 no. 2, Mar 2012, pp. 67-71.
Burstyn, Shai. "The 'Arabian Influence' Thesis Revisited", Festschrift for Ernest H. Sanders, Dept. of Music, Columbia University Press, New York, 1990, pp. 119-146.
Burt, Warren. Aardvarks IV: A Real-Time Composing Machine. MA thesis, University of California, San Diego, 1975.
Burt, Warren. "Composing for a Set of Justly-Tuned Aluminium Tuning Forks", Interval vol. 5 no. 3, winter 1986-1987, pp. 13, 23.
Burt, Warren. "A Set of Justly-Tuned Aluminium Tuning Forks", Experimental Musical Instruments vol. 2, no. 5, Feb 1987, pp. 12-13.
Burt, Warren. "Experimental Music In Australia Using Live Electronics (music review)", Contemporary Music Review vol. 6 no. 1, pp. 159-172.
Burt, Warren. "Australian Experimental Music 1963-1990 (music review)", Leonardo Music Journal vol. 1 no. 1, 1991, pp. 5-10.
Burt, Warren. "Interactive Improvisations With Electronic Music Systems", Sounds Australian vol. 32, 1992, pp. 41-44.
Burt, Warren. "An Interesting Group of Combination-Product Sets Produces Some Very Nice Dissonances", 1/1 vol. 9 no. 1, Mar 1995, pp. 1, 4-9.
Burt, Warren. "Drones 1994 #2 - Old Commas Inverted and Revisited", Xenharmonikôn vol. 16, autumn 1995, p. 99 & 103 (score).
Burt, Warren. "On Performing Harry Partch's 'Bitter Music'", British Harry Partch Society Newsletter vol. 1 no. 4, Birmingham, Feb 1996, pp. 4-6.
Burt, Warren. "Some Parentheses Around Algorithmic Composition", Organised Sound vol. 1 no. 3, Cambridge University Press, 1996, pp. 167-172.
Burt, Warren. "Adventures in Scale Generation Along a Wilsonian Path, part 1", 1/1 vol. 9 no. 3, summer 1996, pp. 1, 6-12.
Burt, Warren. "Microtonal Pitch Systems in Some Recent Music", Proceedings of the 1996 Australian Computer Music Association Conference, QUT Academy of the Arts, Brisbane, 1996, pp. 13-21.
Burt, Warren. "Microtonal Harmonic Systems in 'Harmonic Colour Fields'", Proceedings of the 1997 Australasian Computer Music Association Conference, University of Auckland, 1997, pp. 44-53.
Burt, Warren. "Microtonal and Structural Aspects of 'My Monodies I and II', for microtonal guitar", Leonardo Music Journal vol. 7, Dec 1997, pp. 81-83.
Burt, Warren. "Harry Partch: Enclosure 3 (book review)", Cantrill's Film Notes vol. 87-88, Melbourne, Jan 1998. Also in Experimental Musical Instruments, Feb 1998.
Burt, Warren. "Adventures in Scale Generation Along a Wilsonian Path, part 2", 1/1 vol. 10 no. 1, winter 1998, pp. 4-10.
Burt, Warren. "Sound and Light: LaMonte Young and Marian Zazeela (music review)", 1/1 vol. 10 no. 2, autumn 1999, p. 2.
Burt, Warren. "Mamoru Fujieda: 'The Night Chant' (CD review)", 1/1 vol. 10 no. 3, autumn 2000, pp. 17, 24.
Burt, Warren. "Developing and Composing Scales based on Recurrent Sequences", Form space time: music architecture and design, Proceedings of the 2002 Australasian Computer Music Conference, RMIT, ACMA, Melbourne, 2002, pp. 123-132.
Burt, Warren. "Computer as Part of Improvisatory Theatrical Performance", paper, Aug 2002, 7 pages.
Burt, Warren. "Some Numbers", paper, Dec 2002, 21 pages.
Burt, Warren. "An introduction to four pieces using some aspect of chaos theory", paper, Jan 2003.
Burt, Warren. "Thoughts on Structure and Necessity", Chroma no. 33, Brisbane, Mar 2003, pp. 6-9.
Burt, Warren. "Many Environments, Many Paths of Perception", World Forum for Acoustic Ecology Conference, Melbourne, 2003.
Burt, Warren. "Four from the East, Microtonal CDs from New York, New Jersey and New Hampshire (CD review)", 1/1 vol. 11 no. 2, winter 2003, pp. 14-16.
Burt, Warren. "Long distance composing for computer controlled microtonal acoustic instruments", Proceedings of the 2005 ACMC Conference, ACMA, Melbourne, 2005, 8 pages.
Burt, Warren. "Experimental Music in 2005 (music review)", World Literature Today vol. 79 no. 2, Board of Regents of the University of Oklahoma, May-Aug 2005, pp. 49-52.
Burt, Warren. Algorithms, Microtonality, Performance: Eleven Musical Compositions. PhD thesis, University of Wollongong, Wollongong, 2007, 301 pages. Final version, Dec 2009, 247 pages plus 13 appendices.
Burt, Warren. "Microtuning on the Wusik (software review)", part 1: Wusik Sound Magazine no. 10, Feb 2007, pp. 44-52. part 2: Wusik Sound Magazine no. 11, Mar 2007, pp. 18-24.
Burt, Warren. "Ben Johnston: 'Maximum Clarity' and Other Writings on Music (book review)", 1/1 vol. 12 no. 3, autumn 2007, pp. 29-30.
Burt, Warren. "Cellular automata as spectra: beyond sonification into composition", paper, University of Wollongong, 2007, 8 pages.
Burt, Warren. Algorithms, Microtonality, Performance: Eleven Musical Compositions. Lambert ic Publishing, Saarbrücken, Jan 2010, 256 pages. With book materials, WWW, 2010.
Burt, Warren. "The Wilson Installations", article on structures and tunings and derivations of tunings in compositions 'The Mossy Slopes of Mt. Meru' (2002), 'Pythagoras' Babylonian Bathtub' (2003), and 'Saturday in the Triakontahedron with Leonhard' (2004-5), Perspectives of New Music vol. 48 no. 1, winter 2010, pp. 92-135. Also here.
Burt, Warren. "MOTU's Mach Five (software review)", SoundBytes, WWW, Nov 2013.
Burt, Warren. "Linplug's Spectral (software review)", SoundBytes, WWW, Jan 2014.
Burt, Warren. "Virtual ANS - Rebirth of a Classic, with New Bells and Whistles (software review)", SoundBytes, WWW, Mar 2014.
Burt, Warren. "Xen_FMTS2, a FREE Softsynth That Opens the Way to Wild Explorations of Tunings and Timbres (software review)", SoundBytes, WWW, July 2014.
Burt, Warren. "Kaivo by Madrona Labs (software review)", SoundBytes, WWW, Jan 2015.
Burt, Warren. "Kaleidoscope from 2CAudio Graphic Synthesis (and More) Taken to the Next Level", SoundBytes, WWW, Mar 2015.
Burt, Warren. "From Scratch: Writings in Music Theory by James Tenney (book review)", SoundBytes, WWW, July 2015.
Burt, Warren. "Hayward Tuning Vine - a Means of Exploring Just Intonation on Mac and PC (software review)", SoundBytes, WWW, Nov 2015.
Burt, Warren. "Music on Tablets (and Beyond) - Nave from Waldorf (software review)", SoundBytes, WWW, Jan 2016.
Burt, Warren. "Composing Electronic Music: A New Aesthetic by Curtis Roads (book review)", WWW, Jan 2016.
Burt, Warren. "Microtonality in Falcon (software review)", SoundBytes, WWW, Mar 2016.
Burt, Warren. "Virta: Voice Controlled Synthesis from Madrona Labs (software review)", SoundBytes, WWW, May 2016.
Burt, Warren. "Music for Tablets - Shoom by Yuri Turov (software review)", SoundBytes, WWW, May 2016.
Burt, Warren. "IVOR2 from Xen-Arts (software review)", SoundBytes, WWW, July 2016.
Burt, Warren. "Virtual analog microtonality in VCV rack (software review)", Xenharmonikôn, WWW, Apr 2019.
Burton, Tony. "Did You Know That... The Mexican who tried to revolutionize the world of classical music was once nominated for the Nobel Prize in Physics?", WWW, 2002.
Busch, Hermann Richard. Leonhard Eulers Beitrag zur Musiktheorie. Kölner Beiträge zur Musikforschung Bd. 58, Gustav Bosse Verlag, Regensburg, Jan 1970, 141 pages.
Busch, Oliver. "Logos syntheseos. Die euklidische Sectio canonis, Aristoxenos, und die Rolle der Mathematik in der antiken Musiktheorie", Veröffentlichungen des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz Bd. 10, Staatliches Institut für Musikforschung, Preußischer Kulturbesitz, Berlin, 1998, pp. 133-164.
Bush, Alan. "Sovremennyye techeniya zapadnoy muzyki", Sovetskaya muzyka vol. 12, Dec 1938, pp. 93-101.
Busoni, Ferruccio. "Versuche über Dritteltöne und neue Skalen", manuscript, 1896, 9 pages.
Busoni, Ferruccio. Entwurf einer neuen Ästhetik der Tonkunst. Manuscript, 1909-1915, 30 pages. 2nd edition, Insel Verlag, Leipzig, 1916. Neue Ausgabe, Insel Verlag, Wiesbaden, 1954. With annotations by Arnold Schönberg and a epilogue by H.H. Stuckenschmidt, Suhrkamp Verlag, Frankfurt a.M., 1974, Aug 2016, 86 pages. Sketch of a New Esthetic of Music, English translation by Th. Baker, London, 1910, p. 98. Also in: Three Classics in the Aesthetic of Music, Dover, New York, 1962, pp. 73-102. French translation by Pierre Michel, L'esthétique musicale, Minerve, Paris, 1990, 170 pages. Italian translation Abbozzo di una nuova estetica della musica by Fedele D'Amico, Il Saggiatore, Milan, 1977, pp. 39-72.
Busoni, Ferruccio. "Die neue Harmonik", 1911, Von der Einheit der Musik. Gesammelte Aufsätze, Max Hesses Handbücher, Berlin, 1922, pp. 159-160.
Busoni, Ferruccio. "Futurismus der Tonkunst", Pan vol. 3, Oct 1912-Mar 1913, Berlin, 1912, pp. 11-12.
Busoni, Ferruccio. "Bericht über Dritteltöne", Melos vol. 3, Aug 1922, p. 198.
Busoni, Ferruccio. Lo Sguardo lieto: Tutti gli scritti sulla musica e le arti. Fedele D'Amico (ed.), italian translation by Laura Dallapiccola, Luigi Dallapiccola and Fedele D'Amico, Il Saggiatore, Milan, 1977, 550 pages.
Butler, Charles. The Principles of Music in Singing and Setting. printed by John Haviland, London, 1636. Reprint Kessinger Publishing, Sep 2010, 154 pages.
Butler, David. "Music Theory, Theories of Music, and Systematic Musicology", College Music Symposium vol. 22 no. 1, spring 1982, pp. 112-119.
Butler, David and W. Dixon Ward. "Effacing the Memory of Musical Pitch", Music Perception vol. 5 no. 3, spring 1988, pp. 251-259.
Butler, David. "Describing the perception of tonality in music: A critique of the tonal hierarchy theory and a proposal for a theory of intervallic rivalry", Music Perception vol. 6 no. 3, spring 1989, pp. 219-241.
Butler, David. The Musician's Guide to Perception and Cognition. (includes CD of 62 listening examples), Schirmer Books, New York, Feb 1992, 265 pages.
Butler, David. "Tonal Bootstrapping: Re-Thinking the Intervallic Rivalry Model", Music, Mind, and Science, Suk Won Yi (ed.), Seoul National University Press, Seoul, 1998, pp. 7-12.
Butler, Rick. Aural Piano Tuning. A Practical Guide. InstantPublisher, 2nd edition, Jan 2005.
Butler, Simone. "A Xen Kind of Experience", On Air Magazine, San Diego KPBS, Dec 1992, p. 4.
Butler Brown, Katherine. "The That System of Seventeenth-Century North Indian Ragas: A Preliminary Report on the Treatises of Kamilkhani", Asian Music vol. 35 no. 1, autumn 2003-winter 2004, pp. 1-13.
Butterfield, W.A. How To Tune Your Own Piano. W.A. Butterfield, Boston, 1910.
Büttner, Joseph and Johann Heinrich Ernst Nachersberg. Stimmbuch, oder vielmehr Anweisung, wie jeder Liebhaber sein Clavierinstrument, sey es übrigens ein Saiten- oder ein Pfeifenwerk, selbst repariren und also auch stimmen könne. Adolf Gehr und Comp., Breslau and Leipzig, 1801. 2nd enlarged edition, 1804.
Buttinger, Kurt. Muzikerzieher und Internet. PhD thesis, Universität Mozarteum, Salzburg, 1999.
Buttstett, Johan Heinrich. Kurze Anführung zum General-Bass. Leipzig, 1733, 2nd edition, p. 20.
Byers, Greg. Classical Guitar Intonation, WWW, 2002, 11 pages.
Byo, James L.; Amanda L. Schlegel and N. Alan Clark. "Effects of Stimulus Octave and Timbre on the Tuning Accuracy of Secondary School Instrumentalists", Journal of Research in Music Education vol. 58 no. 4, Nov 2010, pp. 316-328.
Byo, James L. and Amanda L. Schlegel. "Effects of Stimulus Octave and Timbre on the Tuning Accuracy of Advanced College Instrumentalists", Journal of Research in Music Education vol. 64 no. 3, Oct 2016, pp. 344-359.
Byrnak, Bjarne Pagh. "Tuning Werckmeister III: A Thought Experiment", WWW, 2007, 45 pages.
Bywater, M.F. (ed.) Heinrich Schreiber. Ayn new Kunstlich Buech. 1518. Scolar Press, London, 1980.

- C -

Caddeo, Renzo; Xavier Hascher; Franck Jedrzejewski and Athanase Papadopoulos. "Christiaan Huygens: mathématicien et théoricien de la musique", Sep 2020, Christiaan Huygens: Ecrits sur la musique et sur le son, R. Caddeo, X. Hascher, F. Jedrzejewski and A. Papadopoulos (eds.), Hermann, Paris, to be published.
Cadek, Ottokar. "String Intonation in Theory and Practice", Music Journal vol. 8 no. 3, May-June 1949.
Cadek, Ottokar. "Intonation from the viewpoint of the violinist", The Music Journal vol. 8 no. 2, Mar-Apr 1950, pp. 22, 74.
Cadrin, Paul. "Carl Dahlhaus. Studies on the Origin of Harmonic Tonality (book review)", Érudit Journals Canadian University Music Review / Revue de musique des universités canadiennes no. 14, 1994, pp. 188-210.
Caetano, Tarcísio. "Música e Matemática - A relação harmoniosa entre sons e números Empty Música e Matemática - A relação harmoniosa entre sons e números", WWW, July 2011.
Cafagna, Vittorio and Thomas Noll. "Algebraic Investigations into Enharmonic Identication and Temperament", Proceedings of the 3rd International Conference Understanding and Creating Music, G. Di Maio and C. di Lorenzo (eds.), Caserta, 2003, 11 pages.
Cahan, David (ed.) Hermann Von Helmholtz and the Foundations of Nineteenth-Century Science, California Studies in the History of Science Book 10, University of California Press, Berkeley, Los Angeles and London, 1993, 704 pages.
Caivano, José Luis. "Color and Sound: Physical and Psychophysical Relations", Color Research and Application vol. 19 no. 2, Apr 1994, pp. 126-133.
Cajigal-Vera, Miguel Ángel. "Proportion, Symmetry and Mathematics in the Renaissance Theory of Construction: Vignola's Treaty of Architecture and its Musical Mirror", Proceedings of the Third International Congress on Construction History, Cottbus, May 2009, 6 pages.
Caldersmith, G. "Designing a guitar family", Applied Acoustics vol. 46 no. 1, 1995, p. 317.
Caldwell, John and Roger Wibberley. "Diatonic Ficta (letter)", Music & Letters vol. 85 no. 3, Oxford University Press, Aug 2004, pp. 511-516.
Calegari, Antonio. Trattato del sistema armonico, ... proposto e dimonstrato da Melchiorre Balbi, con annotazioni e appendice dello stesso. Crescini, Padova, 1829.
Calegari, Francesco Antonio. Parte Prima della Latina e Moderna musica ouuero siasi concordanza, ed ordine dell'Armonico numero. MS F.71, Bologna.
Calegari, Francesco Antonio. Ampla dimostrazione degli armoniali musicali tuoni ... Manuscript, 1732. In Francesco Antonio Calegari: Music Theorist and Composer vol. 2, Walter W. Schurr (ed.), 1742, pp. 17-251.
Caleon, Imelda S. and R. Subramaniam. "From Pythagoras to Sauveur: Tracing the History of Ideas about the Nature of Sound", Physics Education vol. 42 no. 2, Singapore, 2006, p. 173.
Calinger, Ronald. "Leonhard Euler: The First St. Petersburg Years (1727-1741)", Historia Mathematica vol. 23, 1996, pp. 121-166, see p. 144.
Callcott, John Wall. Explanation of the Notes, Marks, Words, &c, used in Music. printed for the author, London, 1792. Reprint Gale ECCO, May 2010, 42 pages.
Callcott, John Wall. "A critical examination of the musical theory of Kirnberger", Feb 1799.
Callcott, John Wall. "On Lord Stanhope's Temperament", The Monthly Magazine vol. 22, part I for 1806, p. 524.
Callcott, John Wall. A Musical Grammar in Four Parts carefully revised by Thomas Westrop. F. Pitman, London, 1806. Reprint Nabu Press, Sep 2010, 200 pages.
Callcott, John Wall. Plain Statement of Earl Stanhope's Temperament. Triphook, London, Jan 1807, 16 pages.
Callcott, John Wall. "A Letter to His Royal Highness the Duke of Cumberland, from Dr. J.W. Callcott, respecting the Stanhope Temperament", The Philosophical Magazine 1st Series, vol. 28, John Murray, London, A Constable and Company, Edinburgh, 1807, pp. 143-144.
Calle, Eduardo J. Music as a Branch of Mathematics. Document and Presentation Prepared for The Mathematics Across the Community College Curriculum, Miami Dade College, 2007.
Callender, Clifton. "Continuous Transformations", Music Theory Online vol. 10 no. 3, Sep 2004, 44 pages.
Callender, Clifton. "Continuous Harmonic Spaces", Journal of Music Theory vol. 51 no. 2, autumn 2007, pp. 277-332.
Callow, G. and E. Shepherd. "Intonation in the performance of North Indian classical music", paper presented at the 17th Annual meeting of the Society for Ethnomusicology, November 30-December 3, Toronto, Canada, 1972.
Calva, José Rafael. Julián Carrillo y microtonalismo: la visión de Moisés. Colección Ensayos (Centro Nacional de Investigación, Documentación e Información Musical Carlos Chávez), Sociedad de Autores y Compositores de México : Publicaciones CENIDIM, 1984, 62 pages.
Calvet, André. Comparateur de Tempéraments, WWW, 2012.
Calvet, André. Le Clavier Bien Obtempéré. Essai de Tempéramentologie. With preface by Franck Jedrzejewski, piano e forte éditions, Montpellier, 2020, 470 pages. With online numeric annexes.
Cambouropoulos, Emilios. "A General Pitch Interval Representation: Theory and Applications", Journal of New Music Research vol. 25 no. 3, 1996, pp. 231-251.
Cambouropoulos, Emilios. "Automatic Pitch Spelling: From Numbers to Sharps and Flats", Proceedings of the VIII Brazilian Symposium on Computer Music, Fortaleza, 2001, 9 pages.
Cambouropoulos, Emilios. "Pitch Spelling: a Computational Model", Music Perception vol. 20 no. 4, summer 2003, pp. 411-429.
Cambré, Chris. "Barokstemmingen", WWW.
Cameron, Janet Garcia. Transcriptions of Seven Li Po Settings by Harry Partch. MA thesis. University of Illinois, Urbana-Champaign, 1982.
Camiolo, Arcangelo. I coristi sonometrici per la precisione del temperamento armonico. Tip. dell'Oaratorio di S. Francesco di Sales, Torino, 1873.
Camiolo, Arcangelo. Esthétique musicale: Essai sur les lois psychologiques de l'intonation et de l'harmonie. Expliquées par les Comparaisons des Mouvements et des Rhythmes vibratoires. Au Ménestrel, Paris, 1878, 42 pages.
Campbell, Alan Gary. "Just and Mean Tone Tuning for Electronic Keyboards", Electronic Musician vol. 2 no. 11, Nov 1986, pp. 46-51.
Campbell, James A. "The Equal Tempered Scale and Some Peculiarities of Piano Tuning", WWW, 1997.
Campbell, James A. "Guitar Tuning By Harmonics", WWW, 1997.
Campbell, Leroy B. "Wyschnegradsky's Quarter-tone Piano", The Musician vol. 45 no. 2, May 1937, New York, pp. 88, 93.
Campbell, D. Murray. "Why are historical brass instruments hard to play in tune?", Journal of the Acoustical Society of America vol. 105 no. 2, Feb 1999, p. 1001.
Campbell, D. Murray and Clive A. Greated. The Musician's Guide to Acoustics. Schirmer Books, New York, 1987. Oxford, New York, 2001, chap. 4, pp. 165-182.
Campbell, D. Murray; Clive A. Greated and Arnold Myers. Musical Instruments: History, Technology, and Performance of Instruments of Western Music. Oxford University Press, New York, 2004, 510 pages.
Campion, François. Nouvelles découvertes sur la guittarre contentant plusieurs sortes de pièces sur huit manières différentes d'accorder. Brunet, Paris, 1705.
Campos, Arthur N. "Microtones and Melody", Interval vol. 4 no. 1, winter 1982, p. 26.
Can, Mehmet Cihat, Türk Müziginde Ses Sistemleri. Gazi Egitim Fakültesi Dergisi, Özel Sayi, Ankara, 1994.
Can, Mehmet Cihat, XV. Yüzyil Türk Mûsikîsi Nazariyâti (Ses Sistemi). PhD thesis, University of Istanbul, 2001.
Can, Mehmet Cihat. "Müzikte Tam Besli Zincirleri ve Pythagoras Dizileri (Pythagorean Scales and Chain of Perfect Fifths in Music)", G.Ü. Gazi Egitim Fakültesi Dergisi vol. 21 no. 2, 2001, pp. 143-159.
Can, Mehmet Cihat. "Geleneksel Türk Sanat Müziginde Arel-Ezgi-Uzdilek Ses Sistemi ve Uygulamada Kullanilmayan Bazi Perdeler" (In Practice Disused Keys of Arel-Ezgi-Uzdilek's Tonal System in Traditional Turkish Art Music), G.Ü. Gazi Egitim Fakültesi Dergisi vol. 22 no. 1, 2002, pp. 175-181.
Cancialosi, Ivan. "My artistic research on microtonality", June 2015.
Cannas, Sonia. Musica e Matematica: l'algoritmo CHAS. MSc thesis, Mathematics, Università degli Studi di Cagliari, 2011, 48 pages.
Cannas, Sonia. "Dai problemi della scala pitagorica alla scala naturale", WWW, June 2012, 11 pages.
Cannon, Steven. "Deducing Temperament from Analysis of the Well-Tempered Clavier: Contradictory or Complementary Evidence?", unpublished paper, McGill University, 2007.
Cannon, Steven. "Maximally Smooth Diatonic Trichord Cycles", International Conference Mathematics and Computation in Music, Elaine Chew; A. Childs and Ch. Chuan (eds.), 19-22 June 2009, New Haven CN, pp. 43-56.
Canou, Flora. "19-ET theory: sensamagic dominant chord", WWW, 2020.
Canquilhem, Phillipe. Fronimo De Vincenzo Galilei. Minerve, Paris and Tours, 2001, 235 pages.
Canright, David. "A Justly Tuned Guitar", 1/1 vol. 2 no. 2, 1986, pp. 8-11.
Canright, David. "Ratios for Equal Temperaments", Interval vol. 1 no. 4+5, 1980, pp. 38-40.
Canright, David. "A Tour Up the Harmonic Series", 1/1 vol. 3 no. 3, summer 1987, p. 8 ff.
Canright, David. "Rational Notation", 1/1 vol. 1 no. 1, San Francisco, 1985, pp. 8, 9, 16.
Canright, David. "Pentatonics I have known", 1/1 vol. 1 no. 2, San Francisco, 1985.
Canright, David. "On Piano Retuning", 1/1 vol. 1 no. 4, 1985.
Canright, David. "Harmonic-Melodic diagrams", 1/1 vol. 4 no. 2, 1988, pp. 1-9.
Canright, David. "Fibonacci Gamelan Rhythms", 1/1 vol. 6 no. 4, autumn 1990, p. 4.
Canright, David. "Lou Harrison, 'Music for Guitar and Percussion' (CD review)", 1/1 vol. 7 no. 3, 1992, p. 2.
Canright, David. "Superparticular Pentatonics", 1/1 vol. 9 no. 1, 1995, p. 10.
Canright, David. "'Divisions of the Tetrachord' by John H. Chalmers (book review)", 1/1 vol. 8 no. 3, p. 16.
Canright, David. "EPS for JI. Encapsulated PostScript programs to explore musical scales in Just Intonation", WWW, 1999.
Canright, David. "Fret Choices for Just Intonation Guitars (or Fretting about Fretting)", 1/1 vol. 10 no. 3, autumn 2000, pp. 18-21, 24.
Canright, David. "Performance: Concert in Celebration of the Chrysalis New Music Studio - Instruments and Music by Cris Forster" (concert review), 1/1 vol. 11 no. 4, spring 2004, pp. 19-20.
Canright, David. "John Schneider: Just Guitars" (CD review), 1/1 vol. 11 no. 4, spring 2004, pp. 21-22.
Cantagrel, Gilles. Les défauts du tempérament inégal de Silbermann. Hachette Livre, Paris, 1982.
Cantagrel, Gilles. Tempérament, Tonalités, Affects. Un exemple: si mineur. Ostinato Rigore, Paris, 2001.
Cantarini, Aldo. "Intervalli enarmonici `enarmonium' e l'avvenire della musica", Rivista Musicale Italiana vol. 29, 1922, pp. 349-354.
Cantrell, David W. "Arnault's Lute, the Modulus of Elasticity of Mersenne's Gut, and the Downbearing Ratio", Galpin Society Journal vol. 34, Mar 1981, pp. 147-148.
Cantrell, Norman. "Tuning a piano to a pipe organ", WWW, Jan 2011.
Capecchi, Danilo. "Epistemology of Greek Harmonics", Advances in Historical Studies vol. 4 no.3, June 2015, pp. 155-171.
Capellen, Georg. Die 'Musikalische' Akustik als Grundlage der Harmonik und Melodik (Mit experimentellen Nachweisen am Klavier). Verlag von C.F. Kahnt Nahfolger, Leipzig, 1903. Reprint Leopold Classic Library, Sep 2016, 154 pages. Forgotten Books, Dec 2018, 156 pages.
Capellen, Georg. Die Freiheit oder Unfreiheit der Töne und Intervalle. Verlag von C.F. Kahnt Nahfolger, Leipzig, 1904. Reprint Kessinger Publishing, Sep 2010, 180 pages.
Capellen, Georg; Hugo Riemann and Hermann Schroeder. Die Zukunft der Musiktheorie (Dualismus oder 'Monismus'?). Verlag von C.F. Kahnt Nahfolger, Leipzig, 1905, pp. 5-45.
Capellen, Georg. Ein neuer exotische Musikstil. Grüninger, Stuttgart, 1905, 59 pages.
Capellen, Georg. Fortschrittliche Harmonie- und Melodielehre. Verlag von C.F. Kahnt Nachfolger, Leipzig, 1908. Reprint Let Me Print, Mar 2013, 204 pages.
Capes, John Moore. An Essay on the Growth of the Musical Scale and of Modern Harmony. Novello, Ewer & Co, London, 1877, 144 pages. Kessinger Publishing, 2009, 158 pages. Reprint Rarebooksclub.com, Mar 2012.
Capleton, Brian. "Why are pianos tuned to Equal Temperament, and What is Equal Temperament? (Temperament without mathematics)", WWW, 2005.
Capleton, Brian. "On falseness and paradigms for the nature of piano tuning", WWW, 2005.
Capleton, Brian. Theory and practice of piano tuning. Amarilli Books, West Malvern, 2008, 628 pages.
Caplin, William E. Theories of Harmonic-Metric Relationships from Rameau to Riemann. University of Chicago Press, Chicago, 1981.
Capurso, Alfredo. "The Circular Harmonic System - C.HA.S., English translation by Liz Poore, WWW, 2006, 13 pages.
Capurso, Alfredo. "Sonorous Algorithms", Sikania no. 249, July 2007, pp. 79-81.
Capurso, Alfredo. "Un nuovo modello interpretativo di alcuni fenomeni acustici: il sistema formale circolare armonico (Circular Harmonic System C.HA.S.)", A new model of interpretation of some acoustic phenomena (Circular Harmonic System C.HA.S.)", Quaderni di Ricerca in Didattica no. 19, G.R.I.M. Department of Mathematics, University of Palermo, 2009, pp. 58-83.
Capuzzo, Guy. "Pat Martino's The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory", Music Theory Online vol. 12 no. 1, WWW, Feb 2006, 17 pages.
Capwell, Charles. "The Rags of North Indian Music: Their Structure and Evolution by N.A. Jairazbhoy (book review)", Asian Music vol. 4 no. 2, 1973, pp. 19-26. Also here.
Caravan, Ronald R. Preliminary Exercises and Etudes in Contemporary Techniques for Clarinet: Introductory Material for the Study of Multiphonics, Quarter Tones, and Timbre Variation. Ethos Publications, Oswego NY, Jan 1979, 43 pages.
Cardano, Girolamo. De Musica. 1546.
Cardano, Girolamo. Opus novem de proportionibus numerorum, motuum, ponderum, sonorum, aliarumque rerum mensurandarum. Item de aliza regula. Henric Petrina, Basel, 1570.
Cardwell, W.T. Jr. "Trumpet acoustics: Correcting intonation faults", Journal of the Acoustical Society of America vol. 60 no. S1, Nov 1976, p. S121.
Cardy, Patrick. "Chromatic Notation: The Results and Conclusions of the International Enquiry (book review)", Canadian University Music Review vol. 5, 1984, pp. 316-319.
Carey, Christian. "Zeno Baldi - Zeno Baldi, Bonsai. Longoni Maurizio, clarinet; Mayr Manu, bass; Divertimento Ensemble, Sandro Gorli, conductor. Stradivarius CD STR 37101 (CD review)", Tempo vol. 73 no. 289, July 2019, pp. 81-82.
Carey, Norman and David Clampitt. "Aspects of Well-Formed Scales", Music Theory Spectrum vol. 11 no. 2, autumn 1989, pp. 187-206. Also here.
Carey, Norman and David Clampitt. "Regions: A Theory of Tonal Spaces in Early Medieval Treatises", Journal of Music Theory vol. 40 no. 1, spring 1996, pp. 113-147.
Carey, Norman and David Clampitt. "Self-Similar Pitch Structures, Their Duals, and Rhythmic Analogs", Perspectives of New Music vol. 34 no. 2, summer 1996, pp. 62-87.
Carey, Norman. Distribution Modulo 1 and Musical Scales. PhD thesis, University of Rochester, Eastman School of Music, 1998, 343 pages. Chapter 1 DIATONIC THEORY", 1998, pp. 2-64.
Carey, Norman. "W.A. Mathieu: Harmonic Experience (book review)", Music Theory Spectrum vol. 24 no. 1, spring 2002, pp. 121-158.
Carey, Norman. "On Coherence and Sameness, and the Evaluation of Scale Candidacy Claims", Journal of Music Theory vol. 46 no. 1/2, spring-autumn 2002, pp. 1-56.
Carey, Norman. "Coherence and Sameness in Well-formed and Pairwise Well-Formed Scales", Journal of Mathematics and Music vol. 1 no. 2, July 2007, pp. 79-98.
Carey, Norman and David Clampitt. "Structural Properties of Musical Scales", WWW, 2018, 41 pages.
Carey, Norman and David Clampitt. "Variety and multiplicity for partitioned factors in Christoffel and Sturmian words", Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance vol. 12 no. 3, Music and Combinatorics on Words, Apr 2018, pp. 154-170.
Carey, Norman and David Clampitt. "Partitioned Factors in Christoffel and Sturmian Words", Theoretical Computer Science vol. 743 no. 2, Apr 2018.
Cariani, Peter et al. Interactions Between Tones: Consonance & Dissonance. HST. 725: course notes, Music Perception and Cognition, Spring 2009, Harvard-MIT Division of Health Sciences and Technology, 77 pages.
Carl, Robert. Terry Riley's In C. Series: Studies in Musical Genesis and Structure, Oxford University Press, New York, 2009, 146 pages.
Carl, Robert. "Robert Carl review of Johnston string quartets nos. 6-8 (music review)", WWW, Nov 2016.
Carlé, Martin. "Enharmonische Archäologie der griechischen Musiknotation", Die Geburt des Vokalalphabets aus dem Geist der Poesie, Fink, 2006.
Carlé, Martin. "Das Samplingtheorem der Antike nach Archytas von Tarent", Medien vor den Medien, Fink, 2007.
Carlé, Martin. "Der Gesang der Sirenen: Diaphonie und Enharmonie der Antike", Humboldt-Universität, Seminar für Medienwissenschaft, WWW, ca. 2007.
Carlé, Martin and Anastasia Georgaki. "Re-configuring ancient greek music theory through technology: an adaptative electronic tuning system on a reconstructed ancient greek barbiton", CIM09, Oct 2009, pp. 58-60.
Carlos, Wendy. "Tuning: At the Crossroads", Computer Music Journal vol. 11 no. 1, 1987, pp. 29-43.
Carlos, Wendy. "Three Asymmetric Divisions of the Octave", Pitch vol. 4 no. 1, spring 1990, pp. 2-3.
Carlsson-Berndtsson, Gunilla and Johan Sundberg. "Formant frequency tuning in singing", Journal of Voice vol. 6 no. 3, Jan 1992, pp. 256-260. Also in Speech Transmission Laboratory: Quarterly Progress and Status Report vol. 32 no. 1, KTH Royal Institute of Technology, Stockholm, 1991, pp. 29-35.
Carmi-Cohen, Dalia. "An Investigation into the Tonal Structure of the Maqamat", Journal of the International Folk Music Council vol. 16, Jan 1964, pp. 102-106.
Caron, Nelly and Dariouche Safvate. Iran, les traditions musicales. Collection de Institut International d'Études de la musique, Buchet/Chastel-Corrêa, Paris, 1966.
Carpenter, Ellon D. "Russian Music Theory: A Conspectus", Russian Theoretical Thought In Music, Gordon D. McQuere (ed.), UMI Research Press, Ann Arbor MI, 1983.
Carpenter, Hoyle. "Microtones in a Sixteenth Century Portuguese Manuscript", Acta Musicologica vol. 32 no. 1, Jan-Mar 1960, pp. 23-28.
Carr, Dale C. "A practical introduction to unequal temperament", The Diapason vol. 65 no. 3, Feb 1974, pp. 6-8.
Carrière, Eric. "La division de l'octave: Ou 'Un peu de physique pour étonner les musiciens': ou 'Un peu de musique pour agacer les physiciens'", Académie Musicologique du Forez vol. 8, Mar 1987, pp. 9-21.
Carrillo, D. (anonymously) "Julián Carrillo. Testimonio de una vida. San Luis Potosí, Committee "San Luis 400", 1992.
Carrillo, Julián. Tratado sintético de harmonía. Mexico City, 1913, 8/1915. G. Schirmer, New York, 1916. Reprint Pranava Books, 2020. Portuguese translation Tratado de harmonia by José Henrique dos Santos, Sassetti & Cia,, Lisbon, 1931.
Carrillo, Julián. Pláticas musicales: de los conservatorios de México, Leizig, Alemania y Gante, Bélgica, México vol. 1, A. Wagner y Levien, Puebla-Guadalajara-Monterrey, 1913, vol. 2, 1923, 1930, 166 pages.
Carrillo, Julián. El Sonido 13, Teoria lógica de la musica. E. Pardo, Mexico City, 1924, 136 pages. English translation Writing system for the new music of sixteenths of the tone, music produced by the 13th sound theorie of Julián Carillo in Soundings vol. 5, 1973.
Carrillo, Julián. Rectificación básica al sistema musical clásico. Analisis fisico musical 'pre-sonido 13'. 1926. Talleres Gráficos de la Escuela Industrial Militar, San Luis Potosí, July 1930, 62 pages.
Carrillo, Julián. La Revolución musical del Sonido 13: Expuesta brevemente en tres capítulos en forma de conferencias, dedicadas al señor ministro plenipotenciario de México en Quito, Ecuador, quien las transmitió por radio en la capital del bello país hermano. Ediciones "Ala Izquierda" de la Cámara de Diputados del Congreso de la Unión, Mexico City, 1934, 30 pages.
Carrillo, Julián. Teoría lógica de la música. Manuel Casas, Mexico City, 1938, 1954.
Carrillo, Julián. Génesis de la revolución musical del 'Sonido 13'. Ediciones Sonido 13, San Luis Potosí, 1940, 160 pages.
Carrillo, Julián. Método racional de solfeo: entonación y medida de los sonidos musicales. Imprenta Universal, Mexico City, 1941, 57 pages.
Carrillo, Julián. Dos leyes de física musical: I. Escala de los armónicos. II. Nueva ley del nodo. Ediciones Sonido 13, Mexico City, 1946, 105 pages.
Carrillo, Julián. En defensa del honor de america: 'el Sonido 13!'. Réplica a Papini. Mexico City, 1947.
Carrillo, Julián. Sonido 13: Fundamento científico e histórico. Ed. J. Carrillo, Mexico City, 1948, 72 pages.
Carrillo, Julián. Leyes de metamórfosis musicales. Talleres Gráficos de la Nación, Mexico City, 1949, 89 pages.
Carrillo, Julián. Problems of music and the physics of music, which the author will present to UNESCO in his coming visit to Europe, Imprenta Universitaria, Mexico City, 1949.
Carrillo, Julián. Dos leyes de física musical. Ediciones Sonido 13, Mexico City, 1956, 105 pages.
Carrillo, Julián. Problemas de estética musical: eviados a la UNESCO y datos históricos relacionados con el problema del 'Sonido 13', Imprenta Universitaria, Mexico City, 1957, 81 pages.
Carrillo, Julián. Mexico en la cultura musical del mundo. Mexico City, 1957.
Carrillo, Julián. Sistema general de escritura musical. Ediciones Sonido 13, Mexico City, 1957, 67 pages.
Carrillo, Julián. Sonido 13: El infinito en las escalas y en los acordes. Ediciones Sonido 13, Mexico City, 1957, 81 pages.
Carrillo, Julián. Nouveau système generale de notation musicale. French translation by Paul de Ceuleneer, Ediciones Sonido 13, Mexico City, 1958, 67 pages.
Carrillo, Julián. 'Sonido 13': Recorrido histórico. Litográficas Hacienda, Mexico City, 1962, 200 pages.
Carrillo, Julián. Errores universales en música y física musical. Seminario de cultura mexicana, Mexico City, 1967, 455 pages.
Carrillo, Julián. "Busoni, Wyschnegradsky y Hába (1961)", Errores universales en música y física musical, Seminario de cultura mexicana, Mexico City, 1967, pp. 55-59.
Carruthers, A.R. "Pitch Changes in the Sound of the Highland Bagpipe", Acustica vol. 41, 1978, pp. 46-50.
Carter, Stewart (ed.) A Performer's Guide to Seventeenth-Century Music. Schirmer Books, New York, 1997, 432 pages. Revised and expanded edition by Jeffery Kite-Powell, Series: Publications of the Early Music Institute, Indiana University Press, Bloomington IN, 2012, 560 pages.
Carterette, Edward C., Nazir Ali Jairazhboy and Kathryn Vaughn. "The role of tambura spectra in drone tunings of North Indian ragas", Journal of the Acoustical Society of America vol. 83 no. S1, May 1988, p. S121.
Carterette, Edward C., Kathryn Vaughn and Nazir Ali Jairazhboy, "Perceptual, Acoustical, and Musical Aspects of the Tambura Drone", Music Perception vol. 7 no. 2, winter 1989, pp. 75-108.
Carterette, Edward C.; Roger A. Kendall and Sue Carole De Vale. "Comparative acoustical and psychoacoustical analyses of gamelan instrument tones", Journal of the Acoustical Society of Japan vol. 14 no. 6, 1993, pp. 383-396.
Carterette, Edward C. and Roger A. Kendall. "On the tuning and stretched octave of Javanese gamelans", Leonardo Music Journal vol. 4, 1994, pp. 59-68.
Carterette, Edward C. "Timbre, tuning and stretched octave of Javanese gamelans", Proceedings of the 3rd International Conference on Music Perception & Cognition, European Society for the Cognitive Sciences of Music, Liège, pp. 103-104.
Cartling, Bo. "Beating frequency and amplitude modulation of the piano tone due to coupling of tones", Journal of the Acoustical Society of America vol. 117 no. 4, Apr 2005, p. 2259.
Cartwright, Julyan H.E.; Diego L. González; Oreste Piro and Domenico Stanzial. "Aestetics, Dynamics and Musical Scales: A Golden Connection", Journal of New Music Research vol. 31 no. 1, 2002, pp. 51-58. Also here.
Cartwright, Julyan H.E.; Jack Douthett; Diego L. González; Richard J. Krantz and Oreste Piro. "Two musical paths to the Farey series and devil's staircase", Journal of Mathematics and Music vol. 4 no. 1, 2010, pp. 57-74.
Cartwright, Julyan H.E.; Diego L. González and Oreste Piro. "Dynamical Systems, Celestial Mechanics, and Music: Pythagoras Revisited", The Mathematical Intelligencer vol. 43, Mar 2021, pp. 25-39.
Casimir, Hendrik B.G. and S.R. de Groot. "Levensbericht van Adriaan Daniël Fokker (17 augustus 1887 - 24 september 1972)", KNAW Jaarboek 1972, 1973, pp. 114-118.
Caspers, Émile. L'Accord Du Piano. A. Lacroix, Verboeckhoven et Cie, Paris, Jan 1866, 24 pages.
Cassidy, Jane W. "The effect of instrument type, stimulus timbre, and stimulus octave placement on tuning accuracy", Missouri Journal of Research in Music Education vol. 26, 1989, pp. 7-23.
Casson, Thomas. "To the editor: 'Just Intonation' (letter)", Orchestra and the Choir vol. 12 no. 174, Sep 1885, pp. 304-305.
Castañeda D. "La Revolución Musical", El Sonido 13 vol. 2 no. 7, 15 Apr 1925, pp. 14-18.
Castanet, P.A. "Les satellites de Dusapin ou le solipsisme musical", Cahiers du CIREM vol. 12-13, 1989, Paris, pp. 53-72.
Castel, Louis-Bertrand (ed.) Extrait du 'Nouveau systême' de Montvallon. Aug 1747.
Castellengo, Michèle. La flûte traversière. Bulletin du Groupe d'Acoustique Musicale no. 35, Université de Paris, Paris, Apr 1968.
Castellengo, Michèle. "Sons multiphoniques aux instruments à vent", Rapport IRCAM no. 34, Paris, 1982.
Castellengo, Michèle and Luc Forest. "Metamorphoses de la flûte traversière au 19ème siècle esthetique musicale, acoustique et facture", 1998, pp. 85-102.
Castilla-Ávila, Agustín. "Mikrotonalität auf der Gitarre", Salzburg, Feb 2015, 13 pages.
Castilla-Ávila, Agustín. "Writing microtones for guitar", WWW, 2018, 10 pages.
Castilla-Ávila, Agustín. "Microtonal Scordatura in the Guitar Works of A. Castilla-Ávila (1996-2021)", Revista Vórtex vol. 9 no. 3, Dec 2021, 16 pages.
Caswell, Austin B. "The Pythagoreanism of Arcimboldo", The Journal of Aesthetics and Art Criticism vol. 39 no. 2, Wiley, winter 1980, pp. 155-161.
Catalisano, Gennaro. Grammatica armonica fisico-matématica. Paolo Giunti, Roma, 1781, 181 pages.
Catanzaro, Michael J. "Generalized Tonnetze", arXiv 1612.03519, Detroit MI, WWW, Dec 2016, 20 pages.
Catch, John R. "Bach's 'Rosetta stone' revisited", Early Music vol. 34 no. 2, May 2006, p. 350.
Catch, John R. "Meantone Fretting", FoMRHI Quarterly vol. 120 (Fomrhi Comm 1959), Feb 2013, p. 49.
Cathcart, Cythia. "You Can't Tune a Harp - Tuning a Harp part 1 of 3", "Tuning is an Art - Tuning a Harp part 2 of 3", "Tuning and the Practice of Music - Tuning a Harp part 3 of 3", Folk Harp Journal no. 180, fall 2018, pp. 20-25, no. 181, winter 2018, pp. 28-32, no. 182, spring 2019, pp. 22-27.
Catler, Jon. "Just Intonation in Modern Music", Pitch vol. 1 no. 1, 1986, pp. 4-5.
Catler, Jon. "Over & Under: The 13 Limit", 1/1 vol. 3 no. 3, summer 1987, pp. 4-5.
Catler, Jon. The Nature of Music. FreeNote Records, New York, 2003, 55 pages.
Caton, Margaret Louise. The classical Tasnif, a genre of Persian vocal music. PhD diss., University of California, Los Angeles, 1983, 574 pages.
Caughie, Catherine. "The Scales of Some Central Australian Songs", Journal of the International Folk Music Council vol. 10 no. 1, 1958, pp. 57-61.
Caus, Salomon de. Institutions harmoniques. Diuisée en deux parties. En la première sont monstrées les proportions des intervalles harmoniques et en la deuxiesme les compositions dicelles. Jan Norton, Frankfurt a.M., 1615, 59 pages.
Caus, Salomon de. Les raisons des forces mouvantes avec différentes machines tant utiles que plaisantes, auxquelles sont adjoints plusieurs desseins de grotes et fontaines. Augmentées de plusieurs figures, avec le discours sur chacune. Jan Norton, Frankfurt a.M., 1615. H. Drouart, Paris, 1624.
Cavalieri, Bonaventura. Centuria di varii problemi per dimostrare l'uso, e la facilità de' logaritmi nella gnomica, astronomia, geografia, altimetria, pianimetria, stereometria, e aritmetica prattica. Giacomo Monti e Carlo Zenero, Bologna, 1639.
Cavalliere, Giovanni Filippo alias Pollero. Il Scolare Principiante Di Musica....Con Alcune Regole..Al Vero Modo Di Suonare, Et Accordare Ogni Sorte Di Stromento Di Tasti... Nucci, Naples, 1634.
Cavallini, Edoardo. "Breve nota sul pluricromatìsmo", Rivista Musicale Italiana, 1943, p. 247.
Cavallini, Edoardo. "Il Pluricromatìsmo nell' evoluzione musicale", Rivista Musicale Italiana, 1946, p. 130.
Cavallini, Edoardo. "Per un' intensa sull' unificazione dei segni pluricromatici" (a more unified system of microtonal notation), Rivista Musicale Italiana vol. 48 no. 4, Milan, 1946, pp. 516-522.
Cavallo, Tiberius. "Of the Temperament of those Musical Instruments, in which the Tones, Keys, or Frets, are Fixed, as in the Harpsichord, Organ, Guitar, &c.", Philosophical Transactions of the Royal Society of London vol. 78, Jan 1788, pp. 238-254. excerpts.
Cavitt, Mary Ellen. "Understanding Chord Tuning, Balance, and Intonation", Texas State University, 2017, 36 pages.
Cazden, Norman. "Musical Consonance and Dissonance: a Cultural Criterion", The Journal of Aesthetics and Art Criticism vol. 4 no. 1, Wiley, Sep 1945, pp. 3-11.
Cazden, Norman. Musical Consonance and Dissonance. PhD thesis, Harvard University, Cambridge MA, 1947.
Cazden, Norman. "Tonal Function and Sonority in the Study of Harmony", Journal of Research in Music Education vol. 2 no. 1, spring 1954, pp. 21-34.
Cazden, Norman. "Pythagoras and Aristoxenos reconciled", Journal of the American Musicological Society vol. 11 no. 2/3, summer-autumn 1958, pp. 91-105.
Cazden, Norman. "Musical Intervals and Simple Number Ratios", Journal of Research In Music Education vol. 7 no. 2, autumn 1959, pp. 197-220.
Cazden, Norman. "Sensory Theories of Musical Consonance", Journal of Aesthetics and Art Criticism vol. 20 no. 3, spring 1962, pp. 301-319.
Cazden, Norman. "Expliquer l'Harmonie? by Jacques Chailley (book review)", Journal of Music Theory vol. 12 no. 1, spring 1968, pp. 119-159.
Cazden, Norman. "A Simplified Mode Classification for Traditional Anglo-American Song Tunes", Yearbook of the International Folk Music Council vol. 3, 1971, pp. 45-78.
Cazden, Norman. "The Systemic Reference of Musical Consonance Response", International Review of the Aesthetics and Sociology of Music vol. 3 no. 2, Dec 1972, pp. 217-245.
Cazden, Norman. "The Definition of Consonance and Dissonance", International Review of the Aesthetics and Sociology of Music vol. 11 no. 2, Dec 1980, pp. 123-168.
Cebe, Rohat. "Fütürizm'in müzige etkileri ve yeni çalgilar", Elektronik Sosyal Bilimler Dergisi vol. 13 no. 49, spring 2014, pp. 312-323.
Çelik, Ahmet Emre. "Safiyüddin Abdülmümin Urmevi'nin ses sistemi teorisine matematiksel bir yaklasim", WWW, Sep 2004.
Çelik, Ahmet Emre. "Rauf Yekta Bey deki 25/24 oranindaki bemol sesinin incelenmesi", WWW, Mar 2007.
Çelik, Ahmet Emre; Arda Eden; Gülay Karsici and Oya Levendoglu Öner. "Türk makam müzigi için max/msp tabanli mikrotonal midi arayüz tasarimi", Akademik Sosyal Arastirmalar Dergisi vol. 2 no. 1, Mar 2014, pp. 463-472.
Çelik, Serdar. Max/MSP tabanli mikrotonal MIDI arayüz tasarimi. PhD thesis, Erciyes Üniversitesi, Kayseri, 2014.
Çelik, Serdar. "Micro-MARKOV: Markov analizi ile mikrotonal, algoritmik besteleme uygulamasi", Uluslararasi Sosyal Arastirmalar Dergisi vol. 9 no. 43, Apr 2016, pp. 2565-2572 with English abstract.
Cella, Carmine Emanuele. "Sulla struttura logica della musica", WWW, Mar 2016, 82 pages.
Centre for Microtonal Music and the Society for the Promotion of New Music. Microtonality Manual. July 1991.
Cerny, Miroslav Karel. "K otazce realne podoby a zformovani staroreckych stupnic a organizace tonoveho materialu" (The actual shaping and forming of ancient Greek scales and organization of tonal material), Hudebni veda vol. 28 no. 3, 1991, pp. 207-219.
Cerone, Pietro. El Melopeo y maestro: Tractado de musica theorica y pratica: en que se pone por extenso, lo que uno para hazerse perfecto musico ha menester saber: y por mayor facilidad, comodidad, y claridad del lector, esta repartido en XXII libros. Va tan exemplificado y claro, que qualquiera de mediana habilidad, con poco trabajo alcançarà esta profession... Juan Bautista Gargano y Lucrecio Nucci, Naples, 1613. Reprint: Forni, Bibliotheca musica Bononiensis, Sezione II. n. 25, Bologna, 1969.
Cerreto, Scipione. "A HREF="http://mimtt.co.uk/files/Cerreto_Dialogo_Harmonico.pdf">Dialogo Harmonico. MS C. 131", Bologna.
Cerullo, Victor. "Max Microtuner .mtx file format", WWW, 2003, 2 pages.
Cerullo, Victor. "mtx tuning file format specifications and how to build an mtx loader program with examples for Max/MSP", WWW, 2007.
Ceulemans, Anne-Emmanuelle and Bonnie J. Blackburn (eds.) Théorie et analyses musicales: 1450-1650. Music Theory and Analysis. Proceedings, of the International Conference Louvain-la-Neuve, 23-25 Sep 1999, Université Catholique de Louvain, C. Musicologica neolovaniensia, Studia, vol. 9, Louvain, 2001, 440 pages. (Articles by Blackburn, Woodley, Bent, van Benthem, Magani & Rossi, Tacaille, Judd, Otalola, McKinney, Schiltz, Bonniffet, Phipps & Rasch).
Chabrier, Jean-Claude. "Le système acoustique armenien d'Hambardzoum au XIXème siècle", Ethnomusicology and the historical dimension, Philipp, Ludwigsburg, 1989, pp. 130-132.
Chabrier, Jean-Claude. "Zither in Egypt. Cairo. Qanun, M. 'Atiya 'Omar: Cithare en Egypte. Le Caire. Qanun, M. 'Atiya 'Omar", Anthologie phonographique de recital oriental vol. 7, Arabesques, Paris, 1979.
Chabrier, Jean-Claude. "Eléments d'une approache comparative des échelles théoriques arabo-irano-turques", Revue de musicologie vol. 71 no. 1-2, 1985, pp. 39-77.
Chabrier, Jean-Claude. "Le deuxième Symposium international de Samarkand (7-14 octobre 1983)", Revue de musicologie vol. 71 no. 1-2, 1985, pp. 188-191.
Chadwick, Simon. Progressive Lessons for Early Gaelic Harp. Early Gaelic Harp Info, St Andrews, 2009. 2nd edition, 2014. With audio CD, 52 pages.
Chadwin, Daniel James. Applying microtonality to pop songwriting: A study of microtones in pop music. MA thesis, University of Huddersfield, May 2019, 31 pages.
Chahin, Rami. Towards a Spectral Microtonal Composition. A Bridge between Arabic and Western Music. PhD thesis, University of Oldenburg, Schott, Mainz, June 2017, 167 pages.
Chailley, M. Jacques. "Le mythe des modes grecs", 1956.
Chailley, M. Jacques (ed.) Précis de musicologie. Presses universitaires de France, Paris, 1958. 432 pages.
Chailley, M. Jacques. "Le dynamisme des gammes et des accords dans les principaux systèmes acoustiques et son influence sur le développement de la musique", Acoustique musicale, Congrès Marseille 1958, Edt. CNRS, Paris, 1959, pp. 13-18.
Chailley, M. Jacques. "Le problème de l'harmonique 7 devant l'histoire musicale", Acoustique musicale, Edt. CNRS, Paris, 1959.
Chailley, M. Jacques. L'imbroglio des modes. Leduc, Paris, 1960, 1977, 92 pages.
Chailley, M. Jacques. Le monochorde et la théorie musicale. Amsterdam, 1963.
Chailley, M. Jacques. Un grand théoricien belge méconnu...Momigny. Bruxelles, 1966.
Chailley, M. Jacques. Expliquer l'Harmonie. Collection Histoire de la Musique no. 16, Éditions Rencontre, Lausanne, 1967, 128 pages.
Chailley, M. Jacques. La musique grecque antique. Les belles lettres, Paris, 1979, 114 pages.
Chailley, M. Jacques. De la musique à la musicologie, Etude analytique de l'oeuvre de Jacques Chailley présentée par ses collègues, ses élèves et ses amis.... Van de Velde, Paris, 1980.
Chailley, M. Jacques. "'Ut queant laxis' et les Origines de la Gamme", Acta Musicologica vol. 56 fasc. 1, Jan-June 1984, pp. 48-69.
Chailley, M. Jacques. Éléments de philologie musicale. I. Recherches des principes. II. Intervalles et échelles. Leduc, Paris, 1985, 180 pages.
Chailley, M. Jacques. "Le symbolisme de la gamme", La Revue Musicale, Paris, 1988, pp. 408-409.
Chailley, M. Jacques. "Rameau et la théorie musicale", La Revue Musicale vol. 260.
Chakraborty, Satyaban. Svaras and Srutis in Indian Music. Kalyani Prakashani, West Bengal, 1990.
Challen, John D. "Quarter-Tones", The Musical Times vol. 76 no. 1107, May 1935, p. 445. The Musical Times vol. 76 no. 1113, Nov 1935, pp. 1019-1020. The Musical Times vol. 77 no. 1117, Mar 1936, pp. 256-257.
Chalmers, John H. Jr. & M. Joel Mandelbaum. "Multiple Division of the Octave and the Tonal Resources of 19-tone Temperament", Current Musicology vol. 5, 1967, pp. 138-142.
Chalmers, John H. Jr. "Editorial and Prospectus", Xenharmonikôn vol. 1, 1974, pp. 2-3.
Chalmers, John H. Jr. "Conversion Tables and Just Intonation Tables", Xenharmonikôn vol. 1, 1974, pp. 26-57.
Chalmers, John H. Jr. "New Linear Temperaments", Xenharmonikôn vol. 2, 1974, pp. 36-41.
Chalmers, John H. Jr. "Notes and Comments", Xenharmonikôn vol. 3, 1975, pp. 2-3.
Chalmers, John H. Jr. "The Application of Rothenberg's Pattern Recognition Model to the Structure of Tetrachords and Tetrachordal Scales", Xenharmonikôn vol. 3, 1975, pp. 51-62.
Chalmers, John H. Jr. "Notes and Comments", Xenharmonikôn vol. 4, 1975, pp. 2-3.
Chalmers, John H. Jr. "Cyclic scales", Xenharmonikôn vol. 4, 1975, pp. 69-78.
Chalmers, John H. Jr. "Notes and Comments Five", Xenharmonikôn vol. 5, spring 1976, pp. 2-3.
Chalmers, John H. Jr. "Notes and Comments Six", Xenharmonikôn vol. 6, summer 1977, pp. 2-3.
Chalmers, John H. Jr. "Microtonal Mathematics 1", Interval vol. 1 no. 2, 1978, pp. 12-13.
Chalmers, John H. Jr. "Polychordal Arrays of MOS Scales", Xenharmonikôn vol. 7-8, 1979, pp. 156-167.
Chalmers, John H. Jr. "Notes and Comments: Seven and Eight", Xenharmonikôn vol. 7-8, 1979, pp. 2-3.
Chalmers, John H. Jr. "A Collection of Scales with Nineteen Notes", Xenharmonikôn vol. 7-8, 1979, pp. 168-180.
Chalmers, John H. Jr. "Some Additional Nineteen Tone Scales", Xenharmonikôn vol. 7-8, 1979, pp. 181-186.
Chalmers, John H. Jr. "Some Designs for Small Numbered Non-12-Tone Metallophones and Keyboards", Interval vol. 2 no. 4, autumn 1980, pp. 10, 14.
Chalmers, John H. Jr and Ervin M. Wilson. "Combination Product Sets and Other Melodic and Harmonic Structures", Proceedings of the 7th International Computer Music Conference, North Texas State University, Denton TX, 1981. ICMA, pp. 348-362.
Chalmers, John H. Jr. "Report on Visit to the Carrillo Studio", Interval vol. 3 no. 3, 1982, p. 4.
Chalmers, John H. Jr. "Construction and Harmonization of Microtonal Scales in non-twelve-tone Equal Temperaments", Proceedings of the 8th International Computer Music Conference, Venice, 1982, pp. 534-555.
Chalmers, John H. Jr. "Joseph Yasser, 1893 - 1981", Interval vol. 3 no. 4, summer 1982, p. 25.
Chalmers, John H. Jr. "'Dear Ear.' Contains some keyboards for 10-tone Equal Temperament and an All-Interval Row in 10-tone Equal Temperament (letter)", Ear vol. 8 no. 1-2, 1983, p. 2.
Chalmers, John H. Jr. "'Dear Ear.' Contains a listing of All-Interval Rows in various Equal temperaments (letter)", Ear vol. 8 no. 3, 1983, p. 2.
Chalmers, John H. Jr. "Tritriadic Scales with Seven Tones", Xenharmonikôn vol. 9, 1985, pp. 3-19.
Chalmers, John H. Jr. "Tritriadic Transformations", 1/1 vol. 3 no. 1, 1987, pp. 1-9.
Chalmers, John H. Jr. "Tritriadic Scales with Seven Tones, Part Two: Derived Forms and Structural Properties", Xenharmonikôn vol. 10, 1987, pp. 20-31.
Chalmers, John H. Jr. "Report on the American Festival of Microtonal Music's 'Microfest'", 1/1 vol. 4 no. 3, 1988, pp. 12-14.
Chalmers, John H. Jr. "Report on the 1988 Third Coast New Music Project, 'The Eternal Internal-A Festival of Microtonal Musics'", 1/1 vol. 4 no. 3, 1988, p. 15.
Chalmers, John H. Jr. "Easley Blackwood: The Structure of Recognizable Diatonic Tunings (book review)", 1/1 vol. 4 no. 3, 1988, pp. 4-5, 14.
Chalmers, John H. Jr. "Tetrachordal Scales and Complexes", Xenharmonikôn vol. 11, 1989, pp. 1-20.
Chalmers, John H. Jr. "The Nineteen-Tone Instruments of W.A. (Jim) Piehl and Tillman Schafer", Experimental Musical Instruments vol. 4 no. 6, Apr 1989, pp. 5-7.
Chalmers, John H. Jr. "Tritriadic Scales with Seven Tones, Part Three: The M->T and D->M Matrices", Xenharmonikôn vol. 12, 1989, pp. 39-67.
Chalmers, John H. Jr. "Getting in Tune with Microtunings", Letter to Editor, Electronic Musician vol. 5 no. 7, July 1989, pp. 13-14.
Chalmers, John H. Jr. "JI Calc 3.11 (software review)", Experimental Musical Instruments vol. 5 no. 6, 1990, pp. 19-20.
Chalmers, John H. Jr. "Three Approaches to Harmony in 13-TET", Xenharmonikôn vol. 13, spring 1991, pp. 53-64.
Chalmers, John H. Jr. "Notes and Comments 13", Xenharmonikôn vol. 13, spring 1991, pp. 2-3.
Chalmers, John H. Jr. "Harmonic and Subharmonic Versions of Kathleen Schlesinger's Harmoniai", 1/1 vol. 7 no. 3, 1992, pp. 4-11.
Chalmers, John H. Jr. "A Compendium of 12-tone Scales in 5-Limit Just Intonation", 1/1 vol. 7 no. 4, 1992, pp. 4-9, 15-16.
Chalmers, John H. Jr. "Carol L. Krumhansl: Cognitive Foundations of Musical Pitch (book review)", Leonardo Music Journal vol. 25 no. 2, 1992, pp. 221-223.
Chalmers, John H. Jr. "Notes and Comments 14", Xenharmonikôn vol. 14, 1993, pp. 1-2.
Chalmers, John H. Jr. "Just in Fun-Augenskalen", 1/1 vol. 8 no. 1, 1993, p. 2.
Chalmers, John H. Jr. Chalmers's Compendium of Tetrachordal Scales, A set of Ji Calc HyperCard stacks for tuning synthesizers to the scales in 'Divisions'. Frog Peak Music, Lebanon NH, 1993.
Chalmers, John H. Jr. Divisions of the Tetrachord. Frog Peak Music, Hanover NH, 1993, 234 pages.
Chalmers, John H. Jr. "The Triadic Diamond, the Triadic Reversed Diamond, and their Constituent Tetrachords when D = 3/2", Xenharmonikôn vol. 15, autumn 1993, pp. 60-73.
Chalmers, John H. Jr. "The TOUCH-TONE® Signal Pitches as Subsets of Stretched 14-Tone ET's", Xenharmonikôn vol. 15, autumn 1993, pp. 74-80.
Chalmers, John H. Jr. "Cents and Non-Cents: Logarithmic Measures of Musical Interval Magnitude", Xenharmonikôn vol. 15, autumn 1993, pp. 81-95.
Chalmers, John H. Jr. "David Doty: The Just Intonation Primer (book review)", Xenharmonikôn vol. 15, autumn 1993, pp. 96-97.
Chalmers, John H. Jr. "An Anticipation of the Partch Tonality Diamond in Augusto Novaro's Sistema Natural Base del Natural-Aproximado (1927)", 1/1 vol. 8 no. 2, 1994, pp. 9-10.
Chalmers, John H. Jr. "Two Recent Books on Ancient Greek Music, book reviews of M.L. West's 'Ancient Greek Music', and Andrew Barker's 'Greek Musical Writings II, Harmonic and Acoustic Theory'", 1/1 vol. 8 no. 3, 1994, pp. 2, 16.
Chalmers, John H. Jr. "In Memoriam Ivor Darreg (1917-1994)", 1/1 vol. 8 no. 3, 1994, p. 20.
Chalmers, John H. Jr. "In Memoriam Ivor Darreg (1917-1994)", Experimental Musical Instruments vol. 9 no. 4, 1994, pp. 7-8.
Chalmers, John H. Jr. "The Wayward: Harry Partch at UCSD", 1/1 vol. 8 no. 4, 1994, pp. 20, 24.
Chalmers, John H. Jr. "Notes and Comments 16", Xenharmonikôn vol. 16, autumn 1995, pp. 1-3.
Chalmers, John H. Jr. "Eduardo Sábat-Garibaldi: Principios de la Gama Dinámica (book review)", Xenharmonikôn vol. 16, autumn 1995, pp. 126-127.
Chalmers, John H. Jr. "Oedipus and Revelation in the Courthouse Park: Harry Partch's Two Music-Dramas on Classical Greek Themes", Didaskalia vol. 3 no. 1, 1996.
Chalmers, John H. Jr. "Notes and Comments 17", Xenharmonikôn vol. 17, spring 1998, pp. 1-3.
Chalmers, John H. Jr. "The Number of 23-Prime-Limit Superparticular Ratios Less Than 10,000,000", Xenharmonikôn vol. 17, spring 1998, pp. 111-115.
Chalmers, John H. Jr. "Notes and Comments 18", Xenharmonikôn vol. 18, 2006, pp. 1-2.
Chalmers, John H. Jr. "Harmonic Scale Transformations", The STEAM Journal vol. 2 no. 2, Nov 2016, pp. 1-5. Also here.
Chalmers, John H. Jr. "Forward (excerpt) to 'Microtonality and The Tuning Systems of Erv Wilson'", Xenharmonikôn, WWW, Oct 2018.
Chalmers, John H. Jr. "Mayer Joel Mandelbaum: Multiple division of the octave and the tonal resources of 19-tone temperament (book review)", Current Musicology vol. 5, 2019, pp. 138-142.
Chamberlin, Robert. "Symposium in the Study of Tricesimoprimal Music", Xenharmonikôn vol. 5, spring 1976.
Chandler, B. Glenn (ed.) Rameau's Nouveau système de musique théorique: An Annotated Translation with Commentary. PhD thesis, Theory, Indiana University, Bloomington IN, 1974, 467 pages.
Chandra, Ram. "Safi al-Din al-Urmavi and the theory of music", Foundation for Science Technology and Civilisation paper no. 673, Manchester, WWW, Mar 2007, 24 pages.
Chandra, Ram. "The Music of Azerbaijan vol. 5", WWW, 10 pages.
Chang, Chuan C. Fundamentals of Piano Practice. Colts Neck NJ, 1991, 2004, WWW, 2008. Italian translation by Roberto Gatti I fondamenti dello studio del pianoforte, Selecta SpA, Milano, Mar 2004, 393 pages.
Chantavoine, Jean. "L'Orient et la musique de l'avenir", Le Ménestrel no. 4490, Mar 1922.
Chao, Chuh Ah. Das zhouzeitliche Grab des Markgrafen Yi von Zeng aus der Provinz Hubei, VR China mit besonderer Berücksichtigung der Musikinstrumenten-Beigaben. MA thesis, music history, Hochschule für Musik und darstellende Kunst, Vienna, 1982, 98 pages.
Chao, Yuen Ren. "A Note on Chinese Scales and Modes", Oriens vol. 10, Brill, Leiden, July 1957, pp. 140-143.
Chao-Fernández, Rocío; Dorinda Mato-Vázquez and Aurelio Chao-Fernández. "Fractions and Pythagorean Tuning - An Interdisciplinary Study in Secondary Education", Mathematics vol. 7 no. 12, Basel, Dec 2019, 13 pages.
Chapman, David M.F. "The tones of the kalimba (African thumb piano)", Journal of the Acoustical Society of America vol. 131 no. 1, Jan 2012, p. 945.
Chapman, Dominik and Mick Grierson. "N-Gon Waves - Audio Applications Of the Geometry Of Regular Polygons in the Time Domain", 11th Sound and Music Computing Conference and 40th International Computer Music Conference (SMC/ICMC2014), Sep 2014, Athens, pp. 1707-1714.
Chapman, Roger Edington (ed.) Harmonie universelle: The Books on Instruments. Martinus Nijhoff, The Hague, 1957. Partial English translation of Mersenne (1636).
Chappell, William. "The history of music. Chappell & co., London, 1874, 403 pages.
Chappell, William. "Just Intonation (letter)", Nature vol. 15, Mar 1877, p. 430.
Chappell, William. "The musical pitch", The Musical World vol. 55 no. 33, Aug 1877, p. 553.
Chardon, Yves. "Essais à propos de la justesse attractive", La Revue Musicale vol. 13, 1932, p. 166 ff.
Charles, Taylor. Exploring Music: The Science and Technology or Tones and Tunes. CRC Press, 1992, 348 pages.
Charnoz, Gérard and Suon Song. Lexique musical moderne: Une vision systémique des structures et des fonctions en tempérament égal. Service musique équipement, 2005, 48 pages.
Charoensook, Sugree, Sangad Pookhaothong, James Upton, Anak Charanyananda, Sakchai Hirunrux and Sanong Klangphrasri. Research for Standard Pitch and Scale of Thai Music. College of Music, Mahidol University, Salaya, 1997.
Charoensook, Sugree. Pitch Systems of Thai Music (in Thai). College of Music, Mahidol University, Salaya, 2003.
Charrak, André. "Huygens et la théorie musicale / Huygens and music theory", Revue d'histoire des sciences vol. 56 no. 1, 2003, pp. 59-78.
Charrin, Stéphane. La clé des Sons ou comment accorder son piano. Avec la collaboration technique de Attilio Scotto Accordeur Facteur de pianos. Centre de Documentation Pédagogique, Marseille, 1970, 1980, 94 pages.
Charry, Eric. Mande Music. Traditional and modern music of the Maninka and Mandinka of western Africa. University of Chicago Press, Chicago, 2000, 500 pages.
Chase, Gilbert. "Harry Partch", The American Composer Speaks. Lousiana University Press, Baton Rouge, 1966, pp. 193-200.
Chaumont, Lambert. Pièces d'orgue sur les huit tons ... On trouvera à la fin ... Et la méthode d'accorder le clavessin. Éd. Daniélis, Liège, 1695, 146 pages. Rev. ed., Heugel, Paris, 1970.
Chavannes, Edouard. Les Mémoires historiques de Se-ma Ts'ien. 5 vols., Paris, 1895-1905. Volume 3 is about music.
Chávez, Carlos. Toward a New Music. English translation by Herbert Weinstock, W.W. Norton and Co., New York, Dec 1937. Da Capo Press Music Reprint Series, Mar 1975, 180 pages.
Chemillier, Marc. "Monoïde libre et musique première partie: les musiciens ont-ils besoin des mathématiques", RAIRO Informatique théorique et applications vol. 21 no. 3, 1987, pp. 341-371. "seconde partie", vol. 21 no. 4, Gauthier Villars, Paris, 1987, pp. 379-417.
Chemillier, Marc and Gérard Duchamp. "Algorithme de réduction des degrés dans une gamme musicale (d'après la théorie de d'Yves Hellegouarch)", Gazette des mathématiciens vol. 82, Oct 1999, pp. 26-30.
Chen, Qixiang and Zhihua Lu. "A Natural Approach Towards the Recognition of Slendro Scales", Journal of Music in China vol. 3 no. 1, spring 2001, pp. 99-107.
Chen, Kainan. Characterization of Pitch Intonation of Beijing Opera. MA thesis, Music Technology Group, Universitat Pompeu Fabra, Barcelona, 2013, 45 pages.
Chen, Yingshi. "Study of Qin Temperament", 1984.
Chen, Yingshi. "Discussion of Jiang Kui's 'Tuning method for the Ceshang Mode'" (in Chinese), The Journal of Musicology no. 3, 1984, Cultural Arts Publ. Co., Beijing, pp. 22-42.
Chen, Yingshi. "Qinqu Jieshidiao Youlan de yinlü" (The temperament of 'Youlan' in the Jieshi mode), Zhongyang yinyue xueyuan xuebao (The Journal of the Central Conservatory of Music) no. 1, 1984.
Chen, Yingshi. "Lun si fen sun yi lü" (A discussion of the addition and subtraction of fourths), Zhongguo yinyue no. 3, 1984, Beijing, pp. 21-23.
Chen, Yingshi. "Zhongguo gudai wenxian jizai zhong de 'lüxue'" (Theories of musical pitch in ancient Chinese documents), Zhongguo yinyue (Chinese music) vol. 2, 1987, pp. 11-16, 61. English translation by Michael Sawer and Coralie Rockwell "Temperamentology in ancient Chinese written records", Musicology Australia vol. 11-12, 1988-1989, pp. 44-64.
Chen, Yingshi. "A report on Chinese research into the Dunhuang music manuscripts", English translation by Coralie Rockwell, Musica Asiatica vol. 6, Oxford, 1991, pp. 61-72.
Chen, Yingshi. "A Further Discourse on the Different Historical Periods of the Evolution of Qin Temperament" (in Chinese), Art of Music no. 2, 1992, pp. 16-21.
Chen, Yingshi. "(Are) There No Tuning Modes (using) Just Intonation in Extrant Ming Dynasty Qin Music Books?" (in Chinese), Musicology in China no. 4, 1992, pp. 22-30.
Chen, Yingshi. "A Third Discourse on the Different Historical Periods of the Evolution of Qin Temperament" (in Chinese), Art of Music no. 4, 1992, pp. 4-10.
Chen, Yingshi. "Zhu Zaiyu qinlü ruogan wenti zhi wojian" (My opinions on certain problems concerning Zhu Zaiyu's qin tuning), Zhongguo yinyuexue (Musicology in China) no. 1, 1995, (cum. no. 38), pp. 125-132.
Chen, Yingshi. "Comment on 'The Study of Qin Temperament'" (in Chinese), Art of Music no. 4, 1996, pp. 1-5 & 19.
Chen, Yuanliang. Shih Lin Kuang Chi. 1340.
Chen, Yugang. Zhongguo guyuelü de yunshuang yu jexi (A mathematical calculation and analysis of ancient Chinese tone systems). Shengyun Chubanshe, Taipei, 1982.
Chen, Wan-nai. "Zhu Zai-Yu suanxue zhi yenjiu" (Findings of Zhu Zaiyu's mathematics), Huagang wenke xuebao vol. 14, June 1982, pp. 45-69.
Cheng, Gongliang. "(Are) There Any Tuning Modes (using) Just Intonation in Extrant Ming Dynasty Qin Music Books?" (in Chinese), Musicology in China no. 2, 1992, pp. 101-106.
Chenoweth, Vida and Darlene Bee. "Comparative-Generative Models of a New Guinea Melodic Structure", American Anthropologist vol. 73, 1971, pp. 773-782.
Cherbuliez, Antoine E. "Quelques Observations sur le 'Psaltérion' (Tympanon) Populaire Suisse: 'Hackbrett'", Journal of the International Folk Music Council vol. 12, Jan 1960, pp. 23-27.
Chesnut, John Hind. "Mozart's Teaching of Intonation", Journal of the American Musicological Society vol. 30 no. 2, summer 1977, pp. 254-271.
Chessa, Luciano. Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult. University of California Press, Berkeley CA, 2012, 296 pages.
Cheung, Anthony. Ligeti's magic horn: Parallel universes of tuning and tradition in the 'Hamburg Concerto'. MA thesis, Columbia University, New York, 2010, 83 pages.
Cheung, Kevin K.H. "Optune: Python tool for obtaining just tuning optimally", WWW, 2013.
Cheung, Kevin K.H. "A Computational Approach towards Just Intonation for Renaissance Music", World Journal of Computer Application and Technology vol. 1 no. 1, 2013, pp. 1-5.
Chevé-Paris, Nanine. Science et Art de l'intonation, théorie et pratique, système des points d'appui. self-published, Paris, May 1868, 48 pages.
Cheveigné, Alain de. "Harmonic fusion and pitch shifts of mistuned partials", Journal of the Acoustical Society of America vol. 102 no. 2, Aug 1997, pp. 1083-1087.
Cheveigné, Alain de. "Pitch shifts of mistuned partials: A time-domain model", Journal of the Acoustical Society of America vol. 106 no. 2, Aug 1999, pp. 887-897.
Chew, Elaine. Towards a Mathematical Model of Tonality. PhD diss., Operations Research Center, MIT, Cambridge MA, 2000, 166 pages.
Chew, Elaine. "The spiral array: An algorithm for determining key boundaries", Music and Artificial Intelligence - Second International Conference ICMAI, C. Anagnostopoulou, M. Ferrand and A. Smaill (eds.), Edinburgh, 2002, pp. 18-31.
Chew, Elaine. "Thinking out of the grid and inside the spiral - Geometric interpretations of and comparisons with the spiral array model", 15 Oct 2003, 22 pages.
Chew, Elaine. "Slicing it all ways: Mathematical models for tonal induction, approximation and segmentation using the spiral array", INFORMS Journal on Computing vol. 18 no. 3, 2006.
Chew, V.K. "Blowing Up Temperament: an account of the enharmonic keyboard instruments in the Science Museum", unpublished, London, 1983.
Childed, Serg. "Microtonality: the variety of approaches to microtonal music in world cultures", WWW, Feb 2020.
Childs, Barney. "Ben Johnston: 'Quintet for Groups'", Perspectives of New Music vol. 7 no. 1, autumn-winter 1968, pp. 110-121.
Chilesotti, Oscar. "Sulle gamme e i suoni di combinazione", Rivista Musicale Italiana vol. 5, 1898, pp. 754-785.
Chilesotti, Oscar. "Sulle gamme", Rivista Musicale Italiana vol. 7, 1900, pp. 368-370.
Chilesotti, Oscar. "La scala naturale e il sistema a 53 gradi", Gazzetta musicale di Milano vol. 56, 1901, 33: pp. 478-481, 35: pp. 502-505.
Chilesotti, Oscar. "Le scale arabo-persane e indù", Sammelbände der internationalen Musikgesellschaft vol. 3 no. 4, Leipzig, Aug 1902, pp. 595-598.
Chilesotti, Oscar. Evoluzione Della Musica. Fratelli Bocca, Torino, 1911, 168 pages.
Chilesotti, Oscar. "Di Nicola Vicentino e dei generi greci secondo Vincenzo Galilei", Rivista Musicale Italiana vol. 19 no. 3, 1912, 20 pages.
Chin, Daniel Y. and Gus Xia. "Measuring a Six-hole Recorder Flute's Response to Breath Pressure Variations and Fitting a Model", arXiv 2107.08727, WWW, 2021, 5 pages.
Chin, Daniel Y.; Ian Zhang and Gus Xia. "Hyper-hybrid Flute: Simulating and Augmenting How Breath Affects Octave and Microtone", International Conference on New Interfaces for Musical Expression, NIME, Jan 2021, 9 pages.
Chiriano, Nicola. "Pitagora e la musica", ALice & Bob no. 15, Centro Pristem Un. Bocconi, Dec 2009, pp. 32-36.
Chiriano, Nicola. "Il restauro della Scala. Il 'temperino' di J.S. Bach", Alice & Bob no. 16, Centro Pristem Un. Bocconi, Feb 2010.
Chiriano, Nicola. "Relazioni armoniche in un pianoforte. Analisi del temperamento C.Ha.S.", WWW, Nov 2010.
Chisholm, Leon. "Microtonal Keyboard Instruments in Early Modern Europe", Max Planck Institute for the History of Science, WWW, 2018.
Chislett, Laura. "Sulle Scale Della Fenice, Performer's Notebook (music review)", Perspectives of New Music vol. 29 no. 2, 1991, pp. 94-99. With erratum, Perspectives of New Music vol. 30 no. 1, winter 1992, pp. 332, 73-80.
Chladni, Ernst Florenz Friedrich. Entdeckungen über die Theorie des Klanges. Weidmanns Erben und Reich, Leipzig, 1787, 77 pages. Reprints 1817, 1821, 1987.
Chladni, Ernst Florenz Friedrich. "Über die wahre Ursache des Consonierens und Dissonierens", Allgemeine musikalische Zeitung, 1801.
Chladni, Ernst Florenz Friedrich. Die Akustik. Breitkopf und Härtel, Leipzig, 1802, 310 pages. Also here. French translation Traité d'acoustique, Courcier, Paris, 1809, 375 pages. English translation by Robert T. Beyer (ed.) Treatise on Acoustics, Springer, Oct 2015, 227 pages.
Chladni, Ernst Florenz Friedrich. "Principles of tuning instruments with fixed tones by Charles Earl Stanhope (book review)", Allgemeine musikalische Zeitung vol. 17 no. 3, 1815, pp. 38-39.
Chladni, Ernst Florenz Friedrich. Neue Beyträge zur Akustik: nebst zehn steingedruckten Tafeln. Breitkopf und Härtel, Leipzig, 1817, 102 pages.
Chladni, Ernst Florenz Friedrich. "Über das Fehlerhafte und Willkührliche in der alten griechischen Musik, und über die Vorzüge der neuern", Allgemeine musikalische Zeitung vol. 28 no. 40, 4 Oct 1826, pp. 645-659.
Chladni, Ernst Florenz Friedrich. "Über Kostenersparniss durch Hervorbringung mehr als eines Tones auf derselben Orgelpfeife", Cäcilia no. 17, 1826, pp. 41-43.
Chladni, Ernst Florenz Friedrich. "Über die Nachtheile der Stimmung in ganz reinen Quinten und Quarten, nebst noch einigen, ältere und neuere Musik betreffenden, Bemerkungen", Cäcilia no. 20, 1826, pp. 279-298. "Nachtrag zu dem Aufsatze: Über die Nachtheile der Stimmung in ganz reinen Quinten und Quarten u. s. w. im 20sten Hefte der Cäcilia", Cäcilia no. 23, 1826, pp. 231-232; Anmerkungen.
Chladni, Ernst Florenz Friedrich. Kurze Übersicht der Schall- und Klanglehre, nebst einem Anhange die Entwicklung und Anordnung der Tonverhältnisse betreffend. B. Schott's Söhne, Mainz, 1827, 112 pages.
Chladni, Ernst Florenz Friedrich. "Über das i, oder über den mit der Zahl 7 übereinkommenden Ton", Cäcilia no. 35, 1828, pp. 171-180.
Cho, Gene Jinsiong. The Discovery of Musical Equal Temperament in China and Europe in the Sixteenth Century. Studies in the history and interpretation of music vol. 93, Edwin Mellen Press, Lewiston NY, Mar 2003, 331 pages. Chinese translation by Yulin Long and Xilu Deng Dong-xifang wenhua shiyezhong de Zhu Zaiyu ji qi xueshu chengjiu (Zhu Zaiyu from Eastern and Western cultural viewpoints, and his scholarly achievements), Zhongyang Yinyue Xueyuan Chubanshe, Beijing, 2009.
Cho, Gene Jinsiong. "The Significance of the Discovery of the Musical Equal Temperament In the Cultural History", Journal of Xinghai Conservatory of Music vol. 2, Guangzhou, June 2010, pp. 1-5.
Chocholle, R. and J.P. Legouix. "About the sensation of beats between two tones whose frequencies are nearly in a simple ratio", Journal of the Acoustical Society of America vol. 29 no. 6, June 1957, p. 750.
Choquel, Henri Louis. La musique rendue sensible par la méchanique, ou, Nouveau systeme pour apprendre facilement la musique soi-même: ouvrage utile et curieux. Christophe Ballard, Paris, 1762, 217 pages.
Chordia, Parag and Alex Rae. "Raag Recognition Using Pitch-Class And Pitch-Class Dyad Distributions", Proceedings of the 8th International Conference on Music Information Retrieval, ISMIR, Vienna, Sep 2007, pp. 431-436.
Chordia, Parag and Alex Rae. "Real-Time Raag Recognition For Interactive Music", Proceedings of the International Conference on New Interfaces for Musical Expression, Genoa, June 2008, pp. 331-334.
Chordia, Parag and Sertan Sentürk. "Joint Recognition of Raag and Tonic in North Indian Music", Computer Music Journal vol. 37 no. 3, autumn 2013, pp. 82-98. Also here.
Choroscian, Ewa. "Alois Hába's Microtonal Systems and Their Practical Use in Selected String Quartets (in Polish)", Kwartalnik Mlodych Muzykologów UJ vol. 38 no. 3, Marek Dolewka (ed.), Muzeum Historii Polski, Kraków, Dec 2018, pp. 47-78. Also here.
Chou, Godwin Kwongyan. Twelve-tone equal temperament: Prince Zhu Zhaiyu - his discovery and inspiration. DM diss., American Conservatory of Music, Ann Arbor MI, 2008.
Chou, Wen-Chung. "Asian Concepts and Twentieth-Century Western Composers", The Musical Quarterly vol. 57 no. 2, Apr 1971, pp. 211-229.
Chouvel, Jean-Marc. "Alain Bancquart", WWW, 2009, 15 pages.
Chouvel, Jean-Marc. "Au-delà du système tonal", WWW, Jan 2010, 26 pages.
Chow, Sheryl Man-Ying. "Redefining Essence: Tuning and Temperament of Chinese Traditional Music", Of Essence and Context. Between Music and Philosophy, Springer, June 2019, pp. 255-267.
Chow, Sheryl Man-Ying. "A localised boundary object: seventeenth-century Western music theory in China", Early Music History vol. 39, Oct 2020, pp. 75-113. Also here.
Chrisman, Richard. "Eric Regener: Pitch Notation and Equal Temperament: A Formal Study (book review)", Journal of Music Theory vol. 19 no. 1, spring 1975, pp. 161-171.
Chrysochoidis, Georgios; Georgios Kouroupetroglou; Dimitrios Spyridon Delviniotis and S. Theodoridis. "Formant Tuning in Byzantine Chant", Proceedings of the Sound and Music Computing Conference, Stockholm, Aug 2013, pp. 217-223.
Christensen, Dieter. "Die Musik der Araber by Habib Hassan Touma (book review)", Ethnomusicology vol. 35 no. 1, winter 1991, pp. 148-150.
Christensen, Thomas Street. Science and Music Theory in the Enlightenment: d'Alembert's Critique of Rameau. PhD thesis, Yale University, 1985, 357 pages.
Christensen, Thomas Street. "Eighteenth-Century Science and the 'Corps Sonore:' The Scientific Background to Rameau's 'Principle of Harmony'", Journal of Music Theory vol. 31 no. 1, spring 1987, pp. 23-50.
Christensen, Thomas Street. "Le Cycle Harmonique, by Christiaan Huygens, edited and translated by Rudolph Rasch (book review)", Journal of Music Theory vol. 32 no. 2, autumn 1988, pp. 379-381.
Christensen, Thomas Street. "Music theory as scientific propaganda: the case of d'Alembert's Élémens de musique", Journal of the History of Ideas vol. 50 no. 3, 1989, pp. 409-427.
Christensen, Thomas Street. Rameau and musical thought in the Enlightenment. Cambridge University Press, Cambridge, 1993, 345 pages.
Christensen, Thomas Street. (ed.) The Cambridge History of Western Music Theory. Cambridge University Press, Cambridge, Dec 2001, 1100 pages, 31 chapters: 4. Greek music theory Thomas J. Mathiesen; 5. The transmission of ancient music theory into the Middle Ages Calvin Bower; 6. Medieval canonics Jan William Herlinger; 7. Tuning and temperament Rudolf Rasch; 8. The role of harmonics in the scientific revolution Penelope Gouk; 9. From acoustics to tonpsychologie Burdette Green and David Butler; 10. Music theory and mathematics Catherine Nolan; Part III. Regulative Traditions: 11. Notes, scales, and modes in Carolingian thought David Cohen; 12. Renaissance modal theory: theoretical, compositional and editorial perspectives Cristle Collins Judd; 13. Tonal organization in seventeenth-century music theory Gregory Barnett; 14. Dualist tonal space and transformation in the nineteenth century Henry Klumpenhouwer; etc.
Christensen, Thomas Street. "Music Theory in Seventeenth-Century England by Rebecca Herissone; Music Theory and Natural Order from the Renaissance to the Early Twentieth Century by Suzannah Clark, Alexander Rehding (book reviews)", Journal of the American Musicological Society vol. 57 no. 1, spring 2004, pp. 175-184.
Christensen, Thomas Street. "The History of Music Theory", Zeitschrift der Gesellschaft für Musiktheorie vol. 1-2 no. 2/2-3, Jan 2005, pp. 143-150.
Christian, Bryan. "Claude Vivier: A Composer's Life by Bob Gilmore (book review)", Journal of the American Musicological Society vol. 69 no. 3, autumn 2016, pp. 848-853.
Christoph, John. "Of the Various Genera and Species of Music among the Ancients, with Some Observations concerning Their Scale", Philosophical Transactions (1683-1775) vol. 44, 1746-1747, pp. 266-274.
Chrysander, Friedrich. Jahrbücher für musikalische Wissenschaft. Breitkopf und Härtel, Leipzig, 1863-1867, 452 pages. Reprint Georg Olms Verlag, Hildesheim, 1966.
Chrysander, Friedrich. "Eduard Grell als Gegner der instrumentalmusik, der Orgel, der Temperatur und der Virtuosität", Vierteljahrsschrift für Musikwissenschaft vol. 4, 1888, pp. 99-121.
Chrysanthus of Madytus. Theoreticum magnum musicæ (in Greek). Michele Weis Typography, Trieste, 1832. Annotated English translation Great Theory of Music by Chrysanthos of Madytos by Kaitè Rómanou (ed.), Indiana University Press, Bloomington IN, 1973, 280 pages. Reprint Axion Estin Foundation, 2010.
Chua, Daniel K.L. "Vincenzo Galilei, Modernity and the Division of Nature", Music Theory and Natural Order from the Renaissance to the Early Twentieth Century, Suzannah Clark and Alexander Rehding (eds.), Cambridge University Press, New York, 2001, pp. 17-29. Digital reprint 2005.
Chuckrow, Robert. Historical Tuning of Keyboard Instruments: Theory and Practice: Pythagorean through equal temperament. Rising Mist Publications, Briarcliff Manor NY, 1999, 68 pages. WWW, 2016.
Chung, Andrew J. "Tuning, Temperament, and the Acoustics of Anthropological Difference", speech, Identity in Music Theory and History, History of Theory Preconference, New Orleans LA, Nov 2022, 9 pages.
Chung, Robert Ming Hsueh. Zur musikwissenschaftlichen Bedeutung Dschu Dsyi-yüs. (Dem Erfinder der gleichschwebenden Temperatur des Zwölftonsystems). PhD thesis, University of Vienna, 1973. 2 vols., 365 pages.
Ciamarone, Luciano; Baris Bozkurt and Xavier Serra. "Automatic Dastgah Recognition using Markov Models", Zenodo, WWW, Sep 2019, 8 pages.
Ciancaglini, Claudia Angela. Aspetti fisico-fisiologici dell'atto linguistico nel pensiero greco antico. PhD thesis, University of Pisa, 1991, 336 pages.
Ciancaglini, Claudia Angela. "Teorie acustiche dei greci. II: Quantificazione numerica e calcolo nello studio degli intervalli musicali", Rend. Mor. Ace. Lincei vol. 9 no. 2, 1991, pp. 147-177.
Cicero, Dario Lo. "Edoardo Cavallini e la Scuola pluricromatica italiana", WWW, 2011, 9 pages.
Cifariello Ciardi, Fabio. "Applicazioni dell'elaboratore nell'analisi dei livelli di tensione intervallare delle strutture microtonali", Proceedings of the 6th Italian Computer Music Conference, UNICOPLI, Milano, 1985.
Cifariello Ciardi, Fabio. "The organization of microtonal sets in computer music", Proceedings of the International Computer Music Conference, Paul Berg (ed.), The Hague, Oct 1986, pp. A17-A20.
Cima, Giovanni Paolo. Partito de ricercari et canzoni alla francese. Tini e Lomazzo, Milano, 1606.
Cimbro A. "La gamma per terzi di tono", Rivista Musicale Italiana vol. 27, 1920, pp. 483-496.
Cintra, Celso Luiz de Araujo. "Tônica x Fundamental: A Escala Universal dos Sons de Alain Daniélou e sua Relação com a Série Harmônica (p. 1680-1686 dos Anais)", Anais do XXI Congresso da ANPPOM, 2011, pp. 1680-1686.
Cintra, Celso Luiz de Araujo. A musicologia comparada de Alain Daniélou: contribuições para um diálogo musical. PhD thesis, Universidade de São Paulo, Escola de comunicações e artes, 2013, 207 pages.
Cip, Pavel and Josef Rezny. Ceske dudy: Vyroba, zdobeni, ladeni (The Czech bagpipe: Building, decoration, and tuning). Blok, Strakonice-Zubri, 1991, 46 pages.
Ciurio, E. Fausto. "Chitarra quartitonale", Il Fronimo vol. 3 no. 10, 1975, pp. 25-26.
Clampitt, David. "Report: An International Symposium on Music and Mathematics (Bucharest, Romania)", Music Theory Online vol. 1 no. 1, WWW, Jan 1995.
Clampitt, David. Pairwise Well-Formed Scales: Structural and Transformational Properties. PhD thesis, University of Buffalo, 1997.
Clampitt, David. "Ramsey Theory, Unary Transformations, and Webern's Op. 5, No. 4", Intégral vol. 13, 1999, pp. 63-93.
Clampitt, David. "Harmonic Function: With Primary Triads, with Roots, and with Dualism", paper presented at the annual meeting of Music Theory Midwest, Muncie IN, 2006.
Clampitt, David. "The legacy of John Clough in mathematical music theory", Journal of Mathematics and Music vol. 1 no. 2, July 2007, pp. 73-78.
Clampitt, David. "Mathematical and Musical Properties of Pairwise Well-Formed Scales", Mathematics and Computation in Music, Proceedings of the MCM 2007, Timour Klouche and Thomas Noll (eds.), Berlin, 2007, pp. 464-468.
Clampitt, David. "'Cardinality Equals Variety for Chords' in Well-Formed Scales, with a Note on the Twin Primes Conjecture", Music Theory and Mathematics: Chords, Collections, and Transformations, Jack Douthett et al. (eds.), University of Rochester Press, 2008, pp. 9-22.
Clampitt, David and Thomas Noll. "Regions and Standard Modes", Mathematics and Computation in Music, Proceedings of the Second International Conference, MCM 2009, John Clough Memorial Conference, New Haven CT, 19-22 June 2009, Elaine Chew, Adrian Childs and Ching-Hua Chuan (eds.), Springer-Verlag, Series Communications in Computer and Information Science vol. 38, Berlin/Heidelberg, 2009, pp. 81-92.
Clampitt, David; Manuel Domínguez and Thomas Noll. "Plain and Twisted Adjoints of Well-Formed Words", 2nd International Conference Mathematics and Computation in Music, 19-22 June 2009, Yale University Press, New Haven CN, pp. 65-80.
Clampitt, David and Thomas Noll. "Modes, the Height-Width Duality, and Handschin's Tone Character", Music Theory Online vol. 17 no. 1, WWW, Apr 2011, 43 pages.
Clampitt, David. "Sensitive Interval Property for Scales as Words in the Free Group F2", International Conference on Mathematics and Computation in Music 2011, 2011, pp. 56-68.
Clampitt, David and Thomas Noll. "Pairwise Well-Formed Modes and Transformations", arXiv 1707.02370, WWW, July 2017, 12 pages.
Clark, Carrie Starr. "Just Intonation in the Kirana Vocal Tradition", 1/1 vol. 5 no. 3, 1989, p. 1 ff.
Clark, Philip. "The tuning wars: 'Equal temperament destroys everything...'", Gramophone, WWW, 2013.
Clark, Suzannah and Alexander Rehding (eds.) Music Theory and Natural Order from the Renaissance to the Early Twentieth Century. Cambridge University Press, Cambridge, 2001, 255 pages.
Clark, Xenos. "Animal Music, its Nature and Origin", The American Naturalist vol. 13 no. 4, Apr 1879, pp. 209-223.
Clarke, A.R. "Just Intonation", Nature: the international journal of science vol. 15, Macmillan Publishers Limited, London, 22 Feb 1877, pp. 353-354. Also here.
Clarke, Colin. "Review of Johnston string quartets nos. 6-8 (music review)", WWW, Nov 2016.
Clarke, Henry Leland. "Musical Scales Ad Hoc and Ad Hominem", The Journal of Aesthetics and Art Criticism vol. 18 no. 4, June 1960, pp. 472-474.
Clauhs, Matthew and Chad West. "The Effects of Clip-On Instrument Tuners on Intonation", Research report, School Music News, Ithaca College, Ithaca NY, Sep 2016, pp. 13-16.
Clementi, Muzio. Introduction to the Art of playing on the Piano Forte. Clementi, Banger, Hyde, Collard & Davis, London, 1801, 140 pages. Reprint Da Capo Press, New York, 1974.
Clements, Andrew. "Barlow: Works for Piano and Player Piano (CD review)", The Guardian, 23 Oct 2008.
Clements, Ernest. Introduction to the study of Indian music. An attempt to reconcile modern Hindustani music with ancient musical theory and to profound an accurate and comprehensive method of treatment of the subject of Indian musical intonation. Longmans, Green & Co., London, New York and Calcutta, 1913, 119 pages. Reprint Chandigarh Abhishek, 1992, 113 pages.
Clements, Ernest Charles and K.B. Deval (eds.) The Ragas of Hindustan vol. I-III. Philharmonic Society of Western India, Poona, 1918-1923. Reprint as Encyclopaedia of Indian Music with Special Reference to the Ragas, Sri Satguru Publications, Delhi, 1986.
Clements, Ernest Charles. The Ragas of Tanjore. William Clowes & Sons Limited, London, 1920, 147 pages.
Clements, Ernest Charles. "The Interpretation of Greek Music", The Journal of Hellenic Studies vol. 42 no. 2, 1922, pp. 133-166. Addendum, The Journal of Hellenic Studies vol. 56 no. 1, 1936, pp. 25-35.
Clements, Ernest Charles. "The Four Parent Scales of Modal Music", Proceedings of the Musical Association 62nd session, 1935-1936, pp. 77-91.
Clements, Taylor. "Music and Math: Foundations of Music", WWW, Apr 2011, 34 pages.
Cleonides. Eisagoge armonike. Latin translation Harmonicorum introductorium by Georgius Valla (ed.), Simone Bevilacqua, Venice, 1497, 188 pages. English translation Harmonic Introduction by D.C. Mackenzie, in Source Readings in Music History, O. Strunk (ed.), W.W. Norton & Company, New York, 1950. English translation with commentary by Jon Solomon, PhD diss., University of North Carolina, Chapel Hill, 1980, 2 vols., 397 pages.
Clercx-Lejeune, Suzanne. "Johannes Ciconia, Théoreticien", Annales musicologues vol. 3, 1955, pp. 39-75.
Clercx-Lejeune, Suzanne. "Le traité De musica de Georges Anselme de Parme", Revue Belge de musicologie vol. 15, 1961, pp. 161-167.
Closson, Ernest. "L'histoire de la gamme musicale et la paléographie", Scriptorium vol. 2 no. 1, Brussels, 1948, pp. 132-139.
Clot, Marcel Auguste. Rapport des fréquences ondulatoires. Éditions venogiennes, Cossonay, 1956.
Clough, John. "Aspects of Diatonic Sets", Journal of Music Theory vol. 23 no. 1, 1979, pp. 45-61.
Clough, John. "Diatonic Interval Sets and Transformational Structures", Perspectives of New Music vol. 18 no. 1-2, autumn 1979-summer 1980, pp. 461-482.
Clough, John and Gerald Myerson. "Musical Scales and the Generalized Circle of Fifths", American Mathematical Monthly vol. 93 no. 9, Nov 1986, pp. 695-701.
other version: "Variety and Multiplicity in Diatonic Systems", Journal of Music Theory vol. 29 no. 2, autumn 1985, pp. 249-270.
Clough, John and Jack Douthett. "Maximally Even Sets", Journal of Music Theory vol. 35 no. 1-2, 1991, pp. 93-173. Correction in vol. 36 no. 2, autumn 1992, pp. 401-402.
Clough, John, Jack Douthett, N. Ramanathan and Lewis Rowell. "Early Indian Heptatonic Scales and Recent Diatonic Theory", Music Theory Spectrum vol. 15 no. 1, spring 1993, pp. 36-58.
Clough, John. "Diatonic Interval Cycles and Hierarchical Structure", Perspectives of New Music vol. 32 no. 1, winter 1994, pp. 228-253.
Clough, John, John Cuciurean and Jack Douthett. "Hyperscales and the Generalized Tetrachord", Journal of Music Theory vol. 41 no. 1, spring 1997, pp. 67-100.
Clough, John; Nora Engebretsen and Jonathan Kochavi. "Scales, Sets, and Interval Cycles: A Taxonomy", Music Theory Spectrum vol. 21 no. 1, spring 1999, pp. 74-104.
Clutsam, G.H. "Teachers and Text-Books", The Musical Times vol. 56 no. 865, Mar 1915, pp. 144-146.
Coakley, Chris J. "Tuning temperaments for lutes", FoMRHI Quarterly vol. 109 (Fomrhi Comm 1808), Aug 2008, pp. 5-22.
Coakley, Chris J. "Dowland's Lute Tuning and Other Ancient Methods, Including Gerle's", FoMRHI Quarterly vol. 123 (Fomrhi Comm 1986), Feb 2013, 28 pages.
Coakley, Chris J. "Orpharion and Cittern Fret Analysis and Other Ancient Tunings, Including Baroque Lutes", FoMRHI Quarterly vol. 123 (Fomrhi Comm 1987), Feb 2013, 68 pages.
Coates, William. "The Equal Temperament of 31 Notes to the Octave", Interval vol. 5 no. 1, autumn-winter 1985, pp. 23-27.
Cobb, Gerard F. "On Certain Principles of Musical Exposition Considered Educationally and with Special Reference to Current Systems of Musical Theory", Proceedings of the Musical Association vol. 10, 1883, pp. 153-184. Also here.
Cobb, Gerard F. "To the editor: Just Intonation (letter)", Orchestra and the Choir vol. 12 no. 175, Oct 1885, p. 316.
Coburn, Robert. "Harry Partch: An Anthology of Critical Perspectives (book review)", Leonardo Music Journal vol. 35 no. 2, Apr 2002, pp. 209-210.
Cochlaeus, Johannes. Tetrachordum musices Ioannis Coclei Norici artium......Tyruncilus. Fredericus Peypus, Nürnberg, 1514. Tractatus primus, tractatus secundus, tractatus tertius, tractatus quartus. English translation by Clement A. Miller, Musicological Studies and Documents vol. 23, American Institute of Musicology, 1970.
Cochran, Connor Freff. "Tuning in to Wendy Carlos", Electronic Musician vol. 2 no. 11, Nov 1986, pp. 20-37.
Cocos, Mihail and Shawn Fowers. "Music By Numbers", arXiv 1103.0596v1, WWW, 2011, 6 pages.
Code, David Løberg. "Not equal: feminism, tuning, and theory pedagogy", Theory and Practice vol. 20, 1995, pp. 1-12.
Code, David Løberg. "Pianoets elfenbensbur", Kalamazoo MI/Oslo, Nov 1998.
Code, David Løberg. "Quest for the Pure Voice: Eivind Groven's Renstemt Organ", Music Theory Midwest, 1999 Tenth Annual Conference, Butler University, Indianapolis IN, 14-15 May 1999.
Code, David Løberg. "Eivind Groven's Pure-tuned Organs", WWW, 1999.
Code, David Løberg. "Eivind Groven Centennial (1901-2001) and the Groven Piano Project", University of Oslo, WWW, 2001.
Code, David Løberg. "Acting Natural: Eivind Groven's Naturskalaen and the Renstemte Organ", Norsk Folkemusikklags skrifter vol. 15, 2001, pp. 68-78.
Code, David Løberg. "Eivind Grovens 'Rein'boge: det renstemte orgelet som folkeinstrument", Årbok for norsk folkemusikk vol. 10, 2001, pp. 100-110.
Code, David Løberg. "Groven.Max: An Adaptive Tuning System for MIDI Pianos", Computer Music Journal vol. 26 no. 2, 2002, pp. 50-61.
Code, David Løberg. "The Groven Piano In Tune with Nature", Piano Today vol. 9, summer 2002, pp. 48-49.
Code, David Løberg. "Groven ex machina: the Evolving Technology of Tuning", Studia musicologica norvegica vol. 29, 2003, pp. 44-56.
Codogno, Maurizio. "Pillole di teoria musicale", WWW, 1998.
Coenen, Alcedo. "Thirty One: Adriaan Fokker and the Tricesimoprimal Music", Ear Magazine East vol. 7 no. 5, New York, 1982/1983.
Coffy, Henri-Pierre. "Un musicien de l'Espace", Inter-Hebdo, Paris, 28 May 1965, p. 32.
Cogulu, Tolgahan. "Mikrotonal Gitar Röportaji - Soundboard dergisinin yaptigi röportajin Andante dergisinde yayinlanan", Andante vol. 8 no. 56, Mar 2011, pp. 40-43.
Cogulu, Tolgahan. "Mikrotonal gitar müzigi", Müzikte Temsil & Müziksel Temsil II vol. 1 no. 2, 2011, pp. 424-427.
Cogulu, Tolgahan. " Türkiye'den evrensel müzige önemli bulus: Mikrotonal gitar - Sedat Ergin", Hürriyet Pazar, Mar 2013, 6 pages.
Cohen, Albert. "Étienne Loulié as a Music Theorist", Journal of the American Musicological Society vol. 18 no. 1, 1965, pp. 70-72.
Cohen, Albert. "Symposium on Seventeenth-Century Music Theory: France", Journal of Music Theory vol. 16 no. 1-2, spring-winter 1972, pp. 4-5, 16-36.
Cohen, Albert. Music in the French Royal Academy of Sciences: A Study in the Evolution of Musical Thought. Princeton University Press, Princeton NJ, 1981, July 2014, 178 pages.
Cohen, Albert. "Quantifying Music: The Science of Music at the First Stage of the Scientific Revolution, 1580-1650 by H. Floris Cohen (book review)", Isis vol. 76 no. 3, Sep 1985, pp. 444-445.
Cohen, Albert. "Musicalische Temperatur (Quedlinburg 1691) by Andreas Werckmeister, Rudolf Rasch. Collected Writings on Musical Acoustics (Paris 1700-1713) by Joseph Sauveur, Rudolf Rasch. Le Cycle harmonique (Rotterdam 1691) by Rudolf Rasch, Christiaan Huygens. Novus cyclus harmonicus (Leiden 1724) by Christiaan Huygens, Rudolf Rasch (book reviews)", Music & Letters vol. 69 no. 1, Jan 1988, pp. 68-70.
Cohen, Albert. "Rameau, equal temperament, and the Academy of Lyon: A controversy revisited", French Musical Thought 1600-1800, G. Cowart (ed.), University of Michigan, Ann Arbor, 1989, pp. 121-128.
Cohen, Albert. "James Tenney: A History of 'Consonance' and 'Dissonance' (book review)", Music & Letters vol. 71 no. 2, May 1990, pp. 226-228.
Cohen, Annabel J. "Context effects in the absolute judgment of a microtonal scale", Canadian Psychological Association Annual Meeting, Montreal, June 1988.
Cohen, Annabel J. "Identification of a microtonal scale of complex tones: Context effects", Bulletin of the Psychonomic Society, Nov 1988, p. 191.
Cohen, Annabel J. "Forced-choice discrimination of complex tones", The Journal of the Acoustical Society of America vol. 85 no. S1. p. S143.
Cohen, Annabel J., D. Dunphy, B. Frankland, R. Parncutt and G. Taylor. "Effects of diatonic structure versus scale-step size on processing serial order", 2nd International Conference on Music Perception, Los Angeles, Feb 1992.
Cohen, Annabel J. "Musical training and pitch schemata: Tonal influences in microtonal contexts", invited symposium on pitch schemata, 3rd International Conference for Music Perception and Cognition, Irène Deliege (ed.), Liege, 1994, pp. 81-82.
Cohen, Dalia. "Patterns and Frameworks of Intonation", Journal of Music Theory vol. 13 no. 1, spring 1969, pp. 66-92.
Cohen, Dalia and Ruth Katz. Palestinian Arab Music: A Maqam Tradition in Practice. University of Chicago Press, 2006, 518 pages.
Cohen, David E. "Metaphysics, ideology, discipline: Consonance, dissonance, and the foundations of Western polyphony", Theoria vol. 7, 1993, pp. 1-85.
Cohen, David E. "'The Imperfect Seeks Its Perfection': Harmonic Progression, Directed Motion, and Aristotelian Physics", Music Theory Spectrum vol. 23 no. 2, autumn 2001, pp. 139-169.
Cohen, Elizabeth A. "Some Effects of Inharmonic Partials on Interval Perception", Music Perception vol. 1 no. 3, dedicated to Helmholtz, spring 1984, pp. 323-349.
Cohen, Flynn. Henry Cowell and James Tenney: Musical Harmonics from Theory to Practice. MA thesis, Mills College, Oakland CA, 1998.
Cohen, H. Floris. "Christiaan Huygens on Consonance and the Division of the Octave", Studies on Christiaan Huygens, Henk J.M. Bos et al. (eds.), Swets and Zeitlinger, Lisse, 1980, pp. 271-301.
Cohen, H. Floris. Quantifying music. The science of music at the first stage of the Scientific Revolution, 1580-1650. University of Western Ontario series in philosophy of science vol. 23, D. Reidel Publishers & Co., Dordrecht, Boston, 1984, 325 pages.
Cohen, H. Floris. "Simon Stevin's equal division of the octave", Annals of Science vol. 44, 1987, pp. 471-488.
Cohen, H. Floris. "Music as Science and as Art. The Sixteenth/Seventeenth-Century Destruction of Cosmic Harmony", The Making of the Humanities, volume 1: Early Modern Europe, Rens Bod, Jaap Maat and Thijs Weststeijn (eds.), Amsterdam University Press, 2010, pp. 59-72.
Cohen, H. Floris. "Achievements and limitations of realist-mathematical science", How Modern Science Came into the World: Four Civilizations, One 17th-Century Breakthrough, Amsterdam University Press, Amsterdam, 2010, pp. 291-372.
Cohen, H. Floris. "Music, experiment and mathematics in England, 1653-1705, by Benjamin Wardhaugh (book review)", Early Science and Medicine vol. 15, 2010, pp. 310-312. Journal of Mathematics and Music vol. 4 no. 3, Nov 2010, pp. 173-174.
Cohn, Richard. "Properties and Generability of Transpositionally Invariant Sets", Journal of Music Theory vol. 35 no. 1-2, spring-autumn 1991, pp. 1-32.
Cohn, Richard. "Generalized Cycles of Fifths, Some Late-Nineteenth-Century Applications, and Some Extensions to Microtonal and Beat-Class Spaces", keynote address for the Fifth Annual Meeting of Music Theory Midwest/Eighth Biennial Symposium of the Indiana University Graduate Theory Association, Bloomington IN, 14 May 1994.
Cohn, Richard. "Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions", Music Analysis vol. 15 no. 1, Mar 1996, pp. 9-40.
Cohn, Richard. "Introduction to neo-Riemannian Theory: A Survey and a Historical Perspective", Journal of Music Theory vol. 42 no. 2, autumn 1998, pp. 167-180.
Cohn, Richard. "Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes", Music Theory Spectrum vol. 22 no. 1, 2000, pp. 89-103.
Cohn, Richard. Audacious Euphony: Chromatic Harmony and the Triad's Second Nature. Oxford Studies in Music Theory, Oxford University Press, Oxford, Feb 2012, 256 pages.
Colbert, Warren E. Piano Tuning for Piano Players. Lyn-Lee-Lou Publishing Co., Linthicum Heights MD, 1985, 69 pages.
Colburn, Jerome. "A New Interpretation of the Nippur Music-Instruction Fragments", Journal of Cuneiform Studies vol. 61, 2009, pp. 97-109.
Coleman, Randolph. "The Music of Ben Johnston by Heidi von Gunden (book review)", Notes Second Series vol. 44 no. 4, June 1988, pp. 722-724.
Collangettes, Xavier Maurice. "Étude sur la musique arabe", Journal asiatique vol. 4, 1904, pp. 365-422; vol. 8, 1906, pp. 149-190.
Collarile, Luigi (ed.) Vicentino21 - Digitale Edition mit Übersetzung, Kommentar und praktischer Erkundung von Nicola Vicentinos «L?antica musica ridotta alla moderna prattica» (Rom 1555). Schola Cantorum Basiliensis (Fachhochschule Nordwestschweiz FHNW), funded by the Swiss National Science Foundation, 2020-2023.
Colles, H.C. "The Childhood of the Whole-Tone Scale", The Musical Times vol. 55 no. 851, Jan 1914, pp. 16-20.
Colley, S. Tuneup: CD-based intonation training system. Tuneup Systems, Dallas TX, 1993.
Collin, Laure. Histoire abrégée de la musique et des musiciens. C. Delagrave, Paris, 1891, 364 pages.
Collins, John. "Tuning and Maintenance of the Clavichord by Koen Vermeij (book review)", Clavichord International vol. 11 no. 2, Nov 2007.
Collins, Nick. "Uniqueness of Pitch Class Spaces, Minimal Bases and Z Partners", Proceedings of the Diderot Forum on Mathematics and Music, Vienna, 1999, pp. 63-77.
Collins, Nick. "A Microtonal Tempo Canon Generator After Nancarrow and Jaffe", Proceedings of the International Computer Music Conference 2003, Singapore, 2003, 4 pages.
Collins, Nick. "Sonification of the Riemann Zeta Function", International Conference on Auditory Display, Northumbria University, June 2019, pp. 36-41.
Collins Judd, Cristle. "Studies on the Origin of Harmonic Tonality by Carl Dahlhaus, Robert O. Gjerdingen (book review)", Music & Letters vol. 74 no. 1, Feb 1993, pp. 61-63.
Colonna, Fabio and Stella, Scipione. La sambuca lincea, overo Dell'Istromento Musico perfetto: Con annotazioni critiche manoscritte di Scipione Stella (1618-1624). Naples, 1618. Reprint with introduction by Patrizio Barbieri (ed.), Musurgiana no. 24, Lucca, 1991, 171 pages. In Italian and English. Facsimile of original, Lib. III di Fabio Colonna Linceo Ne'quali oltre la descrittione, e costruttione dell'Istromento si tratta delle diuisione del Monacordo: della proportione de Tuoni semituoni, e lor minute parti. Della differeza de tre Geni di Musica, de Gradi Enarmonici e Chromatici: e in che differiscano da quelli de gli Antichi l'osseruati è descritti dall'Autore; con gli esempi di numeri, di musica, e di segni..., Costatin Vitale, Napoli, 1618. Reprint series: Bibliotheca musica Bononiensis. Sezione II, n. 152, A. Forni, Bologna, 1980, 116 pages.
Coltman, John W. "Resonance and Sounding Frequencies of the Flute", Journal of the Acoustical Society of America vol. 40 no. 1, Jan 1966, p. 99.
Coltman, John W. "The intonation of antique and modern flutes, Parts 1-4", The Instrumentalist vol. 29 no. 5, 1974-1975.
Coltman, John W. "Flute scales, pitch and intonation", The Instrumentalist, May 1976.
Coltman, John W. (ed.) Tuning wind instruments. Booklet produced for distribution in schools by C.G. Conn Ltd., Oak Brook, Illinois. Revised and enlarged by John W. Coltman, 1977, 12 pages.
Coltman, John W. "Theobald Boehm and the scale of the modern flute", Journal of the American Musical Society vol. 9, 1983, pp. 89-111.
Coltman, John W. "Role of the headjoint in flute intonation", Flute Notes, London, 1985.
Coltman, John W. "Mode stretching and harmonic generation in the flute", Journal of the Acoustical Society of America vol. 88 no. 5, Nov 1990, pp. 2070-2073.
Coltman, John W. "Owen Jorgensen: Tuning: Containing the Perfection of 18th Century Temperament... (book review)", Journal of the American Musical Instrument Society vol. 19, 1993, pp. 105-109.
Coltman, John W. "Flute Intonation in Performance", The Flutist Quarterly vol. 24 no. 1, autumn 1998.
Colvig, William. "A Western Gamelan", Sound Sculpture: A Collection of Essays by Artists Surveying the Techniques, Applications, and Future Directions of Sound Sculpture, J. Grayson (ed.), Vancouver, 1975, pp. 162-169.
Colvig, William. "An American Gamelan", Xenharmonikôn vol. 2, 1974.
Colvig, William. "Metallophone, Construction", Experimental Musical Instruments vol. 10 no. 2, 1994, pp. 24-25.
Combarieu, Jules. Histoire de la musique des origines à la mort de Beethoven. Avec de nombreux textes musicaux vol. 1, Éd. A. Colin, Paris, 1913, 1920, 654 pages.
Combarieu, Jules. La musique, ses lois, son évolution. E. Flammarion, Paris, 1907, 1924, 348 pages. English translation Music, its laws and evolution, Kegan Paul, Trench, Trübner & Co., London, 1910, 334 pages.
Comotti, Giovanni. La musica nella cultura greca e romana. Edizioni di Torino, Turin, 1991, 181 pages.
Condat, Jean Bernard (ed.) Nombre d'or et musique. Verlag Peter Lang, Frankfurt a.M., 1988, 186 pages.
Cone, Edward T. "Ward: Symphony No. Three; Stein: Three Hassidic Dances. Cincinnati Symphony Orchestra, cond. Thor Johnson (record reviews)", The Musical Quarterly vol. 42 no. 3, July 1956, pp. 423-425.
Constable, James Putname. Temperament and the Scope of Harmonic Digression in Works for Solo Keyboard and Keyboard with Instruments by J.K.F. Fischer. MA thesis, Cincinnati Conservatory, 1980.
Constantinou, Stace. Processes of creative patterning: a compositional approach. PhD thesis, Kingston University, 2015.
Constantinsen, Bo. What Music Really Is, WWW, 2016.
Conti, Luca. "Julián Carrillo y el Sonido 13", Universidad y Sociedad vol. 16, Tlaxcala, Mexico City, Nov-Dec 1995, pp. 40-44.
Conti, Luca. Microtonalismo e sperimentalismo e nell'opera di Julián Carrillo. BaM diss., University of Bologna, DAMS-Musica, 1997, 2 vols.
Conti, Luca. "Il pianeta microtonale di Julián Carrillo", Sonus-Materiali per la musica contemporanea vol. 18, December 1998, pp. 64-85.
Conti, Luca. "Introducción crítica al 'Sonido 13' de Julián Carrillo", Heterofonía, Mexico D.F., July-Dec 2000 (appeared 2003), pp. 75-88.
Conti, Luca. Teorie ed esperienze microtonali in Nord America 1900-1940. PhD thesis, University of Trento, 2003, 498 pages. (With studies on Ives, Carrillo, Novaro, Partch and Yasser theories and music and a reconstruction of the problem of just intonation from Helmholtz to Novaro and Partch.)
Conti, Luca. "Preludio a Colón, Tepepan, Horizontes: proceso compositivo y estrategias formales en dos momentos diferentes del Sonido 13 de Julián Carrillo", Spanish translation by Lorena Díaz Núñez, Heterofonía: revista de investigación musical vol. 128, 2003, pp. 9-32, with English abstract.
Conti, Luca. "La 'evolving tonality' di Joseph Yasser: una teoria microtonale tra le correnti dello sperimentalismo newyorchese", Rivista Italiana di Musicologia vol. 39 no. 1, 2004, pp. 147-171.
Conti, Luca. "Augusto Novaro: Sistema natural de la mùsica (book review)", heterofonía vol. 130-131, Dec 2004, pp. 69-88.
Conti, Luca. Suoni di una terra incognita. Il microtonalismo in Nord America (1900-1940). Libreria Musicale Italiana LIM, Lucca, 2005, 353 pages.
Conti, Luca. "El sistema a entonación justa en la acústica de Helmholtz", Perspectiva Interdisciplinaria de Música, Mexico City, 2005.
Conti, Luca. "Artefatti e teoria nel Sistema natural de la música (1951) di Augusto Novaro", Acoustical Arts and Artifacts. Technology, Aesthetics, Communication (AAA TAC) vol. 2, Istituti editoriali e poligrafici internazionali, Pisa-Roma, 2005, pp. 77-96.
Conti, Luca. "Preludio a Colón, Tepepan, Horizontes: proceso compositivo y estrategias formales en dos diversas fases del Sonido 13 de Julián Carrillo", Heterofonía no. 128, Mexico D.F., Jan-June 2003 (appeared 2006), pp. 9-32.
Conti, Luca. "Novaro", Heterofonía vol. 130-131, Mexico City, Jan-Dec 2004, published 2007, pp. 69-88.
Conti, Luca. "La entonación justa en la acústica de Helmholtz", Perspectiva Interdisciplinaria de Música vol. 1 no. 1, Mexico City, 2007, pp. 7-18.
Conti, Luca. Ultracromatiche sensazioni. Il microtonalismo in Europa (1840-1940). Libreria Musicale Italiana LIM, Lucca, 2008, 219 pages.
Contri, Fabrice. Les tempéraments français inégaux à travers l'oeuvre de clavecin de François Couperin. MA thesis, Université de Paris-Sorbonne, 1996.
Conviser, Harry. "Equal Temperament versus Just Intonation", Journal of the Acoustical Society of America vol. 68 no. S1, Nov 1980, p. S100.
Conway, Colleen. "Good rhythm and intonation from day one", Music Educators Journal vol. 89 no. 5, May 2003, pp. 26-31.
Cook, Norman D. "Harmony perception: Harmoniousness is more than the sum of interval consonance", Music Perception vol. 27 no. 1, Sep 2009, pp. 25-42.
Cook, Scott. "'Yue Ji' Record of Music: Introduction, Translation, Notes, and Commentary", Asian Music vol. 26 no. 2, spring-summer 1995, pp. 1-96.
Cook, Simon. Guide to Sundanese Music. Bandung, 1992, 117 pages.
Cook, Simon. "Parallel versions of Tembang Sunda melodies in different tunings", Oideion, Wim van Zanten (ed.), Centre of Non-Western Studies Publications vol. 14, Leiden, 1993, pp. 55-84.
Cooke, Peter. "Exploring musical pitch systems", Bulletin of the UK Chapter of the ICTM, Nov 1990.
Cooke, Peter. "Report on pitch perception experiment carried out in Buganda and Busoga (Uganda)", African Music: Journal of the African Music Society vol. 7 no. 2, 1992, pp. 119-125.
Coolen, Michael T. Xalamkats: The Xalam Tradition of the Senegambia. PhD diss., University of Washington, 1979, 576 pages.
Cooper, David and Ian Sapiro. "Ethnomusicology in the laboratory: From the Tonometer to the Digital Melograph", Ethnomusicology Forum vol. 15 no. 2, 2006, pp. 301-313.
Cooper, Harry E. "An essay on equal temperament: the tempered scale as used on keyboard instruments", The Gazette Co., Kansas City, 2012.
Cope, David. New Directions in Music. Wm.C. Brown Company Publishers, Dubuque IA, 1971, 1976, 152 pages.
Cope, David. "2 bosquejos para cuarteto en 4os de tono: meditación, en secreto by Julián Carrillo (music review)", Notes, Second Series vol. 37 no. 1, Sep 1980, pp. 144-145.
Cope, David. Techniques of the Contemporary Composer. Schirmer Books, New York, 1998, 250 pages.
Copeland, Lyndsey. "Pitch and tuning in Beninese brass bands", Ethnomusicology Forum vol. 27 no. 2, 2018, pp. 213-240.
Copenhaver, Michael D. Scales of the World. Enigaxotic Music, Hollywood, 1991, 29 pages.
Corbelin, François-Vincent. Méthode de harpe pour apprendre seul et en peu de temps à jouer de cet instrument, avec un principe très simple pour l'accorder. Self-published, Paris, 1779, 1803, 80 pages. Reprint Minkoff, Genève, 1971, 157 pages.
Corder, F. "Major versus Minor: Some Curious Statistics, The Musical Quarterly vol. 5 no. 3, July 1919, pp. 348-356.
Cordes, Manfred. Nicola Vicentinos Enharmonik: Musik mit 31 Tönen. Akademische Druck- und Verlagsanstalt, Graz, Mar 2007, 104 pages with CD.
Cordier, Serge. L'accordage des instruments à clavier. Bulletin du Groupe d'Acoustique Musicale no. 75, Université de Paris VII, Paris, Nov 1974.
Cordier, Serge. Piano bien tempéré et justesse orchestrale: le tempérament égal à quintes justes. Buchet et Chastel, Paris, 1982, 274 pages.
Cordier, Serge. "Equal Temperament With Perfect Fifth", Proceedings of the International Symposium of Musical Acoustics, SFA, Dourdan, 1995, pp. 298-303.
Cordier, Serge. "Serge Cordier et le temperament egal a quintes justes (TEQJ)", WWW. English translation "Serge Cordier and the pure fifth equal temperament", 2013, 4 pages.
Corey, Charles. "Gesture and Intention in the Art Songs of Harry Partch", chapter in Der doppelte Po und die Musik. Rätoromanisch-chinesische Studien, besonders zu Li Po, Harry Partch und Chasper Po, Königshausen & Neumann, Würzburg, 2021, pp. 481-506. Also here.
Corey, Philip B. "William Lester: A comparison of three methods of improving intonation in the performance of instrumental music (book review)", Bulletin of the Council for Research in Music Education vol. 4, winter 1965, pp. 59-61.
Corleonis, Adrian. "'The Harry Partch Collection' and other recents Partch releases (CD review)", Fanfare, Mar/Apr 1998.
Corlis, Timothy. "Analysis of Spectra in J.S. Bach's Prelude and Fugue, BWV 552", Bach vol. 37 no. 1, 2006, pp. 26-49.
Cornelis, Olmo and Joren Six. "Towards the tangible: microtonal scale exploration in Central-African music", Second International Conference on Analytical Approaches to World Music, Vancouver, 11-13 May 2012, 5 pages.
Cornelis, Olmo and Joren Six. "Sound to Scale to Sound, a Setup for Microtonal Exploration and Composition", Proceedings of the International Computer Music Conference, Ljubljana, 2012, 4 pages.
Cornell, J.H. A primer of modern musical tonality; intended for self-study, as an introduction to the study of harmony. G. Schirmer, New York, 1876, 1879, 1907, 100 pages.
Cornu, Auguste and Ernest Mercadier. "Sur les intervalles musicaux mélodiques", Comptes Rendus Hebdomaires des Séances de l'Académie des Sciences vol. 74, 1872, pp. 321-323.
Corona-Alcalde, Antonio. "'You will raise a little your 4th fret': An equivocal instruction by Luís Milán?", Galpin Society Journal vol. 44, Mar 1991, pp. 2-45.
Corral, Alfonso del; Teresa León and Vicente Liern. "Compatibility of the Different Tuning Systems in an Orchestra", 2nd International Conference Mathematics and Computation in Music, 19-22 June 2009, Yale University Press, New Haven CN, pp. 93-103.
Corral, Daniel. "Polytope, Xenharmonikon, WWW, Jan 2022.
Corrêa de Oliveira, Fernando. Simetria Sonora. Parnaso, Porto, 1969, 136 pages.
Corrette, Michel. Le maître de clavecin pour l'accompagnement: méthode théorique et pratique. Self-published, Paris, 1752, 1753, 1775, 97 pages. Reprints Georg Olms Verlag, Hildesheim, 1974. Minkoff, Genève, 1976, 130 pages. Broude Brothers, New York, 1976.
Corrette, Michel. De la manière d'accorder le clavecin et l'orgue. Paris, 1753.
Corrigan, Vincent Justus, III. The Style of the Notre-Dame Conductus. PhD thesis, Musicology, Indiana University, Bloomington IN, 1980, 2 vols., 1025 pages.
Corso, John F. "Scale Position and Performed Musical Octaves", Journal of Psychology vol. 37, 1954.
Corso, John F. "Unison Tuning of Musical Instruments", Journal of the Acoustical Society of America vol. 26 no. 5, Sep 1954, pp. 746-750.
Cortés Cisneros, Óscar Andrés and Sergio Armando Rentería Alejandre. "Sobre la teoría musical en India antigua. Análisis del concepto de sruti en los sistemas tonales índicos - On music theory in Ancient India", Estudios de Asia y Africa vol. 54 no. 3, (170), Sep-Dec 2019, pp. 561-584.
Corti, Alessandro. "Teoria della modalita'", Pistoia, WWW, 2002.
Costa Vicent, Ramon. "Los sistemas en la musica mensural: Ensayo sobre estructura de las escalas y su correlación con la semitonia y formas modales", Anuario musical vol. 38, 1983, pp. 155-182.
Costeley, Guillaume. Musique de Guillaume Costeley, organiste ordinaire et vallet de chambre, du treschrestien et tresinvincicle roy de France. Charles. IX. Superius. Adrian Le Roy, Paris, 1570, 67 pages.
Costère, Edmond. Lois et styles des harmonies musicales, genèse et caractères de la totalité des échelles, des gammes, des accords et des rythmes. Presses Universitaires de France, Paris, 1954, 266 pages.
Costère, Edmond. Mort ou transfiguration de l'harmonie. Presses Universitaires de France, Paris, 1962, 258 pages.
Cota, James. From Guido's Hand to Circle of Fifths: The Establishment of Medieval Church Modes and the Beginnings of Renaissance Tonal Harmony. MA thesis, May 2018, 27 pages.
Couper, Greta. "Quarter-Tone Composer & Pianist Mildred Couper", WWW, 2014, 17 pages.
Couper, Mildred. "Mildred Couper (1887-1974), Autobiography", WWW, 1970.
Couprie, Pierre. "EAnalysis: developing a sound-based music analytical tool", chapter 8 in Expanding the Horizon of Electroacoustic Music Analysis, Simon Emmerson and Leigh Landy (eds.), Cambridge University Press, Cambridge, 2016, pp. 170-194. Also here.
Courtney, David. "Tuning the tabla: A psychoacoustic perspective", Percussive Notes vol. 29 no. 3, Feb 1991, pp. 59-61.
Courvoisier, Carl. Intonation. A paper read before members of the National Society of Professional Musicians, 6 Jan 1892. P.B. Chadfield and Son, Derby, 1892.
Courvoisier, Karl. Die Grundlage der Violin-Technik. M. Bahn Verlag, Berlin, 1873, 43 pages.
Cousins, Margaret E. The Music Of Orient And Occident. An Essay Towards Mutual Understanding. B.G. Paul & Co., Madras, 1935, 199 pages.
Coussemaker, Charles-Edmond-Henri de (ed.) Histoire de l'harmonie au moyen-âge. Paris, 1852, 431 pages.
Coussemaker, Charles-Edmond-Henri de (ed.) L'art harmonique aux XIIe et XIIIe siècles. Paris, 1865, 556 pages.
Coussemaker, Charles-Edmond-Henri de (ed.) Scriptorum de musica medii aevi nova. 4 vols., Durand, Paris, 1866-1876, 2122 pages. Includes Guido of Arezzo, Johannes de Muris, Johannes de Garlandia, Hucbald, Franco of Cologne, Jacobus de Liège, de Vitry, Tinctoris, Handlo, etc.
Cousto, Hans. Die kosmische Oktave. Der Weg zum universellen Einklang. Synthesis-Verlag, 1984. English translation The Cosmic Octave. Origin of Harmony, Life Rhythm, Mendocino CA, Sep 2015, 152 pages.
Cousto, Hans. The Cosmic Octave Tuning Forks. English translation by Doris Schroder and Birgit Bubser, Planetware, Munich, 2009, 17 pages.
Couture, François. "Jon Catler: Evolution for Electric Guitar and Orchestra (CD review)", AllMusic, WWW.
Covey-Crump, Rogers. "Vocal consort style and tunings", Companion to contemporary musical thought, Routledge, London, 1992, pp. 1020-1050.
Covey-Crump, Rogers. "Pythagoras at the Forge: Tuning in Early Music", Companion to Medieval and Renaissance Music, Dent, London, 1992, pp. 317-326.
Cowell, Henry. New Musical Resources. Alfred A. Knopf, New York, London, 1930, 144 pages. 2nd edition, Something Else Press, New York, 1969.
Cowell, Henry and Sidney. Charles Ives and His Music. Oxford University Press, New York, 1955, 245 pages.
Cowell, Henry. "The Influence of Overtones in Music", New Musical Resources, rev. ed., Something Else Press, New York, 1969, pp. 3-19.
Cowell, Sidney Robertson. "Scales played on the kanoon [qanun] and comments on their use", 1939.
Cowl, C. "Al-Kindi's essay on the composition of melodies", The Consort no. 23, 1966, pp. 129-159.
Coxeter, H.M.S. "Music and Mathematics", The Mathematics Teacher vol. 61, 1968, pp. 312-320.
Craats, Jan van de. De Fis van Euler. Aramith Uitgevers, Bloemendaal, 1989, 144 pages.
Craats, Jan van de, and Floris Takens. "De juiste toon, de juiste stemming", Nieuw Archief voor Wiskunde vol. 5 no. 2, June 2001, pp. 136-145.
Craats, Jan van de. De juiste toon. De wiskunde van toonsystemen en stemmingswijzen. Zebra reeks dl. 15, S. Garst (ed.), Epsilon Uitgaven, Utrecht, 2003, 58 pages.
Crab, Simon. "The 'Telharmonium' or 'Dynamophone' Thaddeus Cahill, USA, 1897", WWW, 2014.
Crab, Simon. "Helmholtz Sound Synthesiser. Max Kohl. Germany, 1905", WWW, 2014.
Crab, Simon. "'Sound-Producing Device' Melvin Linwood Severy, USA, 1912", WWW, 2014.
Crab, Simon. "The Electrophon (1921), Sphäraphon(1924), Kurbelsphärophon (1926), Klaviatursphäraphon(1928), Partiturophon (1930) and Kaleidophon(1939). Jörg Mager, Germany", WWW, 2014.
Crab, Simon. "The 'Electronic Keyboard Oboe' & 'Electronic Keyboard Drum'. Ivor Darreg. USA, 1936", WWW, 2014.
Crab, Simon. "The 'Ondioline' Georges Jenny, France, 1940", WWW, 2014.
Crab, Simon. "The 'Free Music Machine'. Percy Grainger & Burnett Cross, USA/Australia, 1948", WWW, 2014.
Crab, Simon. "The 'ANS Synthesiser' Yevgeny Murzin. Russia, 1958, WWW, 2014.
Crab, Simon. "The 'Subharchord', Gerhard Steinke & Ernst Schreiber , Germany (DDR), 1960", WWW, 2014.
Crab, Simon. "The 'Archifoon' or 'Archiphone'. Anton De Beer & Herman van der Horst. The Netherlands, 1970", WWW, 2014.
Crab, Simon. "The Motorola Scalatron. Herman Pedtke & George Secor. USA, 1974", WWW, 2014. (many more microtonal synths on this site)
Craig, Hugh. Harpsichord Maintenance Manual. Classic Press, 1973.
Cram, David and Wardhaugh, Benjamin (eds.) John Wallis: Writings on Music. Music Theory in Britain, 1500-1700: Critical Review, Routledge, Ashgate, 2014, 2017, 254 pages.
Cramer, Carl Friedrich (ed.) Magazin der Musik vol. 2, Musicalische Niederlage, 1784.
Crane, Joseph. "Ptolemy's Digression: Astrology's Aspects and Musical Intervals", Culture And Cosmos vol. 11 no. 1/2, 2007, pp. 211-227.
Crawford, Tim. "Ekkehard Schulze-Kurz: Die Laute und ihre Stimmungen in der ersten Hälfte des 17. Jahrhunderts (book review)", Early Music vol. 20 no. 4, Iberian Discoveries I, Nov 1992, pp. 669-670.
Creese, David. The Monochord in Ancient Greek Harmonic Science. Cambridge University Press, July 2010, 426 pages.
Cremer, Lothar. "Über die ungelösten Probleme in der Theorie der Tonempfindungen", Acta Acustica vol. 1 no. 2, 1951, pp. 83-96.
Crescimano, Marco. "Mikrotöne in Italien", Österreichische Musikzeitschrift vol. 63 no. 7, July 2008, pp. 38-42.
Crickmore, Leon S. A Theory of Musical Experience, Together with an Account of an Experiment to Measure it, its Growth and Relationship to Temperament and Ability in a Group of Technical Students. PhD thesis, Musicology, University of Birmingham, 1964.
Crickmore, Leon. "A Re-Valuation of the Ancient Science of Harmonics", Psychology of Music vol. 31 no. 4, Oct 2003, pp. 391-403.
Crickmore, Leon. "The musicality of Plato", Hermathena no. 180, summer 2006, pp. 19-43.
Crickmore, Leon. "A New Hypothesis for the Construction and Tuning of Babylonian Scales", Journal of Ancient Civilizations vol. 22, 2007, pp. 35-67.
Crickmore, Leon. "A Musical and Mathematical Context for CBS 1766", Music Theory Spectrum vol. 30 no. 2, 2007/2008, pp. 327-359.
Crickmore, Leon. "New Light on the Babylonian Tonal System", ICONEA 2008: Proceedings of the International Conference of Near Eastern Archaeomusicology, held at the British Museum, 4-6 December 2008, Richard Dumbrill and Irving Finkel (eds.), Iconea Publications, London, pp. 11-22.
Crickmore, Leon. "The Tonal Systems of Mesopotamia and Ancient Greece: Some similarities and differences", The Archaeomusicological Review of the Ancient Near East vol. 1, Apr 2008, Iconea, 2009, pp. 1-16.
Crickmore, Leon. "Harmonic Mythology. Nine interdisciplinary research notes", The Archaeomusicological Review of the Ancient Near East vol. 1, Apr 2008, Iconea, 2009, pp. 51-66.
Crickmore, Leon. "Egyptian fractions and the ancient science of harmonics", ICONEA 2009/2010: Proceedings of the International Conference of Near Eastern Archaeomusicology, 2009, Richard Dumbrill (ed.), Iconea Publications, London, pp. 1-9.
Crickmore, Leon. "A possible Mesopotamian origin for Plato's World Soul", Sep 2011, 16 pages.
Crickmore, Leon. "A Musicological Interpretation of the Akkadian Term 'sih?pu'", Journal of Cuneiform Studies vol. 64, 2012, pp. 57-64.
Crickmore, Leon. "Planets, Heptachords and the Days of the Week - the Harmony of the Spheres", WWW, Apr 2013, 9 pages.
Crickmore, Leon. "A Musical Interpretation of a Squared Circle", WWW, Nov 2015, 6 pages.
Crickmore, Leon. "FEE-PHI-FO-FUM?", May 2016, 3 pages.
Crickmore, Leon and Peter Welsford. "Concerning Musical Tuning, the Fibonacci Series and the Fine Structure Constant", WWW, Sep 2017, 4 pages.
Crismani, Dylan. "The Symmetry of a Tonnetz, Un-transposable Harmonic Modes, and Modes of Synthesised Inversional Symmetry", Xenharmonikon, WWW, Feb 2021.
Criton, Pascale. "Continuum, Ultrachromatisme et Multiplicités", La Nouvelle Revue Musicale Suisse Dissonanz-Dissonance vol. 42, Zürich, 1994, pp. 4-10.
Criton, Pascale. "Variabilité et multiplicité acoustique", Manières de faire des sons, Antonia Soulez and Horacio Vaggione (eds.), Musique-philosophie, L'Harmattan, Paris, 2010, pp. 119-133.
Criton, Pascale (ed.), Wyschnegradsky, Ivan. Libération du son. Écrits 1916-1979. Translation by Michèle Kahn, Symétrie, 2013, 528 pages.
Criton, Pascale. "Ivan Wyschnegradsky (1893-1979)", WWW.
Criton, Pascale. "Variables, Diagrams, Process", Dark Precursor: Deleuze and Artistic Research vol. 1, Paulo de Assis and Paolo Giudici (eds.), Leuven University Press, Leuven, 2017, pp. 67-75.
Criton, Pascale and Sharon Kanach. "L'art des (petites) différences. The Art of (Small) Differences", Circuit, musiques contemporaines vol. 29 no. 2, Les voies de la pansonorité, Montréal, 2019, pp. 19-32.
Crocker, Richard L. "Pythagorean mathematics and music", part 1: The Journal of Aesthetics and Art Criticism vol. 22 no. 2, 1963, pp. 189-198, part 2: The Journal of Aesthetics and Art Criticism vol. 22 no. 3, 1964, pp. 326-335.
Crocker, Richard L. "Aristoxenos and Greek mathematics", Aspects of medieval and Renaissance music: A birthday offering to Gustav Reese, Jan LaRue (ed.), W.W. Norton, New York, 1966, pp. 96-110.
Crocker, Richard L. "Hermann's Major Sixth", Journal of the American Musicological Society vol. 25 no. 1, spring 1972, pp. 19-37.
Crocker, Richard L. "Remarks on the Tuning Text UET VII 74 (U. 7/80)", Orientalia vol. 47 no. 1, Pontifical Biblical Institute, Rome, 1978, pp. 99-104.
Crocker, Richard L. and Anne Draffkorn Kilmer. "The Fragmentary Music Text from Nippur", Iraq vol. 46 no. 2, autumn 1984, pp. 81-85.
Crocker, Richard L. "Mesopotamian Tonal Systems", Iraq vol. 59, 1997, pp. 189-202.
Croker, Temple Henry; Thomas Williams; Samuel Clark; J. Wilson; J. Fell; J. Fletcher and Hodson et al. (eds.) "Temperament", The Complete Dictionary of Arts and Sciences. In which the Whole Circle of Human Learning is Explained, and the Difficulties Attending the Acquisition of Every Art, Whether Liberal Or Mechanical, are Removed, in the Most Easy and Familiar Manner vol. 3, authors, 1766, 127 pages.
Cross, Charles R. "Notes on Equal Temperament and the Character of Musical Keys", Proceedings of the American Academy of Arts and Sciences vol. 21, May 1885, pp. 499-503.
Cross, Ian; R. West and P. Howell. "Pitch Relations and the Formation of Scalar Structure", Music Perception: An Interdisciplinary Journal vol. 2 no. 3, International Conference on Psychology and the Arts, spring 1985, pp. 329-344.
Cross, Ian. "Pitch schemata", Perception and cognition of music, Irène Deliège and John Sloboda (eds.), Psychology Press, Hove, 1997, pp. 357-390.
Crotch, William. "Elements of musical composition; comprehending the rules of thorough bass, and the theory of tuning. Longman, Hurst, Rees, Orme, & Brown, London, 1812, 2nd ed., 1833, 160 pages.
Crotch, William. "On the Derivation of the Scale, Tuning, Temperament, The Monochord, &c", The Musical Times And Singing Class Circular vol. 10 no. 224, 1 Oct 1861, pp. 115-118. Also here.
Crowder, Louis. "Electronic piano tuning", Piano Quarterly vol. 34 no. 132, spring 1986, pp. 50-56.
Crider, P. "Teaching intonation to beginners", The Instrumentalist vol. 45 no. 3, 1990, pp. 64-66.
Cryseul, Géoffrion de. Moyen de diviser les touches des instruments à cordes le plus correctement possible, etc... On y voit la manière dont les artistes doivent considérer les loix qu'impose le tempérament.. Et l'on imagine un moyen d'accorder les clavessins. Mérigot le jeune, Paris, 1780. Reprint Minkoff, Genève, 1972, 30 pages.
Cseres, Jozef. "Hlas a gesto v operách Harryho Partcha a Johna Zorna", Musicologica Brunensia vol. 48 no. 2, 2013, pp. 33-38.
Csillagh, Carl. Aesthetik der Tonkunst in Verbindung mit einer ausführlichen Grammatik und Poetik der Musiksprache : aus kosmischen, akustischen, ferner aus empirisch-psychologischen Grundsätzen entwickelt und in logischer Ordnung zusammengestellt. Krapp, Breslau, 1854, 236 pages.
Cubarsi, Rafael. "An alternative approach to generalized Pythagorean scales. Generation and properties derived in the frequency domain", Journal of Mathematics and Music vol. 14 no. 1, Mar 2020, pp. 1-26.
Cuciurean, John D. "Mark Lindley and Ronald Turner-Smith: 'Mathematical Models of Musical Scales: A New Approach' (book review)", Music Theory Online vol. 1 no. 4, WWW, July 1995.
Cuffman, Timothy James. A practical introduction to just intonation through string quartet playing. MA thesis, University of Iowa, Iowa City, May 2016, 77 pages. Also here.
Culver, Charles A. Musical Acoustics. 4th ed., McGraw-Hill, New York, 1956, 305 pages.
Cumar, Raffaele and Luciano Frusi. Prospettive sperimentali e metodi di ricerca per lo studio degli intervalli musicali. Giardini, Pisa, Jan 1978, 63 pages.
Cumming, Tim. "Keyboard revolution: the Fluid Piano", WWW, 20 Jan 2010.
Cummings, Conrad. "Musique Numérique by Daniel Arfib; Hybrid Musics by Larry Austin; Twelve Microtonal Etudes for Electronic Music Media by Easley Blackwood (CD reviews)", Computer Music Journal vol. 5 no. 3, autumn 1981, pp. 84-86.
Cummings, William. "Tallis and Waltham Abbey", The Musical Times vol. 54 no. 850, Dec 1913, pp. 789-791.
Cuomo, Salvatore; Ardelio Galletti and Gabriele Guerriero. "An interdisciplinary laboratory in mathematics and music", Applied Mathematical Sciences vol. 8 no. 133, 2014, pp. 6709-6716.
Curry, Ben. "Blues Music Theory and the Songs of Robert Johnson: Ladder Level and Chromatic Cycle", Popular Music vol. 32 no. 2, May 2015, pp. 245-273.
Curry, Ben. "Two Approaches to Tonal Space in the Music of Muddy Waters", Music Analysis vol. 36 no. 1, 2017, pp. 37-58.
Curtin, Steve. "World Music Menu (software review)", 1/1 vol. 9 no. 4, 1996, p. 2.
Curtis, J. "Greek Music", The Journal of Hellenic Studies vol. 33, Nov 1913, pp. 35-47. Also here.
Curtis, J. "The Double Flutes", The Journal of Hellenic Studies vol. 34, Nov 1914, pp. 89-105. Also here.
Curtis, J. "Reconstruction of the Greater Perfect System", The Journal of Hellenic Studies vol. 44 no. 1, Cambridge University Press, 1924, pp. 10-23.
Curtiss, Marie Joy. "The Ragas of North India by Walter Kaufmann, Denis Sinor (book review)", Journal of the American Oriental Society vol. 90 no. 4, Oct-Dec 1970, pp. 593-594.
Curwen, John. Singing for Schools and Congregations. 1843, 26th ed., London, 1852. Reprint Boethius Press, Kilkenney, 1985. Reprint Cambridge University Press, Cambridge, Sep 2013, 208 pages.
Curwen, John. Musical Statics: An Attempt to Show the Bearing of the Facts of Acoustics on Chords, Discords, Transitions, Modulations and Tuning. (as pt. A of Commonplaces of music), Tonic sol-fa agency, London, 1874. J. Curwen & sons, London, 1898, 116 pages.
Curwen, John. The standard course of lessons and exercises in the tonic sol-fa method of teaching music. 10th ed., J. Curwen & sons, London, 1892, 320 pages.
Curwen, John. Musical Theory. J. Curwen & sons, London, 1898, 382 pages.
Curwen, John. Tonic Sol-Fa. Novello, Ewer & Co., London, New York, 1893, 44 pages.
Cutting, Court B. "Microtonal Analysis of 'Blue Notes' and the Blues Scale", Empirical Musicology Review vol. 13 no. 1-2, 2018, pp. 84-99.
Czerny, Carl. Vollständige theoretisch-practische Pianoforte Schule. PN D. & C No. 6600 SA., Part 3, Diabelli, Vienna, 1839, pp. 94-95.

- D -

Dabbene, Ettore and Raffaele Pisani. Generazione di frequenze subarmoniche negli strumenti musicali. G. Zanibon, Padova, Dec 1973, Sep 2004, 48 pages.
Dabin, Matthew; Terumi Narushima; Stephen Beirne; Christian Ritz and Kraig Grady. "3D Modelling and Printing of Microtonal Flutes", NIME Proceedings 2016, Brisbane, June 2016, pp. 286-290.
Daddesio, Tom et al. "Mande Jeli Balafon Tuning", WWW, 1999.
Dadson, Philip. Liner notes for the cassette Songs for Heroes, Aotearoa, 1993.
Daenicke, Wilfried. "Bewertung von Intervallbeobachtungen an Hand der Frequenzdistanz; ein Versuch zur Rangordnung musikalischer Intervalle", Jahrbuch des staatlichen Institutes für Musikforschung Preußischer Kulturbesitz, 1968, pp. 29-58.
Dahan, Kevin. "Surface Tensions: Dynamics of Stria", Computer Music Journal vol. 31 no. 3, autumn 2007, pp. 65-74.
Dahlhaus, Carl. "Musiktheoretisches aus dem Nachlaß des Sethus Calvisius", Die Musikforschung vol. 9 no. 2, 1956, pp. 129-139.
Dahlhaus, Carl. "War Zarlino Dualist?", Die Musikforschung vol. 10 no. 2, 1957, pp. 286-290.
Dahlhaus, Carl. "Compte-rendu sur divers articles de Kelletat", 1963.
Dahlhaus, Carl. "Zu Costeleys chromatischer Chanson", Die Musikforschung vol. 16 no. 3, July-Sep 1963, pp. 253-265.
Dahlhaus, Carl. "Tonsysteme, Europäische", Die Musik in Geschichte und Gegenwart Band 13, Bärenreiter, Kassel, 1966.
Dahlhaus, Carl. "Ein vergessenes Problem der antiken Konsonanztheorie", in Walter Wiora, Ludwig Finscher, and Christoph-Hellmut Mahling (eds.), Festschrift für Walter Wiora zum 30. Dezember 1966, Bärenreiter, Kassel, 1967, pp. 164-169.
Dahlhaus, Carl. Untersuchungen über die Entstehung der harmonischen Tonalität. Saarbrücker Studien zur Musikwissenschaft Bd. 2, Walter Wiora (ed.), Bärenreiter, Kassel, 1967. English translation Studies on the origin of harmonic tonality by Robert O. Gjerdingen, Princeton University Press, Princeton NJ, 1990, 408 pages. French translation La tonalité harmonique. Étude des origines, Mardaga, Liège, 1993, 326 pages.
Dahlhaus, Carl. "Die 'reine Stimmung' als musikalisches Problem", Festschrift til Olav Gurvin, Oslo, 1968, pp. 49-55.
Dahlhaus, Carl. "'Reine' oder 'adäquate' Stimmung?", Archiv für Musikwissenschaft vol. 39 no. 1, 1982, pp. 1-18.
Dahlhaus, Carl. Studies on the Origin of Harmonic Tonality. English translation by Robert O. Gjerdingen, Princeton Legacy Library vol. 1111, Princeton University Press, 1990, 406 pages.
Dahlhaus, Carl. "Tonsysteme", Die Musik in Geschichte und Gegenwart Band 9, Bärenreiter, Kassel, 2000.
Dahllöf, Vilhelm. "Automatisk stavningsanalys av midifiler. MA thesis, University of Linköping, 2000, 46 pages.
Dähnert, Ulrich. Der Orgel- und Instrumentenbauer Zacharias Hildebrandt. Breitkopf und Härtel Musikverlag, Leipzig, 1962, 266 pages.
Dähnert, Ulrich. "Temperatur der Trost-Orgel in der Altenburger Schloßkirche", Acta Organologica vol. 20, Altenburg, Kassel, 1988, pp. 382-386.
Dai, Huanping. "On the relative influence of individual harmonics on pitch judgment", Journal of the Acoustical Society of America vol. 107 no. 2, Feb 2000, pp. 953-959.
Dai, Huanping. "Harmonic pitch: Dependence on resolved partials, spectral edges, and combination tones", Hearing Research vol. 270 no. 1-2, 2010, pp. 143-150.
Dai, Jiajie; Matthias Mauch and Simon Dixon. "Analysis Of Intonation Trajectories in Solo Singing", 16th International Society for Music Information Retrieval Conference, Málaga, Oct 2015, pp. 420-426.
Dai, Jiajie and Simon Dixon. "Analysis Of Interactive Intonation in Unaccompanied Satb Ensembles", Proceedings of the 18th International Society for Music Information Retrieval Conference, ISMIR, Suzhou, Oct 2017, pp. 599-605.
Dai, Jiajie and Simon Dixon. "Singing together: Pitch accuracy and interaction in unaccompanied unison and duet singing", Journal of the Acoustical Society of America vol. 145 no. 2, Feb 2019, p. 663.
Dai, Jiajie and Simon Dixon. "Intonation trajectories within tones in unaccompanied soprano, alto, tenor, bass quartet singing", Journal of the Acoustical Society of America vol. 146 no. 2, Aug 2019, p. 1005.
Dakovanou, Xanthoula. "L'Harmonie musicale: besoin d'un ordre sonore « universel »", Topique, 2015 no. 3 (no. 132), 2015, pp. 145-163.
Dalaker, Ingrid Loe; Anne Jorunn Kydland and Dagmara Lopatowska-Romsvik (eds.) 'East of Noise'. Eivind Groven. Composer, ethnomusicologist, researcher. Akademika Publishing, Oslo, Dec 2013, 410 pages.
Dalby, Bruce Foreman. A computer-based training program for the development of harmonic intonation discrimination skill. PhD thesis, Music education, University of Illinois, Urbana-Champaign, 1989, 340 pages.
Dalby, Bruce Foreman. "A Computer-Based Training Program for Developing Harmonic Intonation Discrimination Skill", Journal of Research in Music Education vol. 40 no. 2, summer 1992, pp. 139-152.
Dalby, Bruce Foreman. "Student Times", The Choral Journal vol. 57 no. 7, Feb 2017, pp. 85-90.
d'Alessandro, Christophe. "Of pipes and patches: Making music on the augmented organ", CIRMMT Distinguished Lectures in the Science and Technology of Music, McGill University, Montréal, 2012.
Dallin, Leon. Techniques of Twentieth Century Composition, 2nd ed., Wm. C. Brown Company Publishers, Dubuque IA, 1971. Chapter XV: "Experiments and Innovations", pp. 194-209.
D'Almaine & Co. New work upon the art of tuning the pianoforte and harmonium, wherein the chief requisites for making a Good Tuner are clearly illustrated by Scales, Trials, etc., upon both systems, new and old, by an eminent tuner. D'Almaine & Co., London, c. 1870.
Dalmont, J.P.; B. Gazengel; J. Gilbert and Jean Kergomard. "Some aspects of tuning and clean intonation in reed instruments", Applied Acoustics vol. 46 no. 1, 1995, pp. 19-60.
D'Alò, Elena. "Aspetti fisici dell'accordatura di un pianoforte", MA thesis, Sapienza Università di Roma, Rome, 2012, 39 pages.
Daloglu, Y. Tefhim-ü l-Makamat fi Tevlid-i n-Negamat. MA thesis, Dokuz Eylül University, Fine Arts Faculty, Izmir, 1985.
Dalton, Jim. "The Changing Intonational Practice of Mid-Nineteenth-Century Banjo", Banjo Roots and Branches, University of Illinois Press, Urbana, 2018, pp. 256-271.
D'Amario, Sara; David M. Howard; Helena Daffern and Nicola Pennill. "A Longitudinal Study of Intonation in an a cappella Singing Quintet", Journal of Voice vol. 34 no. 1, Jan 2020, pp. 159.e13-159.e27.
Damiani, Andrea. Metodo per liuto rinascimentale. Ut Orpheus Edizioni, Bologna, Jan 1998, 200 pages. English translation Method for Renaissance Lute by Doc Rossi, Ut Orpheus Edizioni, Bologna, 1999, 192 pages.
Damm, Edward. "Hammer Dulcimer Tuning Tricks", The Big Red Book of American Lutherie vol. 2, Guild of American Luthiers, Tacoma WA, 2000, p. 335.
Dammann, Rolf. "Zur Musiklehre des Andreas Werckmeister", Archiv für Musikwissenschaft vol. 11 no. 3, 1954, pp. 206-237.
Dammann, Rolf. "Andreas Werckmeister", Die Musik in Geschichte und Gegenwart, Friedrich Blume, Kassel, 1968.
Dammann, Rolf. "Die 'Musica mathematica' von Bartolus", Archiv für Musikwissenschaft vol. 26 no. 2, 1969, pp. 140-162.
Dampierre, Eric de. "Sons ainés, sons cadets: les sanza d'Ebezagui", Schaeffner Festschrift, 1982, pp. 325-329.
Damschröder, David and David Russell Williams. Music Theory from Zarlino to Schenker: a Bibliography and Guide. Pendragon Press, Stuyvesant NY, 1990, 474 pages.
Danckerts, Ghiselin. Trattato di Ghisilino Danckerts, musico e cantore cappellano della Cappella del Papa, sopra una differentia musica sententiata, nella detta cappella, contro il perdente venerabile D. Nicola Vicentino, per non haver potuto pruovare, che niun musico compositore intende di che genere sia la musica che esso istesso compone, come si era offerto. Con una dichiaratione facilissima sopra I tre generi di essa musica, cioè diatonico, chromatico et enharmonica, con alcuni essempi a quattro voci in ciascun di questi generi separamente l'uno dal altro, et anco misti di tutti tre I generi insieme, et molte altre cose musicali degne da intendere. Et oltraciò vi sono 20 cantilene a più voci in diversi idiomi dal medesimo authore nel solo genero diatonico composti. Unpublished, Naples, 1551, 1556, 1559/1560. Biblioteca Vallicelliana, Ms. R. 56, Rome.
D'Angour, Armand. "Vocables and Microtones in Ancient Greek Music", Greek and Roman Musical Studies vol. 4 no. 2, Eleonora Rocconi (ed.), Brill, Leiden, Sep 2016, pp. 273-285.
Daniel, Walter K. and James Lisowski. "Two Commodore 64 Alternate Tuning Programs", Electronic Musician vol. 2 no. 11, Nov 1986 and Oct 1987.
Daniell, Charles Addison. The True Piano-Tuner: containing simple directions for tuning, regulating, and remedying defects of the piano-forte, together with a description of the theory of sound, also concise instructions for tuning reed organs, melodeons, and organettes. J. Church & Co., Cincinnati OH, c.1881, 56 pages.
Daniell, Charles Addison. Organ voicing and tuning: a guide to amateurs. J. Church & Co., Cincinnati OH, c.1881, 39 pages.
Daniélou, Alain. Introduction to the Study of Musical Scales. The India Society, London. Printed by A. Bose, Indian Press LTD, Benares, 1943. Reissue by Oriental Books, London. Reprint Munshiram Manoharlal Publishers, New Delhi, 1979, 279 pages. New revised English edition with introduction by Sylvano Bussotti Music and the Power of Sound. The Influence of Tuning and Interval on Consciousness. Inner Traditions International, Rochester VM, 1995, 172 pages.
Daniélou, Alain. Northern Indian Music. Barrie and Rockliff, London, 1951-1955, 2 vols. Reprinted under the title The Ragas of Northern Indian Music, Barrie & Rockliff, Cresset Press, London, 1968. Munshiram Manoharlal Publishers, New Delhi, 1980, 1991, 403 pages.
Daniélou, Alain. A catalogue of recorded classical and traditional Indian music with an introduction on Indian musical theory and instruments = Catalogue de la musique indienne avec une introduction sur la théorie et les instruments indiens. Unesco, Paris, 1952, 235 pages.
Daniélou, Alain. Tableau comparatif des intervalles musicaux. Institut français d'Indologie, Pondicherry, 1958, 145 pages. Distribution Adrien Maisonneuve, Paris.
Daniélou, Alain. Traité de musicologie comparée. Editions Hermann, Paris, 1959. Version traduite et modifiée de Introduction to the Study of Musical Scales. Réimpression 1987/1993.
Daniélou, Alain and N.R. Bhatt. Textes des Purâna sur la théorie musicale. Institut Français d'Indologie, Pondichéry, 1959, 1987.
Daniélou, Alain. Le Gitalamkara. L'ouvrage original de Bharata sur la Musique. Institut Français d'Indologie, Pondichéry, 1959. Distribution Adrien Maisonneuve, Paris. Also in English.
Daniélou, Alain. Sémantique Musicale. Essai de Psychophysiologie auditive. Préface de Fritz Winckel. Editions Hermann, Paris 1967, 1978. Nouvelle édition complétée avec une nouvelle introduction de Françoise Escal, Editions Hermann, Paris, 1987, 1993, 2007, 131 pages.
Daniélou, Alain. La Musique et sa communication. Ed. Olschki, Firenze, 1971, 124 pages.
Daniélou, Alain. Einführung in die indische Musik. Heinrichshofen's Verlag, Wilhelmshaven, 1975, 1982, 176 pages.
Daniélou, Alain and André Kudelski. S 52 Nouvel instrument électronique de recherches musicales. manuscript.
Daniels, Arthur Michael. The 'De Musica libri VII' of Franciscus de Salinas. PhD diss., University of Southern California, Los Angeles, 1962, 535 pages.
Daniels, Arthur Michael. "Microtonality and Mean-Tone Temperament in the Harmonic System of Francisco Salinas", Journal of Music Theory vol. 9 no. 1 (part 1) and no. 2 (part 2), spring 1965, pp. 2-51, 234-280.
Danielson, Virginia. "The Dastgah Concept in Persian Music by Hormoz Farhat (book review)", Notes vol. 49 no. 1, Sep 1992, pp. 72-74.
Daolmi, Davide. "Jubal & Pythagoras: The Myth of the Origin of Music. Sources and bibliography", Università degli Studi di Milano, WWW, 2020.
Daolmi, Davide. "Cantastorie bibliography", WWW, 2020.
Daolmi, Davide. "Gaffurio online. Sources and biography", WWW, 2020.
Daolmi, Davide and David Gallagher. "Vicentino bibliography", WWW, 2020.
Darbo-Peranic, Miljenko. "Le sens de l'harmonie chez les Grecs", Bericht über den siebenten internationalen musikwissenschaftlichen Kongreß Köln 1958, Bärenreiter, Kassel, 1959.
Darreg, Ivor. "The Quarter-Tone Question", self-published, 1947.
Darreg, Ivor. "The place of QUARTERTONES in Today's Xenharmonics", self-published, 1958?
Darreg, Ivor. Special Bulletin. self-published, 1963.
Darreg, Ivor. "Shall We Improve the Piano?", self-published, 1st ed. 1965, 2nd. revised ed. 1967, p. 23.
Darreg, Ivor. "Guitar Fretting Table 19-tone", Xenharmonikôn vol. 2, autumn 1974.
Darreg, Ivor. "Viewpoint: 2 Essays on Xenharmonics", Polyphony, 1977, pp. 66-69.
Darreg, Ivor. "New Tunes and New Chords (Something to Fret About)", Guitar Player, Feb 1978.
Darreg, Ivor. "Listening for the new intervals: The drone can help you", Interval vol. 1 no. 2, autumn 1978, pp. 23-24.
Darreg, Ivor. "Thinking Big", Interval vol. 1 no. 1, spring 1978, pp. 8-9.
Darreg, Ivor. "New Moods", Interval vol. 1 no. 1, spring 1978, pp. 3-4.
Darreg, Ivor. "A Xenharmonist's Message to the Computer Musicians", Computer Music Journal vol. 2 no. 2, Sep 1978, pp. 2+8+37.
Darreg, Ivor. "Sing Your Way to Just Intonation", Interval vol. 1 no. 4+5, spring-summer 1979, pp. 10-11.
Darreg, Ivor. "An Introduction to the Quartertone Guitar, by James Schneider (book review)", Interval vol. 1 no. 4+5, spring-summer 1979, pp. 42-44.
Darreg, Ivor. "A Case For Nineteen", 1979.
Darreg, Ivor. "Re-fretting & fret-lining", self-published, 1979.
Darreg, Ivor. "Detwelvulate!", Interval vol. 2 no. 1, autumn 1979, pp. 14-17.
Darreg, Ivor. "Math, Music, and Logic", Interval vol. 2 no. 1, autumn 1979, p. 6.
Darreg, Ivor. "Paleontology: The 12-Toned Pianosaurus", Interval vol. 1 no. 3, winter 1979, pp. 24-25.
Darreg, Ivor. "Going without the Wind: The Electronic Keyboard Oboe", Interval vol. 1 no. 3, winter 1979, pp. 18-21.
Darreg, Ivor. Xenharmonic Bulletin nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12. self-published, 1966-1993.
Darreg, Ivor. "Non-Twelve on the Clavichord", Interval vol. 1 no. 4+5, 1980, pp. 35-36, 45.
Darreg, Ivor. "Notation for Non-Twelve - part 1", Interval vol. 2 no. 2+3, spring-summer 1980, pp. I8-I11.
Darreg, Ivor. "Notation for Non-Twelve - part 2", Interval vol. 2 no. 4, autumn 1980, p. 7.
Darreg, Ivor. "Tolerance", Interval vol. 2 no. 4, autumn 1980, pp. 18-21.
Darreg, Ivor. "Julián Carrillo: Mexico's Microtonal Music Master (translation and review)", Interval vol. 3 no. 1, autumn 1980, pp. 13-17.
Darreg, Ivor. "Julián Carrillo: El infinito en las escalas y en los acordes (book review)", Interval vol. 3 no. 2, winter 1981, pp. 21-22.
Darreg, Ivor. "Owen Jorgensen: The Equal-Beating Temperaments (book review)", Interval vol. 3 no. 2, winter 1981, pp. 20-21.
Darreg, Ivor. New Opportunities For the Musical Explorer. self-published, 1981.
Darreg, Ivor. "Julián Carrillo's Notation", Interval vol. 3 no. 2, 1981, p. 19.
Darreg, Ivor. "What is a Mean Tone?", Interval vol. 3 no. 3, winter 1981, pp. 6-9.
Darreg, Ivor. "Musical Strings", part 1, Interval vol. 3 no. 3, winter 1981, pp. 11, 19. part 2, Interval vol. 3 no. 4, 1982, pp. 11-13.
Darreg, Ivor. "Relative Importance of some Equal Temperaments", Nov 1981.
Darreg, Ivor. "A Case for Nineteen", Interval vol. 3 no. 4, summer 1982, pp. 7-8, 17.
Darreg, Ivor. "Non-Twelve on the Cello", Interval vol. 3 no. 4, summer 1982, pp. 14-15, 22-23.
Darreg, Ivor. "Comparative Systems - Equal Temperaments 1-50", chart bound into Interval vol. 3 no. 4, summer 1982.
Darreg, Ivor. "Advantages and Disadvantages of Just Intonation, 12-Equal and 19-Equal", Interval vol. 3 no. 4, summer 1982, pp. 18, 21-24.
Darreg, Ivor. "Progress Report: New Musical Instruments and Tuning Systems", Interval vol. 4 no. 1, winter 1982, pp. 13-14.
Darreg, Ivor. "Megalyra Family of Instruments", Interval vol. 4 no. 1, winter 1982, p. 24.
Darreg, Ivor. "The Advantages and Disadvantages of 17-Tone Equal Temperament", Interval vol. 4 no. 1, winter 1982, p. 22.
Darreg, Ivor. "The Hobnailed Newelpost (1976)", Interval vol. 4 no. 1, winter 1982, p. 21.
Darreg, Ivor. "Ivor Darreg Year in Review: Year-End Report for 1983", Interval vol. 4 no. 3, pp. 25-27.
Darreg, Ivor. "Theremin - The First Analog Synthesizer", Interval vol. 4 no. 4, spring 1984, pp. 25-30.
Darreg, Ivor. "January 1984 to January 1985 Progress Report", Interval vol. 4 no. 4, spring 1984, pp. 33-37.
Darreg, Ivor. Two Experiments for the Price of One, Monograph, self-published, 1985.
Darreg, Ivor. "Abbreviated Chronology of Persons in Music-Related Acoustics", Interval vol. 5 no. 1, autumn-winter 1985, p. 6.
Darreg, Ivor. "Instruments: Listen Analog to Digital", Interval, autumn-winter 1985, p. 9.
Darreg, Ivor. "The Digital-Analog Question", Interval vol. 5 no. 1, autumn-winter 1985, pp. 10-13.
Darreg, Ivor. "Annual Report 1985", Interval vol. 5 no. 2, spring 1986, pp. 3-5, 16-17.
Darreg, Ivor. "The Age of Keyboards", Interval vol. 5 no. 2, spring 1986, p. 18.
Darreg, Ivor. "Megalyra, Drone, and Newel Post", 1986.
Darreg, Ivor. "Concerning Lumia - The Art of Light", Interval vol. 5 no. 3, winter 1987, pp. 18-20.
Darreg, Ivor. Summer Summary. self-published, Aug 1988.
Darreg, Ivor. Elastic Tuning. self-published, 1988.
Darreg, Ivor. 1988 Annual Report. self-published, 1989.
Darreg, Ivor. "Twelve pitches are no longer enough!", 1988, 2 pages.
Darreg, Ivor. Opening the Door to the Nineties. self-published, 1990.
Darreg, Ivor. "The Enharmonic Genus of the Ancient Greeks", 1990, 2 pages.
Darreg, Ivor. "15-Tone Scale System", 1991.
Darreg, Ivor. "Where do I start?", 1991.
Darreg, Ivor. "Non-Twelve-Tone Goes Hollywood", Xenharmonic Bulletin no. 12, 1992.
Darreg, Ivor and Brian McLaren. "Biases In Xenharmonic Scales", Xenharmonikôn vol. 13, spring 1991.
Darreg, Ivor and Brian McLaren (ed.) "An Interview with Ivor Darreg about 'The Xenharmonic Frontier'", Xenharmonikôn vol. 14, 1993.
Darrigol, Olivier. "Hermann von Helmholtz and the foundations of nineteenth-century science, California studies in the history of science by David Cahan (book review)", Revue d'histoire des sciences vol. 48 no. 3, Jul-Sep 1995, pp. 374-375.
Dasgupta, Amiya. Applied Theory of Indian Music (North). California Institute of the Arts, Valencia, 1977.
Dashow, James. "Three Methods for the Digital Synthesis of Chordal Structures with Non-Harmonic Partials", Interface vol. 7 no. 2-3, 1978, pp. 69-94.
Dashow, James. "Spectra as Chords", Computer Music Journal vol. 4 no. 1, spring 1980, pp. 43-52.
Dashow, James. "The Dyad System (Parts Two and Three)", Perspectives of New Music vol. 37 no. 2, summer 1999, pp. 189-230.
Dasypodius, Cunradus (ed.) Euclides: Propositiones elementorum. Strasbourg, 1570. Omnes omnium librorum propositiones, Strasbourg, 1571. Reprint Kessinger Publishing, July 2009, 210 pages.
Datta, Asoke Kumar; Ranjan Sengupta; Nityananda Dey; Dipali Nag and A. Mukerjee. "Study of srutis in Indian musical scales and relevance of schools in recent times using signal processing techniques", Proceedings of the International Symposium on Frontiers of Research on Speech and Music (FRSM), 2003.
Datta, Asoke Kumar et al. "Sruti usage by old and contemporary singers in Khyal: An objective approach", Proceedings of Frontiers of Research on Speech and Music, Annamalai University, 8-9 Jan 2004.
Datta, Asoke Kumar; Ranjan Sengupta; Nityananda Dey; Dipali Nag and A. Mukerjee. "Srutis from objective analysis of the performances of Hindustani Music using Clustering Algorithm", Journal of the Acoustical Society of India vol. 32, 2004.
Datta, Asoke Kumar; Ranjan Sengupta; Nityananda Dey; Dipali Nag and A. Mukerjee. "Evaluation of srutis in Hindustani music from recorded performances", Proceedings of the International Symposium on Frontiers of Research on Speech and Music (FRSM), 2005.
Datta, Asoke Kumar; Ranjan Sengupta; Nityananda Dey and Dipali Nag. Some Ancient and Modern Views on Shruti, A psycho- Perceptual Hypothesis for Shrutis, Interval Boundaries and Swara-Shruti Relations in Experimental Analysis of Shrutis from the Performances in Hindustani Music. ITC Sangeet Research Academy, Calcutta, 2006.
Datta, Asoke Kumar; Ranjan Sengupta; Nityananda Dey and Dipali Nag. "Objective Analysis of Shrutis from the Vocal Performances of Hindustani Music Using Clustering Algorithm", Ninad vol. 20, ITC Sangeet Research Academy, Calcutta, 2006, 7 pages.
Datta, Asoke Kumar; Sandeep Singh Solanki; Ranjan Sengupta; Soubhik Chakraborty; Kartik Mahto and Anirban Patranabis. "Scales and Shruti Concept", Signal Analysis of Hindustani Classical Music, Signals and Communication Technology, Springer, Singapore, Mar 2017, pp. 35-58.
Datta, Asoke Kumar; Sandeep Singh Solanki; Ranjan Sengupta and Soubhik Chakraborty. Signal Analysis of Hindustani Classical Music. Springer Publishing Company, Apr 2017, 250 pages.
Daukeyeva, Saida. The Philosophy of Music by Abu Nasr Muhammad al-Farabi (in Russian). Alma-Ata, 2002, 352 pages.
Daum, Alisa. "The Establishment of Equal Temperament", Music and Worship Student Presentations no. 6, Cedarville University, Feb 2011, 18 pages.
Daumas, Maurice. "The Principal Works of Simon Stevin. Vol. V: Engineering, Music, Civic Life by R.J. Forbes, A.D. Fokker, A. Romein-Verschoor (book reviews)", Revue d'histoire des sciences et de leurs applications vol. 20 no. 2, Armand Colin, Apr-June 1967, pp. 211-212.
Dauney, William. "Observations with a View to an Inquiry into the Music of the East", Journal of the Royal Asiatic Society of Great Britain & Ireland vol. 6, 1841, pp. 1-10.
David, Gary. "Erv Wilson Remembered", Xenharmonikôn, WWW, Oct 2018.
Davidse, Ad. "Stevins Muziektheorie", WWW, 2001.
Davidson, Marjorie. "Some Music for the Kalumbu", African Music: Journal of the International Library of African Music vol. 3 no. 4, June 1965, pp. 18-25.
Davies, Hugh. "Microtonal instruments", The New Grove Dictionary of Musical Instruments, MacMillan Press Limited, London, 1984. Second revised edition, London, 2000.
Davies, Hugh. "Storia ed evoluzione degli strumenti musicali elettronici", Nuova Atlantide: il continente della musica elettronica 1900-1986, Biennale di Venezia, Venice, 1986, pp. 17-59.
Davies, Hugh. "New Instruments and Sound Sculptures", ECHO, The Images of Sound, Het Apollohuis, Eindhoven, 1987, 144 pages. German translation "Neue Instrumente und Klangskulpturen: Ein Überblick", Ars Electronica Katalog, 1987.
Davies, Hugh. "The Sound World, Instruments and Music of Luigi Russolo", LMC vol. 2 no. 2, The Expanding Medium, 1994.
Davis, James A. "The Beehive Keyboard: A Five Limit Keyboard", Interval vol. 5 no. 2, spring 1986, pp. 10, 20.
Davis, Jon Edward. The extended alto flute: The history and development of the alto flute, with a study of modern alto flute design and its effect on extended techniques in alto flute repertoire and pedagogical materials. PhD thesis, University of Arizona, Oct 1997, 275 pages.
Davey, Charles. Letters addressed chiefly to a young gentleman upon subjects of Literature: including a translation of Euclid's section of the Canon; and his treatise on Harmonic; with an explanation of the Greek musical modes according to the Doctrine of Ptolemy. Bury St. Edmunds, Cambridge, 1787, 2 vols., pp. 264-410.
Day, Alfred. A Treatise on Harmony. George Alexander Macfarren (ed.), Cramer, Beale, and Co., London, 1845, 1885, 224 pages.
Day, Charles Russell. The music and musical instruments of Southern India and the Deccan. Novello, Ewer & Co., and Adams and Charles Black, London, 1891. Reprint, Low Price Publications, Delhi, 1990, 181 pages.
Day, Charles Russell. "Notes on Indian Music", Proceedings of the Musical Association vol. 20 no. 1, Feb 1894, pp. 45-66. Also here.
Dean, Michael W. "Making Microtonal Music is Easier Than You'd Think, WWW, 2018.
Dean, Roger Thornton; F. Bailes and D. Brennan. "Microtonality, the octave, and novel tunings for affective music", Music of the Spirit: Asian-Pacific Musical Identity, B. Crossman and M. Atherton (eds.), Australian Music Centre, Sydney, 2008, pp. 127-138.
Dean, Roger Thornton. "Widening Unequal Tempered Microtonal Pitch Space for Metaphoric and Cognitive Purposes with New Prime Number Scales", Leonardo Music Journal vol. 42 no. 1, MIT Press, Cambridge MA, Feb 2009, pp. 94-95.
Dean, Roger Thornton. "The Multi-Tuned Piano: Keyboard Music Without A Tuning System", Leonardo Music Journal, Apr 2021, 7 pages.
Deane, Raymond. "Diabolus in Natura: The 'Nature' of New Music", The Maynooth Review / Revieú Mhá Nuad vol. 4 no. 2, Dec 1978, pp. 22-30.
Deanesly, M. "Medieval music from the point of view of the historian", History: The Journal of the Historical Association vol. 23 no. 91, Dec 1938, pp. 193-205. Also here.
Debut, V.; M. Carvalho and J. Antunes. "Objective estimation of the tuning features of historical carillons", Applied Acoustics vol. 101, Jan 2016, pp. 78-90.
Dechales, R.P. Claudii Francisci Milliet. Cursus seu mundus mathematicus tomus tertius complectens musicam, pyrotechniam, astrolabia, gnomonicam, astronomicam, kalendarium, astrologiam, algebram: Musica. ex officina Anissoniana, 1674, pp. 1-49.
Dechevrens, Antoine. "Étude sur le système musical chinois", Sammelbände der internationalen Musikgesellschaft vol. 2 no. 4, Aug 1901, pp. 485-551.
Dechevrens, Antoine. Études de science musicale. M. Sändig, Niederwalluf bei Wiesbaden, 1971.
De Cosmo, Emile (ed.) The Byzantine scale : for all instruments. EDC Publications, North Bergen NJ, c.1968.
Decroupet, P. "Mager, Jörg", Die Musik in Geschichte und Gegenwart, Bärenreiter, Kassel, 2004.
Dehnhard, Walter. "Kritik der Zahlensymbolischen Deutung im Werk Johann Sebastian Bachs", Alte Musik als ästetische Gegenwart: Bach, Händel, Schütz: Stuttgart 1985 vol. 1, 1987, pp. 450-452.
Dehoux, Vincent and Frédéric Voisin. "Analytic Procedures with Scales in Central African Xylophone Music", European Studies in Ethnomusicology: Historical Developments and Recent Trends, 7th European seminar in ethnomusicology, Berlin, Oct 1990, Max Peter Baumann (ed.), Florian Noetzel, Wilhelmhaven, 1992, pp. 174-188.
Dehoux, Vincent and Frédéric Voisin. "An interactive experimental method for the determination of musical scales in oral cultures. Application to the xylophone music of Central Africa", Music and the Cognitive Sciences, Proceedings of Cambridge Conference on Music and the cognitive sciences, 1990, Ian Cross (ed.), Harwood, New York, 1993, pp. 13-19.
Dekker, Antoon. "Transcript of Aristoxenos", WWW, Nov 2015.
Dekker, Gerard. "Pleidooi voor Werckmeister", Mens en Melodie vol. 25 no. 1, Uitgeverij Het Spectrum, Utrecht/Antwerpen, Jan 1970, pp. 25-27.
Dekker, Gerard. "De evenredig zwevende temperatuur in praktijk gebracht", 1971.
Dekker, Gerard. "Stemmingssystemen voor orgels en andere toetsinstrumenten", Gregoriusblad vol. 193 no. 1, Mar 1979, pp. 10-20.
Delaere, Mark. "De wedergeboorte van de getallenleer als kennisgraad voor muziek, of Die Stunde Null van de muziektheorie rond 1950. Een bijdrage tot de epistemologie van de muziektheorie", Muziek en Wetenschap vol. 2 no. 3/4, autumn/winter 1992, pp. 237-253. Stichting Muziek en Wetenschap, Amsterdam.
Delaere, Mark. "Pythagore en blue jeans. H. Partch et la tradition expérimentale américaine", Actes du 51e congrès de la Fédération des Cercles d'Archéologie et d'Histoire Belgique, Liège, 1992.
Delezenne, Charles Edouard Joseph. "Mémoire sur les valeurs numériques des notes de la gamme", Recueil des travaux de la Societé des Sciences, L. Danel, Lille, 1826/1827, pp. 1-56.
Delezenne, Charles Edouard Joseph. Analise de l'ouvrage de M. le Baron de Prony sur le calcul des intervalles musicaux. Lille, 1833.
Delezenne, Charles Edouard Joseph. Sur les principes fondamentaux de la musique. Lille, 1848.
Delezenne, Charles Edouard Joseph. Expériences et observations sur le Ré de la gamme. Lille, 1852.
Delezenne, Charles Edouard Joseph. Considérations sur l'acoustique musicale. Lille, 1855.
Delezenne, Charles Edouard Joseph. Table des logarithmes acoustiques, depuis 1 jusqu'à 1200, précédée d'une instruction élémentaire. Lille, 1857.
Delgadillo, Luis Abraham. Por mi honor musical : polémica sobre el sonido 13 : páginas históricas de mi vida artística. Ministerio de la gobernacion, Managua, 1957.
Deliege, Célestin. Les fondements de la musique tonale. Lattès, Paris, 1984.
DeLio, Thomas. "su una nota sola: Giacinto Scelsi's Quattro pezzi, No. 3 (1959)", Thomas DeLio: Composer and Scholar, The Edwin Mellen Press, Lewiston NY, 2008.
DeLio, Thomas. "Composing a Sound: Giacinto Scelsi's L'âme ailée / L'âme ouverte for violin solo", College Music Symposium vol. 57, College Music Society, Boston, 2017, 15 pages.
Delle, Ernst and Georg Krieger. "Tonleitern der Weltkulturen für Auge und Ohr", RAA NRW, Essen, WWW, 1995, 4 pages.
De Lorenzi, Giambattista. Studio sul temperamento equabile et il metroforno. Venice, 1870-1871.
Deloria, Ken. "Piano Tuning Tactics: Harmonics, Temperament, and Electronic Tuners", Keyboard, 7 March 2014.
Delorthe, Gabriel-Antoine. Moyen de rectifier la gamme de la musique et de la faire chanter juste. Paris, 1791.
De Luca, Paolo Anania. "Novello sistema di tonometria", Rendiconto dell' Accademia delle Scienze Fisiche e Matematiche vol. 2, Reale Accademia delle scienze fisiche e matematiche di Napoli, Napels, 1844.
Delume, Caroline and Makis Solomos. "De la fluidité du matériau sonore dans la musique de Pascale Criton", Le matériau, voir et entendre vol. 38, Presses Universitaires de France, Dec 2002, pp. 40-53.
Delusse, Charles. Musique : contenant 19 planches, y compris la cinquieme & seizieme qui sont doublées. 1760.
Delviniotis, Dimitrios Spyridon and Georgios Kouroupetroglou. "Microtonal Analysis in Byzantine Chant", Proceedings of the 3rd International Musicological - Psaltic Conference, D. Balageorgos and Gr. Anastasiou (eds.), 17-21 Oct 2006, Athens, pp. 193-206. Institute for Byzantine Musicology, Athens, 2010.
Delviniotis, Dimitrios Spyridon; Georgios Kouroupetroglou and Sergios Theodoridis. "Acoustic analysis of musical intervals in modern Byzantine Chant scales", Journal of the Acoustical Society of America vol. 124 no. 4, Oct 2008, pp. EL262-EL269.
Delviniotis, Dimitrios Spyridon. "Acoustic characteristics of modern Greek Orthodox Church music", Journal of Voice vol. 27 no. 5, 2013, pp. 656.e1-656.e12.
Delviniotis, Dimitrios Spyridon. "New Method of Byzantine Music (BM) Intervals' Measuring and Its Application in the Fourth Mode. A New Approach of the Music Intervals' Definition, Series Musicologica Balcanica vol. 1 no. 2, 2021, pp. 210-232.
Demaine, Erik D.; Francisco Gomez-Martin; Henk Meijer; David Rappaport; Perouz Taslakian; Godfried T. Toussaint; Terry Winograd and David R. Wood. "The Distance Geometry of Deep Rhythms and Scales", Conference paper, Jan 2005, 4 pages.
Demaine, Erik D.; Francisco Gomez-Martin; Henk Meijer; David Rappaport; Perouz Taslakian; Godfried T. Toussaint; Terry Winograd and David R. Wood. "The Distance Geometry of Music", arXiv 0705.4085, WWW, 2007, 38 pages.
Dembski, Stephen. "Steps and skips from content and order: Aspects of a generalized step-class system", Conference of the Society for Music Theory, Baltimore, 1988.
De Morgan, Augustus, "Tuning", The Penny Cyclopedia vol. 25, Charles Knight and Company, London, 1843, pp. 354-359.
De Morgan, Augustus. "On the beats of imperfect consonances", Transactions of the Cambridge Philosophical Society vol. 10, 1864, pp. 129-145.
Dempster, Elizabeth (ed.) "Interview with Warren Burt", Writings on Dance no. 18-19, Melbourne, winter 1999, pp. 51-71.
Dean, Michael W. "Making Microtonal Music is Easier Than You'd Think", WWW, July 2021.
Dean, Michael W. "Microtone 5000, new free microtonal synth VST", WWW, Apr 2023.
Denave, Laurent. L'intonation juste au XXe siècle: étude à partir des oeuvres de Harry Partch, Lou Harrison et Ben Johnston. MA thesis, Université de Lyon, Sep 1998.
Denckla, Benjamin Frederick. Dynamic Intonation in Synthesizer Performance. MSc thesis, Massachusetts Institute of Technology, 1997, 61 pages.
Denéréaz, Alexandre. La Gamme, ce problème cosmique. Ed. Hug et Co., Zürich, 1939.
Denis, Jean. Traité de l'accord de l'espinette. Christophe Ballard, Paris, 1643, 1650. Reprint with introduction by Alan Curtis (ed.), Da Capo, New York, 1969, 66 pages. English translation Treatise on harpsichord tuning by Vincent J. Panetta (ed.), Cambridge musical texts and monographs, Cambridge University Press, 1987, 134 pages. Also here.
Dennis, A. "Improving intonation by using relationship and reference point shifting", Bass World vol. 8 no. 1, 1981, pp. 749-751.
Densmore, Frances. "Scale Formation in Primitive Music", American Anthropologist vol. 11 no. 1, New Era Printing Company, Jan-Mar 1909, pp. 1-12.
Densmore, Frances. "Ethnology - The melodic formation of Indian songs", Journal of the Washington Academy of Sciences vol. 18 no. 1, Jan 1928, pp. 16-24.
Densmore, Frances. "What Intervals do Indians Sing?", American Anthropologist vol. 31 no. 2, Apr-June 1929, pp. 271-276.
Dent, Thomas. "'Occam's razor', history and temperaments (letter)", Early Music, and John O'Donnell, Heidelberg, 2006-2008.
Dent, Thomas. "The Septenarius: Werckmeister's mythical tuning, made reality?", WWW, 2006.
Dent, Thomas et al. (eds.) "Harpsichord Wiki, Tuning section", WWW.
Dent, Thomas. "Appendix on keyboard tuning from Werckmeister's thorough-bass textbook", WWW, 2007.
Denton, Christine. "The History of Musical Temperament and Pitch Before 1750", paper, Mills College, Oakland CA, Dec 1996.
Denton, Christine. "The History of Musical Tuning and Temperament during the Classical and Romantic Periods", paper, Mills College, Oakland CA, Apr 1997.
Denyer, Frank. "Some Thoughts on Linear Microtonality", Thirty-One vol. 1, summer 2009, pp. 34-41.
Derffel, Joseph. "Einige Bemerkungen zur »Temperatur« in unserem Tonsysteme", Annalen der Physik vol. 210 no. 6, 1868, pp. 298-302. Also here.
Dery, Mark. "Harry Partch: An American Original", Keyboard vol. 16 no. 6, June 1990, pp. 49-54, 59.
Dery, Mark. "Glenn Branca and Elliott Sharp", Mondo 2000 vol. 1 no. 5, 1992, pp. 67-72.
Desby, Frank Harry. The modes and tuning in neo-Byzantine chant. DMA diss., Performance, University of Southern California, Los Angeles, June 1974, 415 pages.
Descartes, René. Renati Descartes Musicae Compendium. 1618. Gijsbert Zijll & Theodorus van Ackersdijck, Utrecht, 1650, 58 pages. Also here. Johannes Janssen jr., Amsterdam, 1656. Ex Typographia Blaviana, Amsterdam, 1683. sumptibus F. Knochii, Frankfurt a.M., 1695, 48 pages. English translation by William Brouncker (ed.), Renatus Des-Cartes excellent compendium of musick: with necessary and judicious animadversions thereupon, T. Harper for H. Moseley, London, 1653, 102 pages. English translation Compendium of Music by Walter Robert with introduction and notes by Charles Kent, Musicological Studies and Documents vol. 8, American Institute of Musicology, 1961, 55 pages. Also here. German translation Leitfaden der Musik by Johannes Brockt (ed.), Wissenschaftliche Buchgesellschaft, Darmstadt, 1978.
Descartes, René. Correspondance (with Isaac Beekman), 1619. Oevres de Descartes vol. 10, Léopold Cerf, Paris, pp. 151-169.
Deschênes, Bruno. "The Pleasure of Listening an Out-of-Tune Music", Montréal, Nov 2019, 40 pages. French translation "Le plaisir d'écouter une musique fausse", Montréal, May 2019, 45 pages.
Dessy, Jean-Paul. "S(u)ono Scelsi, techniques de l'être et du son dans l'écriture pour cordes", Giacinto Scelsi aujourd'hui, P.-A. Castenet (ed.), Centre de documentation de la musique contemporaine, Paris, 2008, pp. 121-124.
DeStefano, Dominic. A Guide to the Pedagogy of Microtonal Intonation in Recent Viola Repertoire: Prologue by Gérard Grisey as Case Study. MA thesis, University of Cincinnati, May 2010, 54 pages.
Destribois, Clémence Théodora. Between theory and practice: Aspects of pitch organization in North Italian ensemble instrumental music, ca. 1610-1670 vol. 1. PhD thesis, Royal Holloway University of London, Dec 2016, 400 pages.
Detwiler, Scott. "How to Tune a Piano. Step-by-step procedure & proper tools", WWW, 2011. With blog. French translation "Comment accorder un piano vous-même. Un guide en ligne d'accorder un piano", WWW.
Deutsch, Bradley M.; Cherie L. Ramirez and Thomas R. Moore. "The dynamics and tuning of orchestral crotales", Journal of the Acoustical Society of America vol. 116 no. 4, Oct 2004, pp. 2427-2433.
Deutsch, Diana. "Interference in memory between tones adjacent in the musical scale", Journal of Experimental Psychology vol. 100 no. 2, Oct 1973, pp. 228-231.
Deutsch, Diana. "Octave generalization of specific interference effects in memory for tonal pitch", Perception & Psychophysics vol. 13, 1973, pp. 271-275.
Deutsch, Diana (ed.) The Psychology of Music. Cognition and Perception Series, Academic Press Inc., San Diego, 1982, 542 pages. 2nd edition, 1999, 807 pages. 3rd edition, Elsevier, San Diego, 2013.
Deutsch, Diana and Richard Boulanger. "Octave Equivalence and the Immediate Recall of Pitch Sequences", Music Perception vol. 2 no. 1, autumn 1984, pp. 40-51.
Deutsch, Diana; F. Richard Moore and Mark Dolson. "The perceived height of octave-related complexes", Journal of the Acoustical Society of America vol. 80 no. 5, Nov 1986, pp. 1346-1353.
Deutsch, Diana. "The tritone paradox: Effects of spectral variables", Perception & Psychophysics vol. 41, 1987, pp. 563-575.
Deutsch, Diana; W.L. Kuyper and Y. Fisher. "The tritone paradox: Its presence and form of distribution in a general population", Music Perception vol. 5 no. 1, autumn 1987, pp. 79-92.
Deutsch, Diana. "The tritone paradox: Some further geographical correlates", Music Perception vol. 12 no. 1, autumn 1994, pp. 125-136.
Deutsch, Diana. Tritone Paradox, WWW, 2019.
Deutsch, Leonhard. "Ist eine Vierteltonmusik möglich?", Melos vol. 34, 1967, pp. 62-65.
Deutsch, Mary and Stephen Deutsch. "Therapeutic Uses of Music", Journal of Biomusical Engineering vol. 3 no. 1, 2015, pp. 1-2.
Deva, Bigamudre Chaitanya. "Transitive Elements in Music", Nada Rupa, Jan 1963, p. 44.
Deva, Bigamudre Chaitanya. "The problem of continuity in music and sruti", Journal of the Music Academy Madras vol. 36 no. 1-4, 1965, pp. 55-66.
Deva, Bigamudre Chaitanya. "Wanted: Scientific Approach", Indian Music Journal vol. 4 no. 1/7, Delhi, Apr-May 1967, pp. 54-56.
Deva, Bigamudre Chaitanya. The music of India: A scientific study. Munshiram Manoharlal Publishers Pvt. Ltd., New Delhi, 1981, 278 pages.
Deval, Krishnaji Ballal. The Hindu Musical Scale and the twenty-two srutis. Ayabhushan Press, Poona, 1910, 57 pages.
Devaney, Johanna and Daniel P.W. Ellis. "An Empirical Approach to Studying Intonation Tendencies in Choral Performances", Proceedings of the Conference on Interdisciplinary Musicology, 2007.
Devaney, Johanna and Daniel P.W. Ellis. "An Empirical Approach to Studying Intonation Tendencies in Polyphonic Vocal Performances", Journal of Interdisciplinary Music Studies vol. 2 no. 1/2, spring/autumn 2008, pp. 141-156.
Devaney, Johanna. An empirical study of the influence of musical context on intonation practices in solo singers and SATB ensembles. PhD thesis, McGill University, Feb 2011, 293 pages.
Devaney, Johanna; Michael I. Mandel; Daniel P.W. Ellis and Ichiro Fujinaga. "Automatically extracting performance data from recordings of trained singers", Psychomusicology: Music, Mind and Brain vol. 21 no. 1-2, 2011, pp. 108-136. Also here.
Devaney, Johanna; Michael I. Mandel and Ichiro Fujinaga. "A Study of Intonation in Three-Part Singing using the Automatic Music Performance Analysis and Comparison Toolkit (AMPACT)", 13th International Society for Music Information Retrieval Conference (ISMIR 2012), 2012, pp. 511-516. Also here.
Devie, Dominique. Le Tempérament musical: Philosophie, histoire, théorie et pratique. Société de musicologie du Languedoc, Béziers, 1990, 540 pages. Summary PDF, 18 pages.
Devie, Dominique. "Qu'est-ce que le 'tempérament' d'un instrument de musique?"
Devie, Dominique. "Les attaques insidieuses de Jacques Viret contre le 'Tempérament Musical'", WWW, 1995.
DeVoto, Mark. "Easley Blackwood, Jr. 1933-2023", The Boston Musical Intelligencer, WWW, 25 Jan 2023.
Devoto, Martín H. "Microtonos en el violonchelo: algunas soluciones posibles al problema de su interpretación", Revista del Instituto de Investigación Musicológica 'Carlos Vega' vol. 24 no. 24, Buenos Aires, 2010, pp. 41-70.
DeWitt, Lucinda A. and Robert G. Crowder. "Tonal fusion of consonant musical intervals: The oompf in Stumpf", Perception and Psychophysics vol. 41 no. 1, Jan 1987, pp. 73-84.
DeWoskin, Kenneth J. "Comment on 'The bronze chime bells of the Marquis of Zeng: Babylonian biophysics in Ancient China' by E.G. McClain", Journal of Social and Biological Structures vol. 10 no. 4, Oct 1987, pp. 329-341.
Diaconescu, Stefan Stelian. A Mathematical System of Musical Sounds. Createspace Independent Publishing Platform, Aug 2016.
Diamond, Jody. "In the Beginning Was the Melody", A Lou Harrison Reader, Peter Garland (ed.), Soundings Press, Santa Fe CA, 1987, pp. 100-103.
Diamond, Jody. Prelude: Anyone Can Play. American Gamelan Institute, Hanover NH, 1992.
Díaz Díaz, Pedro Rafael. "El tratado Ars musice armonie indebidamente atribuido a Santo Tomás de Aquino", humanitas vol. 62, 2010, pp. 113-145.
Díaz, Xurxo Lois Varela. A viola da gamba e os temperamentos históricos: para um método de afinar a viola da gamba. MA thesis, ESMAE Politécnico do Porto, departamento de Música, June 2017, 90 pages.
Dick, Robert. The Other Flute - A Performance Manual of Contemporary Techniques. Oxford University Press, London, 1975, 144 pages. Multiple Breath Music Company, 1989.
Dickey, Albert W. Practical Piano Tuning. Madison NJ, 1959.
Dickinson, Peter. "Genesis of a Music: An Account of a Creative Work, Its Roots and Its Fulfilments by Harry Partch; Writings about Music by Steve Reich (book reviews)", Tempo no. 119, Dec 1976, pp. 41-43.
Dickinson, Peter. "The Music of Ben Johnston by Heidi von Gunden (book review)", Music & Letters vol. 69 no. 1, Jan 1988, pp. 114-115.
Dickinson, Peter. "Harry Partch -- Bitter Music: Collected Journals, Essays, Introductions and Librettos by Thomas McGeary (book review)", The Musical Times vol. 133 no. 1798, Dec 1992, p. 630.
Dickinson, Peter. "Lou Harrison by Leta E. Miller, Fredric Lieberman (book review)", Music & Letters vol. 89 no. 2, May 2008, pp. 282-283.
Dickinson, Samuel N. "Mathematical Rule for Tuning Keyed Instruments", Mechanicks Magazine, and Journal of Public Internal Improvement vol. 1, pp. 72-73.
Dickreiter, Michael. Der Musiktheoretiker Johannes Kepler. Francke Verlag, Bern/München, 1973, 252 pages.
Dickreiter, Michael. "Leonhard Eulers Beitrag zur Musiktheorie by Hermann Richard Busch (book review)", Die Musikforschung vol. 27 no. 2, Apr-June 1974, pp. 242-243.
Dickreiter, Michael. "The structure of harmony in Johannes Kepler's Harmonice Mundi (1619)", Number to Sound. The musical way to the Scientific Revolution, Paolo Gozza (ed.), Kluwer ic Publisher, Dordrecht, 2000, pp. 173-188.
Dickson, Ian. "Towards a Grammatical Analysis of Scelsi's Late Music", Music Analysis vol. 31 no. 2, July 2012, pp. 216-241.
Dickson, William Edward. Practical Organ-Building. C. Lockwood and Co., London, 1881.
Diderot, Denis and Jean Le Rond d'Alembert. "Lutherie", Recueil er planches, sur les sciences, les arts libéraux, et les arts méchaniques, avec leur explication vol. 5, Briasson, Paris, 1762-72.
Diederichsen, Diedrich. "Konzeptuelle Musik, konzeptuelle Popmusik (music review)", POP vol. 3 no. 2, Sep 2014, pp. 130-137. Also here.
Diercks, John. "24 Préludes im Vierteltonsystem für zwei Klaviere, Op. 22 by Ivan Wyschnegradsky (CD review)", Notes Second Series vol. 35 no. 2, Dec 1978, pp. 431-432.
Dietel, Gerhard. "Por Gitaro. Suites for Tuned Guitars by LOU HARRISON, John Schneider (CD review)", Neue Zeitschrift für Musik vol. 170 no. 1, Orgel und neue Musik, Jan-Feb 2009, p. 79.
Dieterlin, M. and M. Vastellengo. "Un témoin insoupçonné du tempérament chez Cavaillé-Coll, père et fils", Flûte harmonique vol. 30, 1984, pp. 12-22.
Dijk, Geerten Jan van. "Muziek als harmonie der sferen. Harmonisch labyrint: de muziek van de kosmos in de westerse wereld (book review)", Reformatorisch Dagblad, 21 Nov 2007.
Dijk, J.S.C. van. "Adriaan Daniël Fokker: Selected Musical Compositions (1948-1972) by Rudolf A. Rasch (book review)", Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis vol. 39, Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, Amsterdam, 1989, pp. 109-110.
Dijk, Marian van. "Is microtonaliteit stijlloos?", Werkgroep muziek van de 20e eeuw, R.A. Rasch (ed.), Utrecht, 1992, pp. 24-36.
Dijk, Marian van. "Hollands dilettantisme! Het muzikale gedachtengoed van professor Fokker", Mens en Melodie vol. 51 no. 7-8, Jul/Aug 1996, pp. 318-321.
Dijk, Pieter van. "Jos de Bie: Stemtoon en stemmingsstelsels (book review)", Het Orgel vol. 97 no. 6, 2001.
Dijk, Pieter van; Leen Spaans and Frank van Wijk (eds.) Historical Organs of Alkmaar. CDROM.
Dijkema, Tammo Jan. "De fysica van muziek", WWW, 1998-1999.
Dijkhuis, Ben. "Griekse toonladdertheorieën en modaliteit", WWW, 2010.
Dijkhuis, Ben. "Stemmingen, intonatie en tempereringen", WWW, 2011.
Dijkhuis, Ben. "Oude 'Keltische' toonsystemen en notaties", WWW, 2011.
Dijksterhuis, Eduard Jan. "Interval en Verhouding (Slot)", HERMENEVS. Klassieke raven en kraaien vol. 12 no. 10, June 1940, pp. 185-198.
Dijksterhuis, Eduard Jan. Simon Stevin. Martinus Nijhoff, 's-Gravenhage, 1943, p. 273.
Dijksterhuis, Eduard Jan. "Dr. A.D. Fokker: Rekenkundige bespiegeling der muziek (book review)", Mens en Melodie vol. 1 no. 2, Wouter Paap, Jaap Kunst and J.L. Broeckx (eds.), Utrecht/Brussels, Feb 1946, pp. 59-62.
Diliberto, John K. (ed.) "An Interview with Wendy Carlos", Polyphony, June 1984, pp. 10-13.
Dillon, Giorgio and Riccardo Musenich. "The Huygens Comma - Some Mathematics Concerning the 31-Cycle", Thirty-One vol. 1, summer 2009, pp. 49-56.
Dillon, Giorgio. "Calculating the Dissonance of a Chord according to Helmholtz Theory", arXiv 1306.1344, WWW, 2013, 4 pages.
Dimou, Stylianos. Linear Verticalities: Structural symbiosis among chromatic and microtonal aggregations in Georges Aperghis' Contretemps AND les instances (2019) for diffused, synthesized sounds and large ensemble. MA thesis, Columbia University, Feb 2020, 75 pages plus score.
Ding, Chengyun. "Zhu Zaiyu qinlü yanjiu - jiantan guqin lüzhi de bianqian" (Zhu Zaiyu's researches into guqin temperament - changes in guqin temperament system), Yi Yuan no. 3, Nanjing Art Academy, 1987.
Dirks, Patricia Lynn. "An Analysis of Jonathan Harvey's Mortuos Plango, Vivos Voco (music review)", eContact! vol. 9 no. 2, WWW, Mar 2007.
Di Stefano, Nicola and Marta Bertolaso. "Understanding Musical Consonance and Dissonance: Epistemological Considerations from a Systemic Perspective", Systems vol. 2 no. 4, MDPI, Basel, Oct 2014, pp. 566-575.
Dithrich, William. The Mills Gamelan designed and built by William Colvig and Lou Harrison, assisted by students of Mills College, Oakland CA, 1983.
Di Veroli, Claudio. Unequal temperaments and their role in the performance of Early Music: Historical and theoretical analysis, new tuning and fretting methods. Artes Gráficas Farro, Buenos Aires, 1978, 326 pages.
Di Veroli, Claudio. "Bach's temperament [correspondence with H.A. Kellner]", Early Music vol. 8 no. 1, Jan 1980, p. 129.
Di Veroli, Claudio. "Bach's temperament [observations]", Early Music vol. 9 no. 2, Apr 1981, pp. 219-221. Italian translation Il Temperamento di Bach.
Di Veroli, Claudio and Sylvia Leidemann. "Un temperamento francés de 1690: la transición entre la entonación media y los temperamentos circulares franceses del siglo XVII" (A French temperament of 1690: a link between meantone and 18th c. French circular temperaments), Second Argentine Musicology Symposium, Buenos Aires, 1985.
Di Veroli, Claudio. "El Temperamento Musical Ayer y Hoy" (Musical Temperament in Ancient Times and Today), Bulletin of the Departamento de Música Antigua, Collegium Musicum, Buenos Aires, 1996, 17 pages.
Di Veroli, Claudio. "Il Temperamento Musicale Ieri e Oggi", testo in uso nella catedra di Clavicembalo (teaching material in use in the Harpsichord course), Conservatorio G. Verdi, Turin, 1998, 13 pages.
Di Veroli, Claudio. "Tuning the tempérament ordinaire", Harpsichord & Fortepiano vol. 10 no. 1, Lincoln, autumn 2002, published Feb 2003.
Di Veroli, Claudio. "A Concise Guide To The Most Useful 12-Note Unequal Temperaments", commissioned by Veritune Inc., in The Verituner 100 User Guide, Mar 2003, pp. 93-107.
Di Veroli, Claudio. Unequal Temperaments: Theory, History and Practice (Scales, Tuning and Intonation in Musical Performance). eBook, Bray Baroque, Bray, 2009, 456 pages.
Di Veroli, Claudio. "Vallotti as the Ideal German Good Temperament", Harpsichord & Fortepiano vol. 15 no. 1, Lincoln, 2010, pp. 9-14. Italian translation Vallotti come il Buon Temperamento Ideale.
Di Veroli, Claudio. "Unequal Temperaments: Revisited", response to a review by Bradley Lehman, The Viola da Gamba Society Journal vol. 4, 2010, Jan 2011, pp. 164-182.
Di Veroli, Claudio. "Accordare il Mesotonico accuratamente con metodi rinascimentali", La Sala del Cembalo del caro Sassone, WWW, 2015, 5 pages.
Dixon, Brandon. Quarter Tone Technique for Saxophone. 2nd ed., Quarter Tone Saxophone Publishing.
Dixon, Edward T. "Max Meyer: Contributions to a Psychological Theory of Music (book review)", Mind vol. 11 no. 44, Oxford Publishing Limited, Oct 1902, pp. 567-571.
Dixon, Gavin. "Ivan Wyschnegradsky: Microtonalist and Mystic", WWW, 2009.
Dixon, Michael H. Just intonation: a study through its notation. MA thesis, Griffith University, 2000, 111 pages with audio CD.
Dixon, Michael H. Tuning the Horn: A Composer-Performer's Perspective on Using Extended Just Intonation. Doctor of Creative Arts thesis, University of Wollongong, 2011, 389 pages.
Dixon, Michael H. "The Brass Whisperer", Xenharmonikôn, WWW, July 2019.
Dixon, Simon; Dan Tidhar and Emmanouil Benetos. "The Temperament Police: The Truth, The Ground Truth, and Nothing But The Truth", 12th International Society for Music Information Retrieval Conference, 2011, pp. 281-286. Also here. Details of data and results, WWW, 2011.
Dixon, Simon; Matthias Mauch and Dan Tidhar. "Estimation of harpsichord inharmonicity and temperament from musical recordings", Journal of the Acoustical Society of America vol. 131 no. 1, Jan 2012, pp. 878-887. Also here.
Dixon, Simon; Dan Tidhar; Emmanouil Benetos and Tillman Weyde. "The temperament police", Early Music vol. 42 no. 4, Nov 2014, pp. 579-590.
Djami, Abdurakhan. Treatise on music (in Persian). Russian translation by A.N. Boldyrev, Viktor M. Belyayev (ed.), Publishing House of the Academy of Sciences of the Uzbek SSR, Tashkent, 1960. English translation (from Russian) by Ivor Darreg, 1965, Xenharmonikôn vol. 18, 2006, pp. 224-239.
Djordjevic, Michael M. "Questions of Temperance and Intonation in New Musical Theory" (in Serbian), 1993.
Djordjevic, Michael M. "Musical Intervals Reckoning" (in Serbian), 1994.
Djordjevic, Michael M. "Natural Tone System as One of the Possible Sources of Common Patterns and Differences in the Musical Tradition of the Balkans", Conference, Prefectures Cultural Center, Thessaloniki, 9 Feb 1995.
Djordjevic, Michael M. Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum. PhD thesis, FMU Belgrade, June 1995.
Dobbins, Peter A. and Lola L. Cuddy. "Octave discrimination: an experimental confirmation of the 'stretched' subjective octave", Journal of the Acoustical Society of America vol. 72 no. 2, Aug 1982, pp. 411-415.
Dobozi, Bálint. "Vergleich verschiedener wohltemperierter Stimmungen anhand von J.S. Bachs Fuga in As-Dur BWV 886 aus dem zweiten Band des Wohltemperierten Klaviers und deren Frühversion, der Fughetta in F-Dur BWV 901", Proseminararbeit, Universität Zürich, Oct 2000.
Dodart, Denis. Mémoire sur les causes de la voic de l'homme et de ses différents tons. Paris, 1703.
Dodd, Gordon. "The chest of viols reconsidered", Chelys vol. 3, journal of the Viola da Gamba Society, 1971, pp. 22-24.
Doderer, Gerhard. "Contribuição para a problematica da afinação dos instrumentos de tecla na Peninsula Iberica o seculo XVIII", Boletim da Associação Portuguesa de Educação Músical vol. 48, Jan-Mar 1986, pp. 40-43.
Doerschuk, Robert L. and Dominic Milano. "Back to Bach: After 25 years, Wendy Carlos remakes Switched- on Bach, the album that made synthesizers famous", Keyboard vol. 18 no. 8, Aug 1992, pp. 88-110.
Doherty, Sue. "Exploring Microtonality", International League of Women Composers Journal, spring 1989, pp. 11-12.
Doktorski, Henry. "Allan W. Atlas: The Wheatstone English Concertina in Victorian England (book review)", The Free-Reed Review, WWW, 1997.
Dolata, David. "Lute Tuning with Meantone Temperaments", Lute Society of America Quarterly vol. 27 no. 1, Feb 1993, pp. 12-15.
Dolata, David. "Making Cents Out of Fretting Ratios and Vice Versa", FoMRHI Quarterly vol. 123 (Fomrhi Comm 1989), June 2013, 9 pages.
Dolata, David, Meantone Temperaments on Lutes and Viols. Publications of the Early Music Institute, Indiana University Press, Bloomington IN, Apr 2016, 320 pages. Also here.
Dolmetsch, Albert. De l'accord des pianos. Paris, end 19th cent.
Dolmetsch, Mabel. "The Antiquity of Equal Temperament", Consort vol. 5, 1948, pp. 1-6.
Dolmetsch, Mabel. "Archive: On Equal Temperament", Consort vol. 29, 1973, pp. 39-41.
Dombois, Eugen. "Varieties of meantone temperament realized on the lute", Journal of the Lute Society of America vol. 7, 1974, pp. 82-89.
Dombois, Eugen. "Die Temperatur für Laute bei Hans Gerle (1532)", Forum musicologicum: Basler Studien zur Interpretation der alten Musik vol. 2, 1980, pp. 60-71. English translation in Lute. Journal of the Lute Society vol. 22, 1982, pp. 3-13, 89.
Dombois, Eugen. "Lute temperament in Hans Gerle (1532) - a comment from the author", Lute. Journal of the Lute Society vol. 22 no. 2, 1982, pp. 3-13, 89.
Dombois, Eugen. "Die Temperatur für Laute bei John Dowland (1610)", Alte Musik: Praxis und Reflexion, Basler Jahrbuch für historische Musikpraxis, suppl., 1983, pp. 328-339.
Domínguez Berrueta, Juan. Teoría física de la música. Memorias de la Real ia de Ciencias Exactas, Físicas y naturales series vol. 2 no. 5, Talleres Voluntad, Madrid, 1927, 192 pages.
Domínguez, Manuel; David Clampitt and Thomas Noll. "Well-formed Scales, Maximally Even Sets, and Christoffel Words", Proceedings of the MCM 2007, Berlin, 2007, 8 pages. Also in Communications in Computer and Information Science, Jan 2009.
Domling, Wolfgang. "Revolutionär wider Willen: Ferruccio Busoni und sein Entwurf einer neuen Ästhetik der Tonkunst", Neue Zeitschrift für Musik vol. 123, 1973, pp. 564-569.
Don, Gary. "Brilliant Colors Provocatively Mixed: Overtone Structures in the Music of Debussy", Music Theory Spectrum vol. 23 no. 1, Apr 2001, pp. 61-73.
Donahue, Thomas. A Guide to Musical Temperament. Scarecrow Press, Lanham MD, 2005, 228 pages.
Donder, Th. de. "Sur le clavier bien tempéré", Bulletin de la Classe des Sciences vol. 30, 5° série, l'Académie Royale de Belgique, Brussels, 1944, 3 pages. Deuxième note, séance du 4.11.1955, 1 page.
Done, Joshua. The Tuner's Companion; being a Treatise on the Construction of Piano-Fortes, with Rules for Regulating and Tuning them; Prefaced with a Notice on their Origin, and Advice in the Selection of them. J. Balls, London, 1827, Reprint, New-York.
Donhauser, Peter. Elektrische Klangmaschinen. Die Pionierzeit in Deutschland und Österreich. Böhlau Verlag, Wien, Mar 2007, 348 pages.
Doni, Giovanni Battista. Compendio del trattato de' generi, e de' modi della musica. Con un discorso sopra la perfettione de'concenti. Et un saggio a due voci di mutationi di genere, e di tuono in tre maniere d' intauolatura: e d' un principio di madrigale de principe, ridotto nella medesima intauolatura. All'eminentiss. e reuerendiss. sig. il sig. cardinal Barberino. Andrea Fei, Rome, 1635, 171 pages.
Doni, Giovanni Battista. Annotazioni sopra il Compendio de' generi, e de' modi della musica. Doue si dichiarano i luoghi piu oscuri, e le massime piu nuoue, & importanti si prouano con ragioni, e testimonianze euidenti d'autori classici. Con due trattati l'vno sopra i tuoni, e modi veri, l'altro sopra i tuoni o armonie de gl'antichi. Et sette discorsi sopra le materie piu principali della musica, o concernenti alcuni instrumenti nuoui praticati dall'Autore. Andrea Fei, Rome, 1640, 420 pages. English translation Compendium of the Treatise of the Genera and of the Modes by Massimo Redaelli.
Doni, Giovanni Battista. Deux traictez de musique... Rome, 1640.
Doni, Giovanni Battista. De praestantia musicae veteris libri tres totidem dialogis comprehensi in quibus vetus ac recens musica, cum singulis earum partibus, accurate inter se conferuntur. Adiecto ad finem onomastico selectorum vocabulorum .... Amatoris Massae Forolivien, Florence, 1647.
Doni, Giovanni Battista. Dichiaratione del Cembalo Pentarmonico di cinque gradi per tuono; con cinque tastature principali e due altre replicate. Florence, 1647.
Doni, Giovanni Battista. Trattato I sopra il genere enarmonico. Stamperia Imperiale, Florence, 1763.
Doni, Giovanni Battista. "Del diatonico equabile di Tolomeo", Florence, 1763.
Doni, Giovanni Battista. Lyra Barberina amphicordos. A.F. Gori and G.B. Passeri, Florence, 1763.
Doni, Giovanni Battista. "Discorso Sopra le Consonanze Al Padre Marino Mersenne. MS A.CCXCII.4", Florence.
Doni, Giovanni Battista. "Nuouo Introduttorio di Musica Di Giouanni Battista Doni Nel quale si riforma la Scala Musicale, [[l'Intauolatura e l'Intonatione]] La Prolatione et Intauolatura delle Note, Gl'esercizij della Musica con l'esempio de gl'Antichi. MS A.CCXCV.9", Florence.
Doni, Giovanni Battista. "Trattato de' generi e Modi della Musica libro primo. MS D.143", Bologna.
Doni, Giovanni Battista. "Frammenti autografi fatti intorno alla musica dei Greci. MS D.144", Bologna.
Doni, Giovanni Battista. "Trattato Dei Tuoni o [[Harmonie de]] Modi ueri [[gl' antichi]] al Signor Pietro della Valle. MS A. 292", Bologna.
Donington, Robert. "The Harpsichord", Music & Letters, 1951, pp. 201-202.
Dönmez Kirlangiç, Çigdem and Mehlika Dündar. "Robert Dick'in 'The Other Flute' Metodundaki Mikrotonal Icra Tekniklerinin Türk Müzigi Perde Sistemine Uyarlanmasi Üzerine Bir Arastirma (Hüseyni Makami Örnegi)", IBAD Sosyal Bilimler Dergisi, Oct 2019, pp. 152-160.
Donval, Serge. Histoire de l'Acoustique Musicale. Éditions Fuzeau, Courlay, 2006, 222 pages.
Doolittle, Emily L. and Henrik Brumm. "O Canto do Uirapuru: Consonant intervals and patterns in the song of the musician wren", Journal of Interdisciplinary Music Studies vol. 6 no. 1, spring 2012, pp. 55-85.
Doolittle, Emily L.; Bruno Gingras; Dominik M. Endres and W. Tecumseh Fitch. "Overtone-based pitch selection in hermit thrush song: Unexpected convergence with scale construction in human music", Proceedings of the National Academy of Sciences of the USA vol. 111 no. 46, 2014, pp. 16616-16621.
Dornig, David. "Dsilton presentation 2016/2017", miCROfest, 2017, Zagreb, WWW, 2018.
Doscher, Barbara M. "Exploring the Whys of Intonation Problems", The Choral Journal vol. 32 no. 4, Nov 1991, pp. 25-30.
Dostrovsky, Sigalia. "Early Vibration Theory: Physics and Music in the Seventeenth Century", Archive for History of Exact Sciences vol. 14, 1975, pp. 169-218.
Dostrovsky, Sigalia and John Cannon. "Entstehung der musikalischen Akustik (1600-1750)", Hören, Messen und Rechnen in der frühen Neuzeit, Frieder Zaminer (ed.), Wissenschaftliche Buchgesellschaft, Darmstadt, 1987, pp. 7-79.
Doty, David B. "Tuning Keyboards in Just Intonation", Keyboard vol. 9 no. 10, Oct 1983, p. 41.
Doty, David B. "Reflections on Gamelan and Composition", Ear vol. 8 no. 4, 1983, p. 15.
Doty, David B. "Editorial", 1/1 vol. 1 no. 1, 1985.
Doty, David B. "The Subharmonic Question", 1/1 vol. 1 no. 2, 1985, p. 1.
Doty, David B. "Tutorial: Part One - What Do All Those Ratios Mean?", 1/1 vol. 1 no. 2, 1985, pp. 6-7.
Doty, David B. "Tutorial: Part Two", 1/1 vol. 1 no. 3, 1985, p. 2 ff.
Doty, David B. "Tutorial: Part Three", 1/1 vol. 2 no. 2, 1986, p. 6 ff.
Doty, David B. "Tutorial: Part Four", 1/1 vol. 2 no. 3, 1986, p. 1 ff.
Doty, David B. "An Assortment of Commas (and Other Irritants) [chart]", 1/1 vol. 2 no. 1, p. 13.
Doty, David B. "Toward Standard Definitions", 1/1 vol. 2 no. 2, 1986, p. 2.
Doty, David B. "What Is Just Intonation?", Electronic Musician vol. 2 no. 11, Nov 1986, pp. 38-41.
Doty, David B. "The Nine-Tone Diatonic Scale", 1/1 vol. 3 no. 1, 1987, pp. 2, 14-15.
Doty, David B. (ed.) "Interview with Lou Harrison", 1/1 vol. 3 no. 2, pp. 1-4.
Doty, David B. "The DX7II: A First Look", 1/1 vol. 3 no. 4, 1987, pp. 11-12.
Doty, David B. "An Abundance of Thirds", 1/1 vol. 4 no. 2, spring 1988, pp. 4-5, 14.
Doty, David B. "Meaty MIDI Meeting", 1/1 vol. 4 no. 4, 1988, p. 15.
Doty, David B. "Anomalous Pairs in 'Paradigms Lost'", 1/1 vol. 5 no. 1, winter 1989, pp. 4-8.
Doty, David B. "Charles Lucy: Pitch, Pi and Other Musical Paradoxes (book review)", 1/1 vol. 5 no. 3, p. 2.
Doty, David B. (ed.) "Interview with LaMonte Young (Part One)", 1/1 vol. 5 no. 4, 1989, p. 1.
Doty, David B. "Microtonal Resources of the Seven Limit", 1/1 vol. 6 no. 1, winter 1990, p. 1.
Doty, David B. (ed.) "Interview with LaMonte Young (Part Two)", 1/1 vol. 6 no. 1, winter 1990, pp. 8-12.
Doty, David B. "The editor pontificates", 1/1 vol. 7 no. 2, Dec 1991, pp. 17-18.
Doty, David B. "20th-Century Microtonal Notation by Gardner Read (book review)", Notes, Second Series vol. 48 no. 4, June 1992, p. 1309.
Doty, David B. "Two theories of melodic intonation", 1/1 vol. 7 no. 4, Aug 1992, pp. 1, 10-14.
Doty, David B. Just Intonation Primer. 2nd ed. Just Intonation Network, San Francisco, 1994.
Doty, David B. A Composer's Guide to Just Intonation. manuscript.
Doty, David B. "What is Just Intonation?", WWW, 1994.
Doty, David B. "Microtones in 'Bodhisattvas in Berkeley'", 1/1 vol. 10 no. 4, 2001, pp. 13-19.
Doty, David B. "From the editor: On False Reification and Tuning Theory", 1/1 vol. 11 no. 1, spring 2002, pp. 2, 28.
Doty, David B. "From the editor: A Response to Julia Werntz (letter)", 1/1 vol. 11 no. 2, winter 2003, pp. 2, 17-19.
Doty, David B. "Lou Harrison - The Louisville Orchestra" (CD review), 1/1 vol. 11 no. 4, spring 2004, pp. 22-23.
Dougherty, William. "On Horatiu Radulescu's fifth string quartet 'Before the universe was born' op. 89 (music review)", Tempo vol. 68 no. 268, Apr 2014, pp. 34-45.
Dourson, Paul and Bernard Parzysz. "Musiques, nombres et structures", L'Education musicale nos. 232, 233, 235, 239, 1976-1977.
Douthett, Jack, Roger Entringer and Andrew Mullhaupt, "Musical Scale Construction: The Continued Fraction Compromise", Utilitas Mathematica vol. 42, 1992, pp. 97-113.
Douthett, Jack. The Theory of Maximally and Minimally Even Sets, the One-Dimensional Antiferromagnetic Ising Model, and the Continued Fraction Compromise of Musical Scales. PhD thesis, University of New Mexico, Oct 1999, 104 pages.
Douthett, Jack and Richard J. Krantz. "The Linear Diophantine Equation in Music Theory (abstract)", Bridges: Mathematical Connections in Art, Music, and Science, Winfield, 27-29 July 2001, p. 339.
Douthett, Jack and Richard J. Krantz. "Pure-Tone Approximation to Equal-Temperament: How Close is Close? (abstract)", Bridges: Mathematical Connections in Art, Music, and Science, Towson MD, 27-29 July 2002, p. 284.
Douthett, Jack. "Filtered Point-Symmetry And Dynamical Voice-Leading", Lecture held at the John-Clough-Memorial Conference, University of Chicago, 2005.
Douthett, Jack and Richard J. Krantz. "Continued fractions, best measurements, and musical scales and intervals", Journal of Mathematics and Music vol. 1 no. 1, Mar 2007, pp. 47-70.
Douthett, Jack and Richard J. Krantz. "Maximally even sets and configurations: common threads in mathematics, physics, and music", Journal of Combinatorial Optimization vol. 14 no. 4, Sep 2007, pp. 385-410.
Douthett, Jack and Richard J. Krantz. "Dinner Tables and Concentric Circles: A Harmony of Mathematics, Music, and Physics", The College Mathematics Journal vol. 39 no. 3, May 2008, pp. 203-211.
Douthett, Jack; Martha M. Hyde; Charles J. Smith and John Clough (eds.) Music Theory and Mathematics: Chords, Collections, and Transformations. Memorial volume for John Clough, Eastman studies in music, University of Rochester Press, Rochester NY, 2008, 270 pages.
Douthett, Jack and Julian Hook. "Formal Diatonic Intervallic Notation", 2nd International Conference Mathematics and Computation in Music, 19-22 June 2009, Yale University Press, New Haven CN.
Douthett, Jack; David Clampitt and Norman Carey. "From Musical Chords to Twin Primes", chapter 1 in Chords to Primes, Oct 2017, 16 pages.
Douwes, Claas. Verhandling van de Musicq en van de Instrumenten. Franeker, 1696, 1762.
Douwes, Claas. Grondig Ondersoek van de Toonen der Musijk: Zijnde een klaare betooninge van de wijdte of grootheit van Octaven, Quinten, Quarten en Tertien, geheele en halve toonen: Van de Imperfecte, ende valsche Spetien. Als mede Of in een goed Musijk de Octaven, ende hoe veel malen de Quinten, Quarten en Tertien met malkanderen mogen gaan. Van de twaalf Toonen der Musijk; ende eenige Exempelen om de Musijk-nooten te Componeren. Met een tweede deel; Handelende van verscheidene Musijk-instrumenten, Alles kort en klaar aangeweesen. Adriaan Heins, Franeker, 1699, 132 pages. Reprint Frits Knuf, Amsterdam, 1970, Series: Early Music Theory in the Low Countries vol. 2, Frits R. Noske (ed.), 155 pages.
Dove, H.W. "Beweis, dass die Tartinischen Töne nicht subjectiv, sondern objectiv sind", Annalen der Physik vol. 183 no. 8, 1859, pp. 652-654.
Dowd, William. A Short Maintenance Manual for William Dowd Harpsichords. self-published, Jan 1982.
Dowland, John. "Of Tuning the Lute", Varietie of Lute-lessons vols. 17-19, Thomas Adams, London, 1610.
Dowland, Robert. Variety of Lute-Lessons. London, 1660.
Dowling, W. Jay. "The 1215-Cent Octave: Convergence of Western and Non-Western Data on Pitch Scaling", abstract QQ5, 84th meeting of the Acoustical Society of America, Friday, December 1, 1972, p. 101 of program. Journal of the Acoustical Society of America vol. 53 no. 1 supplement, Jan 1973, p. 373A.
Dowling, W. Jay and James C. Bartlett. "The importance of interval information in long-term memory for melodies", Psychomusicology vol. 1, spring 1981, pp. 30-49.
Dowling, W. Jay. "Musical scales and psychophysical scales: Their psychological reality", Kolinski Gedenkschrift: Cross-cultural perspectives on music, T. Rice and R. Falck (eds.), University of Toronto Press, Toronto, 1982, pp. 20-28.
Dowling, W. Jay and Dane L. Harwood. "Musical Scales", chapter 4 of Music Cognition, Cognition and Perception Series, Academic Press, 1986, pp. 90-123.
Dowling, W. Jay. "Pitch Structure", Representing Musical Structure, Peter Howell et al. (eds.), Academic Press, London, 1991, pp. 33-57.
Downes, Chris. "Prime Numbers in Music Tonality", WWW, 2008, 12 pages.
Downing, John. "An analysis of Irish harp scaling", FoMRHI Quarterly vol. 68 (Fomrhi Comm 1112), July 1992, pp. 24-36.
Downing, John. "A string and tuning guide for the Irish harp", FoMHRI Quarterly vol. 69 (Fomrhi Comm 1122), Oct 1992, pp. 27-30.
Downing, John. "The Ikhwan al-Safa Oud Revisited - Further to Comm. 1945 and some other thoughts", FoMRHI Quarterly vol. 123 (Fomrhi Comm 1990), Jan 2014, 9 pages.
Downs, Benjamin. "Sensible Pleasure, Rational Perfection: Leonhard Euler and the German Rationalist Tradition", video transcript, University of Buffalo, 3 March 2012, 7 pages.
Draaf, Martin. "Die enharmonische Gitarre", Mikrotöne II, Edition Helbling, Innsbruck, 1988, pp. 73-86.
Dräger, Hans-Heinz. "Der heutige Bach-Hörer und die gleichschwebende Temperatur", Festschrift Der Bach Feier Leipzig, 1950, pp. 52-66.
Dräger, Hans-Heinz. "Zur mitteltönigen und gleichschwebenden Temperatur", Conference Report Leipzig 1950, 1951, pp. 389-404.
Drake, Stillman. "Renaissance Music and Experimental Science", Journal of the History of Ideas vol. 31 no. 4, Oct-Dec 1970, pp. 483-500.
Dresher, Paul Joseph. The Design and Construction of a Contemorary American Gamelan. MA thesis, University of California, San Diego, 1979, 86 pages.
Dreyblatt, Arnold. "Tuning System", 1980, WWW.
Drieberg, Friedrich von. Die mathematische Intervallenlehre der Griechen. self-published, Berlin, 1818, 61 pages.
Drieberg, Friedrich von. "Aufschlüsse über die Musik der Griechen", Leipzig, 1819.
Drieberg, Friedrich von. Die praktische Musik der Griechen. T. Trautwein, Berlin, 1821.
Drieberg, Friedrich von. "Über die Stimmung der griechischen Instrumente, und das Monochord", Cäcilia no. 6, 1825, pp. 113-118.
Drieberg, Friedrich von. Wörterbuch der griechischen Musik in ausführlichen Artikeln über Harmonik nach den Quellen neu bearbeitet. Verlage der Schlesinger'schen Buch- und Musikhandlung, Berlin, 1835, 230 pages.
Drieberg, Friedrich von. Die Griechische Musik auf ihre Grundgesetze zurückgeführt: Eine Antikritik in drei Bücher. T. Trautwein, Berlin, 1841, 196 pages.
Drieberg, Friedrich von. "Feststellung der Intervallengrössen (Nach der Theorie der Griechen)", Cäcilia no. 96, 1845, pp. 203-208.
Dröbisch, Moritz Wilhelm. Über die mathematische Bestimmung der musikalischen Intervalle. Wiedmann, Leipzig, 1846.
Dröbisch, Moritz Wilhelm. Über musikalische Tonbestimmung und Temperatur. Abhandlungen der mathematisch-physikalischen Classe der königlich sächsischen Gesellschaft der Wissenschaft, Weidmannsche Buchhandlung, Leipzig, Jan 1852. Vierter Band: Abhandlungen der mathematisch-physischen Classe, S. Hirzel, Leipzig, Aug 1855, 120 pages. Also here.
Dröbisch, Moritz Wilhelm. "Über die wissenschaftliche Bestimmung der musikalischen Temperatur", Annalen der Physik vol. 166 no. 11, Leipzig, 1853, pp. 353-389. Also here.
Dröbisch, Moritz Wilhelm. Nachträge zur Theorie der musikalischen Tonverhältnisse. S. Hirzel, Leipzig, 1855.
Dröbisch, Moritz Wilhelm. "Über die möglichen Arten der gleichmässigen Temperatur der Töne und ihr Verhältnisse zur reinen Stimmung", Allgemeine musikalische Zeitung no. 7, Rieter-Biedermann, Leipzig/Winterthur, 28 Feb 1872, 3 pages.
Dröbisch, Moritz Wilhelm. "Über reine Stimmung und Temperatur der Töne", Berichte der math.-phys. Klasse der Königlich Sächsischen Gesellschaft der Wissenschaften, 1877.
Drobner, Mieczyslaw. Systemy i skale muzyczne. Polskie Wydawnictwo Muzyczne, Kraków, 1982, 105 pages.
Drösser, Christoph. "Der wohltemperierte Computer. Die Stimmung von Instrumenten beruht auf faulen Kompromissen. Nun macht ein findiger Schwabe den "reinen" Klang möglich", Zeit, Apr 2002.
Drösser, Christoph. "Die sauberste Orgel der Welt. Der Computer macht's möglich: Eine variabel gestimmte Orgel klingt so rein wie nie zuvor", Zeit, 22 December 2013.
Drummond, Dean. "Zoomoozophone Primer", Ear Magazine East, New York, 1983, pp. 20-21.
Drummond, Dean. "On Newband and the Partch Instruments", 1/1 vol. 8 no. 4, 1994, pp. 14-16.
Drummond, Ron. "Toward a Rolling Sky: Some Pearls on Pauline Oliveros", Interval vol. 5 no. 1, autumn-winter 1985, pp. 16-22.
Dubreuil, Bernard. "Les harmoniques lumineuses de Jacques Dudon", Musicworks no. 55, (with CD), 1993, pp. 50-54.
Duchesne-Guillemin, Marcelle. "Découverte d'une Gamme babylonienne", Revue de musicologie vol. 49 no. 126, July 1963, pp. 3-17.
Duchesne-Guillemin, Marcelle. "Note complémentaire sur la Découverte de la Gamme babylonienne", in Hans Gustav Guterbock, Thorkild Jacobsen (eds.), Studies in Honor of Benno Landsberger on his Seventy-Fifth Birthday, April 21, 1965, Assyriological Studies 16, Publications of the Oriental Institute of the University of Chicago, 1965, pp. 268-272.
Duchesne-Guillemin, Marcelle. "A l'aube de la théorie musicale: concordance de trois tablettes babyloniennes", Revue de musicologie vol. 52 no. 2, 1966, pp. 147-162.
Duchesne-Guillemin, Marcelle. "Survivance orientale dans la Designation des Cordes de la Lyre en Grèce?", Syria vol. 44, 1967, pp. 233-246.
Duchesne-Guillemin, Marcelle. "La théorie babylonienne des metaboles musicales", Revue de musicologie vol. 55 no. 1, 1969, pp. 3-11.
Duckworth, Richard. Theoretical foundations of music. Wadsworth Publishing Co., Belmont CA, 1978, 367 pages.
Duckworth, Richard. "Microtonal Notation: LilyPond as a score editor for Bohlen-Pierce Scales", Dublin, WWW, 2015, 5 pages.
Duckworth, Richard. "Measuring Dissonance: considerations for the microtonalist", Bangor, WWW, 2015, 5 pages.
Duckworth, William and Richard Fleming (eds.) Sound and Light: La Monte Young and Marian Zazeela. Associated University Presses, Cranbury NJ, 1996.
Dudon, Jacques. "Le Mandala des 22 srutis ou la Rose Alchimique Musicale", L'Escargot Folk, 1976.
Dudon, Jacques. "Exploration Harmonique et situations d'écoute", Musiques à prendre, Cahier du CENAM, Paris, 1984.
Dudon, Jacques. "The Golden Scale", Pitch vol. 1 no. 2, 1987, pp. 1-7.
Dudon, Jacques. "The Harmonic octave wheel", Atelier d'Exploration Harmonique & Just Intonation Network, 1987.
Dudon, Jacques. "La gamme dorée: Un tempérament inégal issu du nombre d'or", Nombre d'or et musique, Jean Bernard Condat (ed.), Verlag Peter Lang, Frankfurt a.M., 1988, pp. 147-157.
Dudon, Jacques and Daniel Arfib. "Exploration Harmonique", Journal de Lune-Soleil vol. 2, 1988.
Dudon, Jacques. "Musiques harmoniques", 1/1 vol. 5 no. 3, summer 1989, pp. 10, 14-15.
Dudon, Jacques and Daniel Arfib. "Synthèse photosonique", 1er Congrès Français d'Acoustique, Les éditions de physique, Lyon, 1990.
Dudon, Jacques. "L'intonation juste", Journal de Lune-Soleil vol. 17, 1992.
Dudon, Jacques. "7-Limit Slendro Mutations", 1/1 vol. 8 no. 2, 1994, pp. 1,4-8.
Dudon, Jacques. "Cohérence différencielle: une nouvelle approche de la consonance", Actes des Journées d'Informatique Musicale, Centre National de la Recherche Scientifique, Laboratoire de Méchanique et Acoustique, Marseille, 1998. English translation by the author, "Differential Coherence: Experimenting with New Areas of Consonance", 1/1 vol. 11 no. 2, winter 2003, pp. 1, 6-13.
Dudon, Jacques. "The Photosonic Disk", Experimental Musical Instruments vol. 14 no. 4, Nicasio CA, 1999, pp. 36-46 with audio cassette.
Dudon, Jacques. "Petit lexique de termes spécifiques à l'intonation juste", 2000.
Dudon, Jacques and Daniel Arfib. "Photosonic disk: interactions between graphic research and gestural controls", Trends in Gestural Control of Music, Marcelo M. Wanderley and Marc Battier (eds.), WWW, 2002, pp. 545-561.
Dudon, Jacques. "La confusion des genres: tentatives de résolution", Actes du colloque 'Autour de l'harmonie #1', 2004, Thésaurus Coloris, Carcès, Mondes harmoniques, AEH, Le Thoronet.
Dudon, Jacques and Jacques Cloarec. "Historical background. From the S52 to the Semantic", WWW, 2005.
Dudon, Jacques. "Lumières audibles / synthèse photosonique", 2007.
Dudon, Jacques. "'Sémantique Musicale' by Alain Daniélou", WWW.
Duffie, Bruce (ed.) "Microtonal Composer Ben Johnston. A Conversation with Bruce Duffie", 1987.
Duffie, Bruce (ed.) "Easley Blackwood. The composer in conversation with Bruce Duffie", New Music Connoisseur, summer 2001.
Duffin, Ross W. "Tuning and Temperament", A Practical Guide to Historical Performance: The Renaissance, Jeffrey Kite-Powell (ed.), Early Music America, New York, 1989, pp. 149-156.
Duffin, Ross W. "Tuning", A Performer's Guide to Medieval Music, Ross Duffin (ed.), Bloomington IN, 2000, pp. 545-562.
Duffin, Ross W. "Why I hate Vallotti (or is it Young?)", WWW.
Duffin, Ross W. "Just Intonation in Renaissance Theory and Practice", Music Theory Online vol. 12 no. 3, WWW, Oct 2006. Introduction here.
Duffin, Ross W. "Baroque Ensemble Tuning in Extended 1/6 Syntonic Comma Meantone", Digital Case, 2006.
Duffin, Ross W. How Equal Temperament Ruined Harmony And Why You Should Care. W.W. Norton & Co., New York, Nov 2006, 160 pages.
Duffin, Ross W. "Quite Un-Just: A Response", Early Music vol. 36 no. 1, Feb 2008, pp. 172-174.
Duffin, Ross W. "Cracking a Centuries-Old Tradition", Early Music America (EMA), winter 2014, pp. 44-48.
Duffin, Ross W. "'Propriety and Justness' in the Eighteenth Century", Historical Performance vol. 2, 2019, pp. 55-90.
Dufossez, R. L'education musicale de l'oreille. Ministère de l'education nationale et de la culture française, Brussels, 1974, 53 pages.
Dufton, A.F. "The Comma in Music", The Philosophical Magazine Series 7, vol. 32 no. 212, Sep 1941, pp. 259-261.
Dugot, Joël. "Les cordes pincées", Revue de musicologie vol. 79 no. 2, 1993, pp. 335-342.
Duguay, Michèle. The Influence of Unequal Temperament on Chopin's Piano Works. MA thesis, Schulich School of Music, McGill University Montréal, Aug 2016, 119 pages.
Duitman, Henry. "Intonation", excerpt from unknown book, WWW, 2012-2016, pp. 10-15.
Dujunco, Mercedes M. "Xian shi yue tuning", WWW, 1997.
Dujunco, Mercedes M. "The Birth of a New Mode? Modal Entities in the Chaozhou Xianshi String Ensemble Music Tradition of Guangdong, South China", Ethnomusicology Online vol. 8, 2002.
Duke, Robert Alan. Wind Instrumentalists' Intonational Performance of Selected Musical Intervals. PhD diss., Florida State University, Tallahassee, 1983, 178 pages.
Dumas, Jean (Père). Mémoire sur le tempérament de l'orgue et du clavecin. Lyon, 1755.
Dumas, Jean (Père). Principes de l'harmonie ou l'on déduit les systèmes de la gamme et celui du tempérament. Lyon, 1756.
Dumas, Jean (Père). Mémoire sur l'harmonie tempérée et son application au clavecin. Avignon, 1756.
Dumas, Jean (Père). Observations sur le jeu des harmoniques. Lyon, 1758.
Dumbrill, Richard Jean. "The morphology of the Babylonian scale", WWW, 1997.
Dumbrill, Richard Jean. "Götterzahlen and scale structure", WWW, 1997.
Dumbrill, Richard Jean. "The Uruk Lute: Elements of Metrology", WWW, 1997.
Dumbrill, Richard Jean. Music of the Ancient Near East. The Musicology and Organology of the Ancient Near East 3500 - 500 B.C.. Tadema Press, London, 2000, 700 pages.
Dumbrill, Richard Jean. The archaeomusicology of the Ancient Near East. Trafford Publishing, Victoria BC, Oct 2005, 530 pages.
Dumbrill, Richard Jean. "Babylonian Theonumerics and scale systems", Journal of Ancient Civilizations vol. 22, 2007, pp. 23-35.
Dumbrill, Richard Jean. "Four Tables from the Temple Library of Nippur: A Source for 'Plato's Number' in relation to the Quantification of Babylonian Tone Numbers", The Archaeomusicological Review of the Ancient Near East vol. 1, Apr 2008, Iconea, 2009, pp. 27-38.
Dumbrill, Richard Jean. "Is the heptagram in CBS 1766 a Dial?", The Archaeomusicological Review of the Ancient Near East vol. 1, Apr 2008, Iconea, 2009, pp. 47-49.
Dumbrill, Richard Jean. "The earliest evidence of heptatonism in a late Old Babylonian text: CBS 1766", The Archaeomusicological Review of the Ancient Near East, 2008.
Dumbrill, Richard Jean. "Evidence and inference in texts of theory in the ancient Near East", ICONEA 2008: Proceedings of the International Conference of Near Eastern Archaeomusicology, held at the British Museum, 4-6 December 2008, Richard Dumbrill and Irving Finkel (eds.), Iconea Publications, London, pp. 105-116.
Dumbrill, Richard Jean. "Four Tables from the Temple Library of Nippur: A source form Plato's Number in Relation to the Quantification of Babylonian Tone numbers", Arane (Archaeomusicology of the Ancient Near East) vol. 1, 2009, pp. 27-37.
Dumbrill, Richard Jean. "Babylonian Quantification of pitches and its influence on music theory of the Abbasids and the Renaissance", Musical traditions in the middle east: reminiscences of a distant past, Conference on ancient Near East musicology, Leiden University, 10-12 December 2009.
Dumbrill, Richard Jean. "Modus Vivendi", NEMO-Online vol. 1 no. 1, WWW, Nov 2012, pp. 89-116.
Dumbrill, Richard Jean. "YBC 11381: New evidence for Neo-Babylonian Enneatonism in Music Theory", WWW, Feb 2013, 7 pages.
Dumbrill, Richard Jean. "Amine Beyhom: Théories byzantines de l'échelle et pratiques du chant byzantin arabe : une approche comparative et analytique proposant une solution inédite pour le système théorique de Chrysanthos le Madyte (book review)", Cahiers d'ethnomusicologie vol. 29, 2016, pp. 242-244.
Dumbrill, Richard Jean. "The Truth about Babylonian Music", WWW, Apr 2017, 34 pages.
Dumoulin, Dorothee. "Die Chelys: Ein altgriechisches Saiteninstrument", Archiv für Musikwissenschaft vol. 49 no. 2, 1992, pp. 85-109. Part II, vol. 49 no. 3, 1992, pp. 225-257.
Dumour, Earl (ed.) "An Interview with Arthur Roberts", Computer Music Journal vol. 17 no. 2, summer 1993, pp. 17-22.
Duncan, Otis Dudley. "Notes and Commas [letter]", 1/1 vol. 3 no. 3, 1987, p. 2.
Duncan, Otis Dudley. "Septimal Harmony for the Blues", 1/1 vol. 5 no. 2, 1989, pp. 4-5.
Duncan, Otis Dudley. "Why Superparticular?", 1/1 vol. 8 no. 1, Mar 1993, pp. 1, 4-10, 14.
Duncan, Otis Dudley. "The Ptolemaic Antinomy", 1/1 vol. 8 no. 1, Mar 1993, pp. 5, 14.
Duncan, Otis Dudley. "Max Weber's Unlucky Number", Sociological Theory vol. 11 no. 2, July 1993, pp. 230-233.
Duncan, Otis Dudley. "Genesis of Music by Harry Partch (book review)", Contemporary Sociology vol. 25 no. 4, July 1996, pp. 446-447.
Dunk, John De Lanoy. Tonality: Its Rational Basis & Elementary Development. self-published, London, Jan 1926, 72 pages.
Dunk, John De Lanoy. The structure of the musical scale. J. Lane, The Bodley Head, London, 1940, 144 pages.
Dunn, David (ed.) Harry Partch: An Anthology of Critical Perspectives. Series: Contemporary Music Studies vol. 19, Harwood Academic Publishers, Amsterdam, 2000, 195 pages with CD.
Dunne, Edward G. "Pianos and Continued Fractions", WWW, 1997. Also: Edward Dunne and Mark McConnell, "Pianos and Continued Fractions", Mathematics Magazine vol. 72 no. 2, Apr 1999, pp. 104-115.
Dunne, Edward G. "This note's for you: A mathematical temperament", Sep 2000, 13 pages. Also in Mathematics Magazine.
Dunton, W.F. "Some New Chromatic Harmonies (letter)", The Musical Times and Singing Class Circular vol. 37 no. 643, Sep 1896, p. 612.
Dupont, Wilhelm. Geschichte der musikalischen Temperatur. C.H. Beck'sche Buchdruckerei, Nördlingen, 1935. Reedition, Richard Rensch (ed.), Orgelbau-Fachverlag Rensch, Lauffen/Neckar, 1986, 143 pages.
Durfee, Dallin S. and John S. Colton. "The Physics of Musical Scales: Theory and Experiment", American Journal of Physics vol. 83 no. 10, Sep 2015, pp. 835-842. Also here.
Düring, Ingemar. Die Harmonielehre des Klaudios Ptolemaios. Dissertation Göteborg, vol. 38 no. 2 of Göteborgs Högskolas Ärsskrift, Elanders Boktryckeri Aktiebolag, Göteborg, 1930, 148 pages.
Düring, Ingemar (ed.) Porphyrios' Kommentar zur Harmonielehre des Ptolemaios. Elanders Boktryckeri Aktiebolag, Göteborg, 1932, 217 pages.
Düring, Ingemar. Ptolemaios und Porphyrios über die Musik. Vol. 40 no. 1 of Göteborgs Högskolas Ärsskrift, Elanders Boktryckeri Aktiebolag, Göteborg, 1934. Reprint Laaber Verlag, Laaber, 293 pages.
During, Jean. La musique iranienne, tradition et évolution. Éditions Recherches sur les Civilisations, Paris, 1984.
During, Jean. "Théories et pratiques de la gamme iranienne", Revue de musicologie vol. 71 no. 1-2, 1985, pp. 79-118.
During, Jean. "Acoustic Systems and Metaphysical Systems in Oriental Traditions", the world of music vol. 29 no. 2, Otto-Friedrich University, Bamberg, 1987, pp. 19-31.
During, Jean. La musique traditionnelle de l'Azerbayjan et de la science des muqams. Koerner, 1988.
During, Jean. The Modal System of Azerbaijani Art Music. Berlin, 1989.
During, Jean; Zia Mirabdolbaghi and Dariush Safvat. The Art of Persian Music. Mage Publishers, Washington DC, June 1991, 280 pages.
During, Jean. "Science divine et science des hommes. Mesures d'intervalles et décalage épistémique dans la théorie de la musique persane", Sciences dans l'Iran ancien, Z. Vesel (ed.), 1999, pp. 65-80.
During, Jean. "Les intervalles musicaux en Asie intérieure à l'ère moderne", Sciences, techniques et instruments dans le monde iranien (Xe-XIXe siècles), N. Pourjavady and Z. Vesel (eds.), IFRI, Tehran, 2004, pp. 217-236.
During, Jean. "Power, Authority and Music in the Cultures of Inner Asia", Ethnomusicology Forum vol. 14 no. 2, Music and Identity in Central Asia, Nov 2005, pp. 143-164.
During, Jean. "The Intervals of the Azerbaijani Mugam: back to the sources", International Symposium on Turkish Ottoman Period, Bursa, Apr 2006, 8 pages. Persian translation "Favâsel-e maqâm-e azerbaijâni : bâzgasht be sar-cheshmehâ", Mahoor Music Quarterly no. 45, 2009, pp. 9-17.
Duriyanga, Phra Chen. "Siamese Music", Asian Music vol. 13 no. 2, 1982, pp. 55-90.
Durkan, Patrick. "The Influence of Gamelan on Western Modern Music", WWW.
Dürr, Alfred. Johann Sebastian Bach - Das Wohltemperierte Klavier. Bärenreiter Werkeinführungen, Bärenreiter Verlag, Kassel, Oct 1998, 2008, 2016, 459 pages.
Durutte, François-Camille-Antoine. "Etat futur de l'acoustique musicale. Détermination de la vraie gamme diatonique par Hoëné Wronski", Revue Progressive, Nov 1853.
Durutte, François-Camille-Antoine. Esthétique musicale: technie ou lois générales du système harmonique. Mallet-Bachelier-Girod, Paris, 1855, 570 pages. Rousseau-Pallez, Metz.
Durutte, François-Camille-Antoine. Réponse du comte Camille Durutte à la réfutation de son système harmonique par Fétis, suivi de l'exposé du principe absolu du rythme musical et de la sanction physiologique de ce principe. Mallet-Bachelier, Paris, 1862, 31 pages.
Durutte, François-Camille-Antoine. Résumé élémentaire de la Technie harmonique, et complément de cette Technie. Gauthier-Villars, Paris, 1876, 411 pages.
Dussaut, Robert. "Proposition de quelques réformes en théorie acoustico-musicale", Colloque International d'Acoustique Musicale, Centre National de la Recherche Scientifique no. 84, Paris, 1958, pp. 103-110.
Dutilleux, Pierre. "Verstärkung von Differenztönen", Bericht der 19. Tonmeistertagung Karlsruhe, Zentrum für Kunst und Medientechnologie - Institut für Musik und Akustik, Verlag K.G. Saur, 1996, pp. 798-806.
Dutrochet, René-Henri-Joachim. Mémoire sur une nouvelle théorie de l'harmonie, dans lequel on démontre l'existence de trois modes musicaux, qui faisaient partie du système musical des Grecs. Allut, Paris, 1810.
Duysinx, François. "Documents of Ancient Greek Music by Egert Pöhlmann, Martin L. West (book review)", L'Antiquité Classique vol. 73, 2004, pp. 471-472.
Dyck, John. "Natural Sounds and Musical Sounds: A Dual Distinction", The Journal of Aesthetics and Art Criticism vol. 74 no. 3, summer 2016, pp. 291-302.
Dyer, Daniel. How to tune a piano in one hour, electronically. Bronxville NY, self-published, 1975, 25 pages.

- E -

Eargle, John M. Music, Sound and Technology. Van Nostrand Reinhold, New York, 1990.
Earls, Paul. "Harry Partch: Verses in Preparation for 'Delusion of the Fury'", Annuario vol. 3, Inter-American Institute for Musical Research, Tulane University, 1967, pp. 1-32.
Earls, Paul. "Genesis of a Music by Harry Partch (book review)", Anuario Interamericano de Investigacion Musical vol. 10, University of Texas Press, 1974, pp. 223-224.
Eaton, John. "A Portable Electronic Instrument", Music Journal, 1966.
Ebbeke, Klaus. "Compositions pour quator et trio à cordes d'Ivan Wyschnegradsky", CD notes Compositions pour quator et trio à cordes, Block, Berlin, 1990, pp. 23-29.
Ebeling, Martin. Tonhöhe physikalisch - musikalisch - psychologisch - mathematisch. Verlag Peter Lang, Frankfurt a.M., 1999.
Eberhardt, Siegfried. Absolute Treffsicherheit auf der Violine. Adolf Fürstner, Berlin, 1912, 92 pages.
Eberl, Kathrin; Konstanze Musketa and Wolfgang Ruf (eds.) Daniel Gottlob Türk - Theoretiker, Komponist, Pädagoge und Musiker. Bericht über die wissenschaftliche Konferenz anlässlich des 250. Geburtstages am 3. und 4. November 2000 im Händel-Haus Halle, Händel-Haus, Halle an der Saale, 2002, 352 pages.
Eberle, Gottfried. "Ivan Wyschnegradsky, ein russischer Pionier der Ultrachromatik", Neue Zeitschrift für Musik vol. 9, Sep 1974, pp. 549-555.
Eberle, Gottfried. "'Absolute Harmonie' und 'Ultrachromatik'. Nicolaj Obuchov und Ivan Wyschnegradsky - zwei radikale Fälle von Skrjabin Nachfolge", Alexander Skrjabin, Graz, 1980, p. 95.
Eberle, Gottfried. "Mysterium und Lichttempel. Alexander Skrjabin und Ivan Wyschnegradsky - zwei multimediale Konzepte", Beiheft zur Ausstellung Der Hang zum Gesamtkunstwerk, Berlin, 1983, p. 48.
Eberlein, Roland. "Selektive Adaptation bei Akkorden", Fortschritte der Akustik - DAGA '86, 1986, pp. 389-392.
Eberlein, Roland. Theorien und Experimente zur Wahrnehmung musikalischer Klänge. PhD thesis, Universität Köln, Europäische Hochschulschriften Reihe 36, Musikwissenschaft Band 44, Verlag Peter Lang, Bern/Berlin, 1990, 174 pages.
Eberlein, Roland. "Geschichte der Orgelstimmungen, Weitere Texte zum Thema Orgelstimmungen", WWW, 2016-2018, 7 articles, 70 pages.
Ebhardt, Gotthilf Frederic. Die höhern Lehrzweige der Tonsetzkunst: 1 Die musikalische Cadenz; 2 Die Fortschreitung, Ausweichung und der Übergang, mit Rücksicht auf die verschiedenen Cadenzen und melodischen Tonführungen; 3 Die Rythmik in Bezug auf Taktarten und ganze Sätze, etc., nebst einem Anhang über die Verwandtschaft der griechischen Tonarten mit unserem harmonischen System. Hofmeister, Leipzig, 1830, 260 pages.
Eccles, John and Daniel Purcell. Rules for Tuning a Harpsichord or Spinnet. 1702.
Echols, Jane Agnew. Melchiore de Barberiis's lute intabulations of sacred music. MA thesis, University of North Carolina, 1973, 275 pages.
Eck, Cathy van. "A good servant dismissed for becoming a bad master. Zur Geschichte der gleichstufigen Temperatur", Dissonance vol. 110, 2010, pp. 34-43.
Eckardt, Jason Keith. Parametric Articulation of Pitch Materials in Composition (parameters, perception, polarities, original composition). MA thesis, Columbia University, New York, 1998, 109 pages.
Eckersley, Dominic. "Rosetta Revisited: Bach's Very Ordinary Temperament", WWW, 2012, 21 pages.
Eckhardt, Jason C. "Listening and Composing", Current Musicology vol. 67-68, Columbia University, 2002, pp. 73-91.
Ederer, Eric B. The Theory and Praxis of Makam in Classical Turkish Music 1910-2010. PhD thesis, University of California, Santa Barbara, 2011.
Edholm, Dag W. "Temperaturen är i det närmste liksväfvig .... Till frågan om svenska orgelbyggares sätt att temperera efter 1700-talets mitt", Orgelforum vol. 23, 2001, pp. 18-23.
Edlund, Lars. Modus novus; Studies in reading atonal melodies. Nordiska Musikförlaget, Stockholm, 1963, 111 pages.
Edmonds, E.M. and M.E. Smith. "The Phenomenological Description of Musical Intervals", The American Journal of Psychology vol. 34 no. 2, Apr 1923, pp. 287-291.
Edmonson, Frank A. III. "Effect of Interval Direction on Pitch Acuity in Solo Vocal Performance", Journal of Research in Music Education vol. 20 no. 2, summer 1972, pp. 246-254.
Edskes, Cornelius Herman and Siwert Meijer (eds.) De nagelaten geschriften van de orgelmaker Arp Schnitger (1648-1719). Boeijenga, Sneek, Jan 1968, 80 pages.
Edskes, Cornelius Herman. "Über die Stimmtonhöhe und Temperatur der Arp Schnitger-Orgel von St. Jacobi in Hamburg", Cornelius H. Edskes. Doctor Honoris Causa (publication in honor of Cornelius H. Edskes, 19 October 1996), Hans Davidsson and Paul Peeters (eds.), Gothenburg, 1996, pp. 19-41.
Edwards, C.A. Organs and Organ Building. 'The Bazaar' Office, London, 1880, 248 pages.
Edwards, Michael; John Kitchen; Nikki Moran; Zack Moir and Richard Moir. Fundamentals of Music Theory. Open access book, University of Edinburgh, Oct 2021, 126 pages.
Egan, John B. Marin Mersenne, Traité de l'harmonie universelle: Critical Translation of the Second Book. PhD thesis, Indiana University, Bloomington IN, 1962, 260 pages.
Eger, Arthur. Stimmungshöhe und Stimmungsart und ihre Probleme bei der Wiederherstellung alter wertvoller Orgeln mit einer Untersuchung der Temperatur Gottfried Silbermann. Self-published, Freiberg, 1959, 24 pages.
Eger, Arthur. Eine Ergänzung zu meiner Schrift 'Stimmungshöhe und Stimmungsart' als Beitrag zur geplanten Neustimmung der Silbermannorgel in der St. Petrikirche zu Freiberg im Jahre 1961. self-published, Freiberg, 1960, 4 pages.
Eggebrecht, Hans Heinrich. Musik im Abendland. Piper, München 1991.
Eggen, Erik. Skalastudier. Studier over skalaens genesis på norrønt område. PhD thesis, Eberh. B. Oppi's Förlag, Oslo, 1923, 99 pages.
Eggen, Erik. "Zur Entstehung und Entwicklung der Skala", Gedenkboek aangeboden aan Dr. D.F. Scheurleer op zijn 70sten verjaardag, Martinus Nijhoff, 's-Gravenhage, 1925, pp. 103-106.
Eggers, Wolfgang. Die Stimmungs- und Intonationsprobleme auf der Gambe. Möseler Verlag, Wolfenbüttel, 1986, 31 pages.
Eggert, Kenneth Scott. Musica Universalis: From the Lambdoma of Pythagoras to the Tonality Diamond of Harry Partch. MA thesis, Montclair State University, Montclair NJ, 2013, 78 pages.
Eggington, Timothy John. Benjamin Cooke (1734-93), Composer and Academician:Science, Ancient Authority and the Advancement of English Music. PhD thesis, Goldsmiths, University of London, Jan 2008, 2 vols., 463 pages incl. scores.
Eggington, Timothy John. "Music, Experiment and Mathematics in England, 1653-1705 by Benjamin Wardhaugh (book review)", Fontes Artis Musicae vol. 57 no. 4, Oct-Dec 2010, pp. 429-431.
Eggington, Timothy John. "John Birchensha: Writings on Music (book review)", Cambridge, WWW, Oct 2012.
Eichhorn, Holger. "Ensemble-Intonation im 17. Jahrhundert", Stimmungen im 17. und 18. Jahrhundert. Vielfalt oder Konfusion?, 15. Musikinstrumentenbau-Symposion in Michaelstein am 11. und 12. November 1994, Günter Fleischhauer, Monika Lustig, Wolfgang Ruf, Frieder Zschoch (eds.), Michaelsteiner Konferenzberichte Bd. 52, Stiftung Kloster Michaelstein, 1997, pp. 142-150.
Eichler, C. Die Orgel, ihre Beschreibung, Behandlung und Geschichte; insbesondere für angehende Organisten dargestellt: Eingeführt durch Dr. Th. Eisenlohr. J.B. Metzler, Stuttgart, 1858, 16 pages.
Eijken, Eugène. Een onderzoek naar getempereerd spel op houtblaasinstrumenten in de 17e en 18e eeuw, in het bijzonder op de blokfluit. Koninklijk Conservatorium, Den Haag, 1982.
Eik, Jaap van. "De kwartenbas van Jeroen Thesseling", Music Maker, Sep 1995, pp. 26-29.
Eimert, Herbert. Grundlagen der musikalischen Reihentechnik. Universal Edition, Vienna, 1964, 174 pages.
Einbond, Aaron; Christopher Trapani and Diemo Schwartz. "Precise pitch control in Real Time Corpus-Based concatenative synthesis", Proceedings of the International Computer Music Conference, Ljubljana, 2012, pp. 584-588.
Eisenberg, Jacob. "Virdung's Keyboard Illustrations", Galpin Society Journal vol. 15, Mar 1962, pp. 82-88.
Eitner, Robert. "Scheibler, Johann Heinrich", Allgemeine Deutsche Biographie (ADB) vol. 30, Duncker & Humblot, Leipzig, 1890, pp. 702-704.
Eitz, Carl Andreas. Das mathematisch-reine Tonsystem. Breitkopf und Härtel, Leipzig, 1891, 50 pages. Kessinger Publishing, Feb 2010.
Eitz, Carl Andreas. "The tone-word system and its relation to the three kinds of tuning existing in music, viz. the pure quint tuning, the tempered one and the naturally pure one", 1905.
Eitz, Carl Andreas. Das Tonwort: Bausteine zur musikalischen Volksbildung. Frank Bennedik, (ed.), Breitkopf und Härtel, Leipzig, 1911, 1928, 192 pages.
Eitz, Carl Andreas. Der Gesangunterricht als Grundlage der musikalischen Volksbildung. 1914, 1924.
Eitz, Carl Andreas. "Von den natürlich reinen Stimmungsverhältnissen", Melos vol. 1, 1920, p. 293.
Ekholm, Elizabeth. "The Effect of Singing Mode and Seating Arrangement on Choral Blend and Overall Choral Sound", Journal of Research in Music Education vol. 48 no. 2, 2000.
Ekman, Petter. The Intonation Systems of Harry Partch. BA composition, Iceland Academy of the Arts, Mar 2011, 23 pages.
Ekmelische Musik, Gesellschaft für. 10 Jahre Gesellschaft für ekmelische Musik. Universität Mozarteum, Salzburg, 1991.
Ekmelische Musik, Internationale Gesellschaft für. 20 Jahre Internationale Gesellschaft für ekmelische Musik. Elisabeth Richter, Horst-Peter Hesse, Ezra Sims, Johannes Kotschy and Maria Richter-Taborsky (eds.), with introduction by Johannes Kotschy, Salzburg, 2001, 35 pages.
Ekowski, Christian (ed.) "Interview mit Gustav Leonhardt, Pionier des 'historischen' Bachspiels", organ - Journal für die Orgel vol. 4, 2000.
Ekwueme, Laz. E.N. "Concepts of African Musical Theory", Journal of Black Studies vol. 5 no. 1, Sep 1974, pp. 35-64.
Ekwueme, Laz. E.N. "Analysis and Analytic Techniques in African Music: A Theory of Melodic Scales", African Music: Journal of the African Music Society vol. 6 no. 1, July 1980, pp. 89-106.
Elia, Alessio. Musical Structures, Techniques of Composition and their Perception as Aural Phenomena. PhD thesis, University of Rome "Tor Vergata", Rome, 2012.
Eliot, Samuel A. "The Euharmonic Organ", The Living Age, 7 Sep 1850, pp. 473-479.
Ellinger, Karl. "Bericht 2013", Braunau am Inn, WWW, Mar 2013, 4 pages.
Ellinwood, Leonard (ed.) The 'Musica' of Hermannus Contractus. English translation by Leonard Ellinwood with introduction by John L. Snyder, 1936, 1952. 2nd ed., Eastman Studies in Music, Boydell & Brewer, University of Rochester Press, Nov 2015, 240 pages.
Ellinwood, Leonard. "Joseph Yasser: Mediaeval Quartal Harmony (A Plea for Restoration) (book review)", Speculum vol. 15 no. 1, Jan 1940, pp. 127-128.
Elliot, J.; J.R. Platt and R.J. Racine. "Adjustment of successive and simultaneous intervals by musically experienced and inexperienced subjects", Perception & Psychophysics vol. 42, Nov 1987, pp. 594-598. Also here.
Ellis, Alexander John. "On the Conditions, Extent, and Realization of a Perfect Musical Scale on Instruments with Fixed Tones", Proceedings of the Musical Society of London vol. 13 no. 13, Dec 1864, pp. 93-108.
Ellis, Alexander John. "On the Physical Constitution and Relations of Musical Chords", Proceedings of the Royal Society of London vol. 13 no. 13, Dec 1864, pp. 392-404.
Ellis, Alexander John. "Two memoirs on the theory of musical sounds", Proceedings of the Royal Society vol. 13 no. 13, London, Dec 1864. Reprint Taylor and Francis, London, 1864, 34 pages.
Ellis, Alexander John. "On the Temperament of Instruments with Fixed Tones", Proceedings of the Royal Society vol. 13 no. 13, London, Dec 1864, pp. 404-422. Also here.
Ellis, Alexander John. "Mesotonic Harmonium", Proceedings of the Musical Association vol. 1, 1874, p. 41.
Ellis, Alexander John. "Illustrations of Just and Tempered Intonation", Proceedings of the Musical Association vol. 1, 1874, pp. 159-165.
Ellis, Alexander John. "On Musical Duodenes, or the Theory of Constructing Instruments with fixed Tones in Just or in practically Just Intonation", Proceedings of the Royal Society of London vol. 23 no. 156-163, Dec 1875, pp. 3-31.
Ellis, Alexander John. "On the Sensitiveness of the Ear to Pitch and Change of Pitch in Music", Proceedings of the Musical Association vol. 3, Nov 1876, pp. 1-32. Also here.
Ellis, Alexander John. "Tonometry", The Athenaeum no. 2562, Dec 1876, p. 731.
Ellis, Alexander John. "Tonometry", The Musical World vol. 55 no. 7, Feb 1877, p. 117.
Ellis, Alexander John. "Tonometry", Journal of the Franklin Institute vol. 103 no. 2, Feb 1877, pp. 101-106.
Ellis, Alexander John. "On the basis of music, containing an elementary account of the nature of musical notes and chords, the generation of scales and modulations, and the origin and effects of the usual tempered scales", lecture, 14 Mar 1877, reprinted with numerous additions and alterations from the Educational Times, Apr 1877. C.F. Hodgson & Son, London, 1877, 48 pages.
Ellis, Alexander John. "Recently Proposed Improvements in Musical Intonation", Nature: the international journal of science vol. 15, Macmillan Publishers Limited, London, 29 Mar 1877, pp. 475-477.
Ellis, Alexander John. "On the Measurement and Settlement of Musical Pitch", Journal of the Society of Arts vol. 25 no. 1279, 25 May 1877, pp. 664-687.
Ellis, Alexander John. "Musical Temperament (letter)", The Athenaeum no. 2594, New Statesman Ltd., July 1877, pp. 57-58.
Ellis, Alexander John. "Notes of Observations on Musical Beats", Proceedings of the Royal Society of London vol. 30 no. 200-205, Jan 1880, pp. 520-533.
Ellis, Alexander John. "On the History of Musical Pitch", Journal of the Society of Arts vol. 28, Mar 1880, pp. 293-336; appendix pp. 400-403; postscript in vol. 29, 1881, pp. 109-113. Reprint in Studies in the History of Musical Pitch, Frits A.M. Knuf, Amsterdam, 1963, pp. 11-62.
Ellis, Alexander John. "Appendix", Journal Of The Society Of Arts, 2 April 1880, pp. 293-336. Reprint Frits A.M. Knuf, Amsterdam, 1963.
Ellis, Alexander John. "On the Influence of temperature on the musical pitch of harmonium reeds", Proceedings of the Royal Society of London vol. 31 no. 206-211, Jan 1881, pp. 413-415.
Ellis, Alexander John and Alfred James Hipkins. "Tonometrical Observations on Some Existing Nonharmonic Musical Scales", Proceedings of the Royal Society of London vol. 37 no. 232-234, Nov 1884, pp. 368-385. Also here.
Ellis, Alexander John. "The 'Natural' Scale", paper read before the Society of Arts, Apr 1885.
Ellis, Alexander John. "Tonic Sol-fa Minor Scale (letter)", The Musical Times and Singing Class Circular vol. 27 no. 523, Sep 1886, pp. 547-549. Correction, p. 679. Also here.
Ellis, Alexander John. "Conversion, Inversion, Reversion, Retroversion (letter)", The Musical Times and Singing Class Circular vol. 27 no. 524, Oct 1886, p. 614. Also here.
Ellis, Alexander John. "On the Musical Scales of Various Nations", Journal of the Society of the Arts vol. 33 no. 1688, 1885, pp. 485-527. Revised and enlarged version of "Tonometrical Observations...", also reprinted for private circulation by the author, with additions and corrections, Apr 1885. German translation "Über die Tonleitern verschiedener Völker" by Erich von Hornbostel in Sammelbände für vergleichende Musikwissenschaft vol. 1, München, 1922, p. 18. Reprint in A century of ethnomusicological thought, Kay Kaufman Shelemay (ed.), Garland Publications, New York, 1990, pp. 1-43.
Ellis, Alexander John. Studies in the History of Musical Pitch. Arthur Mendel (ed.), Frits Knuf, Amsterdam, 1968, 238 pages.
Ellis, Catherine J. and Bernard Seymour. "Pre-Instrumental Scales", Ethnomusicology vol. 9 no. 2, May 1965, pp. 137-144.
Ellis, Catherine J. "Transposition in South Australian Aboriginal Songs: Frequency Difference or Frequency Ratio?", Von Der Vielfalt Musikalischer Kultur: Festschrift für Joseph Kukkertz, Rüdiger Schumacher (ed.), Anif, Salzburg, 1992.
Ellis, Don. Quarter Tones: A Text with Musical Examples, Exercises and Etudes. Harold Branch Publishing, Plainview NY, 1975, 92 pages.
Ellison, Paul M. The Key to Beethoven: Connecting Tonality and Meaning in His Music. Boydell & Brewer, Pendragon Press, New York, Dec 2014, 437 pages.
Ellison, Ryan K. Historical Tuning Systems and Temperaments. The Chicago School for Piano Technology, July 2012.
Elliston, Thomas. Organs and Tuning: A practical handbook for organists; being a treatise on the construction, mechanism, and fine tuning of the instrument. London, 1894, 1895, 204 pages. Reprint, 3rd edition, Weekes & Co., London, 1911, 464 pages. Weekes & Co., London, 1916, 535 pages. Weekes & Co., London, 1924, 764 pages.
Ellsworth, Oliver B. "A Fourteenth-Century Proposal for Equal Temperament", Medieval and Renaissance Studies vol. 5, 1974, pp. 445-453.
Ellsworth, Oliver B. The Berkeley Manuscript. Greek and Latin Music Theory (Book 2). University of Nebraska Press, Lincoln NE, Aug 1984, 317 pages.
Ellsworth, Ray. "The weird, wonderful world of Harry Partch (music review)", The American Record Guide, Oct 1958, pp. 110-112.
Elsberry, Kristie Beverly (ed.) 'Élémens de musique, théorique et pratique, suivant les principes de M. Rameau' by Jean Le Rond d'Alembert: An Annotated New Translation and a Comparison to Rameau's Theoretical Writings. PhD thesis, School of Music, Florida State University, Tallahassee, 1984.
Elsner, Jürgen (ed.) Maqam, Raga, Zeilenmelodik: Konzeptionen und Prinzipien der Musikproduktion: Materialien der 1. Arbeitstagung der Study Group "Maqam" beim International Council for Traditional Music vom 28. Juni bis 2. Juli 1988 in Berlin. Berlin, 1989, 344 pages.
Elsner, Jürgen and Gisa Jahnichen (eds.) Regionale maqam-Traditionen in Geschichte und Gegenwart: Materialien der 2. Arbeitstagung der Study Group "maqam" des International Council for Traditional Music vom 23. bis 28. März 1992. Gosen bei Berlin, 2 vols., 1992, 593 pages.
Elsner, Jürgen. "Report on the 7th meeting of the ICTM Study Group on Maqam", International Council for Traditional Music, Baku, Mar 2011.
Elson, Louis C. "Acoustics: Suggestions in Behalf of an Unpopular Subject", The Musical Quarterly vol. 1 no. 3, July 1915, pp. 410-415.
Elst, Joannes van der. Den ouden ende nieuwen grondt vande mvsiicke bevanghende De vermeerderinghe ende verbeteringhe vanden sangh. Maximiliaen Graet, Gent, 1662, 88 pages.
Elster, Steven. "A Harmonic and Serial Analysis of Ben Johnston's String Quartet no. 6", Perspectives of New Music vol. 29 no. 2, summer 1991, pp. 138-165.
Ely, M.C. "Effects of timbre on college woodwind players' intonation performance and perception", Journal of Research in Music Education vol. 40, 1992, pp. 158-167.
Emerson, Louville Eugene. "The feeling-value of unmusical tone-intervals", Harvard psychological studies, Mifflin and company, Boston/Houghton, 1906, pp. 269-274.
Emerson, Phillip L.; Elisabeth Camus and Chris Richards. "Two-voice music programming system: The PDP-9 as an automatic electronic organ", Behavior Research Methods vol. 3 no. 3, 1971, pp. 164-166.
Émery, Éric. La gamme et le langage musical. Bibliothèque internationale de musicologie, Presses universitaires de France, Paris, 1961, 165 pages.
Emmanuel, Maurice. "The creation of the violin and its consequences", English translation by G.R., The Musical Quarterly vol. 23 no. 4, Oct 1937, pp. 509-515.
Encyclopedie Methodique. cf. Vol. 'Musique' et 'Arts et métiers' où l'on trouve divers articles concernant l'accord de l'orgue et du clavecin dont une description du Kirnberger II d'après Sulzer. Cf. également le mot 'système'. Panckoucke, Paris, 1782-1792.
Enders, Bernd. Studien zur Durchhörbarkeit und Intonationsbeurteilung von Akkorden. Kölner Beiträge zur Musikforschung Band 115, Bosse Verlag, Regensburg, 1981, 228 pages.
Enders, Bernd. "Stimmungswechsel - Variable Stimmungen per Computersteuerung", Das Musikinstrument vol. 38 no. 8, 1989, pp. 26-32.
Enders, Bernd (ed.) Mathematische Musik - musikalische Mathematik. Pfau Verlag, Saarbrücken, 2005, 137 pages with audio CD and CDROM.
Enevoldsen, Keith. "Twelve-Tone Musical Scale", WWW, 2003-2016.
Engel, Carl. Music of the most Ancient Nations, particularly of the Assyrians, Egyptians, Hebrews. John Murray, London, 1864. Facsimile reprint William Reeves, London, 1929, 379 pages. Yokai Publishing, Sep 2010, Franklin Classics, Oct 2018, 386 pages.
Engel, Carl. An Introduction to the Study of National Music. Longmans, Green, Reader and Dyer, London, 1866, 435 pages.
Engel, Gustav. Die Vocaltheorie von Helmholtz & die Kopfstimme: Separatabdruck aus dem Programm der neuen Akademie der Tonkunst für 1867. W. Hertz, Berlin, 1867, 18 pages.
Engel, Gustav. Das mathematische Harmonium: Ein Hülfsmittel zur Veranschaulichung der reinen Ton-Verhältnisse. Verlag von Carl Habel, Berlin, 1881, 73 pages.
Engel, Gustav. "Eine mathematische-harmonische Analyse des Don Giovanne von Mozart", Vierteljahrsschrift für Musikwissenschaft vol. 3, 1887, p. 491.
Engel, Gustav. Die Bedeutung der Zahlenverhältnisse für die Tonempfindung. Dresden, 1892.
Engelhardt, Jakob. "Comment on 'A Reconstruction of the Well-Tempered Tuning of Johann Sebastian Bach'", Das Musikinstrument vol. 29, 1980, pp. 956-960.
Eppelsheim, Jürgen. "Stimmlagen und Stimmungen der Ensemble-Streichinstrumente im 16. und frühen 17. Jahrhundert", Capella Antiqua München Festschrift, Verlang Hans Schneider, Tutzing, 1988, pp. 145-173.
Epstein, Abraham. Piano tuning: Its significance in music education. MA thesis, University of Southern California, Los Angeles, Aug 1950, 147 pages.
Eradus, W.J. "Stemmen en stemmingen in de muziek", Kerk en Muziek vol. 34 no. 5, Sep-Oct 1985, pp. 2-5.
Erb, J. Lawrence. Elementary theory: comprising the study of scales and intervals. Conservatory Press, Wooster OH, c.1911, 14 pages.
Erdman, James. "The influence and reputation of Andreas Werckmeister in the United States", Bericht über das Werckmeister-Kolloquium, Kultur- und Forschungsstätte Michaelstein, Michaelstein/Blankenburg, 1986, pp. 77-90.
Erdmann, Jerzy. "Ein Rechenmodell für historische Mensurationsmethoden", Acta Organologica vol. 23, 1992, pp. 339-350. Summary in French and English.
Eren, Ozan and Ugur Zeynep Güven. "Microtonal Guitar Culture in Turkey", Musicologist vol. 6 no. 1, June 2022, pp. 1-25. Also here.
Erguner, Suleyman. Rauf Yektâ Bey (in Turkish). Kitabevi Yayinlari, Istanbul, 2003, 2015.
Erickson, Raymond. "Concerning Measured Music (De Mensurabili Musica) by Johannes de Garlandia translated by Stanley H. Birnbaum (book review)", Journal of Music Theory vol. 26 no. 1, spring 1982, pp. 169-178.
Erickson, Raymond. Musica enchiriadis and Scolica enchiriadis. English translation with introduction and critical notes, Claude V. Palisca (ed.), Yale University Press, New York, 1995.
Erickson, Robert. "The Musical System of Archytas", San Francisco, Apr 1965. Also in ex tempore vol. 6 no. 2, summer 1993.
Erickson, Ron. "The Music of James Tenney (book review)", 1/1 vol. 1 no. 3, 1985, p. 4.
Erickson, Ron. "Timbre and tuning of the Balinese gamelan", Soundings vol. 14-15, Santa Fe NM, 1986, pp. 61-62.
Erkvanidze, Malkhaz. "The Georgian Musical System", 6th International Workshop on Folk Music Analysis, Dublin, June 2016, pp. 74-79. Also here.
d'Erlanger, Rodolphe. La musique arabe. Band I-VI, Librairie Orientaliste Paul Geuthner, Paris, 1930, 1935, 1938, 1939, 1949, 1959. Reprint Geuthner, Paris, 2001. Translations of al-Farabi, Avicenna, Al-Urmawî, etc. (vols. 1-4). Vol. 5: Essai de codification des règles usuelles de la musique arabe moderne. Book 1: "L'échelle générale des sons mélodiques employés en musique arabe moderne", Book 2: "Le système modal de la musique arabe moderne." Vol. 6: Essai de codification des règles de la musique arabe moderne. Book 1: "Le système rythmique de la musique arabe modern", Book 2: "Les diverses formes de composition artistique connues en musique arabe moderne."
Erlich, Paul. "On Harmonic Entropy", 1997.
Erlich, Paul. "Tuning, Tonality and Twenty-Two-Tone Temperament", Xenharmonikôn vol. 17, spring 1998, pp. 12-40.
Erlich, Paul. "A gentle introduction to Fokker periodicity blocks, WWW, 1999.
Erlich, Paul. The Forms of Tonality, a preview. self-published, 2001, 22 pages.
Erlich, Paul. "A Middle Path. Between Just Intonation and the Equal Temperaments, part 1", Xenharmonikôn vol. 18, 2006, pp. 159-199.
Erményi, Ludwig. "Petzvals Theorie der Tonsysteme", Zeitschrift für Mathematik und Physik vol. 51, B.G. Teubner, Leipzig, 1904, pp. 281-410.
Ernst, Friedrich. "Tasteninstrumente in Deutschland um 1800", Glareana vol. 19 no. 2, June 1970, pp. 2-9.
Ernst, Friedrich. "Über das Stimmen von Cembalo, Spinett, Clavichord und Klavier", Das Musikinstrument vol. 11, Musikinstrument, Frankfurt am Main, 1971, 47 pages.
Ertelt, Thomas F.; Frieder Zaminer; F.A. Gallo et al. (eds.) Italienische Musiktheorie im 16. und 17. Jahrhundert. Geschichte der Musiktheorie Bd. 7, WBG (Wissenschaftliche Buchgesellschaft), Darmstadt, Jan 1989, 418 pages.
Ertelt, Thomas F.; Frieder Zaminer; F.A. Gallo et al. (eds.) Vom Mythos zur Fachdisziplin: Antike und Byzanz. Geschichte der Musiktheorie Bd. 2, WBG (Wissenschaftliche Buchgesellschaft), Darmstadt, 2006.
Esbroeck, Guy van, and Franz Montfort. Qu'est-ce que jouer juste? - donnée scientifiques et essai sur la psycho-physiologie de l'audition. Editions Lumière, A. Manteau, Brussels, Jan 1946, 125 pages.
Esbroeck, Guy van. Le problème des gammes. Émile Leipp (ed.), Université Paris VII, Paris, Dec 1963.
Eskola, Kare. "Instruments that play between the notes", Finnish Music Quarterly vol. 4, Dec 2019, 4 pages.
Esper, Erwin. "Max Meyer and the Psychology of Music", Journal of Music Theory vol. 10 no. 2, winter 1960, pp. 182-199.
Espinosas, Juan de. "Retractiones de los errores y falsedas que escribe Gonçalo Martinez de Bizcargui", Arte de canto Ilano, 1514, 1528, 1550.
Essen, Thomas van and Frédéric Michel. Les manuscrits autographes de Marc-Antoine Charpentier. Catherine Cessac (ed.), Editions Mardaga, Feb 2007, pp. 200-230.
Essl, Georg; Stefania Serafin; Perry R. Cook and Julius O. Smith. "Musical Applications of Banded Waveguides", Computer Music Journal vol. 28 no. 1, spring 2004, pp. 51-63.
Estève, Pierre. Nouvelle découverte du principe de l'harmonie, avec un examen de ce que M. Rameau a publié sous le titre de Démonstration de ce principe. Huart et Moreau fils, Durand, Paris, 1751, 54 pages. 2nd edition, S. Jorry, Paris, 1752.
Estève, Pierre. Recherches sur le meilleur système de musique harmonique & sur son meilleur tempérament. Paris, 1755.
Estève, Pierre. Réplique aux réflexions que Mr. Romieu à faites sur les recherches concernant le meilleur sistème de musique et son tempérament. Paris, 1756.
Estrada, Julio. "Une théorie générale de l'intervallique élémentaire dans les échelles et quelques applications en analyse musicale", Memoria del XV Congreso Internacional de Musicología, Madrid, España, 1992.
Estrada, Julio. Théorie de la composition: discontinuum continuum. PhD thesis, Université de Strasbourg II, Sciences Humaines, 1994, 932 pages.
Estrada, Julio, Román Osorio and Mario Peña. "Sistema de graficación para música informática microtonal", Memorias del 2do. Congreso Internacional de Informática en la Cultura, Convención Internacional Informática 96, Havana, 1996, 12 pages.
Étienne, Luc. Un système musical nouveau: le tempérament décimal (la musique de l'autre côté du miroir). Bulletin du Groupe d'Acoustique Musicale no. 61 bis, Université Paris VII, Paris, June 1972.
Eubanks Winkler, Amanda. "Music, Science, and Natural Magic in Seventeenth-Century England by Penelope Gouk (book review)", Notes Second series vol. 57 no. 1, Sep 2000, pp. 125-127.
Euclides. Sectio canonis. c. 300 B.C. English translation by Thomas J. Mathiesen (ed.), "An annotated translation of Euclid's 'Division of a monochord'", Journal of Music Theory vol. 19 no. 2, autumn 1975, pp. 236-258.
Euler, Leonhard. Tentamen novae theoriae musicae ex certissimis harmoniae principiis dilucide expositae. St. Petersburg, 1739, 263 pages. In Opera Omnia series III volumen I, B.G. Teubner, Leipzig, 1926. German translation by Lorenz Mizler in Neu eröffnete Musikalische Bibliothek vol. 3, 1752: chapters 1-3, vol. 4, Leipzig, 1754: chapter 4. Reprint Frits Knuf, Hilversum, 1966. French translation Essai d'une nouvelle théorie de la musique, 1839. English translation with commentary by Charles Samuel Smith, PhD diss., Indiana University, Bloomington, June 1960, 365 pages. French translation Ecrits sur la musique by Renzo Caddeo, Xavier Hascher, Pierre Jehel, Ahtanase Papadopoulos and Hélène Papadopoulos, Editions Hermann, Paris, Oct 2015.
Euler, Leonhard. "Esame del Trattato di Tartini", manuscript, 1754/56, in: Giovanni Tebaldini, "Giuseppe Tartini. Appunti storico-critici. I: Tartini ed Euler", Gazzetta musical di Milano vol. 51 no. 31, 5 Aug 1897, pp. 444-448.
Euler, Leonhard. Exposition de quelques nouvelles vues mathématiques dans la théorie de la musique. Amsterdam, 1760.
Euler, Leonhard. "Conjecture de la raison de quelques dissonances généralement reçues dans la musique", Mémoires de l'ie Royale de Berlin, vol. 20, 1764. Also in Musique mathématique, Paris, 1865, pp. 217-224. Also in Opera Omnia series III volumen I, B.G. Teubner, Leipzig, 1926, pp. 508-515.
Euler, Leonhard. Tentamen de sono campanarum. Novi commentarii iae Scientiarum Imperialis Petropolitanae, tom. 10, 1764.
Euler, Leonhard. "Lettres à une Princesse d'Allemagne", Mitau and Leipzig, 1770, p. 28.
Euler, Leonhard. De harmoniae veris principiis per speculum musicum repraesentatis. 1774. In Opera Omnia series III volumen I, B.G. Teubner, Leipzig, 1926, pp. 568-586.
Euler, Leonhard. Briefwechsel von Leonhard Euler mit Johann I Bernoulli und Niklaus I Bernoulli. E.A. Fellmann and G.K. Mikhajlov (eds.), Opera Omnia (4A): Commercium epistolicum vol. 2, Birkhäuser, Basel, 1998.
Euser, Martin. "Pythagorean Triangles and Musical Proportions", Nexus Network Journal vol. 2, June 2000, pp. 33-40.
Evangelista, José. "A simple way to play microtonal music", WWW, 1999.
Evans, E. "Extending techniques: developing the saxophone's capacity for lower-end dynamics and microtonal playing", 2016.
Evans, Jeffrey. "The Keyboard Tuning Rules of 'The Modern Musick-Master'", Early Music vol. 11 no. 3, July 1983, pp. 360-363.
Everett, Timm. "Intonation Facts", Music Educators Journal vol. 29 no. 3, Jan 1943, pp. 19-20.
Everett, Walter. "Pitch down the middle", Expression in Pop-Rock Music, Walter Everett (ed.), Routledge, New York, 2008, pp. 111-174.
Ewell, Terry B. The Bassoon-Family Fingering Companion: An Annotated Index of Fingerings for Instruments in the Bassoon Family Contained in English Wind Periodicals and Other Select Publications with Additional Material. International Double Reed Society, 1996.
Ewing, Charles E. Practical Piano Tuning. Charles E. Ewing, Lincoln NB, 1913.
Ezgi, Suphi Z. Nazarî ve Amelî Türk Mûsikisi. (Theory and practice of Turkish music), 5 vols., Istanbul Conservatory Publication, Milli Mecmua Matbaasi, Istanbul, 1933-1940.

- F -

Faas, Ekbert (ed.) "Interview with Karlheinz Stockhausen held August 11, 1976", Interface vol. 6 no. 3-4, 1977, pp. 187-204.
Faber, Tom. "Decolonizing Electronic Music Starts With Its Software", Pitchfork, WWW, Feb 2021.
Faber Stapulensis, Jacobus. Elementa musicalia. Joannes Higmanus and Volgangus Hopilius, Paris, 1496.
Fabre d'Olivet. La musique expliquée comme Science et comme Art, et considérée dans ses rapports analogiques avec les mystères religieux, la mythologie ancienne et l'histoire de la terre. 1896. Édition Jean Pinasseau, Paris, 1928. l'Âge d'Homme, Lausanne, 1974, 93 pages.
Fabrizio, Al. A Guide to the Understanding and Correction of Intonation Problems. Meredith Music Publications, Fort Lauderdale FL, 1994, 2000, 32 pages.
Faggot, Jacob. "Trigonometrisk uträkning för den nya temperaturen för tonernas stämning", "Trigonometrische Berechnung der neuen Temperatur", Der Königl. Schwedischen Akademie der Wissenschaften neue Abhandlungen aus der Naturlehre, Haushaltungskunst und Mechanik vol. 5, 1743, pp. 230-234.
Fagnan, Laurier. "Research Report: 'Chiaroscuro' Resonance Balancing: The 'Bel Canto' Answer to Choral Tone and Intonation Problems", The Choral Journal vol. 49 no. 5, Nov 2008, pp. 51-55, 58-61.
Fairchild, Stephen. "Altered Equal Temperament for Small Pianos", Piano Technicians Journal vol. 25 no. 10, Seattle, 1982, pp. 20-21.
Faistauer, Jakob. Mathematik und Musik. MSc thesis, Fakultät für Mathematik, Universität Wien, 2020, 110 pages.
Fakhr al-Dini, Farhad. Harmuni-i musiqi-i Irani. Intisharat-i Mu'in, Teheran, 1394, 2015.
Falkener, Robert. Instructions for Playing the Harpsichord....To Which Is Added Exact Rules for Tuning the Harpsichord; With All the Different-Sized Wires Used in That Instrument. self-published, London, 1770.
Falkenhausen, Lothar von. Suspended Music: Chime Bells in the Culture of Bronze Age China. University of California Press, Berkeley CA, 1994, 567 pages, pp. 234-299.
Fanning, David. "Kurze Bemerkungen über das Spielen, Stimmen und Erhalten der Fortepiano, welche von Nanette Streicher, geborne Stein in Wien verfertiget werden (book review)", Early Music vol. 8 no. 3, July 1980, p. 393.
Faragó, Zoltán. "Musik und Akustik", WWW, 2005.
Faragó, Zoltán. "Stimmungen von Tasteninstrumenten", Forum Kirchenmusik: Zeitschrift des Verbandes Evangelischer Kirchenmusikerinnen und Kirchenmusiker in Deutschland vol. 52 no. 3, 2001, pp. 4-17.
Faraldo, Ángel. Tonality Estimation In Electronic Dance Music: A Computational And Musically Informed Examination. PhD thesis, Universitat Pompeu Fabra, Barcelona, Mar 2018, 234 pages.
Farey, John. "On Music", The Philosophical Magazine Series 1, vol. 26, London, 1807, pp. 171-176.
Farey, John. "On the Stanhope temperament of the musical scale", The Philosophical Magazine vol. 27, London, 1807, pp. 191-206.
Farey, John. "On different temperaments of the musical scale", The Philosophical Magazine vol. 27, London, 1807, pp. 313-322.
Farey, John. "On a new mode of equally tempering the musical scale", The Philosophical Magazine vol. 28, London, 1807, pp. 65-66.
Farey, John. "On the Musical Sound of the Gases", The Philosophical Magazine vol. 27, London, 1807, pp. 3-5.
Farey, John. "On the Stanhope and other temperaments of the musical scale", The Philosophical Magazine vol. 29, London, 1808, pp. 345-349.
Farey, John. "On the Two Systems of Musical Temperament Recommended by Earl Stanhope, Mr. Hawkes's System, &c.", The Philosophical Magazine vol. 30, London, 1808, pp. 3-8.
Farey, John. "Letter from the right honourable earl Stanhope, relative to Dr. Callcott's pamphlet on the stanhope temperament", The Philosophical Magazine Series 1, vol. 30, 1808, pp. 34-35.
Farey, John. "A Reply to Earl Stanhope, on his Defence of certain Principles and Facts erroneously stated in his Stereotyped 'Principles of the Science of Tuning Instruments with fixed Tones'", The Philosophical Magazine vol. 33, London, 1809, pp. 292-299.
Farey, John. "On a Pretended Musical Discovery", The Monthly Magazine vol. 29, part I for 1810, pp. 413-414.
Farey, John. "On M. Bemetzrieder's erroneous Calculations of the Magnitudes of certain musical Intervals", The Philosophical Magazine vol. 35, London, 1810, pp. 175-176. Also here.
Farey, John. "Six theorems, containing the chief properties of all regular douzeave systems of music", The Philosophical Magazine vol. 36, London, 1810, pp. 39-53, 374-375.
Farey, John. "On a Grand Practical Improvement in the Harmony of Musical Instruments, by the Introduction of the Rev. Henry Liston's Patent Enharmonic Organ; with the Names of the 60 distinct Sounds which it produces in each Octave, from 20 Pipes, and their Intervals calculated", The Philosophical Magazine vol. 37 no. 156, Richard Taylor and Company, London, 1811, pp. 273-278. Also here.
Farey, John. "A Table of the Beats, on Mr William Hawkes's Patent Organs and Piano-Fortes, calculated by the Rev. C. J. Smyth; and communicated, with some Remarks", The Philosophical Magazine vol. 37, London, 1811, pp. 321-323.
Farey, John. "Theorems for calculating the temperaments of such regular douzeaves as are commensurable or defined by a certain number of equal parts, into which the octave is divided", The Philosophical Magazine vol. 38, 1811, pp. 434-436.
Farey, John. "Mr. Farey's Reply to Mr. Broadwood", Monthly Magazine and British Register vol. 32 no. 2, 1811, p. 238.
Farey, John. "On various occasions (A reply to Mr. Broadwood's Tuning)", Monthly Magazine and British Register vol. 32 no. 2, 1811, p. 238.
Farey, John. "On His Notation of Musical Intervals", The Monthly Magazine vol. 34, Monthly Literary Register, 1812, pp. 7-8.
Farey, John (senior). "On the Rev. Mr. Liston's Euharmonic Organ, and his 'Essay on perfect Intonation', just published, for explaining fully the Principles of Tuning, and of performing upon this Organ with perfect Harmonies, in almost every possible Variety of Keys and Passages", The Philosophical Magazine vol. 39, London, 1812, pp. 373-376.
Farey, John (senior). "Further Remarks on the Rev. Mr. Liston's 'Essay on perfect Intonation': and his Scale with 59 Notes in the Octave; and on other Scales (perfect and tempered) for 12, 14, 16, 17, 19, 21, 22 and 24 Notes in the Octave respectively, &c.", The Philosophical Magazine vol. 39, June 1812, pp. 414-423. Also here.
Farey, John (senior). "Calculations of the Intervals and Beats of the Sounds yielded by various Gases in the corrected Experiments of Messrs. F. Kirby, and A. Merrick, recorded in Mr. Nicholson's Journal", The Philosophical Magazine and Journal vol. 45, 1815, pp. 26-28.
Farey, John (senior). "An Improved Piano-Forte - New Logarithmic Scales" , The Philosophical Magazine vol. 45, 1815, pp. 386-387.
Farey, John. "On the Nomenclature of Musical Intervals, and the Advantages of a Set of Symbols or Characters, by which the mutual Relations of the principals ones can be expressed, in the form of simple Equations - with a Table", The Philosophical Magazine and Journal vol. 49, 1817.
Farey, John (senior). "A Supplementary Table of Musical Intervals, for supplying the Omissions in Plate V, of our xxviiith Volume, making several Corrections therein, and supplying the new Symbols, by which certain of these Intervals are expressed in the Letter-press of our Work, for the Convenience of Printing", The Philosophical Magazine and Journal vol. 49 no. 229, London, 1817, pp. 360-361. Also here.
Farey, John (senior). "On the Nomenclature of Musical Intervals, and the advantages of a set of symbols or characters, by which the mutual relations of the principal ones can be expressed, in the form of simple equations: with a table", The Philosophical Magazine and Journal vol. 49 no. 229, 1817, pp. 362-367. Also here.
Farey, John (senior). "On Mr. Liston's, or the Euharmonic Scale of Musical Intervals, extended according to his tuning Process, from 59 to 612 Notes in the Octave; showing thus, a Division of the Octave into 612 equal Parts", The Philosophical Magazine vol. 49 no. 230, 1817, pp. 442-448. Also here.
Farey, John. On the recent Alterations said to be made by some tuners of Musical Instrument, in the Place of Wolves, or largely temperated Concords. London, 1820.
Farey, John. "Harmonics. On different modes of expressing the magnitudes and relations of musical intervals; with some remarks, in commendation of Professor Fischer's proportionally-tempered douzeave...", American Journal of Science vol. 2 no. 2, 1820, pp. 65-80.
Farhat, Hormoz. The Dastgah Concept in Persian Music. PhD thesis, University of California, Los Angeles, 1965. Cambridge University Press, Cambridge, 1990, 2004, 213 pages.
Farhat, Hormoz. The Traditional Art Music of Iran. Ministry of Culture and Arts Press, Tehran, 1973.
Farkouh, Maher. Die Madroshe der westsyrischen Kirche. Eine analytische und vergleichende Studie. PhD thesis, Institut für Musikwissenschaft, Musikpädagogik und Theaterpädagogik der Hochschule für Musik und Theater Rostock, Sep 2019, 322 pages.
Farmer, Gerald James. Multiphonics and other contemporary clarinet techniques. Shall-u-mo Publications, Rochester NY, 1982.
Farmer, Henry George. "Clues for the Arabian influence on European musical theory", The Journal of the Royal Asiatic Society, first quarter, 1925, pp. 61-80.
Farmer, Henry George. "Arabic musical manuscripts in the Bodleian Library", The Journal of the Royal Asiatic Society, 1925, pp. 639-654.
Farmer, Henry George. "Mùsïkï", EI vol. 3, Leiden, 1925, pp. 809-816.
Farmer, Henry George. "The Old Persian Musical Modes", Journal of the Royal Asiatic Society vol. c, 1926, pp. 93-95.
Farmer, Henry George. A History of Arabian Music to the XIIIth Century. Luzac & Co., London, 1929, 264 pages. Reprints London, 1967, 1994. Arabic translation by Girgîs Fathallâ Al Muhâmî, Dâr Maktabat Al Hayât, Beirut.
Farmer, Henry George. "The Congress of Arabian Music (Cairo, 1932)", Transactions of the Glasgow Oriental Society vol. 6, 1929-1933, pp. 61-67.
Farmer, Henry George. Al-Farabi's Arabic-Latin Writings on Music in the Ihsa al-`ulum. London, 1934. Reprint Hinrichsen Edition, New York, 1965.
Farmer, Henry George. "The Lute Scale of Avicenna", Journal of the Royal Asiatic Society, 1937, pp. 339-353.
Farmer, Henry George. "Was the Arabian and Persian Lute Fretted?", Journal of the Royal Asiatic Society, 1937, pp. 453-460.
Farmer, Henry George. "An outline of history of music and musical theory", A Survey of Persian Arts, vol. 3, Arthur Upham Pope (ed.), Oxford University Press, London, 1939.
Farmer, Henry George. The sources of Arabian music: an annotated bibliography of Arabic manuscripts which deal with the theory, practice, and history of Arabian music from the eighth to the seventeenth century. Bearsden, 1940. E.J. Brill, Leiden, 1965, 97 pages.
Farmer, Henry George. "The Music of Islam", New Oxford History of Music, volume 1: Ancient and Oriental Music, Egon Wellesz (ed.), Oxford University Press, London, 1957.
Farmer, Henry George. "The old Arabian melodic modes", Journal of the Royal Asiatic Society, parts 3 & 4, 1965, pp. 99-102.
Farmer, Henry George. "Music and Music Theory", A Survey of Persian Art, A. Pope (ed.), Oxford University Press, London, 1967.
Farmer, Henry George. "Persien", Außereuropäische Musik in Einzeldarstellungen, Joseph Kuckertz (ed.), Deutscher Taschenbuch Verlag/Bärenreiter Verlag, edition MGG, Kassel, 1980, pp. 180-189.
Farmer, Henry George. Studies in Oriental Music. Vol. I. History and Theory. Reprint of writings published in the years 1925-1966, The Science of Music in Islam vol. 1, Ed. Eckhard Neubauer, Frankfurt a.M., 1997, 756 pages.
Farneth, David. "Sound and Light: La Monte Young, Marian Zazeela by William Duckworth, Richard Fleming (book review)", Notes Second Series vol. 54 no. 3, Mar 1998, pp. 716-717.
Farnsworth, Paul R. The Social Psychology of Music. Ch. 2, "The Social Psychology of Musical Scales", The Dryden Press, New York, 1958, pp. 17-35.
Farrell, Joseph P. and Scott D. de Hart. The Grid of the Gods. Adventures Unlimited Press, Kempton IL, 2011, 396 pages.
Farrell, Peter. "Cadenza; Pour Violoncelle by Joan Guinjoan. Partita; For Cello Solo (1959) by Alan Ridout. Fantasia Concertante No. 1; For Cello Solo by Charles Camilleri. Bois-Terre; Violoncelle Solo by Tôn-Thât Tiêt. Sonaria; For Cello Alone by Elizabeth Vercoe. Solo; für Violoncello (1981) by Aribert Reimann. Solo 6; Für Violoncello (1980) by Reiner Bredemeyer. Cellomusik (1974) by Friedrich Goldmann (CD reviews)", Notes vol. 43 no. 1, Sep 1986, pp. 184-186.
Farshadfar, Maryam. Techniques of piano performance with regard to Persian music: A study on the traditional and the innovated styles. (such as the use of Fluid Piano, or the use of pianos tuned equal temperament). paper, autumn 2012, 25 pages.
Farup, Ivar. "Constructing an optimal circulating temperament based on a set of musical requirements", Journal of Mathematics and Music vol. 8 no. 1, Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance, Feb 2014, pp. 25-39. Also here.
Fascicolo, Vito Mario. Simulazione della musica greca antica con il Mathematica. MSc thesis, University of Bari, 2001, 160 pages.
Fatton, Andreas. "Try this at home! les espaces sonores. Stimmungen, Klanganalysen, spektrale Musiken", Internationales Symposium an der Hochschule für Musik Basel 7-9 December 2012, Dissonance vol. 121, Mar 2013, pp. 52-55.
Fattorini, Eugenio. Methodo per accordare i Pianoforti. Ricordi, Milano, 1859.
Faulhaber, Johann. Ingenieurschul. Frankfurt a.M., 1630.
Faulhaber, G. Andreas Werckmeister. 1974.
Faulkner, Thomas. The Organ-Builders Assistant. J. Boosey, London, 1823.
Faure, Frédéric, Malik Mezzadri and Alexandre Ratchov. "Analyse et jeu musical en tempérament juste adaptatif", Séminaire Mamux, Grégoire Genuys (ed.), IRCAM, Paris, Feb 2015. Also here.
Faust, Oliver Cromwell. The Piano-forte Tuner's Pocket Companion. The Faust School of Tuning, Boston, 1899, 1902. Reprint by American Printing House for the Blind, 1982.
Faust, Oliver Cromwell. The Theory of Piano Tuning. The Faust School of Tuning, Boston, 1913. Reprint by American Printing House for the Blind, 1980.
Faust, Oliver Cromwell. A treatise on the construction, repairing and tuning of the organ, including also the reed organ, the orchestrelle and the player-piano. Tuners Supply Company, Boston, 1949, 246 pages.
Fauvel, John; Raymond Flood and Robin Wilson (eds.) Music and Mathematics. From Pythagoras to Fractals. Oxford University Press, Oxford, 2003, 2006, 189 pages.
Favaro, John. Slightly Out of Tune: The Story of Musical Temperament. Viareggio, 12 April 2003, WWW, 10 pages.
Favilla, Stuart and B. Leather. "Real-time Control of Synthesis Parameters for LightHarp MIDI Controller", Proceedings of the 1997 ACMA Conference, 2011.
Fayolle, Fr. Notices sur Corelli, Tartini, Gaviniés, Pugnani et Viotti. Imprimerie Littéraire et Musicale, Paris, 1810, 56 pages.
Feaster, C. Raymond. The dynamic scale and how to tune it. Louisville KY, 1958.
Feaver, Douglas. "Ancient Greek Music by M.L. West (book review)", The American Journal of Philology vol. 122 no. 3, autumn 2001, pp. 436-440.
Federhofer, Hellmut. "Johann Joseph Fux und die gleichschwebende Temperatur", Die Musikforschung vol. 41 no. 1, Jan-May 1988, pp. 9-15. English translation "Johann Joseph Fux and Equal Temperament", Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann, M.A. Parker (ed.), Stuyvesant NY, 1994, pp. 119-130.
Feeney, M. Patrick, "Dichotic beats of mistuned consonances", Journal of the Acoustical Society of America vol. 102 no. 4, Oct 1997, pp. 2333-2342.
Feitosa, Marco. "Partitional Harmony: The Partitioning of Pitch Spaces", MusMat: Brazilian Journal of Music and Mathematics vol. 4 no. 2, Dec 2020, pp. 1-27.
Felciano, Richard. In Celebration of Golden Rain. American Gamelan Institute, Hanover NH, 1977.
Feldman, Walter (ed.) "Turkish Musical Symbols and the Intonation of Ottoman Music", Paragraph in From Rumi to the Whirling Dervishes, Edinburgh University Press, 2022, 2 pages. Also here.
Feldtkeller, Richard and Eberhard Zwicker. "Die Größe der Elementarstufen der Tonhöhenempfindungen und der Lautstärkeempfindung", Acta Acustica vol. 3 sup. 1, 1953, pp. 97-100.
Feldtkeller, Richard. "Welche Tonhöhen-Unterschiede kann unser Ohr noch wahrnehmen?", Umschau vol. 61, 1961, pp. 518-521.
Feller, Ross. "Christopher Bailey: Immolation Ritual (CD review)", Computer Music Journal vol. 36 no. 1, spring 2012, pp. 86-87.
Feller, Ross. "Hubert Howe: Clusters (CD review)", Computer Music Journal vol. 36 no. 4, winter 2012, pp. 99-100.
Fend, Michael. "Musiktheoretisches in Francesco Giorgis Idee einer harmonischen Welt", Kongreßbericht Bayreuth 1981, Kassel, 1981.
Fend, Michael. "Zarlinos Versuch einer Axiomatisierung der Musiktheorie in den Dimostrationi harmoniche (1571)", Musiktheorie vol. 4 no. 2, 1989, pp. 113-126.
Fend, Michael. Gioseffo Zarlino: Theorie des Tonsystems. Das 1. und 2. Buch der Istitutioni harmoniche (1573). PhD diss., TU Berlin, 1983. Series: Europäische Hochschulschriften no. 36:43. Verlag Peter Lang, Frankfurt a.M., 1989, 488 pages.
Fend, Michael. "Witnessing a 'Process of Rationalisation'? A Review-Essay of Max Weber's Study on Music", Max Weber Studies vol. 10 no. 1, Jan 2010, pp. 101-120.
Feng, James Q. "Music in Terms of Science", arXiv 1209.3767v1, WWW, Sep 2012, 74 pages.
Feng, Wenci. "Zhu Zaiyu zhusuan kaifangshu shuping" (Remarks about the evolution by Zhu Zaiyu using the Chinese abacus), Yinyue yanjiu (Music study) no. 4, 1987, (cum. no. 47), pp. 1-9. Reprint in Zhongguo yinyueshixue de huigu yu fansi / Feng Wenci yinyue wenji (Reviews and reflections in Chinese musicology / Essays on music by FENG Wenci), Yinyue lunzhu congshu (Musicological writings series), Shanghai Yinyue Xueyuan Chubanshe, Shanghai, 2005. English translation by Qinru Zhou "The Abacus Extraction used by Zhu Zaiyu for Calculating the Twelve-Tone Equal Temperament", Journal of Music in China vol. 3 no. 2, autumn 2001, pp. 157-178.
Fenner, Klaus. "Die Obertonverstimmung und ihre Bedeutung für den Klavierstimmer", Das Musikinstrument und Phono vol. 11, Verlag Das Musikinstrument, Frankfurt a.M., 1960, pp. 550-551.
Fenner, Klaus. "Über die Erstellung und Interpretation von Klanganalysen".
Fenner, Klaus. "Der Einfluß Der Zeit Auf Die Stimmhaltung Des Klaviersaitendrahtes", Bochinsky, Frankfurt a.M.
Fenner, Klaus. "Gute Stimmhaltung--eine Frage des Materials oder der Konstruktion?".
Fenner, Klaus. "Ist ein Qualitätsstimmstock wirklich der Hauptfaktor für gute Stimmhaltung?".
Fenner, Klaus. "Über Die Ursachen Der Unterschiedlichen Stimmbarkeit Von Klavieren", Vortrag Anläßlich Der Europiano-Studienreise Nach England Juni 1974 in London, Europiano Publications vol. 2. "The causes of variable tuning characteristics of pianos", in German, English and French, Bochinsky, Frankfurt a.M.
Fenner, Klaus. "Ursachen der unterschiedlichen Stimmbarkeit von Klavieren", "Causes of variable tuning characteristics of pianos", Das Musikinstrument, Verlag Das Musikinstrument, Frankfurt a.M., 1977, 19 pages.
Ferguson, James Smith. A scientific approach to band intonation. Master of Music thesis, University of Michigan, Ann Arbor, 1964, 92 pages.
Fernandez, Antonio. Arte de musica de canto dorgam, e canto cham, & proporções de musica divididas harmonicamente. Pedro Craesbeeck, Lisbon, 1626, 126 pages.
Fernández, E.H. "Austeridad, sintaxis no-discursiva y microprocesadores en la obra de Coriún Ahoranián", 2004.
Fernando-Marandola, Nathalie. "New Perspectives on Interactive Field Experiments", Yearbook for Traditional Music vol. 34, 2002, pp. 163-186.
Ferraguto, Mark. "Celebrating the Buxtehude Tercentenary: A Review of New Organ Recordings", Keyboard Perspectives: Yearbook of the Westfield Center for Historical Keyboard Studies vol. 1, 2007, pp. 153-159.
Ferrari-Barassi, Elena. "Acustica accordatura e temperamento nell'Illuminismo Veneto (book review)", Nuova Rivista Musicale Italiana vol. 24, no. 3-4, July-Dec 1990, pp. 537-540.
Ferreira, Manuel Pedro. Music at Cluny: the tradition of Gregorian chant for the proper of the mass. Melodic variants and microtonal nuances. PhD thesis, Princeton University, Princeton NJ, 1997, 552 pages.
Ferreira, Manuel Pedro. "Proportions in Ancient and Medieval Music", Mathematics and Music. A Diderot Mathematical Forum, Gérard Assayag, Hans Georg Feichtinger, José Francisco Rodrigues (eds.), Springer, New York, 2002, pp. 1-25.
Ferrer Flores, Rafael. The Role of Timbre in the Memorization of Microtonal Intervals. MA thesis, University of Jyväskylä, Department of Music, Jan 2007, 69 pages.
Ferrini, Giovanni Battista. Regola per accordare il cembalo... 17th cent.
Ferris, Joan. "The Evolution of Rameau's 'Harmonic Theories'", Journal of Music Theory vol. 3 no. 2, Nov 1959, pp. 231-256.
Ferroni, Nicola. "Il sistema regolare a 1/6 comma sintonico, WWW, 2015.
Fether, Deborah Carolyn. A Discussion of Contemporary Flute Design and the Issues Surrounding these Developments. MA thesis, Goldsmiths College, University of London, 2005, 109 pages.
Fétis, François Josef. Biographie universelle des musiciens et Bibliographie générale de la musique. 8 vols., Firmin Didot frères fils et cie, Brussels, 1835-1844, 1860-1868, 548 pages.
Fétis, François Josef. "Esquisse de l'histoire de l'harmonie, considérée comme art et comme science systématique", Revue et gazette musicale de Paris, 1840, pp. 1-77. English translation, Pendragon Press, Stuyvesant NY, 1994, 203 pages.
Fétis, François Josef. Traité complet de la théorie et de la pratique de l'harmonie. Au Conservatoire, Bruxelles, 1844. Schlesinger, Paris, 1844, 257 pages. 4th edition, 1849, 278 pages. Brandus et Dufour, Paris, 1867.
Fétis, François Josef. Histoire générale de la musique depuis les temps les plus anciens jusqu'a nos jours. Firmin Didot frères, Paris, 1869-1876, 2 vols., 527 pages.
Fichet, Laurent. Les théories scientifiques de la musique: XIXème et XXème siècles. J. Vrin, Paris, 1996, 390 pages.
Fichet, Laurent. Le langage musical baroque, éléments et structures. Zurfluch, Bourg-La-Reine, 2000, 175 pages.
Fickénscher, Arthur. "The 'Polytone' and the Potentialities of a Purer Intonation", The Musical Quarterly vol. 27 no. 3, July 1941, pp. 356-370. Also here.
Fickénscher, Arthur. "Polytone Keyboard", United States Patent 2,232,600. 18 Feb 1941.
Fiedler, Jörg. Die nicht-temperierte Intonation. MA thesis, Schola Cantorum Basiliensis, Basel, 1990.
Fiedler, Jörg. "Dichtung und Wahrheit im Tonsystem des 18. Jahrhunderts: Eine Demontage", Basler Jahrbuch für historische Musikpraxis vol. 15, 1991, pp. 149-182.
Field, Anthony. Tuning the Classical Guitar: A Commentary and Guide. MA thesis, University of Melbourne, Melbourne, 2008.
Field, J.V. "Ratio and Proportion in the Renaissance", Proportions - Science, Musique, Peinture & Architecture, Sabine Rommevaux, Philippe Vendrix and Vasco Zara (eds.), Brepols Publishers, Turnhout, 2011.
Figg, Graham Elliot. Just Intonation and the revitalization of neoclassicism: three works for baroque instruments. MA thesis, University of North Texas, May 2008, 106 pages.
Filip, Miroslav. "Sweep-tone effect in mistuned consonances", Musaica vol. 10, 1970, pp. 95-107.
Filippi, Filippo. Dell'intonazione. Memoria inédita del signor S. Bruni. S. Bruni (ed.), 1860.
Filippi, Filippo. L'accordatura teorico-pratica dei pianoforti. Lettera di Eugenio Fattorini a Giuseppe Canti du Busseto. 1861.
Finchum, Hilary. "Tuvan Overtone Singing: Harmonics Out of Place", SAVAIL Working Papers, 2000.
Finck, Hermann. Practica musica. Erben Heorg Rhau, Wittenberg, 1556.
Finé, Oronce and Pierre Attaignant. Epithoma musice instrumentalis: ad onmimodam hemispherii seu luthine & theoricam et practicam. Paris, 1530. Minkoff, Genève, 1993.
Fink, Gottfried Wilhelm. Erste Wanderung der altesten Tonkunst, als Vorgeschichte der Musik oder als erste Periode derselben. G.D. Bäderer, Essen, 1831, 295 pages.
Fink, Gottfried Wilhelm (ed.) "Anleitung, die Orgel vermittelst der Stösse (vulgo Schwebungen) und des Metronoms correct gleichschwebend zu stimmen", Allgemeine musikalische Zeitung vol. 36 no. 49, Dec 1834, p. 830.
Fink, Gottfried Wilhelm (ed.) "Ueber die Scheibler'sche Erfindung überhaupt und dessen Pianof.- und Orgelstimmung insbesondere von Dr. Joh. Jos. Loehr", Allgemeine Musikalische Zeitung vol. 39 no. 17, Apr 1837, pp. 265-267.
Fink, Robert. "The Oldest Song in the World", Archaeologia Musicalis vol. 2 no. 2, 1988, pp. 98-100.
Fink, Robert. Neanderthal Flute. Bob Fink, Saskatoon, 1997.
Fink, Robert. "A brief description of the natural forces bringing the 'do, re, mi, scale' into existence", The Origin of Music, Greenwich Publishers, Saskatoon, 1997.
Finnamore, David J. "5- to 9-tone, octave repeating scales. From Wilson's Golden Horagrams of the scale tree", WWW, 2003.
Finnamore, David J. "Explorations of Unusual Musical Tunings, WWW, 2003.
Fiore, Giacomo. Reminiscence, Reflections, and Resonance: The Just Intonation Resophonic Guitar and Lou Harrison's Scenes from Nek Chand", Journal of the Society for American Music vol. 6 no. 2, May 2012, pp. 211-237. Also here.
Fiore, Giacomo. The Just Intonation Guitar Works of Lou Harrison, James Tenney, and Larry Polansky. PhD thesis, University of California, Santa Cruz, June 2013, 256 pages.
Fiore, Giacomo. "Heterophonic tunings in the music of Larry Polansky", Tempo vol. 68 no. 267, Jan 2014, pp. 29-41. Also here.
First, David. "The Music of the Sphere: An Investigation into Asymptotic Harmonics, Brainwave Entrainment and the Earth as a Giant Bell", Leonardo Music Journal vol. 13, 2003, pp. 31-37. Also here.
Firth, I.M. and Hillary G. Sillitto. "Acoustics of the Highland Bagpipe Chanter and Reed", Acta Acustica vol. 40 no. 5, Jan 1978, pp. 310-315.
Fischer, Andrew. "New Releases: Riley and Hykes (CD review)", 1/1 vol. 2 no. 4, 1986, p. 2.
Fischer, Andrew. "Scott Wilkinson: Tuning In (book review)", 1/1 vol. 4 no. 4, 1988, p. 2, 13.
Fischer, Andrew. "Lou Harrison's Piano Concerto (CD review)", 1/1 vol. 5 no. 1, 1990, p. 2.
Fischer, Jack and Hervé Lauret. "Les tempéraments dans l'accord des instruments à claviers", WWW, 2000.
Fischer, Jerry Cree. Piano tuning, regulating and repairing: a complete course of self-instruction in the tuning of pianos and organs, for the professional or amateur. Theodore Presser, Philadelphia, 1907, 219 pages. Reprint Piano Tuning: A Simple and Accurate Method for Amateurs, Dover Publications, New York, 1975, 201 pages. Reprint BiblioBazaar, 2008.
Fischer, Johan Philip Anbrecht. Kort en grondig Onderwys, van de Transpositie, Beneffens Eenige korte aenmerkingen over de Musiek der Ouden, De onnodigheit van eenige Modis, en het ut, re, mi, Als mede De Subsemitonia, of gesneede klavieren. Waer noch bygevoegt is, eene korte en gemakkelyke Methode, om een klavier gelijk te stemmen. Willem Stouw, Utrecht, 1728, 34 pages.
Fischer, Johan Philip Anbrecht. Korte en noodigste grond-regelen van de Bassus Continuus. P. Muntendam, Utrecht, 1731, 52 pages.
Fischer, Johan Philip Anbrecht. Verhandeling van de klokken en het klokke-spel; waer in behalve de opkomst van het klokkespel, alles wat omtrent de klokken aenmerkelyk is, als: de stoffe, gewigt, en klank der zelve, mitsgaders de compositie regel voor de ton, en de nodige wetenschap van 't versteeken, wordt voorgestelt; benevens een kort bericht van de outheit, gebruyk, misbruyk, en doopen der klokken, als ook van zogenaamde wonderklokken. Utrecht, 1738. Reprint Asten, 1956, 's-Gravenhage, 1977.
Fischer, Matthias. Der Intonationstest: seine Anfänge, seine Ziele, seine Methodik. Europäische Hochschulschriften, Reihe XXXVI, Musikwissenschaft, Verlag Peter Lang, Frankfurt a.M., 1995, 230 pages.
Fischer, S. "Tuning each note of the scale", The Strad vol. 120 no. 1432, 2009, pp 66-67.
Fischinger, Timo; Klaus Frieler and Jukka Louhivuori. "Influence of virtual room acoustics on choir singing", Psychomusicology: Music, Mind, and Brain vol. 25 no. 3, June 2015, pp. 208-218. Also here.
Fishbein, Michael. "A Questionaire for Microtonal Musicians", Interval vol. 3 no. 4, 1982, pp. 18-19.
Fisher, Alexander Metcalf. "Essay on musical temperament", The American Journal of Science vol. 1, J. Eastburn and Company, New York, 1818, pp. 9-35, 176-199.
Fisher, Fred. "The Yellow Bell of China and the Endless Search", Music Educators Journal vol. 59 no. 8, Apr 1973, pp. 30-33, 95-96, 98.
Fisher, Fred and Gerald Edmundson. "Acoustics and the Mesoamerican Calendar", Interdisciplina vol. 1 no. 2, winter 1975, pp. 43-55.
Fisher, Fred. "Music and the wheel: The Oedipus story", Interdisciplina vol. 1 no. 3, spring 1976, pp. 38-54.
Fisher, Fred. "The Myth of Invariance: The Origin of the Gods, Mathematics and Music from the Rg Veda to Plato by Ernest G. McClain (book review)", The Journal of Aesthetics and Art Criticism vol. 36 no. 1, autumn 1977, pp. 123-124.
Fisher, Fred. "Mathematic Techniques in Music History", College Music Symposium vol. 18 no. 2, autumn 1978, pp. 24-33.
Fisher, Fred. "Kuttner's 'Great frame': A new hypothesis", Chinese Music vol. 4 no. 3, Sep 1981, pp. 47-50.
Fisher, Henry and/or Edward Quincy Norton. The Construction, Tuning, and Care of the Pianoforte. Oliver Ditson & Company, Boston, 1887, 1892.
Fjalestad, Olav (ed.) Eivind Groven. Heiderskrift til 70-årsdagen 8. oktober 1971. Noregs boklag, Oslo, 1971, 232 pages.
Fleischer, David. "Sounds of Infinity", Connoisseur vol. 213 no. 858, Aug 1983, p. 100 ff.
Fleischer, Helmut. Mechanische Eigenschaften von Nylonsaiten für Gitarren. Beiträge zur Vibro- und Psychoakustik vol. 1 no. 9, Helmut Fleischer and Hugo Fastl (eds.), Institut für Mechanik Fakultät für Luft- und Raumfahrttechnik, Universität der Bundeswehr München, Neubiberg, 2009, 91 pages.
Fleischhauer, Günter. "Beiträge zur antiken und neueren Musikgeschichte. (Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart, Band 17) by Egert Pöhlmann (book review)", Die Musikforschung vol. 45 no. 4, Oct-Dec 1992, pp. 374-375.
Fleischhauer, Günter et al. (eds.) "Stimmungen im 17. und 18. Jahrhundert. Vielfalt oder Konfusion?", 15. Musikinstrumentenbau-Symposium in Michaelstein am 11. und 12. November 1994, Michaelsteiner Konferenzberichte vol. 52, Michaelstein, 1997.
Fleisher, Tsippi. "Structural Aspects of My Music as Illustrated in the Tape Work 'The Gown of Night' and the Cantata 'Like Two Branches'", Organised Sound vol. 3, no. 1, Cambridge University Press, 1998, pp. 51-59.
Fletcher, Harvey. "Loudness, Pitch and the Timbre of Musical Tones and their Relation to the Intensity, the Frequency and the Overtone Structure", Journal of the Acoustical Society of America vol. 6 no. 2, Oct 1934, pp. 59-69.
Fletcher, Harvey. "Normal vibration frequencies of a stiff piano string", Journal of the Acoustical Society of America vol. 36 no. 1, Jan 1964, pp. 203-209.
Fletcher, Neville H. and Thomas D. Rossing. The Physics of Musical Instruments. Springer-Verlag, Berlin and New York, 1991. 2nd ed., June 1998, 776 pages. Springer Science & Business Media, May 2008, Nov 2013, 756 pages.
Fletcher, Neville H. "Tuning a pentangle, A new musical vibrating element", Applied Acoustics vol. 39 no. 3, 1993, pp. 145-163.
Flight, Benjamin. Practical theory and instruction to tune the organ or pianoforte. London, 1818. 3rd edition, Flight and Sons, London, c.1877, 24 pages.
Flight, J. Practical tuner for the organ or pianoforte. London, 1830.
Flores, Rafael Ferrer. The role of timbre in the memorization of microtonal intervals. MA thesis, University of Jyväskylä, Sep 2007, 68 pages.
Florio, Caryl. "Hints to Amateur Violinists", The Musical Amateur, 1880, pp. 130-131.
Floros, Constantin; Hans Joachim Marx; Peter Petersen et al. Studien zur Systematischen Musikwissenschaft. Laaber Verlag, Laaber, 1986.
Fludd, Robert. Utriusque Cosmi ... metaphysica, physica atque technica Historia, &c.. Oppenheim and Frankfort, 1617-1624. Containing De Musica Mundana. English translation The Temple of Music, Music Theory in Britain, 1500-1700: Critical Editions, Routledge, Ashgate, 28 Dec 2010.
Fludd, Robert. Monochordum Mundi Symphoniacum, seu, Replicatio R. F. ... ad apologiam ... J. Kepleri adversus demonstrationem suam analyticam nuperrime editam in qua Robertus validioribus Joannis objectionibus Harmoniæ sum legi repugnantibus, comiter respondere aggreditur. Frankfort, 1622. Reprint in Anatomiæ Amphitheatrum, Frankfort, 1623.
Focht, Ivan: "La notion pythagoricienne de la musique: contribution à sa détermination", International Review of the Aesthetics and Sociology of Music, 1972, pp. 161-172.
Fogliano, Ludovico. Musica theorica docte simul ac dilucide pertractata, in qua quamplures de harmonicis intervallis: non prius tentatae: continentur speculationes. Io. Antonius et Fratres de Sabio, Venice, 1529.
Fokker, Adriaan A. jr. "MICROTON: een 31-toons-computerprogramma voor IBM-PC of compatible", Jaarboek van de Stichting Huygens-Fokker, Haarlem, 1988, pp. 31-35.
Fokker, Adriaan Daniël. "Ultrasone trillingen", Archives du Musée Teyler vol. 3 no. 8, 1938, p. 414.
Fokker, Adriaan Daniël. "Christiaan Huygens' oktaafdeling in 31 gelijke diëzen" (Christiaan Huygens' octave division in 31 equal dieses), Caecilia en De Muziek vol. 98 no. 15, 1941, pp. 149-152.
Fokker, A.D. Harmonische muziek, and Balthasar van der Pol. Muziek en elementaire getallentheorie, lectures Haarlem, Teyler's Museum, 20, 27 December 1941, Reprint from Archives du Musée Teyler vol. 9 no. 5, 1942, pp. 449-540, Martinus Nijhoff, 's-Gravenhage, 1942.
Fokker, A.D. "De keuze der muziektonen" (the choice of the musical tones), Caecilia en De Muziek vol. 99, 1942, pp. 25-29.
Fokker, A.D. "Grondtoon, gidstoon en hun volledig akkoord" (fundamental tone, guide tone and their complete chord), Caecilia en De Muziekvol. 99, 1942, pp. 72-75.
Fokker, A.D. "Vierklanken als getallenkwartetten" (four-tone chords as number quartets), Caecilia en De Muziek vol. 99, 1942, pp. 116-118.
Fokker, A.D. "Intervalsnippers en de verdeeling van het octaaf en kwint in even grote delen" (interval shreds and the division of the octave and fifth in parts of equal size), Caecilia en De Muziek vol. 99, 1942, pp. 172-176.
Fokker, A.D. "Het muzikale toonstelsel van Christiaan Huygens, de normale diëzenstemming" (the musical tone-system of Christiaan Huygens: the tuning with equal dieses), De Gids vol. 106 no. 2, 1942, pp. 164-171.
Fokker, A.D. "Tartini en de zevende harmonische", Caecilia en De Muziek vol. 100, 1943, pp. 78-80. Also in Archives NAG: Publicatie No. 43 van de Geluidstichting, Delft, 1943.
Fokker, A.D. and Martin Lürsen. "Radio-uitzending Euler-orgel (audio)", Radio broadcast lecture with music examples (in Dutch), Haarlem, Nov 1945, 30 min., 28 MB.
Fokker, A.D. Rekenkundige bespiegeling der muziek. (Arithmetical reflection of music), Noorduijn, Gorinchem, 1945, 228 pages.
Fokker, A.D. "On equal temperament" [letter], Physica vol. 11, 1946, pp. 447-448.
Fokker, A.D. "Over Cis en Des" (about C sharp and D flat), Mens en Melodie vol. 2 no. 8, Aug 1947, p. 245.
Fokker, A.D. Les mathématiques et la musique. Trois conférences. Reprint from Archives du Musée Teyler vol. 10, Martinus Nijhoff, Den Haag, 1947, pp. 1-32.
Fokker, A.D. Just intonation and the combination of harmonic diatonic melodic groups. Martinus Nijhoff, Den Haag, 1949, 80 pages.
Fokker, A.D. "De middentoonstemming gedemonstreerd", Mens en Melodie vol. 4 no. 5, May 1949, pp. 139-141.
Fokker, A.D. and Jan van Dijk. "Expériences musicales avec les genres musicaux de Leonhard Euler contenant la septième harmonique" (musical experiences with Leonhard Euler's musical genera containing the seventh harmonic), Archives du Musée Teyler vol. 10 no. 3, 1951, pp. 133-146.
Fokker, A.D. "La gamme, la musique et le tempérament égal", lecture at la Sorbonne, Paris, 15 Jan 1951. Archives du Musée Teyler vol. 10 no. 3, 1951, pp. 147-160.
Fokker, A.D. "Les possibilités d'une notation musicale de plus grande précision" (the possibility of a musical notation of much greater precision). Voordracht voor de Nederlandse Vereniging voor Muziekwetenschap, Utrecht, 10 december 1949. Archives du Musée Teyler vol. 10 no. 3, 1951, pp. 161-171.
Fokker, A.D. "Les fréquences dans le tempérament égal à trent-et-un cinquièmes de ton" (the frequencies of 31-tone equal temperament), Archives du Musée Teyler vol. 10 no. 3, 1951, p. 172.
Fokker, A.D., Jan van Dijk and B.J.A. Pels. Recherches musicales, théoriques et pratiques, Reprint from Archives du Musée Teyler vol. 10, Martinus Nijhoff, Den Haag, 1951, pp. 133-184.
Fokker, A.D. "Un orgue à demitons majeurs et mineurs placé au Musée Teyler à Haarlem" (an organ with major and minor semitones situated in the Teylers Museum in Haarlem), Archives du Musée Teyler vol. 10 no. 3, 1951, pp. 182-184.
Fokker, A.D. "Les gammes et le tempérament égal", Acta Acustica vol. 1 no. 1, 1951, pp. 29-35.
Fokker, A.D. "Toonhoogte en intensiteit" (Pitch and intensity), Mens en Melodie vol. 6 no. 3, Mar 1951, p. 73.
Fokker, A.D. "De behoefte aan grotere nauwkeurigheid in de muzikale notatie der toonhoogte" (the need for greater precision in musical pitch notation), Mens en Melodie vol. 8 no. 4, Apr 1953, pp. 114-115.
Fokker, A.D. "The qualities of the equal temperament by 31 fifths of a tone in the octave", Report of the Fifth Congress of the International Society for Musical Research, Utrecht 3-7 July 1952. Vereniging voor Nederlandse Muziekgeschiedenis, Amsterdam, 1953, pp. 191-192.
Fokker, A.D. "Equal Temperament with 31 Notes", Organ Institute Quarterly vol. 5 no. 4, autumn 1955, p. 41.
Fokker, A.D. "Equal temperament and the thirty-one-keyed organ", The Scientific Monthly vol. 81 no. 4, Oct 1955, pp. 161-166. Also here.
Fokker, A.D. "Les cinquièmes de ton", Acoustique musicale, Edt. CNRS, Paris, 1959, pp. 29-37.
Fokker, A.D. "Optelakkoorden" (Addition chords), Mens en Melodie vol. 15 no. 5, May 1960, p. 145.
Fokker, A.D. "Wozu und warum? Fragen zur neuen Musik" (Wither and why? Questions concerning new music), Die Reihe vol. 8, 1962, pp. 62-72.
Fokker, A.D. "Genauere Bestimmung der Tonhöhe", Musica vol. 16, 1962, p. 37.
Fokker, A.D. "Multiple antanairesis", Oct 1962, Proceedings of the Koninklijke Nederlandse Akademie van Wetenschappen series A, vol. 66, Amsterdam, 1963, pp. 1-6. Also here.
Fokker, A.D. "Uitweg uit muzikale impasse", Algemeen Handelsblad, 3 Oct 1963.
Fokker, A.D. "Refinement of pitch", Organ Institute Quarterly vol. 10, Andover MA, 1963, pp. 13-14.
Fokker, A.D. Oor en Stem. Bundel solfège-oefeningen met harmonischen aan de nagedachtenis van Willem Pijper en Martinus Lürsen. Voor de Stichting Nauwluisterendheid uitgegeven door G. Alsbach & Co., Amsterdam, 1963, 27 pages. Included record (photo), listen side 1, listen side 2 (in Dutch).
Fokker, A.D. "Met verjongde oren" (with rejuvenated ears), Mens en Melodie vol. 19 no. 1, Jan 1964, pp. 14-16.
Fokker, A.D. "De muzikale ontwikkeling op een tweesprong" (musical development at the crossroads), Publikatie Nederlands Akoestisch Genootschap vol. 7, Sep 1965, pp. 3-7.
Fokker, A.D. Neue Musik mit 31 Tönen. Verlag der Gesellschaft zur Förderung der systematischen Musikwissenschaft e.V., Düsseldorf, 1966, 89 pages. English translation New Music with 31 Notes by Leigh Gerdine, Orpheus - Series of Monographs on Basic Questions in Music, vol. 5, Verlag für Systematische Musikwissenschaft, Bonn-Bad Godesberg, 1975, 95 pages.
Fokker, A.D. "On the expansion of the musician's realm of harmony", Acta Musicologica vol. 38 fasc. 2/4, Apr-Dec 1966, pp. 197-202, Bärenreiter Verlag, Basel, 1967. Also here.
Fokker, A.D. "Selections from the harmonic lattice of perfect fifths and major thirds containing 12, 19, 22, 31, 41 or 53 notes", Proceedings of the KNAW Series B, vol. 71, Amsterdam, 1968, pp. 251-266.
Fokker, A.D. "Periodieke herhalingen in het muzikaal harmonische veld" (periodical repeats in the musical-harmonic field), Verslagen van de gewone vergaderingen der afdeling Natuurkunde [van de KNAW] vol. 77 no. 9, Amsterdam, 1968, pp. 140-146.
Fokker, A.D. "Unison vectors and periodicity blocks in the three-dimensional (3-5-7-) harmonic lattice of notes", Proceedings of the KNAW Series B, vol. 72, Amsterdam, 1969, pp. 153-168.
Fokker, A.D., Hans Kox, Joel Mandelbaum and R.H. Orton. "Report of the Working Committee for Notation (IMS)", Report of the Tenth Congress of the International Musicological Society, Ljubljana, 1967. Bärenreiter, Kassel, 1970, pp. 473-483.
Fokker, A.D., Hans Kox, Joel Mandelbaum and R.H. Orton, "Die Notenschrift von 31 Diësen in der Oktave" (The notation of 31 dieses to the octave), Sonorum Speculum vol. 46, Amsterdam, 1971, pp. 31-47.
Fokker, A.D. "Acoustical analysis of a peal of thirteen Chinese bells", Proceedings of the KNAW, Series B, vol. 74, 1971, pp. 257-262.
Fokker, A.D. "New rational musical scales", Eivind Groven. Heiderskrift til 70-årsdagen 8. oktober 1971, Olav Fjalestad (ed.), Noregs Boklag, Oslo, 1971, pp. 191-204.
Fokker, A.D. "Pleasant sequences by addition chords", Acta Acustica vol. 28 no. 1, Jan 1973, pp. 3-4.
Fokker, A.D. Ab Ovo. Unpublished collection covering Fokker's life work. Currently in the archives of the Huygens-Fokker Foundation, Amsterdam.
Fokker, Jeroen. "De Archifoon: een computerprogramma voor microtonale muziek", Jaarboek van de Stichting Huygens-Fokker, 1988, Haarlem, pp. 37-50.
Folkers, Catherine. "Playing in Tune on a Baroque Flute", Traverso vol. 10 no. 1, Jan 1998.
Follett, E.A. Construction of Pianos: How to Tune and Repair, Tools and Materials Used and Required. Nunhead, London, c.1906.
Fongaard, Bjørn. 24-Toneuniversets Tonale Egenskaper og Dermed Forbundne Musikalske Muligheter. (Machinenschr.) Oslo.
Fongaard, Bjørn. N-Toneuniverset: (2/1)^n/12 --> "infinity. Og Dets Egenskaper Som Musikalsk Byggenmateriale. Oslo, 1967.
Fongaard, Bjørn. "Of the quarter-tone system and the micro-interval system and their musical characteristics", Nutida musik vol. 3, 1972-1973, pp. 14-21.
Fonsèque, Raymond. "Procédé Fonsèque de 24 sons par octave assorti de la notion de 'super-tempérament'", Paris, 1986.
Fontenelle, Bernard Le Bouyer de. Sur les systèmes tempérés de musique. Paris, 1730.
Fonton, Charles. Der Essai sur la musique orientale von Charles Fonton mit Zeichnungen von Adanson. Eckhard Neubauer (ed.), The Science of Music in Islam vol. 4, Frankfurt a.M., 1999, 324 pages.
Fontoura Costa da, Luciano. "Modeling Consonance and its Relationships with Temperament, Harmony, and Electronic Amplification", arXiv 1906.06559, WWW, June 2019, 13 pages.
Fontoura Costa da, Luciano and Henrique Ferraz de Arruda. "Syntonets: Toward A Harmony-Inspired General Model of Complex Networks", arXiv 1910.11047, WWW, 2019-2020, 14 pages.
Fonville, John. "Ben Johnston's Extended Just Intonation: A Guide For Interpreters", Perspectives of New Music vol. 29 no. 2, summer 1991, pp. 106-137. Also here.
Fonville, John. "Harmonic Resources of Extended Just Intonation", 1/1 vol. 7 no. 2, Dec 1991, pp. 1, 4-15.
Fonville, John. "Microtonal Fingerings for Flute: A Comprehensive List", Pitch: For the International Microtonalist vol. 1 no. 4, 1990, pp. 37-54.
Foote, Edward. "Historical Tunings on the Modern Concert Grand", WWW, 1997.
Force, David Robert Stuart. 'A Holding, Uniting-Constant Friend': The Organ in Seventeenth-Century English Domestic Music. PhD thesis, The Open University, Apr 2019, 305 pages.
Ford, Mike. "Processes of spectralization: From Josquin's Missa "L'homme armé" Super Voces Musicales to Haas's Tria ex Uno (music review)", Musicologica Olomucensia vol. 22, Dec 2015, pp. 7-23 with Czech abstract.
Forkel, Johann Nicolaus (ed.) and Johannes Tinctoris. Allgemeine Litteratur der Musik: oder, Anleitung zur kenntniss musikalischer Bücher, welche von der ältesten bis auf die neusten Zeiten bey den Griechen, Römern und den meisten neuern europäischen Nationen sind geschrieben worden: Systematisch geordnet, und nach Veranlassung mit Anmerkungen und Urtheilen begleitet. Contains a reprint of Tinctoris' Terminorum musicae diffinitiorum, Schwickert, Leipzig, 1792, 540 pages. Also here.
Forkert, Annika. "Microtonal Restraint", Journal of the Royal Musical Association vol. 145 no. 1, Cambridge University Press, May 2020, pp. 75-118.
Forlin, Gino Robair. How Trees Are Felled in China. Unpublished MA diss., Mills College, Oakland CA, 1988.
Formentelli, Bartholomeo. Méthode pour accorder le Piano-Forté. Janet et Cotelle, Paris, 1830.
Forrester, Peter S. "Citterns and their Fingerboard", Lute Society Journal vol. 23, 1983, pp. 15-20.
Förster, August. Der Viertelton-Flügel. A. Förster Flügel und Pianobriken Löban (Sachen) Georgswalde Tchecoslovaquie, 1925.
Forster, Cris. "Chrysalis", Interval vol. 1 no. 1, 1978, pp. 6-8.
Forster, Cris. "Harmonic/Melodic Canon IV", Interval vol. 1 no. 2, 1979, pp. 17-19.
Forster, Cris. "Introduction to Everything", Xenharmonikôn vol. 7-8, 1986-7, pp. 1-11.
Forster, Cris. "Diamond Marimba II", Interval vol. 1 no. 3, 1979, pp. 16-18.
Forster, Cris. "Conversion Analysis: Ratio to Cents", Interval vol. 1 no. 3, winter 1979, p. 5.
Forster, Cris. "Harry Partch: Ein Bildnis", Für Augen und Ohren, magazine of the Berlin Music Festival, Ulrich Eckhardt (ed.), Berlin, Jan-Feb 1980, pp. 10-13.
Forster, Cris. "Descriptions of five original acoustic instruments; and of the Chrysalis Foundation", Making Music, catalog of the California Crafts Museum, Bill Mellentin (ed.), San Francisco, Feb-Apr 1987.
Forster, Cris. "Plain String Calculations", Experimental Musical Instruments vol. 5 no. 6, Apr 1990, pp. 10-11.
Forster, Cris. "On the physics of musical glasses and marimba bars", Experimental Musical Instruments vol. 6 no. 3, Oct 1990. pp. 4-5.
Forster, Cris. "Wound String Calculations", Experimental Musical Instruments vol. 6 no. 3, Oct 1990. pp. 14-17.
Forster, Cris. "Just Intonation", WWW, 2002.
Forster, Cris. Musical Mathematics. On the Art and Science of Acoustic Instruments. Chronicle Books, San Francisco, July 2010, 944 pages.
Förster, H. von, and J. Beauchamp (eds.) Music by Computers. John Wiley and Sons, New York, 1969.
Forte, Allen. "Pitch-class Set Genera and the Origin of Modern Harmonic Species", Journal of Music Theory vol. 32 no. 2, autumn 1988, pp. 187-270.
Fortlage, Carl. Das musikalische System der Griechen in seiner Urgestalt, aus den Tonleitern des Alypius zum ersten Male entwickelt. Breitkopf und Härtel, Leipzig, 1847, 146 pages. Reprint P. Schippers N.V., Amsterdam, 1964.
Fortuin, Harold. "The Clavette", Jaarboek van de Stichting Huygens-Fokker, 1994, Amsterdam, pp. 147-151.
Fortuna, Clem. "Composing in Seven Equal & String Quartet in Seven Equal", Xenharmonikôn vol. 13, spring 1991, pp. 77-86.
Fortuna, Clem. Microtone Guide. self-published, 1989.
Fose, Luanne Eris (ed.) The 'Musica practica' of Bartolomeo Ramos de Pareia: A critical translation and commentary. PhD thesis, Music, University of North Texas, 1992, 538 pages.
Foss, Alexander H; Eric L. Altschuler and Karin James. "Neural correlates of the Pythagorean ratio rules", NeuroReport vol. 18 no. 15, Oct 2007, pp. 1521-1525.
Foster, P. Le Neve (ed.) "Uniform Musical Pitch", The Journal of the Society of Arts vol. 8 no. 417, 16 Nov 1860, pp. 1-8.
Foulds, John Herbert. Music-Today: Its heritage from the Past and Legacy to the Future. Ivor Nicholson and Watson Ltd., London, 1934. Chapter "Quarter-Tones", pp. 59-63.
Foulks, Frank. "On the Concept of the Scale", Journal of Philosophical Logic vol. 28 no. 3, June 1999, pp. 235-264.
Fourneaux, Napoléon. Instrumentologie: traité théorique et pratique de l'accord des instruments a sons fixes, l'harmonium, l'orgue a tuyaux et le piano, contenant une théorie complète du tempérament musical et des battlements. Repos, Paris, 1867, 295 pages.
Fournier, Guillaume. "Perception des intervalles harmoniques et apprentissage perceptuel", revue musicale oicrm vol. 4 no. 1, May 2017, pp. 17-43.
Fowler, Helen. "The Natural Scale (?)", Computer Music Journal vol. 10 no. 1, spring 1986, pp. 8-10.
Fox, Charles Warren. "Genesis of a Music by Harry Partch (book review)", Notes, Second Series vol. 6 no. 4, Sep 1949, pp. 621-622.
Fox, Charles Warren. "Zur Psychologie der Ton- und Klangeigenschaften (Unter Berücksichtigung der 'Zweikomponententheorie' und der Vokalsystematik) by Gerhard Albersheim. Der Toncharakter: eine Einführung in die Tonpsychologie by Jacques Handschin (book reviews)", Journal of the American Musicological Society vol. 2 no. 3, autumn 1949, pp. 175-179.
Fox, Christopher. "The Cambridge History of American Music by David Nicholls. Composing a World by Lou Harrison, Leta E. Miller, Fredric Lieberman. Harry Partch by Bob Gilmore (book reviews)", The Musical Times vol. 140 no. 1868, autumn 1999, pp. 57-58, 60-62.
Fox, Christopher. "Temperaments, tonalities and microtonalities: an introduction", Contemporary Music Review vol. 22 no. 1-2, Mar-June 2003, pp. 1-2.
Fox, Christopher. "Hybrid temperaments and structural harmony: a personal history", Contemporary Music Review vol. 22 no. 1-2, Mar-June 2003, pp. 123-139.
Fox, Christopher (ed.) Microtones and Microtonalities. Routledge, an imprint of Taylor & Francis, Abingdon, 2003, 142 pages.
Fox-Strangways, Arthur Henry. "The Hindu Scale", Sammelbände der internationalen Musikgesellschaft vol. 9 no. 4, Leipzig, July-Sep 1908, pp. 449-511.
Fox-Strangways, Arthur Henry. The Music of Hindostan. The Clarendon Press, Oxford, 1914, 376 pages. Reprint Oxford University Press, Oxford, 1965. Oriental Books Reprint Co./Munshiram Manoharlal, New Delhi, 1975. Kanishka Publishing House, Delhi, 1989.
Fox-Strangways, Arthur Henry. "The Pipes of Pan", Music & Letters vol. 10 no. 1, Jan 1929, pp. 58-64.
Fox-Strangways, Arthur Henry. "The Gândhâra Grâma", Journal of the Royal Asiatic Society, 1935, pp. 689-696.
Framjee, Firoze. Text book of Indian music (theory & practice): useful alike to the scholars of both northern (Hindustani) as well as southern (Carnatic) music. Sakhi Prakashan, Hathras (Aligarh), 1936, Poona, 1938, 1986, 1991, 144 pages.
Francis, John Charles. "The Keyboard Temperament of J.S. Bach", WWW, July 2004-2017. Music examples, Feedback part 1, part 2, part 3.
Francis, John Charles. "The Esoteric Keyboard Temperaments of J.S. Bach", EUNOMIOS Journal, Feb 2005, 49 pages.
Francis, John Charles. "Das Wohltemperirte Clavier. Pitch, Tuning and Temperament Design", WWW, July 2005.
Francis, John Charles. "Bradley Lehman: 'Bach's extraordinary temperament: our Rosetta Stone 1' (article review)", 2005, 7 pages.
Francis, John Charles. "Comparison of Werckmeister's Correct No. 1 (Werckmeister III) with BACH R12-2", 2005, 4 pages.
Francis, John Charles, "Friedrich Suppig's Diagrammatic Tunings", WWW, Mar 2006, 20 pages.
Francis, John Charles. "Tuning Interpretation of Bach's 1722 Seal as Beats Per Second", WWW, 2006, 7 pages.
Francis, John Charles. "Bach's Well Tempered Tuning", WWW, Feb 2011, 3 pages.
Francoeur, Louis-Benjamin. "Accordeur de Forte-Pianos, de Guitarre, d'Orgue, etc.", Dictionnair Technologique ou Nouveau Dictionnaire Universel des Arts et Métiers, et de l'Économie Industrille et Comerciale, par une Société de Savans et d'Artistes, Thomine, Paris, 1826.
Frandsen, Lars. Livsløgnen og drømmen om det fuldkomne. Om anvendelsen af ren stemning i forbindelse med det sædvanlige 12-tonige klaviatur, med udgangspunkt i Eivind Grovens renstemte orgel. Aalborg Universitet, 1995.
Frank, Heather Elizabeth. The relationship between singing intonation and string playing intonation in beginning violin and viola students. Michigan State University, 2006, 94 pages.
Franklin, Don O. "Bach's Keyboard Music in the 1730s and 1740s: Organs and Harpsichords, Hildebrandt and Neidhardt", Early Keyboard Studies Newsletter vol. 6 no. 1, Oct 1991, pp. 1-6, 12-14.
Franklin, John Curtis. "Musical Syncretism and the Greek Orientalizing Period", Archäologie früher Klangerzeugung und Tonordnungen, E. Hickmann and R. Eichmann (eds.), Serie Studien zur Musikarchäologie, Orient-Archäologie vol. 3, Rahden, 2002, pp. 441-451.
Franklin, John Curtis. "Diatonic Music in Greece: a Reassessment of its Antiquity", Mnemosyne, fourth series vol. 55 no. 6, 2002, pp. 669-702.
Franklin, John Curtis. Terpander: The Invention of Music in the Orientalizing Period. PhD diss., University College London, 2002, Oxford University Press, Oxford, 2004.
Franklin, John Curtis. "Hearing Greek Microtones" (with CD selections), Ancient Greek Music in Performance, Stefan Hagel and Ch. Harrauer (eds.), Wiener Studien Beiheft 29, Vienna, 2005, pp. 9-50. From a paper and audio-demonstration with Virtual Lyre delivered at Performing Ancient Greek Music Today, Österreichische Akademie der Wissenschaften, Vienna, 29 Sep - 1 Oct, 2003.
Franklin, John Curtis. "Realizations in Ancient Greek Music: Beyond the Fragments" (with CD selections), in E. Hickmann, R. Eichmann, A.A. Both (eds.), Serie Studien zur Musikarchäologie 6, Rahden, 2008.
Franklin, John Curtis. "Ancient Greek Music: a New Technical History by S. Hagel (book review)", The Journal of Hellenic Studies vol. 131, 2011, pp. 228-229.
Franklin, John Curtis. "QUAESTIO ERRORUM PLENA: Nicomachus' Account of Pythagoras, Philolaus, and the Archaic Heptachord", Giornale italiano di filologia vol. 71, 2019, pp. 9-38.
Franklin, John Curtis. The Middle Muse: Mesopotamian Echoes in Archaic Greek Music. Oxford University Press, to be published.
Franks, Daniel Zachariah. An Approach to Music. KeArt Music Philosophy, Witwatersrand, 2014.
Franssen, N.V. and C.J. v.d. Peet. "Digitale toonopwekking voor een transponerend elektronisch klavierinstrument", Philips Technisch Tijdschrift vol. 31, 1970, pp. 369-390, with grammophone record.
Fransson, Frans, Johan Sundberg and Per Tjernlund. "The scale in played music", Svensk tidskrift för musikforskning vol. 56 no. 1, 1974, pp. 49-54.
Frantz, Glen. "Composing in scaleless space", 1/1 vol. 4 no. 1, 1988, San Francisco, pp. 8-10.
Frantz, Glen. "A Scaleless Sequencer", 1/1 vol. 6 no. 3, summer 1990, pp. 4-5, 14.
Frazer, Peter A. A Software Engineering Approach to the Development of a Computer Music System. MSc thesis, University of Manchester, 1996.
Frazer, Peter A. "The Development of Musical Tuning Systems", WWW, Apr 2001, Apr 2015.
Freeman, Alan Dean. The Construction and Validation of a Scale of Band Intonation. Phd diss., University of Illinois, 1991, 182 pages.
Freeman, Robin. "Tanmatras: The life and work of Giacinto Scelsi", Tempo New Series no. 176, Mar 1991, pp. 8-18.
Freire, Ricardo Dourado. "Como será que eu afino? A relação entre sistemas de afinação e parâmetros de afinação na performance musical", Revista Música Hodie, Goiânia vol. 16 no. 2, June 2016, pp. 133-144.
Freire, Ricardo Dourado. "Utilização da série harmônica e da série sub-harmônica como recurso pedagógico em aulas de percepção musical e solfejo", Publicado nos Anais do SIMCAM vol. 12, 2016, UFRGS, 8 pages.
Freire, Ricardo Dourado. "Relações de afinação na produção de notas resultantes de acordo com os sistemas de Afinação Igual, Pitagórico e Justo, Percepta vol. 4 no. 2, Associação Brasileira de Cognição e Artes Musicais, June 2017, pp. 79-94.
Freis, Wolfgang. "Perfecting the Perfect Instrument. Fray Juan Bermudo on the Tuning and Temperament of the 'vihuela de mano'", Early Music vol. 23 no. 3, Aug 1995, pp. 421-435.
French, Frank. "Owen Jorgensen on Temperament", WWW, 2004.
French, Frank. "Is Equal Temperament Better?", WWW, Sep 2011.
French, Frank. "Tempermental Discussions", WWW, Dec 2013.
Friberg, Anders and Johan Sundberg. "Just noticeable difference in duration, pitch, and sound level in a musical context", Proceedings from the 3rd International Conference for Music Perception and Cognition, Irène Deliege (ed.), European Society for the Cognitive Sciences of Music, Liège, 1994, pp. 339-340.
Friberg, Anders; Roberto Bresin and Johan Sundberg. "Overview of the KTH rule system for musical performance", Advances in Cognitive Psychology vol. 2 no. 2-3, July 2006, pp. 145-161. Also here.
Friberg, Jöran. "Seven-Sided Star Figures and Tuning Algorithms in Mesopotamian, Greek and Islamic Texts", Archiv für Orientforschung vol. 52, 2011, pp. 121-155.
Fricke, Jobst Peter. Über subjektive Differenztöne höchster hörbarer Töne und des angrenzenden Ultraschalls im musikalischen Hören. PhD thesis, Universität Köln, Kölner Beiträge zur Musikforschung, Band 16, Gustav Bosse Verlag, Regensburg, 1960, 148 pages.
Fricke, Jobst Peter. "Die Innenstimmung der Naturtonreihe und der Klänge", Festschrift für Karl Gustav Fellerer, Regensburg, 1962.
Fricke, Jobst Peter. Intonation und musikalisches Hören. Habilitationsschrift Köln, 1968. epOs-Musik, Osnabrück, 2012, 226 pages.
Fricke, Jobst Peter. "Die Relativität optimaler Intervallgrößen", Bericht über den musikwissenschaftlichen Kongreß Bonn 1970, Carl Dahlhaus et al. (eds.), Bärenreiter, Kassel, 1973, pp. 397-400.
Fricke, Jobst Peter. "Moderne Ansätze in Mengolis Hörtheorie", Festschrift für Karl Gustav Fellerer, H. Hüschen (ed.), Arno Volk, Köln, 1973, pp. 117-125.
Fricke, Jobst Peter. "Mikrotonale Klangbildungen - Identifikation und Systemfähigkeit", Mikrotöne I, Edition Helbling, Innsbruck, 1986, pp. 165-184.
Fricke, Jobst Peter. "Überlegungen zur Durchsetzung des Prinzips der Gleichteilung vor Werckmeister: Pietro Mengolis Temperatur- und Toleranzberechnungen", Bericht über das Werckmeister-Kolloquium, Kultur- und Forschungsstätte Michaelstein, Michaelstein/Blankenburg, 1986, pp. 22-39.
Fricke, Jobst Peter. "Klangbreite und Tonempfindung: Bedingungen kategorialer Wahrnehmung aufgrund experimenteller Untersuchung der Intonation", Musikpsychologie. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie Bd. 5: Empirische Forschungen - Ästhetische Experimente, Noetzel, Wilhelmshaven, 1988, pp. 67-87.
Fricke, Jobst Peter. "Die Bedeutung der Mikrointervalle im Wandel der Zeiten und Kulturen", Mikrotöne IV, Bericht über das 4. Internationale Symposion "Mikrotonforschung" 1991 in Salzburg, Horst-Peter Hesse (ed.), Filmkunst-Musikverlag, München, 1993, pp. 221-250.
Fricke, Jobst Peter. "Hörerfahrungen mit mikrotonaler Musik", Mikrotöne IV, Filmkunst-Musikverlag, München, 1993, pp. 163-175.
Fricke, Jobst Peter. "Pitch bending und das Harmonium als Reininstrument. Mit einem Verzeichnis der Reininstrumente und deren Beschreibung", Harmonium und Handharmonika. 20. Musikinstrumenten-Symposium, Michaelstein, 19. bis 21. November 1999, Monika Lustig (ed.), Michaelsteiner Konferenzberichte vol. 62, Stiftung Kloster Michaelstein, Blankenburg, 2002, pp. 105-116.
Fricke, Jobst Peter. "Classification of perceived musical intervals", Classification - The ubiquitous challenge, C. Weihs and W. Gaul W (eds.), Springer, Berlin, 2005, pp. 585-592.
Fricke, Jobst Peter. "Neuronale Koinzidenz mit Unschärfe löst das Problem unbefriedigender Konsonanztheorien", Musikpsychologie. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie Band 20, Musikalisches Gedächtnis und musikalisches Lernen, Wolfgang Auhagen; C. Bullerjahn and H. Höge (eds.), Hogrefe, Göttingen, 2009.
Fricke, Jobst Peter. "The Recognition of Consonance Is not Impaired by Intonation Deviations: A Revised Theory", chapter in Studies in Classification, Data Analysis, and Knowledge Organization, Springer, Berlin, Jan 2012, pp. 383-391. Also here.
Friedlander, Ed. "The Ancient Musical Modes: What Were They?", WWW, 2000.
Friedman, Ronald S.; W. Trammell Neill; George A. Seror and Abigail L. Kleinsmith. "Average Pitch Height and Perceived Emotional Expression Within an Unconventional Tuning System", Music Perception vol. 35 no. 4, Apr 2018, pp. 518-523.
Friedrich, Ernst. Über das Stimmen von Cembalo, Spinett, Clavichord und Klavier. Schriftenreihe Das Musikinstrument, M. Bochinsky (ed.), Verlag Das Musikinstrument, Frankfurt a.M., 1971, 5th ed. 2002, 47 pages.
Friedrich, Siegfried. Zu Funktion und Wirkung gradueller Tonhöhenänderungen in J.S. Bachs 'Das Wohltemperierte Klavier' I und II sowie F. Schuberts 'Die schöne Müllerin'. Böhlau Verlag, Vienna, Apr 2016, 548 pages.
Fripertinger, Harald. Untersuchung über die Anzahl verschiedener Intervalle, Akkorde, Tonreihen und anderer musikalischer Objekte in n-Ton Musik. MA thesis, Hochschule für Musik und Darstellende Kunst, Graz, 1991.
Fripertinger, Harald. "Enumeration in Musical Theory", Séminaire Lotharingien de Combinatoire vol. 26, 1991, pp. 29-42. Also in Beiträge zur Elektronischen Musik vol. 1, Institut für Elektronische Musik und Akustik, Graz, Jan 1993. Also here BEM 1, 1996.
Frisch, Uwe. "En torno a Julián Carrillo", Diálogos: Artes, Letras, Ciencias humanas vol. 20 no. 5 (119), Sep-Oct 1984, pp. 18-25.
Fritsch, Ingrid. "Zur Geschichte der Tonsysteme Japans", Analysen von Solo-Honkyoku der Tozan-Schule, Studien zur traditionellen Musik Japans, Band 4, Bärenreiter Verlag, Kassel, 1979, pp. 47-69.
Fritsch, Johannes. Die Tonalität des Harry Partch. Feedback Papers vol. 14, Feedback Studio Verlag, Köln, 1977, pp. 17-21.
Fritsch, Johannes. "Allgemeine Harmonik, Tonsysteme, Mikrotonalität: ein geschichtlicher Überblick", Orientierungen: Wege im Pluralismus der Gegenwartsmusik, Jörn Peter Hiekel (ed.), Veröffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt vol. 47, Schott Musik International, Mainz, 2007, pp. 107-122.
Fritz, Barthold. Anweisung, wie man Claviere, Clavecins, und Orgeln, nach einer mechanischen Art, in allen Zwölf Tönen gleich rein stimmen könne. Leipzig, 1756, 1780, 1829. Also here. Dutch translation Onderwys, om Op eene Tuigwerkelyke wyze Clavieren, Clavecimbels, en Orgels, In alle 24 Toonen even zuiver te Stemmen, Op dat daar uit Zo wel de Major als Minor welluidend gespeeld kan worden. Uit het Hoogduits vertaald door H. van Evervelt (ed.), en voorzien met eenige Aanmerkingen, J.J. Hummel, Amsterdam, 1757, 36 pages. Microfiche, Inter Documentation, Zug, 1976.
Fritz, K. von. "Mathematiker und Akusmatiker bei den alten Pythagoreern", Sitzungsberichte der Bayrische Akademie der Wissenschaften, 1960, p. 2.
Froger, Jacques. "Les pretendus quarts de ton dans le chant grégorien et les symboles du ms H. 159 de Montpellier", Études grégoriennes vol. 17, 1978, pp. 145-179.
Fröhlich, Norbert and Pierre Funck. "Wählt die Tonart die Musik? Wie die Stimmung eines Tasteninstruments die Komposition beeinflusst", Klang: Wundertüte oder Stiefkind der Musiktheorie. 16. Jahreskongress der Gesellschaft für Musiktheorie (GMTH) Hannover 2016 (GMTH Proceedings 2016), Britta Giesecke von Bergh; Volker Helbing; Sebastian Knappe and Sören Sönksen (eds.), Hannover, 2016, pp. 503-523. Also here.
Frosch, Johannes. Rerum musicarum opusculum rarum ac insigne, totius eius negotii rationem mira industria et brevitate complectens, iam recens publicatum. Peter Schoeffer and Mathias Apiarius, Strasbourg, 1535.
Frosch, Reinhart. Mitteltönig ist schöner! Studien über Stimmungen von Musikinstrumenten. Verlag Peter Lang, Bern/Wien, 1993, 1996, 276 pages. English translation Meantone is Beautiful! Studies on Tunings of Musical Instruments, Peter Lang, Bern, 2002, 254 pages.
Frosch, Reinhart. Musical Consonance and Cochlear Mechanics. Vdf Hochschulverlag AG, Zürich, Oct 2012, 224 pages.
Frost, Thomas P. "A matter of records (record review)", Organ Institute Quarterly vol. 5 no. 3, summer 1955, pp. 41-43.
Frosztega, Alexander J. Friedrich Wilhelm Marpurg and musical temperament in late eighteenth-century Germany. PhD diss., Universiteit Utrecht, 1999.
Frova, Andrea. Fisica nella musica. Zanichelli, Bologna, 1999, 576 pages.
Frusi, Luciano. "La doppia intonazione dell' intervallo di terza minore", Rivista internazionale di musica sacra vol. 7 no. 4, 1986, pp. 372-381.
Frutolfus of Michelsberg. Breviarium de musica et Tonarius. 12th century. P. Cölestin Vivell (ed.), Sitzungsberichte vol. 188, Akademie der Wissenschaften in Wien, Vienna, 1919, pp. 26-113.
Frye, Royal Merrill and Esther Watson Tipple. A Graphic Introduction to the Harmon. and Data Supplement to a Graphic Introduction to the Harmon. self-published, Boston, 1942. (Library of Congress catalogue numbers ML 3809 .T 56 G 7 and ML 3809 .T 557)
Fuchs, Helmut. "Klavierstimmung und akustische Forschung", Das Musikinstrument und Phono vol. 2, Verlag Das Musikinstrument, Frankfurt a.M., 1964, pp. 151-153.
Fuertes, Sorino. "Tratado de musica de Al-Farabi", Musica arabe-española, Barcelona, 1853.
Fugiel, Boguslaw. "Waveform Circularity from Added Sawtooth and Square Wave Acoustical Signals", Music Perception: An Interdisciplinary Journal vol. 28 no. 4, Apr 2011, pp. 415-424.
Fujii, Kaneharu. "Method of any device for automatically and instantaneously shifting a musical scale of a piano to another musical scale", Journal of the Acoustical Society of America vol. 93 no. 1, Jan 1993, p. 594.
Fujiwara, Kazuhiro. "Über die musiktheoretischen und philosophischen Grundlagen der Temperaturtheorie Andreas Werckmeisters", Conference Report Stuttgart 1995, 1998, pp. 153-164.
Fuller, Ramon. "A Structuralist Approach to the Diatonic Scale", Journal of Music Theory vol. 19 no. 2, autumn 1975, pp. 182-210.
Fuller, Ramon. "A Study of Microtonal Equal Temperaments", Journal of Music Theory vol. 35 no. 1-2, Duke University Press, spring-autumn 1991, pp. 211-237.
Fuller-Maitland, J.A. "Of Defects in Musical Instruments and Their Value", The Musical Quarterly vol. 6 no. 1, Jan 1920, pp. 91-97.
Fuller-Maitland, J.A. "Tonic-Sol-Fa; Pro and Con", The Musical Quarterly vol. 7, 1921, pp. 68-72.
Funk, Christlieb Benedict. De sono et tono disserit et nobilissimos doctissimossoqve liberalivm artivm et philosophiae cvotores .... Langenhemiorvm haered. et Klavberthiis, Leipzig, 1779, 16 pages.
Funk, Christlieb Benedict. Disquisitionem in doctrinam de sono et tono continvat et ad celebrandam in avdiotorio philosophico memoriam. Henricianam, Ridelianam et Seyfertianam. ex officina Klavbarthis, Leipzig, 1782, 8 pages.
Funke, Otto. Das Klavier Und Seine Pflege; Theorie Und Praxis Des Klavierstimmens. Verlag von Baensch Druckerei, Dresden, 1940, 78 pages. Verlag das Musikinstrument, Frankfurt a.M., 1958. PPV Medien GmbH, 1984, 2004.
Funke, Otto. Das Intonieren von Pianos und Flügeln mit Besonderer Berücksichtigung der Beziehungen von Hammerkopf, Resonanzboden, Saitenbezug und so weiter zur Intonation. Otto Krause, Berlin, 1953. Das Musikinstrument Series vol. 21, Frankfurt am Main, 1977, 55 pages.
Furer, Samuel. Musikalität natürlich oder künstlich?. Kommissionsverlag Müller & Schade, Bern, 1949, 88 pages.
Furio, Angelo (da Todi). Armonica cultura.... Ms Musica F.5, libretto secondo : 'Della regola da osservarsi nell'accordo degli strumenti', 17th-18th cent., pp. 90-100.
Fürniss, Susanne. "The pentatonic musical system of the Aka Pygmies of Central Africa", ESCOM-Newsletter vol. 4, European Society for the Cognitive Sciences of Music, 1993, pp. 26-32.
Fux, Johann Joseph. Gradus ad Parnassum. Book I, Johannes Petrus Van Ghelen, Vienna, 1725, 280 pages. German translation Gradus ad Parnassum, oder Anführung zur regelmäßigen musicalischen Composition by Lorenz Mizler, Mizlerischen Bücherverlag, Leipzig, 1742, 250 pages. Reprint Georg Olms Verlag, Hildesheim, 1974. English translation Steps to Parnassus: the study of counterpoint by Alfred Mann (ed.), W.W. Norton & Co., New York, 1943.
Fyda, Mary Catherine. Perception and internal representation of musical intervals. East Lansing MI, 1975, 51 pages.
Fyk, Janina. "Tolerance of intonation deviation in melodic intervals in listeners of different musical training", Archives of Acoustics vol. 7 no. 1, Warsaw, 1982, pp. 13-28.
Fyk, Janina. "Perception of mistuned intervals in melodic context", Psychology of Music vol. 213, special edition, 1982, pp. 36-41.
Fyk, Janina. "Duration of Tones Required for Satisfactory Precision of Pitch Matching", Bulletin of the Council for Research in Music Education no. 91, Eleventh International Seminar on Research in Music Education, spring 1987, pp. 38-44.
Fyk, Janina. Melodic intonation, psychoacoustics, and the violin. Organon Publishing House, Zielona Góra, 1995, 273 pages.
Fyk, Janina. "Intonation", The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning, Richard Parncutt and McPherson (eds.), Oxford University Press, New York, 2002, pp. 183-197.

- G -

Gable, Frederick K. "Possibilities for mean-tone temperament playing on viols", Journal of the Viola Da Gamba Society of America vol. 16, 1979, pp. 22-39.
Gaffurio (Gafori), Franchino. Theorica musice. Impressum Mediolani per Magistrum Philippum Mantegatium dictum Cassanum opera et impensa Magistri Joannis Petri de Comatio, Milan, 1492. Facs. editions Rome, 1934, New York, 1967, Bologna, 1969. English translation by Walter Kurt Kreyszig The theory of music, Yale University Press, New Haven CN, 1993, 236 pages.
Gaffurio (Gafori), Franchino. Practica musicae utriusque catus excelletis Franchini gaffori laudesis. Quattor libris modulatissima: Sumaqz diligétia nouissime ipressa. Milan, 1496. Also here. Italian translation Angelicum ac divinum opus musicae, 1508. English translation by Clement A. Miller, American Institute of Musicology, 1968. English translation by Irwin Young (ed.), University of Wisconsin Press, Madison, 1969.
Gaffurio (Gafori), Franchino. De Harmonia Musicorum Instrumentarum. Milan, 1518, fol. 62v. English translation with introduction by Clement A. Miller (ed.) Musicological Studies and Documents vol. 33, American Institute of Musicology, 1977, 222 pages.
Gaffurio (Gafori), Franchino. Apologia Franchini Gafurii adversum Ioannem Spatarium & complices musicos Bononienses. Torino, 1520. Facs. reprint, Broude Brothers Limited, New York, 1979. Critical edition and English translation The Apology of Franchino Gafurio against Giovanni Spataro and his musical accomplices of Bologna by Patrick J. Kaufman (ed.), Dec 2007, 79 pages.
Gagliardo, Emilio and M. Ghislandi. "Did Beethoven Use the 'Enneadecaphonic' Theory?", Interface vol. 14 no. 1-2, 1985, pp. 1-9.
Gagliardo, Emilio. "Enneadecaphonic Music: A New System of Harmonic Tones", Estratto dagli Atti dell'Accadèmia Ligure di Scienze e Lettere vol. 37, 1980, pp. 1-13.
Gagne, Danai Apostolidou and Judith Thomas (eds). "Dramas in elemental scales : Greek myths for teacher/student exploration using rhythm, movement, and modal music", Magnamusic-Baton, St. Louis MO, c.1983.
Gakkai, Toyo Ongaku. Nihon no onkai (Musical scales of Japan). Ongaku no Tomosha, Tokyo, 1982, 398 pages.
Gainza, J. Javier Goldaráz. Afinación y temperamento en la música ocidental. Alianza Editorial, Madrid, 1992, 143 pages.
Gairdner, W.H.T. "The source and character of oriental music, The Moslem World vol. 6 no. 4, Oct 1916, pp. 347-356. Also here.
Gaitonde, Vishwas R. "The Birth, Death, and Reincarnation of the Harmonium", The Mantle, WWW, Jan 2018. German translation by Claudia Koenig "Das Harmonium und seine Wiedergeburt. Musikgeschichte (Süd-) Asiens", Südasien vol. 39 no. 4, 2019, pp. 13-16.
Gál, Hans. "Theory and Practice in Composition", Music & Letters, 1942, pp. 37-49.
Galeazzi, Francesco. Elementi teorico-pratici della musica, con un saggio sopra l'arte di suonare il violino. Rome, 1791. 2nd edition, Francesco Cardi, Ascoli, 1817, 328 pages.
Galgani, Fabio. "Scale, Temperamento, accordatura. Un difficile compromesso", WWW, 2018, 3 pages.
Galgani, Fabio. "La scala Pitagorica. Teoria e applicazione pratica", WWW, Oct 2020, 6 pages.
Galilei, Galileo. Discorsi e dimostrazioni matematiche interno à due nuove scienze attenenti alla mecanica ed i movimenti locali. Elsevier, Leiden, 1638. English translation Dialogues concerning Two New Sciences by H. Crew and A. de Salvio, McGraw-Hill Book Co., New York, 1963. reedition Nuova raccolta di classici italiani annotati 12, E. Giusti (ed.), Einaudi, Turin, 1990.
Galilei, Vincenzo. Dialogo della musica antica et della moderna. Giorgio Marescotti, Florence, 1581. Reprint, Bärenreiter, Kassel, 1968. English translation by Robert H. Herman (ed.), 1973, 987 pages. English translation Dialogue on Ancient and Modern Music by Claude V. Palisca (ed.), Yale Music Theory Translation Series, Yale University Press, New Haven CN, July 2003, 464 pages.
Galilei, Vincenzo. Fronimo 1584. English translation by Carol MacClintock (ed.), Musicological Studies and Documents vol. 39, American Institute of Musicology. Hanssler-Verlag, Neuhausen/Stuttgart, 1985.
Galilei, Vincenzo. Discorso intorno alle opere di messer Gioseffo Zarlino da Choggia et altri importanti particolari attenenti alla musica. Florence, 1589. Bollettino Bibliografico Musicale, Milano, 1933.
Galin, Pierre. Exposition d'une Nouvelle Méthode pour l'Enseignement de la Musique. Bordeaux, 1818, 336 pages. Reprint Émile Chevé, 1862. Hachette Livre BNF, Sep 2019.
Gall, Joseph (ed.) Klavierstimmbuch oder deutliche Anweisung, wie jeder Musikfreund sein Klavier, Flügel, Fortepiano und Flügelfortepiano selbst stimmen, reparieren und bestmöglichst gut erhalten könne, nebst einer Nachricht von einigen neuerfundenen musikalischen Instrumenten des Herrn Joseph Wachtl. Carl Rupffer, Wien, 1805. Facsimile reprint, Antiquariat-Verlag Zimmermann, Straubenhardt, 1988.
Gallicus, Johannes. Ritus Canendi. c.1460. Reprint, Albert Seay (ed.), Colorado College Music Press, 2 vols., 1981.
Gallimard, Jean-Edme. La théorie des Sons où l'on démontre dans une exacte précision les rapports de tous les intervalles de la Gamme. Ballard, Paris, 1754.
Gallimard, Jean-Edme (ed.) L'Arithmétique des Musiciens, ou Essai qui a pour objet diverses espéces de calcul des intervalles : le développement de plusieurs sistêmes de sons de la musique : des expériences pour aider à discerner quel est le véritable : c'est-à-dire celui de la voix : la description de celui qu'on suppose l'être sur quelques instrumens ... On y a ajoûté une explication des propriétés les plus connues des logarithmes par celle qu'ils ont de mesurer les intervalles .... Paris, 1754. Reprint Hachette Livre BNF, Paris, 2013, 36 pages.
Gallimard, Jean-Edme. Sistème de l'accord du clavessin et de l'orgue. Paris, 1754.
Gallo, F.A. "Die Kenntnis der griechischen Theoretikerquellen in der italienischen Renaissance", Italienische Musiktheorie im 16. und 17. Jahrhundert: Antikenrezeption und Stazlehre, Renate Groth (ed.), Darmstadt, 1989, pp. 7-38.
Galpin, Francis W. The music of the Sumerians and their immediate successors, the Babylonians & Assyrians, described and illustrated from original sources. Cambridge University Press, Cambridge, 1937.
Gamer, Carlton. "Some Combinational Resources of Equal-Tempered Systems", Journal of Music Theory vol. 11 no. 1, spring 1967, pp. 32-59.
Gamer, Carlton. "Deep Scales and Difference Sets in Equal-Tempered Systems", Proceedings of the American Society of University Composers vol. 2, 1967, pp. 113-122.
Gamer, Carlton. "ET Setera: Some Temperamental Speculations", Music Theory Special Topics edition, Richmond Browne, Academic Press, New York, 1981, pp. 59-81.
Gamer, Carlton and Robin J. Wilson. "Musical Block Designs", Ars Combinatoria vol. 16-A, 1983, pp. 217-225.
Gammeltoft-Hansen, Bendt. "Klokkespillets historie", Årv og eje, 1983-84, pp. 157-170.
Ganassi dal Fontego, Silvestro. Lettione seconda. Lettione seconda pur della prattica di sonare il violone d'arco da tasti, composta per Silvestro Ganassi dal Fontego desideroso nella pictura, la quale tratta dell'effeto della corda falsa giusta e media et il ponere li tasti con ogni rason e prattica, et ancora lo acordar ditto violone con la diligentia conveniente in diverse maniere et accomode ancora per quelli che sonano la viola senza tasti con una tabulatura di lauto adottada di molti et utilissimi secreti a propositi nell'effetto dil valente di tal strumento e strumenti et ancora il modo di sonare piu parte con il violone unito con la voce. Opera utilissima a chi se diletta de imparare sonare. Ganassi, Venice, 1543. Reprint Max Schneider, Kistner und Siegel, Leipzig, 1924. Forni, Bologna, 1970. German translation by Wolfgang Eggers, Bärenreiter, Kassel, 1974. English translation by Daphne & Stephen Silvester, R. Lienau, Berlin, 1972, 1977.
Gandillot, Maurice. Essai sur la gamme. Gauthier-Villars, Paris, 1906, 576 pages.
Ganguli, Kaustuv Kanti and Preeti Rao. "Towards Computational Modeling Of The Ungrammatical In A Raga Performance", Proceedings of the 18th International Society for Music Information Retrieval Conference ISMIR, Suzhou, Oct 2017, pp. 39-45.
Ganguli, Kaustuv Kanti and Preeti Rao. "On the Distributional Representation of Ragas: Experiments with Allied Raga Pairs", Transactions of the International Society for Music Information Retrieval vol. 1 no. 1, Ubiquity Press, June 2018, pp. 79-95.
Gann, Kyle. "La Monte Young's 'The Well-Tuned Piano'", Perspectives of New Music vol. 31 no. 1, winter 1993, pp. 134-162.
Gann, Kyle. "Gold in That Thar Vacuum", Village Voice, 19 July 1994, p. 76.
Gann, Kyle. "The Tingle of p X Mn - 1", Village Voice vol. 39 no. 40, 4 Oct 1994, p. 84. Also in Music Downtown, 2006.
Gann, Kyle. "The Outer Edge of Consonance: Snapshots from the Evolution of La Monte Young's Tuning Installations", Sound and Light: La Monte Young and Marian Zazeela, Bucknell Review vol. 15 no. 1, William Duckworth and Richard Fleming (eds.), Bucknell University Press, Lewisburg, 1996, pp. 152-190.
Gann, Kyle. "Just Intonation Explained", WWW, 1997.
Gann, Kyle. "An Introduction to Historical Tunings", WWW, 1997.
Gann, Kyle. "Anatomy of an Octave", WWW, 1998.
Gann, Kyle. "'BETWEEN U S' A Hyperhistory of American Microtonalists", NewMusicBox vol. 17, Sep 2000.
Gann, Kyle. "A Whole Different Serving of Tapioca: Exploring Just Intonation Dissonance", 1/1 vol. 11 no. 1, spring 2002, pp. 1, 4-7.
Gann, Kyle. "My Idiosyncratic Reasons for using Just Intonation", WWW, 2004.
Gann, Kyle. Music Downtown. Writings from the Village Voice. University of California Press, Berkeley CA, 2006, 333 pages.
Gann, Kyle. "Glimpses of a Musical Future in Ben Johnston's Fourth Quartet", 1/1 vol. 12 no. 3, autumn 2007, pp. 23-24, 31.
Gann, Kyle. "Key Eccentricity in Ben Johnston Suite for Microtonal Piano", Thirty-One vol. 1, summer 2009, pp. 42-48.
Gann, Kyle. "Thawing the Scale", WWW, 7 Dec 2009.
Gann, Kyle. "Outside the Feedback Loop: A Nancarrow Keynote Address", Music Theory Online vol. 20 no. 1, WWW, Mar 2014, 6 pages.
Gann, Kyle. The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician. University of Illinois Press, Urbana, Sep 2019, 296 pages.
Gante, Pablo C. de. "El futuro de la musica: Sistema de sonidos nuevos", Heterofonía vol. 1 no. 5, 1969, pp. 14-18.
Ganter, Bernard and Rudolf Wille. Der Defekt gleichschwebender Temperierungen. Manuskript, Bonn, 1970.
Ganter, Bernard; H. Henkel and Rudolf Wille. Mutabor. Ein rechnergesteuertes Musikinstrument zur Untersuchung von Stimmungen. TH Darmstadt reprint nr. 863, 1984.
Gao, Mingfei Mike. "CYCLIC-N, a real-time mobile multi-touch application for composition, improvisation and education", Proceedings of the International Computer Music Conference, University of Huddersfield, 31 Jul - 5 Aug 2011, pp. 79-82.
Gaona, Saul. Consonancia y Disonancia Musical. Juventudes Musicales del Paraguay, Asunción, 1993, 1996.
Garafallo, Daemon. Mozart's die Zauberflöte: a kingdom of notes and numbers. MA thesis, Faculty of The Dorothy F. Schmidt College of Arts and Letters, Florida Atlantic University, Boca Raton FL, 2016.
Garam, L. The influence of the spatial-temporal structure of movement on intonation during changes of position in violin playing. PhD diss., Sibelius-Akatemia, Helsinki, 1990.
Garbusov, N.A. "Die Zonen-Natur des Intervallengehörs" (in Russian), Physiologisches Journal der SSSR vol. 3 no. 4, 1945.
Garbusov, N.A. "Musikalische Akustik" (in Russian), Große Sowjet-Enzyklopädie, Reihe Mathematik, Physik und Astronomie H6, 1954. German translation, Leipzig, 1954.
Garcia, Jérémie. "Supporting Music Composition with Interactive Paper", Leonardo vol. 49 no. 5, Oct 2016, p. 460.
Garcia, José L. "A Linear Twenty-Nine Tone Scale", Xenharmonikôn vol. 11, 1989, pp. 43-45.
García Pérez, Amaya Sara. "El temperamento en las teorías musicales de Salinas y Zarlino: Uso y aplicación del mesolabio", Revista de Musicología vol. 25 no. 2, Dec 2002, pp. 347-361.
García Pérez, Amaya Sara. El numero sonoro. La matemática en las teorías armónicas de Salinas y Zarlino. Caja Duero, Salamanca, 2003.
García Pérez, Amaya Sara. El concepto de consonancia en la teoría musical. De la escuela pitagórica a la revolución científica. Publicaciones Universidad Pontificia Salamanca, 2006, 317 pages.
García Pérez, Amaya Sara and Álvaro García Pérez. "La afinación de la flauta tradicional de tres agujeros", Revista de Musicología vol. 32 no. 2, Madrid, 2009, pp. 343-361.
García Pérez, Amaya Sara. "Ptolemy, pipes and shepherds", Proceedings of Crossroads Conference, University of Athens, 2011, pp. 357-373.
García Pérez, Amaya Sara. "Roma como centro de la musica theorica en el siglo XVI: Francisco Salinas", Musikstadt Rom: Geschichte, Forschung, Perspektiven, Marcus Engelhardt (ed.), Analecta musicologica Bd 45, Bärenreiter-Verlag, Kassel, 2011, pp. 103-121.
García Pérez, Amaya Sara. "Francisco de Salinas y la teoría musical renacentista", De Musica libri septem de Francisco de Salinas, Amaya García Pérez and Bernardo García-Bernalt Alonso (eds.), Ediciones Universidad de Salamanca, Salamanca, 2013, pp. 42-92.
García Pérez, Amaya Sara. "Modalidad en la música tradicional española. El resultado de un proceso de globalización", Musicología global, musicología local, Javier Marín López et al. (eds.), Sociedad Española de Musicología, Madrid, pp. 601-621.
García Pérez, Amaya Sara and Paloma Otaola González (eds). Francisco de Salinas: música, teoría y matemática en el Renacimiento. Ediciones Universidad de Salamanca, 26 June 2014, 291 pages.
García Pérez, Amaya Sara. "El temperamento igual en los instrumentos de cuerda con trastes", Francisco de Salinas. Música, teoría y matemática en el Renacimiento, Ediciones Universidad de Salamanca, 4 July 2014, 28 pages.
García Suárez, Carlos. "Representación algebraica de las escalas musicales", Música. Revista del Real Conservatorio Superior de Música de Madrid vol. 10-11, 2003-2004, pp. 113-132.
Garfias, Robert. "Preliminary Thoughts on Burmese Modes", Asian Music vol. 7 no. 1, Southeast Asia Issue, 1975, pp. 39-49.
Garfias, Robert. "Tone Systems and Formal Structures", Senri Ethnological Reports vol. 47, National Museum of Ethnology, Osaka, Feb 2004, pp. 175-194.
Garfias, Robert. "Theories of Music", Senri Ethnological Reports vol. 47, Feb 2004, pp. 195-201.
Garland, Peter (ed.) A Lou Harrison Reader. Soundings Press, Santa Fe, 1987.
Garland, Peter. "James Tenney: Some historical perspectives", A celebration of American music: Words and music in honor of H. Wiley Hitchcock, University of Michigan, Ann Arbor MI, 1990, pp. 477-486. German translation "James Tenney: Einige historische Perspektiven", MusikTexte vol. 37, Dec 1990.
Garland, Peter. "Harry Partch: Bitter Music (book review)", 1/1 vol. 8 no. 4, 1994, p. 16.
Garland, Trudy Hammel and Charity Vaughan Kahn. Math and Music. Harmonious Connections. Dale Seymour Publications, Palo Alto CA, 1995.
Garlandia, Johannes de. De musica mensurabili. Paris, c.1280. In Scriptorum de musica medii aevi nova, E. de Coussemaker (ed.), Durand, Paris, 1866-1876. Reprint Georg Olms Verlag, Hildesheim, 1963. Erich Reimer (ed.), Beihefte zum Archiv für Musikwissenschaft Bd. 10-11, F. Steiner Verlag, Wiesbaden, 1972. English translation Concerning measured music, Colorado College Music Press, Colorado Springs, 1978, 61 pages.
Garman, Barry Rex. The effects of accompaniment texture and contextual pitch distance on string instrumentalists' intonational performance. PhD diss., University of Miami, 1992, 148 pages.
Garmendia Rodríguez, M.J. and J.A. Navarro González. "Musical Scales", Irish Mathematical Society Bulletin vol. 35, 1995, pp. 24-41.
Garmendia Rodríguez, M.J. and J.A. Navarro González. "Mathematical Theory of Musical Scales", Extracta Mathematicae vol. 11 no. 2, Feb 1996, pp. 369-374.
Garnault, Paul. Le Tempérament. Son histoire, Son application aux claviers, aux violes de gambe et guitars, son influence sur la musique du XVIIIe siècle. self-published, Nice, 1929.
Garnier, Elisabeth. "L'art des tempéraments inegaux le tempérament mésotonique normal, mésotonique modifié et de transition au clavecin", Arion, 1982.
Garofalo, Robert J. "Teaching disciplined tuning and warm-ups", Instrument vol. 51, Sep 1996, p. 46 ff.
Garofalo, Robert J. Improving Intonation in Band and Orchestra Performance. Meredith Music Publications, Fort Lauderdale FL, 2000, 88 pages.
Garr, Douglas. "The Endless Scale", OMNI vol. 3 no. 6, New York, Mar 1981, p. 48.
Garrett, Gary. Untempered Music. WWW, 2017.
Garrett, Linda Catherine. Micro-intonation and the Viola. University of Queensland, 2006, 32 pages.
Garvey, Gregory Patrick. "Four Pieces for Synthesizer Studies by Warren Burt (CD review)", Computer Music Journal vol. 9 no. 1, spring 1985, pp. 68-71.
Garzoli, John. Intonational, idiomatic, and historical factors that shape contemporary Thai fusion music. PhD thesis, Monash University, Melbourne, 2014, 339 pages. Also here.
Garzoli, John. "The Myth of Equidistance in Thai Tuning", Analytical Approaches to World Music Journal vol. 4 no. 2, Nov 2015, pp. 1-29. Also here and here.
Garzoli, John. "Pitch and Tuning Systems", Sage International Encyclopedia of Music and Culture, Janet Sturman (ed.), Sage Publications Inc., Thousand Oaks CA, May 2019, pp. 1699-1702.
Garzoli, John. "Competing Epistemologies of Tuning, Intonation and Melody in the Performance of Thai Classical Music on Non-Fixed-Pitch Instruments", Sojourn: Journal of Social Issues in Southeast Asia vol. 35 no. 3, ISEAS-Yusof Ishak Institute, Nov 2020, pp. 407-436.
Gasseling, Vincent and Michael Nieuwenhuizen (eds.) "Morton Feldman and Iannis Xenakis In conversation", transcription, 4 July 1986, Middelburg, 7 pages.
Gassendi, Pierre. Initiation à la théorie ou partie spéculative de la musique. Introduction, traduction et notes par Patrice Bailhache, Brepols Publishers, Turnhout, 2005, 113 pages.
Gasser, Luis. Vincenzo Galilei's manuscript 'Libro d'intavolatura di liuto (1584)': An introductory study. DMA thesis, Stanford University, 1991, 99 pages.
Gassner, Ferdinand Simon (ed.) Dirigent und Ripienist, für angehende Musikdirigenten, Musiker und Musikfreunde: (zugleich als Fortsetzung seiner Partiturkenntniss). Ch. Th. Groos, Karlsruhe, 1844, 166 pages.
Gates, Everett. Comparison of the Pythagorean, Just, Mean-Tone & Equally Tempered Scales. Published privately, 1956. Reprinted in The Musical Comma by Charles B. Righter, The University of Iowa Press, Iowa City, 1972.
Gatjen, Bram. "Siebenstufig-äquidistante Skalen und ihre Darstellung", Die Sprache der Musik: Festschrift Klaus Wolfgang Niemöller zum 60. Geburtstag. Bosse Verlag, Regensburg, 1989, pp. 189-200.
Gattey, James. "Barbershop Music", Interval vol. 1 no. 4+5, spring-summer 1979, pp. 7-8.
Gaudy (of Nordwich?) The geometrical scale of musick, or, The gam-ut reduced to geometrical proportions. c.1735, 84 pages. Microfilm, New York, 1994.
Gauldin, Robert. "The Cycle-7 Complex: Relations of Diatonic Set Theory to the Evolution of Ancient Tonal Systems", Music Theory Spectrum vol. 5, spring 1983, pp. 39-55.
Gauntlett, Henry John. "Musical notes", Notes and Queries vol. 4 no. 97, Nov 1857, pp. 362-363.
Gautam, Madurai Ramaswami. Evolution of raga and tala in Indian music. Munshiram Manoharlal Publishers Pvt. Ltd., New Delhi, 1989, 291 pages.
Gauvin, Jean-François. "Patrizio Barbieri: Physics of Wind Instruments and Organ Pipes, 1100-2010: New and Extended Writings (book review)", Isis vol. 106 no. 1, Mar 2015.
Gayden, Lucille. Ivan Wyschnegradsky. Peters, Frankfurt, 1973.
Gazzola, Florindo. L'accordatura degli antichi strumenti da tasto. Armelin Musica, Padova, 2003.
Ge, Ming. Gu jin sheng lü ding gong : [8 juan] (Ancient and Modern music theory, 8 parts). Shanghai gu ji chu ban she, Shanghai, 2002, 121 pages.
Gearhart, Fritz. "The Use of 'Tartini Tones' in Teaching", American String Teacher vol. 57 no. 3, Aug 2007, pp. 32-34.
Geary, John M. "Consonance and Dissonance of Pairs of Inharmonic Sounds", Journal of the Acoustical Society of America vol. 67 no. 5, May 1980, pp. 1785-1789.
Geay, Gérard. La théorie harmonique au XVIIIième siècle. Cael, Bourg la Reine, 1981.
Gédéon, Nabih. L'intonation juste enfin trouvée. Le système G: positions et expressivité. ebook, 2013, 120 pages.
Gedik, Ali C. and Baris Bozkurt. "Pitch-frequency histogram-based music information retrieval for Turkish music", Signal Processing vol. 90 no. 4, Apr 2010, pp. 1049-1063. Also here.
Geer, Geoff P. "Microtonal Music and its Relationship to Historical Practice", WWW, Nov 2017, 72 pages.
Geer, J.P. van de; Willem J.M. Levelt and Renier Plomp. "The connotation of musical consonance", Acta Psychologica vol. 20, 1962, pp. 308-319.
Geesink, Hans J.H. and Dirk K.F. Meijer. "Mathematical Structure for Electromagnetic Frequencies that May Reflect Pilot Waves of Bohm's Implicate Order", Journal of Modern Physics vol. 9, Apr 2018, pp. 851-897.
Gehiere, Bruce. "Listening to Anaphoria: A Note on Utopian Music by Kraig Grady and Banaphshu (Anaphoria: The Creation of the Worlds, Music from the Island of Anaphoria, from the Interiors of Anaphoria)", Science Fiction Studies vol. 28 no. 3, Nov 2001, pp. 470-475.
Gehring, F. Das Natürliche Tonsystem Nach Helmholtz Lehre I. u. II. (2 Hefte), Theodor Mommsen Und Sein Römisches Staatsrecht, S. Hirzel, Leipzig, Jan 1872.
Geib, William. Geib's Piano-forte Preceptor, and Musical Grammar: Comprising a Course of Inductive Lessons; an Introduction to Harmony; a Treatise on Tuning the Piano Forte, and Directions for Its Care and Regulation. self-published, 1850, 104 pages.
Geib, William. Tuning the Piano-Forte. New and improved edition, Lee & Walker, Philadelphia, 1869.
Geiringer, Karl. "The Galpin Society Journal Number 1 (March 1948) (periodical review)", Journal of the American Musicological Society vol. 2 no. 1, 1949, pp. 58-60.
Gelbart, Matthew and Alexander Rehding. "Riemann and Melodic Analysis: Studies in Folk-Musical Tonality", Jan 2011, The Oxford Handbook of Neo-Riemannian Music Theories, Edward Gollin and Alexander Rehding (eds.), Oxford University Press, New York, 2012, pp. 140-165.
Geller, Doris. Praktische Intonationslehre für Instrumentalisten und Sänger. Bärenreiter/NBM/Medienkombination, Kassel, 1997, 2012, 198 pages with CD. Reprint Dover Books, 2014.
Gellerman, Robert F. The American Reed Organ and the Harmonium: A Treatise on its History, Restoration and Tuning, with descriptions of some outstanding Collections, including a Stop dictionary and a directory of Reed Organs. The Vestal Press, Vestal NY, 1996, 1997, 398 pages.
Gellerman, Robert F. "Temperaments project", WWW, Frans van der Grijn (ed.), 2016.
Geminiani, Francesco. The Art of Playing on the Violin. the author, London, 1751, 51 pages.
Gemolo, Matteo. "Extended techniques on the traverso (part 2): the case of the flutter- tonguing and microtones in the post-modernist repertoire for the one-keyed flute", ÍMPAR Online journal for artistic research vol. 3 no. 1, Aug 2019, pp. 5-23. Also here.
Gen'ichi, Tsuge. "Tôyô Ongaku Gakkai and Music Research in Japan", Yearbook for Traditional Music vol. 32, 2000, pp. 157-165.
Genovese, Denny. "Hawaii electronic music group", Interval, autumn 1978, p. 27.
Genovese, Denny. "Electronic Music (Cheap) Without a Synthesizer!", Interval vol. 1 no. 3, winter 1979, pp. 5-6.
Genovese, Denny. "Simple Instruments in Just Intonation", Interval vol. 1 no. 4+5, 1980, pp. 37-38.
Genovese, Denny (ed.) "Easley Blackwood: An Interview by Denny Genovese - Part I", Interval vol. 2 no. 4, spring 1981, pp. 16-18.
Genovese, Denny (ed.) "Easley Blackwood: An Interview by Denny Genovese - Part II", Interval vol. 3 no. 1, summer 1981, pp. 18-21.
Genovese, Denny. "The Binary Flute", Interval vol. 1 no. 2, pp. 20-21.
Genovese, Denny. "Bass marimbas in just intonation", Experimental Musical Instruments vol. 4 no. 3, Oct 1988, pp. 10-12.
George, Warren E. "Tone: A Study of Musical Acoustics by Siegmund Levarie and Ernst Levy (book review)", Music Educators Journal vol. 56 no. 6, Feb 1970, pp. 97-98.
Georgides, Danus Petrus. "Auszug eines Schreibens von unbekannter Hand an den Verfasser der Beyträge aus Hamburg vom 12. Febr. 1756", Historisch-kritische Beyträge zur Aufnahme der Musik Bd. 2, St. 6, 1756, pp. 563-566.
Gerbert, Martin (ed.) Scriptores ecclesiastici de musica sacra potissimum. 3 vols., Typis San-Blasianis, St. Blaise, 1784, 437 pages. Reprint Georg Olms Verlag, Hildesheim, 1963.
Gerdine, Leigh. "RE: A General Theory of Music", Journal of Music Theory vol. 2 no. 1, Apr 1958, pp. 104-106.
Gerdine, Leigh et al. "Microtonal Music in America", Proceedings of the American Society of University Composers vol. 2, Washington University, St. Louis MO, Apr 1967, pp. 77-122.
Gerhardt, Ludwig. "Linguistische und musikethnologische Zusammenhänge bei den Floßzithern Nordnigerias", Musik in Afrika, pp. 72-83.
Geringer, John M. "Tuning preferences in recorded orchestral music", Journal of Research in Music Education vol. 24 no. 4, winter 1976, pp. 169-176.
Geringer, John M. "Intonational performance and perception of ascending scalar patterns", Journal of Research in Music Education vol. 26 no. 1, spring 1978, pp. 32-40.
Geringer, John M. and A.C. Witt. "An investigation of tuning performance and perception of string instrumentalists", Bulletin of the Council for Research in Music Education vol. 85, 1985, pp. 90-101.
Geringer, John M. and David W. Sogin. "An analysis of musicians' intonational adjustments within the duration of selected tones", Contributions to Music Education vol. 15, Ohio Music Education Association, autumn 1988, pp. 1-6.
Geringer, John M.; Clifford K. Madsen and P. Dunnigan. "Trumpet tone quality versus intonation: Two extensions", Bulletin of the Council for Research in Music Education vol. 148, Mar 2001, pp. 65-76.
Geringer, John M.; Rebecca B. Macleod and Justine K. Sasanfar. "High School String Players' Perception of Violin, Trumpet, and Voice Intonation", String Research Journal vol. 3 no. 1, July 2012, pp. 81-96. Also here.
Geringer, John M.; Rebecca B. MacLeod; Clifford K. Madsen and Jessica Napoles. "Musicians' Perception of melodic intonation in performances with and without vibrato", 12th International Conference on Music Perception and Cognition, Thessaloniki, July 2012.
Geringer, John M.; Rebecca B. MacLeod and Julie C. Ellis. A Descriptive Analysis of Performance Models' Intonation in a Recorded Excerpt from Suzuki Violin School Volume I", String Research Journal vol. 4 no. 1, July 2013, pp. 71-87.
Geringer, John M.; Rebecca B. MacLeod; Clifford K. Madsen and Jessica Napoles. "Perception of melodic intonation in performances with and without vibrato", Psychology of Music vol. 43 no. 5, May 2014, pp. 675-685.
Geringer, John M.; Rebecca B. MacLeod and Justine K. Sasanfar. "In tune or out of tune: Are different instruments and voice heard differently?", Journal of Research in Music Education vol. 63 no. 1, Apr 2015, pp. 89-101.
Geringer, John M. "Eight Artist-Level Violinists Performing Unaccompanied Bach: Are There Consistent Tuning Patterns?", String Research Journal vol. 8 no. 1, July 2018, pp. 51-61.
Gerlach, Oliver. "The Use of Microtones in Plainchant since Pythagoras in Italy, Boethius in Rome and Justinian in Constantinople", Musicologie Médiévale (Resources for medieval musicology and liturgy), Mélos et ses microtones, WWW, 2012.
Gerle, Hans. Musica Teusch. Nürnberg, 1532.
Germanus, Sander. Muziekthermiek. MA thesis, Orpheus Higher Institute for Music, Hogeschool Gent, 2005, 170 pages.
Gernhardt, Klaus. "Die wichtigsten Stimmungsarten der Bachzeit, ihre praktische Durchführung und ihr musikalischer Wert-aus der Sicht des Musikinstrumenten-Restaurators", Bericht über die wissenschaftliche Konferenz zum III. internationalen Bach-Fest der DDR, Werner Felix et al. (eds.), VEB Deutscher Verlag für Musik, Leipzig, 1977, pp. 355-360.
Gernhardt, Klaus. "Abweichung liegt in der Natur des Tons: Stimmung-Kompromiß zwischen Naturgesetz und Hörgewohnheit", Neue Musikzeitung vol. 45, Feb-Mar 1996, pp. 56-57.
Gerson, A. and J.L. Goldstein. "Evidence for a general template in central optimal processing for pitch of complex tones", Journal of the Acoustical Society of America vol. 63 no. 2, Feb 1978, pp. 498-510.
Gerson-Kiwi, Edith. "Towards an exact transcription of tone relations", Acta Musicologica vol. 25 fasc. 1/3, Jan-Sep 1953, pp. 80-87.
Gerson-Kiwi, Edith. The Persian Doctrine of Dastgah Composition, a Phenomenological Study in the Musical Modes. Israel Music Institute, Tel-Aviv, 1963.
Gervasoni, Carlo. La scuola della musica. Niccolo Orgesi, Piacenza, 1800.
Gervasoni, Carlo. Nuova teoria di musica ricavata dalla odierna pratica ossia metodo sicuro e facile in pratica per ben apprendere la musica a cui si fanno precedere varie notizie storico musicale opera di Carlo Gervasoni milanese. dalla stamperia Blanchon, Parma, 1812, 451 pages.
Geuns, Sjoerd van. "Een nieuw luidklokkenconcept?", Klok & Klepel no. 73, Dec 2000, pp. 25-28.
Gevaert, François Auguste. Histoire et théorie de la musique de l'antiquité. C. Annout-Braeckman, Gent, 1875, 1881, 450 pages.
Gharib, Mohammad Reza. "Proposal for tempering Iranian music scales".
Gheorghe, Viorel. A Theory of Byzantine Music. PhD diss., University of Southern California, Los Angeles, 1995, 263 pages.
Ghosh, Nikhil. Fundamentals of Raga and Tala with a New System of Notation. Distributed by Popular Prakashan, Bombay, 1968.
Ghosha, Lokanatha. The Music and Musical Notation of Various Countries. J.N. Ghose & Biswas Printers, Calcutta, 1874, 55 pages.
Ghrab, Anas. "Occident and Intervals in 'Arabic Music', from the Seventeenth Century to the Arabic Music Congress", the world of music vol. 47 no. 3, 2005. Also in The Music of "Others" in the Western World, Max Peter Baumann; Jonathan P.J. Stock and Bruno Deschênes (eds.), Verlag für Wissenschaft und Bildung, Berlin, 2006, pp. 55-79.
Gianelli, Pietro. Divizione della musica sacra et profane (article 'accordare'). Venice, 1830.
Gibbens, John Jeffrey. An Analysis of Ben Johnston's Sonata for Microtonal Piano. University of Illinois Press, Urbana, 1985.
Gibbens, John Jeffrey. "Design in Ben Johnston's Sonata for Microtonal Piano", Interface vol. 18 no. 3, 1989, pp. 161-194.
Gibbens, John Jeffrey. "Ben Johnston's Sonnets of Desolation: Facts, Materials, Ideas, Context", 1/1 vol. 12 no. 3, autumn 2007, pp. 16-22, 31.
Gibbon, John. "Bell Garden - Tuned to What?", Interval vol. 1 no. 4+5, spring-summer 1979, pp. 28-30.
Gibelius, Otto. Introductio musicae theoreticae didacticae: In qua praecipua eius principia, cum primis vero mathematica, ... accurate applicantur; Pars generalis. Köhlerus, Bremen, 1660, 140 pages.
Gibelius, Otto. Propositiones Mathematico-Musicae. Münden, 1666. Modern edition by Pieter Bakker (ed.), Stichting Muziek en Wetenschap, Schraard, 2007, 46 pages.
Gibson, Christina Taylor. The Music of Manuel M. Ponce, Julián Carrillo, and Carlos Chávez in New York, 1925-1932. PhD thesis, University of Maryland, College Park, 2008, 262 pages.
Gibson, Christina Taylor. "In Search of Julián Carrillo and Sonido 13, by Alejandro L. Madrid (book review)", Journal of the American Musicological Society vol. 71 no. 1, Apr 2018, pp. 268-272.
Gibson, J.M. "The birth of the blues: how physics underlies music", Reports on Progress in Physics vol. 72 no. 7, June 2009, pp. 1-17. Also here.
Gibson, John. Advanced Intonation Technique For Clarinets. JB Linear Music, 2006, 60 pages.
Gibson, Sophie. Aristoxenus of Tarentum and the Birth of Musicology. Routledge, New York, 2005, 274 pages.
Giedraitis, Kite. Alternative Tunings: Theory, Notation and Practice including the alt-tuner 1.2 manual. Portland, 2014, 234 pages.
Giedraitis, Kite. "The Kite Tuning", WWW, 2019, 16 pages.
Gieseler, Walter. Komposition im 20. Jahrhundert. Details - Zusammenhänge. Moeck Verlag, Celle, Jan 1975, 1993, 236 pages.
Gieseler, Walter. "Kritische Anmerkungen zur Komposition mit Kleinstintervallen", Mikrotöne II, Edition Helbling, Innsbruck, 1988, pp. 159-172.
Gieseler, Walter. "Natur - Musik - Zahl", Mikrotöne III, Edition Helbling, Innsbruck, 1990.
Gieseler, Walter. Harmonik in der Musik des 20. Jahrhunderts. Tendenzen - Modelle. Moeck Verlag, Celle, 1996. 2 Bände, 62+84 pages.
Gieseler, Walter. "Über die Vergleichbarkeit von Teilton-Säulen", Systemische Musikwissenschaft - Festschrift Jobst Peter Fricke zum 65. Geburtstag, Wolfgang Auhagen (ed.), Köln 1995, pp. 129-131.
Giesl, Peter. "Stimmung und Kettenbrüche", Mikrotöne und mehr. Auf György Ligetis Hamburger Pfaden, Manfred Stahnke (ed.), Bockel Verlag, Hamburg, 2005, pp. 243-263.
Gilbert, John. "Intonation and Fret Placement", Soundboard, spring 1984, pp. 26-27.
Gilbert, P.U.P.A. "Musical scales", chapter 16 of Physics in the Arts, P.U.P.A. Gilbert (ed.), 3rd ed., Elsevier, 2021, pp. 271-284.
Gill, Kamraan Z. and Dale Purves. "A Biological Rationale for Musical Scales", PLoS ONE vol. 4 no. 12, Edward Vul (ed.), Dec 2009, e8144, WWW, pp. 1-9.
Gillessen, Klaus. "The perfect fifths tempered scale, a proposal or already a practice?", Journal of the Acoustical Society of America vol. 104 no. 5, Nov 1999, pp. 3123-3125.
Gillessen, Klaus. "On the Use of Stretched Scales", Galpin Society Journal vol. 50 no. 3, Apr 2000, pp. 312-315.
Gillessen, Klaus. Die Physik des Klangs. Studiopunkt-Verlag, Sinzig, Sep 2013.
Gilman, Benjamin Ives. "On Some Psychological Aspects of the Chinese Musical System", The Philosophical Review vol. 1 no. 1, Jan 1892, pp. 54-78. Also here. "On Some Psychological Aspects of the Chinese Musical System II", The Philosophical Review vol. 1 no. 2, Mar 1892, pp. 154-178.
Gilman, Benjamin Ives. "The Science of Exotic Music", Science New Series vol. 30 no. 772, Oct 1909, pp. 532-535. Also here.
Gilmore, Robert. "The Bewitched Goes to Europe", Interval vol. 2 no. 1, autumn 1979, pp. 27-32.
Gilmore, Bob. "A European Perspective on Partch", 1/1 vol. 2 no. 1, winter 1986, pp. 4, 5, 7.
Gilmore, Bob. "Harry Partch: Revelation in the Courthouse Park (CD review)", 1/1 vol. 6 no. 3, 1990, p. 2.
Gilmore, Bob. "On Harry Partch's Seventeen Lyrics by Li Po", Perspectives of New Music vol. 30 no. 2, summer 1992, pp. 22-58.
Gilmore, Bob. "Changing the metaphor: ratio models of musical pitch in the work of Harry Partch, Ben Johnston, and James Tenney", Perspectives of New Music vol. 33 no. 1-2, winter-summer 1995, pp. 458-503.
Gilmore, Bob. "'A Soul Tormented': Alwin Nikolais and Harry Partch's The Bewitched", The Musical Quarterly vol. 79 no. 1, spring 1995, pp. 80-107.
Gilmore, Bob. Harry Partch - a biography. Yale University Press, New Haven CN, May 1998, 496 pages.
Gilmore, Bob. "The Climate Since Harry Partch", Contemporary Music Review vol. 22 no. 1-2, Mar-June 2003, pp. 15-34. Also here.
Gilmore, Bob (ed.) "'Wild Ocean': an interview with Horatiu Radulescu", Contemporary Music Review vol. 22 no. 1-2, Mar-June 2003, pp. 105-122.
Gilmore, Bob. "Barstow: Eight Hitchhiker Inscriptions from a Highway Railing at Barstow, California (1968 Version) by Harry Partch, Richard Kassel (CD review)", Notes Second Series vol. 59 no. 3, Mar 2003, pp. 739-743.
Gilmore, Bob. "Microtonality: my part in its downfall", key-note lecture at UK Microfest 1, 15 Oct 2005, 4 pages.
Gilmore, Bob. "Liner Notes on the Music of Ben Johnston", New World Records, New York, 2006.
Gilmore, Bob. "Wild Air: the music of Kevin Volans", The Journal of Music in Ireland vol. 6 no. 6, 2006, pp. 22-29.
Gilmore, Bob. "Ben Johnston: A Chronology", 'Maximum Clarity' and Other Writings on Music, University of Illinois Press, Urbana 2006, pp. xxv-xxxviii.
Gilmore, Bob (ed.) "An interview with Clarence Barlow", Paris Transatlantic Magazine, WWW, Aug 2007.
Gilmore, Bob. "James Tenney and the Poetics of Homage (music review)", Contemporary Music Review vol. 27 no. 1, 2008, pp. 7-21.
Gilmore, Bob. "Review of Bozzini Quartet_Arbor Vitae_James Tenney (CD review)", Thirty-One vol. 1, summer 2009, pp. 66-68.
Gilmore, Bob. "Phill Niblock: the Orchestra Pieces", Tempo vol. 66 no. 261, July 2012, pp. 2-11.
Gilmore, Bob. Claude Vivier: A Composer's Life. Eastman Studies in Music, vol. 109, Boydell & Brewer, University of Rochester Press, 2014, 330 pages.
Gilmore, Bob. "Rational Spaces: The String Quartets of Ben Johnston as Experimental Process", Experimental Encounters in Music and Beyond, Kathleen Coessens (ed.), Leuven University Press, Leuven, 2017, pp. 101-109.
Gilmore, Bob. "Five Maps of the Experimental World", Artistic Experimentation in Music: An Anthology, Darla Crispin and Bob Gilmore (eds.), Orpheus Institute Series, Leuven University Press, Leuven, pp. 23-29.
Gilson, Bruce R. "A Numerical Theory of Scale Invention", Xenharmonikôn vol. 15, autumn 1993, pp. 98-134.
Gilson, Bruce R. Construction of Musical Scales. A Mathematical Approach. Createspace Independent Publishing Platform, Aug 2008, 150 pages.
Gimbel, Allen. "American Music in the Twentieth Century by Kyle Gann (book review)", Notes, Second Series vol. 56 no. 1, Sep 1999, pp. 153-155.
Giordano, N. "Explaining the Railsback stretch in terms of the inharmonicity of piano tones and sensory dissonance", Journal of the Acoustical Society of America vol. 138 no. 4, Oct 2015, p. 2359.
Giorgetti, Renzo. "Un inedito metodo per accordare gli organi di Armodio Maccioni", Il flauto dolce: Rivista per lo studio e la pratica della musica antica vol. 16, Apr 1987, pp. 38-40.
Giorgi, Carlo Tommaso. La nostra musica - i suoi difetti - il suo avvenire. Prato, 1899.
Giovanetti, Gustavo. Genesi del nuovo sistema musicale tricommatico naturale a 'terzi di tono' a rettifica ed integrazione dell'attuale sistema musicale moderno. Leo S. Olschki, Firenze, 1955.
Giovanetti, Gustavo. Altre singolarità integrative riguardanti il nuovo sistema musicale tricommatico naturale a 'terzi di tono' (a naturale rettifica ed integrazione dell'attuale sistema musicale moderno). Leo S. Olschki, Firenze, 1957.
Girard-Charest, Émilie. "Une approche ergonomique des langages microtonaux au violoncelle: perspective d'interprète-compositrice, exemples du répertoire et pistes d'analyse", Circuit vol. 29 no. 2, Aug 2019, pp. 49-62.
Girbau i Badó, Joan. "Les Matemàtiques i les escales musicals", Butlletí de la Societat Catalana de Matemàtiques vol. 18, Barcelona, Oct 1985, pp. 3-27.
Gjerdingen, Robert O. "Cognitive Foundations of Musical Pitch by Carol L. Krumhansl (book review)", Music Perception: An Interdisciplinary Journal vol. 9 no. 4, summer 1992, pp. 476-492.
Gjertsen, Ruben Sverre. "Manual Microtonal Organ", WWW, 2013, 19 pages.
Gladstone, F.E. "Consecutive Fifths", Proceedings of the Musical Association vol. 8, 1881, pp. 99-121. Also here.
Glareanus, Henricus (Heinrich Loriti). Isagoge in musicen. Johann Froben, Basel, 1516, 38 pages.
Glareanus, Henricus. Dodecachordon. Heinrich Petri, Basel, 1547, 476 pages. Also here. German translation Glareani Dodecachordon by Peter Bohn (ed.), Breitkopf & Härtel, Leipzig, 1888, 446 pages. English translation by Clement A. Miller (ed.) in two volumes, Musicological Studies and Documents vol. 6, American Institute of Musicology, 1998, 585 pages.
Glareanus, Henricus. Musicae Epitome ex Glareani Dodecachordo. Henricum Petri, Basel, 1557, 150 pages. Also here.
Glareanus, Henricus. Uß Glareani Musick ein Ußzug. Henricum Petri, Basel, 1557, 150 pages.
Glasier, Elisabeth. "Confessions of a Microtonal Convert", Interval vol. 1 no. 1, San Diego, 1978, pp. 2-3. Reprint in Interval vol. 4 no. 2, p. 28.
Glasier, Elizabeth. "Discovering the Microtonal Resources of Your Voice", Interval vol. 1 no. 3, winter 1979, pp. 23-24.
Glasier, John Sr. "Improvising in Non-12 Tunings", Interval vol. 1 no. 2, autumn 1978, pp. 5-6.
Glasier, John Sr. "Intervals and Theory", Interval vol. 3 no. 4, 1982, pp. 6, 28.
Glasier, Jonathan. "Perspective", Interval vol. 1 no. 1, spring 1978, pp. 9-10.
Glasier, Jonathan. "Ivor Darreg Lecture/Concert", Interval vol. 1 no. 2, autumn 1978, pp. 29-30.
Glasier, Jonathan. "Vocal Harmonics", Interval vol. 1 no. 2, autumn 1978, pp. 21-23.
Glasier, Jonathan (ed.) "George Secor Interview", Interval vol. 1 no. 2, autumn 1978, pp. 6-7.
Glasier, Jonathan. "Musings", Interval vol. 1 no. 3, winter 1979, pp. 6-7.
Glasier, Jonathan. "Families of Intervals - Thirds", Interval vol. 1 no. 3, pp. 14-15.
Glasier, Jonathan (ed.) "KIVA Interview", Interval vol. 1 no. 4+5, pp. 24-28.
Glasier, Jonathan (ed.) "Pepe Aton Estevane: an interview the microtonal ambassador from Mexico", Interval vol. 3 no. 1, 1981, pp. 24-25.
Glasier, Jonathan. "OMNI Puts Microtonalists on Map", Interval vol. 3 no. 1, 1981, p. 26.
Glasier, Jonathan and Judith Essex. "Sound and Movement Choir", Interval vol. 3 no. 2, winter 1981, pp. 10-11.
Glasier, Jonathan (ed.) "An Interview with Terry Riley", Interval vol. 3 no. 3, winter 1981, pp. 12 - 15.
Glasier, Jonathan. "Sonic Art Show - California State College San Bernardino", Interval vol. 3 no. 4, summer 1982, pp. 16, 21.
Glasier, Jonathan (ed.) "Interview in Mexico City with Dolores Carrillo, Daughter of Julián Carrillo, and David Espejo", Interval vol. 4 no. 1, winter 1982, pp. 6-9.
Glasier, Jonathan. "An Ear for Microtonality in the East", Interval vol. 4 no. 1, winter 1982, pp. 24-25.
Glasier, Jonathan. "Early Partch Work - Part 1: Manuscript, Keyboard Design Charts Uncovered", Interval vol. 4 no. 2, autumn 1983, pp. 6-7.
Glasier, Jonathan. "Early Partch Work - Part 2: Partch Manuscript Uncovered", Interval vol. 4 no. 3.
Glasier, Jonathan. "The Pentaphone - Unfolding Fives", Interval vol. 4 no. 4, pp. 14-16.
Glasier, Jonathan (ed.) "Interview with French Composer Pierre-Jean Croset and his Lyra", Interval vol. 4 no. 4, 1983, pp. 10-14.
Glasier, Jonathan. "Interval Hosts North American Conference on Micro-Intervallic Music", Interval vol. 5 no. 1, autumn-winter 1985, pp. 28-30.
Glasier, Jonathan. "Microtonal Music Released from Obscurity?", Interval vol. 5 no. 2, spring 1986, p. 14.
Glasier, Jonathan. "Ratio Keyboard Design", Interval vol. 5 no. 3, winter 1987, pp. 14-17.
Glasier, Jonathan. "Wendy Carlos ... Perspective", Interval vol. 5 no. 3, winter 1987, pp. 24-25.
Glasier, Jonathan. "Ivor Darreg Biography", WWW.
Gleijeses, B. "Proiettività musicali", Bolletino della Unione mathematica italiana vol. 5 no. 18a, 1981, pp. 275-282.
Glorian, Peter. "Indische Ragas - Inhalt und Struktur", Harmonik & Glasperlenspiel. Beiträge `94, Verlag Peter Neubäcker & freies musikzentrum, München, 1995, pp. 41-98.
Glover, Richard. "Pitch specificity in text scores", Word Event: a verbal notation symposium, Bath, Sep 2011.
Glover, Richard. "Influences of sustained tone minimalism in my recent music, Third International Conference on Music and Minimalism, Leuven, 12-15 Oct 2011, 4 pages.
Glover, Richard. "Approaches to microtonality in my own music", EUROMicroFest, Kunsthochschule für Medien, Cologne, 2-3 Feb 2013.
Gmeinder, Hugo. Die Stimmung in Theorie und Praxis für Musiker und Musikfreunde. self-published, Neusäß, 1984, 332 pages.
Gmeinder, Hugo. Schwebestöße: Tab. für Terzen, Quarten, Quinten und Sexten der gleichschwebend temperierten Stimmung mit Erläuterung und Anleitung zur Cent-Berechnung. Neusäß, 1988.
Gmelch, Joseph. Die Vierteltonstufen im Meßtonale von Montpellier. Gregorianischen Akademie zu Freiburg, Ph. Brönnersche Buchdruckerei (P. Seitz), Eichstätt, 1911, pp. 9-19.
Gobeli, Jörg. "A Diagram For Visualization and Interpretation of the Intervals of Historical Temperaments", De Clavicordio V, Proceedings, 5-8 Sep 2001, 2002, pp. 77-82. German version "Eine grafische Darstellung zur Veranschaulichung und Interpretation der Intervallverhältnisse historischer Temperaturen", Fundament aller Clavierten Instrumenten - Das Clavichord, 2003, pp. 166-171.
Goble, Robert. Notes on the Maintenance of Goble Harpsichords. Goble & Son Ltd., Oxford.
Goddard, Joseph. "The Philosophy of Our Tempered System", Proceedings of the Musical Association vol. 28, 1901, pp. 45-65. Also here.
Goddijn, Aad. Hoe klinkt ⁴√5? Middentoonstemming, muzikale algebra met de stemhamer, achtergronden, andere historische stemwijzen. Handout Nationale Wiskunde Dagen, 1999. Symposium muziek en wiskunde, Wiskundig Genootschap, Eindhoven, 2001, 28 pages.
Godin. Nouvelle méthode claire et facile pour accorder les Fortes Pianos suivie de la manière d'accorder la Harpe. Joly, Paris, 1794, 17 pages.
Godofredo Pérez, José Luis. Estudio teórico-práctico de la afinación en los instrumentos de cuerda pulsada. PhD thesis, Universitat Politècnica de València, 2013, 543 pages.
Godwin, Joscelyn. "Instruments in Robert Fludd's 'Utriusque cosmi...historia'", Galpin Society Journal vol. 26, May 1973, pp. 2-14.
Godwin, Joscelyn. "Robert Fludd on the Lute and Pandora", Lute Society Journal vol. 15, 1973, pp. 11-19.
Godwin, Joscelyn et al. (eds.). Cosmic Music: Musical Keys to the Interpretation of Reality. Inner Traditions / Bear & Co., Rochester VM, 1989.
Goebel, Johannes. Zu den Zielsetzungen der deutschen Gesellschaft für Computermusik. Feedback Papers vol. 27-28, Feedback Studio Verlag, Köln, 1982, pp. 2-7.
Goebel, Joseph. Theorie und Praxis des Orgelpfeifenklanges. Intonieren und Stimmen. Ein Handbuch für Orgelbauer und Organisten. Schriftenreihe Das Musikinstrument Heft 9, Verlag Das Musikinstrument, Frankfurt a.M., 1967, 94 pages.
Goens, Jan von. "Bach auf der mitteltönigen Orgel", Ars organi vol. 32 no. 3, Verlag Merseburger, Kassel, 1984, pp. 153-157.
Goffinet, Jack. "Little evidence for the vocal similarity hypothesis (letter)", Proceedings of the National Academy of Sciences of the United States of America vol. 115 no. 22, May 2018, p. E4957. Also here.
Gogava, Antonius (ed.); Aristoxenus; Ptolemaeus, et al., Aristoxeni Harmonicorum elementorum libri III, Cl. Ptolemaei Harmonicorum, seu De Musica libri III. Vincentium Valgrisium, Venice, 1562.
Gogins, Michael. "A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice by Dmitri Tymoczko (book review)", Computer Music Journal vol. 36 no. 1, spring 2012, pp. 83-86.
Gogotishvili, Vladimer. "On Some Characteristics of Mode-Intonational Scales in Kartli-Kakhetian Long Table Songs", Proceedings of the First International Symposium on Traditional Polyphony, 2-8 Oct 2002, Rusudan Tsurtsumia and Joseph Jordania (eds.), Tbilisi State Conservatoire, Tbilisi, pp. 312-323.
Gogotishvili, Vladimer. "On Authentic and Plagal Types of Monotonic (Non-Octave) Scales in Georgian Traditional Vocal Polyphony", Echoes from Georgia: Seventeen Arguments on Georgian Polyphony, Focus on 11 Civilizations and Cultures, Rusudan Tsurtsumia and Joseph Jordania (eds.), Nova Science Publishers, New York, pp. 147-156.
Goh, Talisha. Australia's microtonal modernist: The life and works of Elsie Hamilton (1880-1965). Bachelor of Music Honours thesis, Edith Cowan University, Joondalup, 2014, 114 pages. Also here.
Gojkovic, Andrijana and Ivo Kirigin. "Tone series of Serbian pipes", Ethnomusicology vol. 5 no. 2, May 1961, pp. 100-120.
Gojowy, Detlef. "Zur Musik in Mikrointervallen. Festival und Seminare 'Musik der anderen Tradition' in Bonn", Die Musikforschung vol. 34 no. 4, Oct-Dec 1981, pp. 471-472.
Gojowy, Detlef. "Divergenzen und Konvergenzen. Musikpolitik in Deutschland, Polen und der Tschechoslowakei", Vortrag auf der Jahrestagung des J.G. Herder-Forschungsrats vom 5.-7. April 1989: Das Auseinanderdriften Mitteleuropas in den letzten vier Jahrzehnten. Über die Vereinbarkeit gewachsener Strukturen in Ost und West, Marburg, 1990, pp. 238-249 with English summary.
Goldáraz Gaínza, José Javier. Afinación y Temperamento en la Música Occidental. Alianza Música, Madrid, 1992, 143 pages. Re-edition: Afinación y temperamentos históricos. Alianza Editorial, Madrid, 2004, 272 pages.
Goldáraz Gaínza, José Javier. "El temperamento igual. Una indagación histórica / Equal Temperament: A Historical Research", Theoria: An International Journal for Theory, History and Foundations of Science Segunda epoca, vol. 13 no. 3 (33), University of the Basque Country, Sep 1998, pp. 571-584.
Goldbach, Christian. Temperamentum musicum universale. Leipzig, 1717.
Goldbach, Karl Traugott. "Ein Physiker unterrichtet Harmonielehre. Zur musiktheoretischen Lehre Arthur von Oettingens an der Universität Dorpat", Referat auf dem Kongress Musica Baltica. Universität und Musik in Greifswald September 2006.
Goldbach, Karl Traugott. "Arthur von Oettingen und sein Orthotonophonium im Kontext", Tartu ülikooli 200, Geiu Rohtla (ed.), Tartu University Library, Tartu, 2007, 29 pages. Also here. Also in Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz, Simone Hohmaier (ed.), Schott, Mainz, 2008-2009, pp. 192-227. Estonian translation "Arthur von Oettingen ja tema orthotonophonium oma aja kontekstis", Res Musica vol. 1, 2009, pp. 47-68.
Goldman, David Paul. "A new look at Zarlino's theory and its effect on his counterpoint doctrine", Theory and Practice vol. 16, 1991, pp. 163-177.
Goldsmith, David S. "An Electronically Generated Complex Microtonal System of Horizontal and Vertical Tonality", Journal of the Audio Engineering Society vol. 19 no. 10, Nov 1971, pp. 851-858.
Goldstein, A.A. "Optimal Temperament", Classroom Notes in Applied Mathematics, May 1972, Michigan State University, East Lansing, pp. 242-251. Also in Society for Industrial and Applied Mathematics Review vol. 19 no. 3, July 1977, pp. 554-562.
Gollin, Edward H. "Some Aspects of Three-Dimensional Tonnetze", Journal of Music Theory vol. 42 no. 2, Neo-Riemannian Theory, autumn 1998, pp. 195-206.
Gollin, Edward H. Representations of Space and Conceptions of Distance in Transformational Music Theories. MSc thesis, Harvard University, Cambridge MA, 2000.
Gollin, Edward H. "From Tonoi to Modi: A Transformational Perspective", Music Theory Spectrum vol. 26 no. 1, spring 2004, pp. 119-129.
Gollin, Edward H. "Some Further Notes on the History of the Tonnetz", Theoria vol. 13, 2006.
Gollin, Edward H. and Alexander Rehding (eds.) The Oxford handbook of neo-Riemannian music theories. Oxford University Press, New York, 2012, 624 pages.
Gombosi, Otto Johannes. Tonarten und Stimmungen der antiken Musik. Ejnar Munksgård, Copenhagen, 1939, 1950, 148 pages. Reprint Amsterdam, 1967.
Gombosi, Otto Johannes. "New Light on Ancient Greek Music", International Congress of Musicology, New York, Sep 1939, New York, 1944, pp. 168-183.
Gombosi, Otto Johannes. "Key, Mode, Species", Journal of the American Musicological Society vol. 4 no. 1, spring 1951, pp. 20-26.
Gómez, Arturo García. "Intuición entonativa: teoría estética de la entonación musical", Neuma (Talca) vol. 14 no. 2, Dec 2021, with English abstract.
Gómez, Emilia and Jordi Bonada. "Automatic Melodic Transcription of Flamenco Singing", Fourth Conference on Interdisciplinary Musicology, C. Tsougras and Richard Parncutt (eds.), Thessaloniki, July 2008, 5 pages.
Gómez González, Noelia. "Afinación como elemento expresivo en la música de cámara: aplicación en el dúo de viola y guitarra clásica", ÍMPAR International Journal for Artistic Research in Music vol. 1 no. 2, 2017, pp. 22-30 with English abstract.
Gómez-Téllez, J. David.; Emilio Lluis-Puebla, Mariana Montiel. "A Symmetric Quantum Theory of Modulation in Z\!\!Z_20 Z Z 20", International Conference on Mathematics and Computation in Music, Mexico City, Nov 2017, pp. 50-62.
Gomperts, Amrit. "Tunings, Tone Systems and Psychoacoustics of Sundanese, Javanese, and Balinese Music", Oideion vol. 2: The Performing Arts World-Wide, Wim van Zanten and Marjolijn van Roon (eds.), special issue, Research School CNWS, Leiden, 1995, pp. 173-207.
Gonneville, Michel and Jimmie LeBlanc. "Beautés et cruautés de l'harmonie naturelle (music review)", Circuit, musiques contemporaines vol. 29 no. 2, Montréal, 2019, pp. 33-48.
Good, Michael (ed.) "Musikmesse 2019 Meeting Minutes", WWW, Apr 2019.
Goodall, Howard. Big Bangs: Five Musical Revolutions. Chatto & Windus Ltd, London, 2000, 256 pages. Vintage, 2001. Dutch translation Magische momenten: Keerpunten in de muziek by Piet Dal, Teleac/NOT, Hilversum, Tirion Uitgevers, Baarn, 2001, 272 pages.
Goode, Dan. "Microtonal Songs for the Clarinet", Interval vol. 2 no. 2+3, pp. I16-I19.
Goodheart, Matthew William. for 17 instruments. MA thesis, University of California, Berkeley, spring 2013, 34 pages.
Goodkin, Marie Wittendorfer. The Application of Just Intonation in the Performance of Five Masses of Heinrich Isaac. University of Illinois at Urbana-Champaign, 1972, 178 pages.
Goodman, Howard L. and Y. Edmund Lien. "A Third Century AD Chinese System of Di-Flute Temperament: Matching Ancient Pitch Standards and Confronting Modal Practice", Galpin Society Journal vol. 62, Apr 2009, pp. 3-24. Also in N. Dai, Zhongguo shengxue shi (A History of Acoustics in China), Shijiazhuang Shi, 1994, pp. 347-364.
Goodman, Stephen Kent. "Sonic Artist", Interval vol. 3 no. 4, summer 1982, pp. 9-10.
Goodman, Stephen Kent. "Sound Sculptures at LAICA", Interval vol. 4 no. 2, autumn 1983, pp. 25-26.
Goodman, Stephen Kent. "Acoustical Instruments: Obsolete or Absolute?", Interval vol. 5 no. 3, winter 1987, pp. 5-7.
Goold, Joseph. "Origin and Construction of the Diatonic and Chromatic Scales", The Musical Times and Singing Class Circular vol. 27 no. 521, July 1886, pp. 425-426.
Goold, Joseph. "The Natural Musical Scales", The Musical Times and Singing Class Circular vol. 27 no. 522, Aug 1886, p. 489.
Goold, Joseph. "Comparison of the Natural and Equal-Temperament Scales", The Musical Times and Singing Class Circular vol. 27 no. 523, Sep 1886, p. 550. Also here.
Görener, Süleyman Hakan. "Proposition of a New Notation System For Turkish Makam Music Based on Harmonic Series, MA thesis, Istanbul Technical University, Graduate school of arts and social sciences, July 2020, 80 pages.
Gorski, Markus. "Das abendländische Tonsystem. Lehrklänge, Online-Lehrgang für Musiktheorie", WWW, 2007.
Goshtigian, Mary and Sidney Robertson Cowell. "Tuning of oud belonging to Mrs. Goshtigian and a modal scale", Fresno CA, Apr 1939.
Gosman, Alan. "Rameau and Zarlino: Polemics in the Traité de l'harmonie", Music Theory Spectrum vol. 22 no. 1, spring 2000, pp. 44-59.
Goss, Clint. "Native American Flute Tunings" and "Map of Native American Flute Tunings", WWW, 2015.
Goss, Clint. "The Comprehensive Scale Catalog", WWW, 2015.
Gostoli, Antonia (ed.) Terpandro: Introduzione, testimonianze, testo critico, traduzione e commento. Edizioni dell'Ateneo, Rome, 1990.
Goto, Mario. "Physical Consonance Law of Sound Waves", arXiv 0412118v2, WWW, June 2005, 13 pages.
Gottlieb, Robert S. "Musical scales of the Sudan as found among the Gumuz, Berta, and Ingessana peoples", the world of music/Die Welt der Musik/Le monde de la musique vol. 28 no. 2, 1986, pp. 56-76.
Gottschewski, Hermann. "Is Japanese music more consonant than Western music? an application of Leonhard Euler's music theory", Journal of the Musicological Society of Ochanomizu University, special issue, Dec 2006, pp. 226-240.
Götze, Heinz and Rudolf Wille (eds.) Musik und Mathematik: Salzburger Musikgespräch 1984 unter Vorsitz von Herbert von Karajan. Springer-Verlag, Heidelberg, 1985, 1995.
Gough, Martin. On the Bimodular Approximation and Equal Temperaments. WWW, 2014, 38 pages.
Gouk, Penelope. Music in the natural philosophy of the early Royal Society. PhD thesis, Music history dept., London University, 1982, 383 pages.
Gouk, Penelope. "Quantifying Music: The Science of Music at the First Stage of the Scientific Revolution, 1580-1650 by H.F. Cohen (book review)", The British Journal for the History of Science vol. 18 no. 3, Nov 1985, pp. 369-371.
Gouk, Penelope. "Lutes, Viols and Temperaments by Mark Lindley (book review)", Music & Letters vol. 67 no. 3, July 1986, pp. 313-316.
Gouk, Penelope. Music, Science and Natural Magic in Seventeenth-Century England. Yale University Press, New Haven CN, 1999.
Gouk, Penelope. "'The Temple of Music' by Robert Fludd by Peter Hauge (book review)", Music & Letters vol. 93 no. 3, Aug 2012, pp. 401-404.
Gouk, Penelope. "Music and the Making of Modern Science by Peter Pesic (book review)", Isis vol. 106 no. 2, June 2015, pp. 412-413.
Gouk, Penelope. "Writings on Music by John Wallis (book review)", Music & Letters vol. 96 no. 4, Oxford University Press, Nov 2015, pp. 649-651.
Gould, Mark. "Balzano and Zweifel: Another Look at Generalized Diatonic Scales", Perspectives of New Music vol. 38 no. 2, summer 2000, pp. 88-105.
Govi, G. Sur une ancienne détermination du nombre absolu des vibrations du diapason. Paris, 1860.
Goyette, Jeremiah. "Cyclic Organization in the 'Chorale' of Charles Ives' 'Three Quarter-Tone Pieces'", WWW, 2009, 14 pages.
Gozza, P. "Atoms, 'spiritus', sounds: The 'Speculations on music' (1670) of the Galilean Pietro Mengoli" (in Italian), Nuncius. Annali di Storia della Scienza vol. 5 no. 2, Olschki, Florence, 1990, pp. 75-98.
Gozza, P. (ed.) Number to Sound: The Musical Way To The Scientific Revolution. The Western Ontario Series In Philosophy Of Science vol. 64, Kluwer Academic, Dordrecht, 2000, reprint 2010.
Graaf, Gerard A.C. de. "Afinaciónes antiguas en España", El órgano español: Actas del Primer Congreso, 27-29 octubre 1981, Antonio Bonet Correa (ed.), Univ. Complutense, Madrid, 1983, pp. 59-76.
Gràcia, Xavier and Tomás Sanz-Perela. "The wave equation for stiff strings and piano tuning", arXiv 1603.05516, Feb-July 2016, 13 pages.
Gradenwitz, Matthias. "Die vier Elemente und die Harmonik als die Wissenschaft vom 'Klangäther'", Harmonik und Glasperlenspiel, Beiträge 1994, Verlag Peter Neubäcker, München, Jan 1995, 235 pages.
Grady, Kraig. "Combination-Product Set Patterns", Xenharmonikôn vol. 9, 1986, 4 pages.
Grady, Kraig. "The Discovery of a 14-Tone Scale", Xenharmonikôn vol. 13, spring 1991, pp. 86-89.
Grady, Kraig. "Erv Wilson's Hexany", 1/1 vol. 7 no. 1, autumn 1992, pp. 8-11.
Grady, Kraig. "On the Nature of Working with Performers", Xenharmonikôn vol. 16, autumn 1995, p. 92.
Grady, Kraig. "CENTAUR - A 7-Limit 12-Tone Tuning", Xenharmonikôn vol. 16, autumn 1995, p. 93. WWW, 2011.
Grady, Kraig. "A Rhythmic Application of the Horagrams", Xenharmonikôn vol. 16, autumn 1995, pp. 94-98.
Grady, Kraig. "One Person's Introduction and Digressions to the Work of Erv Wilson", WWW, 2000.
Grady, Kraig. "An Introduction to the Moments of Symmetry - Wilson's theories for generating microtonal scales of any size interval", WWW, 2008-2014.
Grady, Kraig. "More on Horogram Rhythms", WWW, 2008-2012, 5 pages.
Grady, Kraig. "An Introduction to the Scales of Mt Meru and Other Recurrent Sequence Scales", WWW, 2008.
Grady, Kraig and Terumi Narushima. "A Select Group of Dekanies and Constant Structures in Which They are Found", WWW, 2010, 15 pages.
Grady, Kraig (ed.) "About the Wilson Archives", WWW, 2012.
Grady, Kraig. "Anaphorian Instrument Ensembles", WWW, 2012.
Grady, Kraig (ed.) "Gems from the Wilson Archives", WWW, 2012-2018.
Grady, Kraig and Juno Kim. "Secondary Recurrent Sequences of Mt. Meru", WWW, 2013.
Grady, Kraig. "Some Comments on Equal Divisions", WWW, 2016.
Grady, Kraig. "Some comments on the the flute scales, the diaphonic cycles, and the Helixsong", WWW, Feb 2018.
Grady, Kraig. "From the Editor", Xenharmonikôn, WWW, Oct 2018.
Grady, Kraig. "On The Passing of Barbara Hero, Xenharmonikôn, WWW, Sep 2021.
Gräf, Albert. Musical scale rationalization - a graph-theoretic approach. Schriftenreihe Musikinformatik vol. 45, Johannes Gutenberg-University Mainz, Dec 2002, 20 pages.
Graf, Walter. "Around von Hornbostel's Theory of the Cycle of Blown Fifth by Jaap Kunst (book review)", Anthropos vol. 45 no. 4/6, Jul-Dec 1950, pp. 898-900.
Graf, Walter. "Neue Möglichkeiten, neue Aufgaben der vergleichenden Musikwissenschaft", Studien zur Musikwissenschaft vol. 25, Festschrift für Erich Schenk, 1962, pp. 231-245.
Grahame, George Farquhar. "Temperament of the musical scale", Encyclopedia Brittannica, 7th ed., Adam and Charles Black, Edinburgh, 1842.
Grain, Rachel Victoria. The search for a microtonal Flute. MA thesis, Durham University, Durham, Jan 2006, 151 pages.
Gramaglia, Eduardo Javier. "La armonía de las esferas: La tetraktys Pitagórica como paradigma subyacente al orden cosmológico", WWW, Apr 2017, 21 pages.
Grammateus, Henricus alias Heinrich Schreiber. Algorithmus proportionum vna cum Monochordi generis dyatonici compositione. Volfgang De Argentina, Krakau, 1514.
Grammateus, Henricus alias Heinrich Schreiber. Ayn new kunstlich Buech. Johannes Stüchs, Nürnberg, 1518.
Granade, Samuel Andrew. 'Was a Bum Once Myself': Harry Partch, 'U.S. Highball', and the Dust Bowl in the American Imagination. PhD thesis, University of Illinois, Urbana-Champaign, 2005, 337 pages.
Granade, Samuel Andrew. "Bob Gilmore: Maximum Clarity and Other Writings on Music by Ben Johnston (book review)", Notes Second Series vol. 64 no. 2, Dec 2007, pp. 296-298.
Granade, Samuel Andrew. "When Worlds Collide: Harry Partch's Encounters with Film Music", Music and the Moving Image vol. 4 no. 1, spring 2011, pp. 9-33.
Granade, Samuel Andrew. Harry Partch, Hobo Composer. Eastman Studies in Music, Boydell & Brewer, University of Rochester Press, 2014, 386 pages.
Granade, Samuel Andrew. "Decoding Harry Partch's Aesthetic: Satire, Duality, and Water! Water!", American Music vol. 35 no. 2, American Music Onstage, summer 2017, pp. 172-196.
Grant, Joe. "Improving Pitch and Intonation", The Choral Journal vol. 28 no. 5, Dec 1987, pp. 5-9.
Grant, Roger Mathew. "Ad infinitum: Numbers and Series in Early Modern Music Theory", Music Theory Spectrum vol. 35 no. 1, Apr 2013, pp. 62-76.
Granzin, Ludwig von. "Bemerkungen über Orgelmixturen", Allgemeine Musikalische Zeitung vol. 45 no. 20, May 1845, pp. 337-341.
Grassi-Landi, Bartholomeo. Descrizione della nuova tastiera cromatica ed esposizione del nuovo sistema di scrittura musicale. Tipografia di Roma, Rome, 1880, 40 pages.
Grassi-Landi, Bartholomeo. L'armonia dei suoni: col vero corista o diapason normale: considerazioni. Tipografia Vaticana, Roma, 1885, 111 pages.
Grassi-Landi, Bartholomeo. Armonia e melodia musicale secondo la scienza e l'arte. Desclée, Lefebure e ci, Rome, 1897.
Grattan Flood, W.H. "The Account-Book of a Dublin Harpsichord Maker, Ferdinand Weber, 1764 to 1783", The Journal of the Royal Society of Antiquaries of Ireland, Sixth Series vol. 4 no. 4, Dec 1914, pp. 338-347.
Gratzki, Bettina. Die reine Intonation im Chorgesang. PhD diss., Musicology, Bonn, 1993. Orpheus-Schriftenreihe zu Grundfragen der Musik vol. 70, Verlag für systematische Musikwissenschaft, Bonn-Bad Godesberg, 1993, 300 pages.
Graumann, Günter. "Warum ist bei 'reiner' Musik Gis ungleich As? Ein Problemfeld zur Aufklarung über die reine Stimmung mittels Bruchrechnung", Beiträge zum Mathematikunterricht 2008, 42. Jahrestagung der Gesellschaft für Didaktik der Mathematik, Budapest, Mar 2008, 4 pages.
Graves, Jackson E. and Andrew J. Oxenham. "Familiar Tonal Context Improves Accuracy of Pitch Interval Perception", Frontiers in Psychology vol. 8, Oct 2017, pp. 1-13.
Graves, W.L. "Improving intonation", The Instrumentalist vol. 18, 1963, pp. 46-47.
Green, Burdette Lamar. The Harmonic Series from Mersenne to Rameau: an Historical Study of Circumstances Leading to its Recognition and Application to Music. PhD thesis, Ohio State University, Columbus, 1969, 518 pages.
Gredig, Mathias; Marc Winter; Reto Valär and Roman Brotbeck (eds.) Der doppelte Po und die Musik. Rätoromanisch-chinesische Studien, besonders zu Li Po, Harry Partch und Chasper Po. Königshausen & Neumann, Würzburg, 2021, 570 pages. Prologue here.
Green, Edward. "Just How Radical was Harry Partch?", 1/1 vol. 12 no. 2, spring 2006, pp. 16-24.
Green, G.P. Some aspects of Chinese music and some thoughts & impressions on art principles in music. William Reeves, London, 1913, 149 pages.
Green, Joseph. "On the Value of the Dissonance in Musical Theory", The Musical Times and Singing Class Circular vol. 15 no. 342, Aug 1871, pp. 167-170.
Green, Joseph. "A Lost Clue in Harmony", The Musical Times and Singing Class Circular vol. 19 no. 422, Apr 1878, pp. 193-196.
Green, Joseph. "Harmony Modes", The Musical Times and Singing Class Circular vol. 20 no. 435, May 1879, pp. 250-254.
Green, Phoebe Catherine. Inside the performer's process: Exploring four Australian works for the viola through recordings, analysis, and reflection. MA thesis, Queensland Conservatorium, Griffith University, Brisbane, May 2018, 132 pages.
Green, Robert. "Explanation of the Shape, the Tuning, and the Use of the Lyra Viol: Proposition XVIII from the Harmonie Universelle by Marin Mersenne", Journal of the Viola da Gamba Society of America vol. 2, 1965, p. 54.
Greene, Paul Clarence. "Violin performance with reference to Tempered, Natural and Pythagorean Intonation", University of Iowa Studies in the Psychology of Music vol. 4, Objective Analysis of Musical Performance, Carl Seashore (ed.), The University Press, Iowa City, 1936, pp. 232-251.
Greene, Paul Clarence. "Violin Intonation", Journal of the Acoustical Society of America vol. 9 no. 1, July 1937, pp. 43-44.
Greenfield, Jack. "Sound Background; Transition in temperaments", PTG Journal, Oct 1984.
Greenfield, Jack. "Introduction of Equal Temperament; Acoustics of Galileo", Piano Technicians Journal vol. 32, Sep 1989, pp. 31-33.
Greenhill, Peter. The Robert ap Huw Manuscript: An Exploration. Chapter 3, Tuning, Private dissertation for Centre for Advanced Welsh Music Studies, 2000.
Greenslade, Thomas B. Jr. "The Acoustical Apparatus of Rudolph Koenig", Physics Teacher vol. 30, 1992, pp. 518-524.
Gregorini, Silvio. Matematica e Musicologia: la costruzione dei temperamenti. MSc thesis, mathematics, Università degli studi di Camerino, 2011, 78 pages.
Grenfell, Matthew T. The development of the equal temperament scale, evolution or radical change?. MA thesis, Mathematics, Western Connecticut State University, Danbury, Sep 2005, 84 pages.
Greß, Frank-Harald. Dokumentation zur originalen Stimmungsart der Gottfried-Heinrich-Trost-Orgel in der Schloßkirche Altenburg. Dresden, 1979.
Greß, Frank-Harald. Die Klanggestalt der Orgeln Gottfried Silbermanns. 1989.
Greß, Frank-Harald. Die Orgeltemperaturen Gottfried Silbermanns. Freiberger Studien zur Orgel Band 12, Verlag Klaus-Jürgen Kamprad, Altenburg, 2010, 44 pages.
Gries, Margret. Expressive Intonation as Rhetoric in the Performance Practice of Instrumental Ensemble Music in London (1650 - 1720). PhD diss., School of Music and Dance and the Graduate School of the University of Oregon, Mar 2012, 194 pages.
Griffioen, Dirk A. Zeventiende eeuwse opvattingen over de 'Harmonie der Sferen': Robert Fludd, Johannes Kepler, Athanasius Kircher. MA thesis, Universiteit Utrecht, 1996.
Griffioen, Dirk A. "'Rationalis, non Vocalis'. Johannes Kepler en de Harmonie der Sferen", Tijdschrift voor Muziektheorie vol. 7 no. 1, 2002, pp. 1-10.
Griffiths, Paul. "Genesis of a Music by Harry Partch (book review)", The Musical Times vol. 116 no. 1584, Feb 1975, pp. 144-145.
Griffiths, Paul et al. Entry for "Microtone", The New Grove Dictionary of Musical Instruments, MacMillan Press Limited, 2nd revised edition, London, 2000.
Grijp, Louis Peter and Paul Scheepers (eds.) Van Aristoxenos tot Stockhausen. Volume 1: Oudheid tot Renaissance. Volume 2: Van Barok tot heden. Wolters-Noordhoff, Groningen, 1990, 1078 pages.
Grijp, Louis Peter. "Fret patterns of the cittern", Galpin Society Journal vol. 34, Mar 1981, pp. 62-97.
Grimshaw, Jeremy. "Music of a 'More Exalted Sphere': The Sonic Cosmology of La Monte Young", Dialogue: A Journal of Mormon Thought vol. 38 no. 1, spring 2005, pp. 1-35.
Grimshaw, Jeremy. "La Monte Young, Marian Zazeela, and the Just Alap Raga Ensemble Annex Gallery 4, Guggenheim Museum, New York City, 14 and 21 March 2009 (concert review)", American Music vol. 27 no. 4, winter 2009, pp. 521-525.
Griswold, Harold E. "How to teach aural skills with: Electronic tuners", Music Educators Journal vol. 74 no. 5, Jan 1988, pp. 49-51.
Grönewald, Jürgen. "Mikrotonale Differenzen in den Bach-Stimmungen", Berlin, WWW, 2000.
Grönewald, Jürgen. 128 musikalische Temperaturen im mikrotonalen Vergleich. Verlag Pro Business GmbH, Berlin, WWW, 2000, 2008. Also here.
Grönewald, Jürgen. Kellners Stimmanweisungen. Teil 1: Tabellen, Teil 2: Texte, Teil 3: Nachtrag, Verlag Pro Business GmbH, Berlin, 2006.
Grönewald, Jürgen. Johann Sebastian Bach und die Wohltemperierung. Verlag Pro Business GmbH, Berlin, 2010.
Gros, John Daniel. Articles on Musical Temperaments, Including Equal Temperament, 72 Equal Temperament, 53 Equal Temperament, 31 Equal Temperament, 19 Equal Temperament. Hephaestus Books, Gale, Feb 2012.
Grossman, Stefan. The book of guitar tunings: a practical study of non-standard tunings for the folk, blues, jazz, and rock guitarists for new sounds, new textures, and a freedom in lefthand fingering. Amsco Music Pub. Co., New York, 1972, 96 pages.
Groven, Eivind. Naturskalaen. Tonale lover i norsk folkemusikk bundne til seljefløyta. Norsk folkekulturs forlag, Skien, Jan 1927. Also in Norsk Folkekultur vol. 13-15, Bergens Museum, Bergen, 1927-1929.
Groven, Eivind. Renstemt med eller uten gåseøyne. unpublished manuscript.
Groven, Eivind. "Det renstemte klaver. Eivind Grovens revolusjonerende opfinnelse patentert i en rekke land", Tonekunst vol. 17/18, 1934, pp. 135-136.
Groven, Eivind. "Improvements in a tuning system for pianos", UK patent, 1935.
Groven, Eivind. Temperering og renstemning. Dreyer, Oslo, 1948, 1968, 66 pages. English translation Equal Temperament and Pure Tuning, Eget forlag, Oslo, 1969. German translation Temperierung und Reinstimmung. Suttung, Tangen, 1973, 68 pages.
Groven, Eivind. "Temperering av tonesystemer", Fra fysikkens verden vol. 1, Norsk fysisk selskap, Trondheim, 1948, pp. 24-34.
Groven, Eivind. "Den reinstemte skala", Medlemsblad for Norges organistforbund, Apr 1949, p. 29.
Groven, Eivind. "My Untempered Organ", Organ Institute Quarterly vol. 5 no. 3, summer 1955, pp. 34-40.
Groven, Eivind. Eskimomelodiar fra Alaska. (Helge Ingstads samling av opptak fra Nunamiut.) Studier over tonesystemer og rytmer. Oslo, Jan 1956.
Groven, Eivind. "Nye klanglige skjønnhetsåpenbaringer ved renstemming og elektroniske tonekilder", I Forskningsnytt no. 4, Jan 1957, pp. 8-10.
Groven, Eivind. Renstemningsautomaten. Universitetsförlaget Trykningssentral, Oslo, 1968, 125 pages.
Groven, Eivind. Equal Temperament and Pure Tuning. Eivind Groven, Oslo, 1969. German translation "Temperierung und Reinstimmung", Suttung, Oslo, 1973.
Groven, Eivind. "Eivind Groven", Eivind Groven's Institute for Just Intonation, WWW, 1993.
Gruber, Albion M. "Mersenne and Evolving Tonal Theory", Journal of Music Theory vol. 14 no. 1, spring 1970, pp. 36-67.
Gruber, Bruno J. "Mathematical-Physical Properties of Musical Tone Systems", Sitzungsberichte und Anzeiger der mathematisch-naturwissenschaftlichen Klasse Abteilung II vol. 214, Verlag der Österreichischen Akademie der Wissenschaften, June 2005, pp. 43-79.
Gruber, Bruno J. "Mathematical-Physical Properties of Musical Tone Systems II: Applications", Sitzungsberichte und Anzeiger der mathematisch-naturwissenschaftlichen Klasse Abteilung II vol. 215, Verlag der Österreichischen Akademie der Wissenschaften, June 2006, pp. 45-105.
Gruber, Bruno J. "Mathematical-Physical Properties of Musical Tone Systems III: Tonal Multiplication Tables", Sitzungsberichte und Anzeiger der mathematisch-naturwissenschaftlichen Klasse Abteilung II vol. 217, Verlag der Österreichischen Akademie der Wissenschaften, Apr 2008, pp. 13-36.
Gruber, Gerold W. "Review of the 3rd Congress for Music Theory, Vienna, Austria, May 10-12 1996", Music Theory Online vol. 2 no. 7, WWW, 1996.
Grupe, Gerd. "Musik als Kultur? Über musikalische Analyse, indigene Musikkonzepte und die Rolle virtueller Musiker", GMTH Proceedings 2008, Florian Edler; Markus Neuwirth and Derek Remes (eds.), Graz, 2008, series musik.theorien der gegenwart vol. 4, Pfau-Verlag, Saarbrücken, 2010, pp. 537-547 with English abstract.
Grützmacher, Martin and Werner Lottermoser. Über die Stimmung von Flügeln.
Gualda, Fernando. "Tonal, Atonal and Microtonal Pitch-Class Categories", International Conference on Mathematics and Computation in Music, Berlin, May 2007, pp. 430-440.
Guarnieri Corazzol, Adriana. "La musica microtonale: origini e sviluppi di una deviazione dal sistema temperato", programme notes with 'Il passato al futuro', concert at Teatro La Fenice-Palazzo Grassi, Venice, 14 & 23 Sep 1986.
Guczalski, Krzysztof. "Harmonia nie tkwi w liczbach. O pitagorejczykach, strojach i zgod-nych wspólbrzmieniach", Scontri vol. 2, 2015, pp. 51-108.
Guczalski, Krzysztof. "Dlaczego muzyka opiera sie na skalach?", Muzyka 2022 no. 2, pp. 44-62 with English abstract "why is music based on scales?".
Gudel, Joachim. "Zu Fragen der Temperierung bei Clavichord, Cembalo und Orgel", Cembalo, Clavichord, Orgel, 1978, pp. 43-46. Studien zur Aufführungspraxis und Interpretation von Instr. vol. 6 no. 1, Eitelfriedrich Thom (ed.), Blankenburg, 1978, pp. 43-46.
Guernsey, Martha. "The role of consonance and dissonance in music", American Journal of Psychology vol. 40 no. 2, Apr 1928, pp. 173-204.
Guéroult, M. Georges. "Sur un harmonium à double clavier", Comptes rendus des séances de l'Académie des Sciences vol. 74, 1872, p. 1188.
Guerra, Samuel Larson. "La espiral en la musica y la cuadratura del circulo", presentation, Mexico City, Oct 2015, 14 pages.
Guglielmo, Giovanni and Giuliana Padrin. Arte e tecnica dell'intonazione negli strumenti ad arco. Collana di studi musicale vol. 18, G. Zanibon, Padova, 1980, 32 pages.
Guha Mozumdar, Roby (ed.) Bharatiya sangite grama-sruti-murchana o sahaja svaralipi-paddhati. 1379, 1972.
Guicciardini, Niccolò. "The Role of Musical Analogies in Newton's Optical and Cosmological Work", Journal of the History of Ideas vol. 74 no. 1, Jan 2013, pp. 45-67.
Guido of Arezzo? Dialogus de dimensione monochordi. Wolfgang Figulus (ed.), Nuremberg, 1565.
Guido of Arezzo. Micrologus Guidonis de disciplina artis musicae. German translation Kurze Abhandlung Guidos über die Regeln der musikalischen Kunst übersetzt und erklärt von Michael Hermesdorff, Trier, 1876.
Guild of American Luthiers. Equal Temperament Tuning. Guild of American Luthiers data sheet #45.
Guillet, Alexandre. A Singular Measure of Dissonance or how Music provides an empirical support in Number Theory. WWW, May 2018, 30 pages.
Guillot, Rébecca and Isabelle Guillot. "Music and the Making of Modern Science by Peter Pesic (book review)", Journal of Educational Technology & Society vol. 18 no. 3, July 2015, pp. 328-329.
Guion, David M. "Baroque, Or, Oh Where, Oh Where Have the Wind Instruments Gone?", Historic Brass Society Journal, 2000, pp. 230-243.
Guiraud de Willot, Didier. "Musique et tempéraments", WWW, 2004.
Gulik, Robert Hans van. "The Lore of the Chinese Lute. An Essay in Ch'in Ideology", Monumenta Nipponica vol. 1 no. 2, July 1938, pp. 386-438. part 2, Monumenta Nipponica vol. 3 no. 1, Jan 1940, pp. 127-176.
Gulik, Robert Hans van. The Lore of the Chinese Lute. Monumenta nipponica monographs no. 3, Sophia University, Tokyo, 1940, 235 pages. Addenda et corrigenda, Tokyo, 1951. 2nd rev. Charles Tuttle (ed.) and Sophia University, Rutland VM, 1969.
Gumbosky, Joe. "About Unequal Temperaments", WWW, 2016.
Günalçin, Serkan. "Rauf Yekta Bey'in Nazari Anlayisinda Cins ve Perde Iliskisi", TUMAC, WWW, Sep 2018.
Gunden, von Heidi. "The Theory of Sonic Awareness in the Greeting by Pauline Oliveros (book review)", Perspectives of New Music vol. 19 no. 1/2, autumn 1980-summer 1981, pp. 409-416.
Gunden, von Heidi. The Music of Ben Johnston. Scarecrow Press, Metuchen NJ, 1986, 204 pages.
Gunden, von Heidi. The Music of Lou Harrison. Scarecrow Press, Metuchen NJ, 1995, 380 pages.
Gundlach, Ralph H. "A Quantitative Analysis of Indian Music", American Journal of Psychology vol. 44 no. 1, Jan 1932, pp. 133-145.
Guo, Shuqun. "Think over Zhu Zaiyü's Temperament Once More: Respectfully to sir Chen Yingshi" (in Chinese), Musicology in China, 1996, no. 1, pp. 117-130.
Gurenko, N.A. The Microchomatics of I. Wyschnegradsky: History, Theory, Practice, Development (in Russian). PhD diss., Urals Mussorgsky State Conservatoire, Ekaterinburg, 2010.
Gurney, Oliver R. "An Old-Babylonian Treatise on the Tuning of the Harp", Iraq vol. 30 no. 2, autumn 1968, pp. 229-233.
Gurney, Oliver R. "Babylonian Music Again", Iraq vol. 56, 1994, pp. 101-106.
Gurney, Oliver R.; Martin Litchfield West and Theo J.H. Krispijn. "Mesopotamian Tonal Systems: A Reply", Iraq vol. 60, 1998, pp. 223-227.
Gurvin, Olav. "Eivind Groven 70 ar", Syn og segn vol. 8, 1971, pp. 1-8.
Gustafson, Bruce. "Tuning the historical temperaments by ear by Owen Jorgensen (book review)", Diapason vol. 69 no. 6, May 1978, p. 4.
Gustin, Molly. "A Theory of Roots", Journal of Music Theory vol. 6 no. 2, winter 1962, pp. 178-198.
Gut, Serge. La tierce harmonique dans la musique occidentale, origines et évolution. Heugel & Cie, Paris, 1969, 237 pages.
Gut, Serge. "La notion de consonance chez les théoriciens du Moyen-Âge", Acta Musicologica vol. 48 fasc. 1, Jan-June 1976, pp. 20-44.
Gut, Serge. "L'échelle à double seconde augmentée: Origines et utilisation dans la musique occidentale", Musurgia vol. 7 no. 2, 2000, pp. 41-60.
Gut, Serge. "Jacques Chailley et l'évolution du langage musical selon le tableau des harmoniques", Musurgia vol. 19 no. 1, 2012, pp. 59-68.
Guthrie, E.R. and H. Morill. "The Fusion of Non-Musical Intervals", American Journal of Psychology vol. 40 no. 4, Oct 1928, pp. 624-625.
Guthrie, Kenneth Sylvan (ed.) The Pythagorean Sourcebook and Library: An Anthology of Ancient Writings Which Relate to Pythagoras and Pythagorean Philosophy. David Fiedeler (ed.), Phanes Press, Michigan, July 1987, 362 pages.
Guttmann, Alfred. "Ist eine Vierteltonmusik möglich?" (Is a quartertone music possible?), Melos vol. 7, 1928, pp. 530-533.
Guy, Louise. "Extended Recorder Technique", preprint, July 2019, 26 pages.
Guy, Richard K. "Small Differences Between Powers of 2 and 3", Unsolved Problems in Number Theory, Springer, New York, 1994, p. 261.
Gwynn, Dominic. "Comments on early 18th-century organ pitches", FoMRHI Quarterly vol. 67 (Fomrhi Comm 1101), Apr 1992, pp. 57-60.
Györy, Sándoz. A hangrendzer Kiszámításáról és zongorák hangolásáról mérséklet nélkül tiszta viszonyok szerint. Über des Messen des Tons und das Stimmen der Klavier ohne Temperatur nach einen Verhältnissen. Univ. Buchdruck, Budán, 1858, 94 pages.

- H -

Ha, J. "Teaching intonation in violin playing: A study of expert string teaching", Australian Journal of Music Education vol. 2 no. 1, 2015, pp. 224-236.
Haack, Joel K. "The Mathematics of the Just Intonation Used in the Music of Terry Riley", Bridges: Mathematical Connections in Art, Music, and Science, Winfield, 30 July-1 August 1999, pp. 101-110.
Haack, Paul A. "Audition Preferences of Trained and Untrained Ears on Hearing Melodic and Harmonic Intervals when Tuned in Just Intonation or Pythagorean Ratios by Howell Pierre Branning (book review)", Bulletin of the Council for Research in Music Education no. 23, winter 1971, pp. 29-32.
Haack, Paul A. "Pitch Preference Determination, a Comparative Study of Tuning Preferences of Musicians from the Major Performing Areas with Reference to Just Intonation, Pythagorean Tuning and Equal Temperament by Jack Ulness Sisson (book review)", Bulletin of the Council for Research in Music Education no. 38, summer 1974, pp. 29-34.
Haacke, Walter. "Theorie und Praxis des Orgelpfeifenklanges. Intonieren und Stimmen (book review)", Musik und Kirche vol. 46 no. 4, 1976, pp. 192-194.
Haacke, Walter. "Bemerkungen aus der Spielpraxis zur Stimmungsfrage der Zither", Die Volksmusik vol. 41 no. 4-6, 1986, pp. 2-5.
Haapamäki, Sampo. "A wonderworld of quarter-tones", Finnish Music Quarterly, column, 29 Sep 2014.
Haar, James. "False Relations and Chromaticism in Sixteenth-Century Music", Journal of the American Musicological Society vol. 30 no. 3, autumn 1977, pp. 391-418.
Haas, Bernhard. "Über Mikrotonalität und Vieltönigkeit, oder: Wie die Musik von Bach bis Wagner das Hören und Denken der vielen Töne beeinflusst hat", Mikrotonalität - Praxis und Utopie, Cordula Pätzold and Caspar Johannes Walter (eds.), Schott, Mainz, 2014, pp. 136-152.
Haas, Georg-Friedrich. "...die freie Auswahl des Tonmaterials... Anmerkungen zu Alois Hábas frühen mikrotonalen Kompositionen", Musikalische Gestaltung im Spannungsfeld von Chaos und Ordnung, Otto Kolleritsch (ed.), Universal Edition, Wien, 1991, pp. 168-186.
Haas, Georg-Friedrich. "Arc-en-ciel, opus 37. Ivan Wyschnegradskys behutsame Annäherung an das Zwölfteltonintervall", Mikrotöne IV, Musikedition Nymphenburg 2001, München, 1993, pp. 79-92.
Haas, Georg-Friedrich. "Die Verwirklichung einer Utopie: Ultrachromatik und nicht-oktavierende Tonräume in Ivan Wyschnegradskys mikrotonalen Kompositionen", Harmonie im 20. Jahrhundert, Claus Ganter (ed.), WUV-Universitätsverlag, Wien, 1993, pp. 87-100.
Haas, Georg-Friedrich. "Charles Delusse: Air à la Grecque", Ton 4/96-1/97. IGNM, Wien, 1997.
Haas, Georg-Friedrich. "Fünf Thesen zur Mikrotonalität", Positionen vol. 48, 2001, pp. 42-44.
Haas, Georg Friedrich. "Mikrotonalität und spektrale Musik seit 1980", Orientierungen: Wege im Pluralismus der Gegenwartsmusik, Jörn Peter Hiekel (ed.), Veröffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt vol. 47, Schott Musik International, Mainz, 2007, pp. 123-129.
Haase, Rudolf. "J.H. Scheibler und seine Bedeutung für die Akustik", Beiträge zur Musik im Rhein-Maas-Raum vol. 19, 1957, pp. 57-63.
Haase, Rudolf. Leibniz und die Musik - Ein Beitrag zur Geschichte der Harmonikalen Symbolik. Hommerich, 1963.
Haase, Rudolf. Grundlagen der harmonikalen Symbolik. ORA, München, 1966, 106 pages.
Haase, Rudolf. Hans Kayser - Ein Leben für die Harmonik der Welt. Schwabe & Co., Stuttgart, Basel, 1968, 144 pages.
Haase, Rudolf. Die harmonikalen Wurzeln der Musik. Verlag Elisabeth Lafite, Wien, 1969, 80 pages.
Haase, Rudolf. Geschichte des harmonikalen Pythagoreismus. Publikationen der Wiener Musikakademie no. 3, Verlag Elisabeth Lafite, Wien, 1969, 184 pages. e-publication, 2009.
Haase, Rudolf. "Die 12 'Halbtöne'", Musikerziehung vol. 25 no. 4, Wien, 1972.
Haase, Rudolf. "Paul Hindemiths harmonikale Quellen - sein Briefwechsel mit Hans Kayser", Beiträge zur harmonikalen Grundlagenforschung vol. 5, Verlag Lafite, Wien, 1973.
Haase, Rudolf. "Keplers Weltharmonik in Vergangenheit, Gegenwart und Zukunft", Sudhoffs Archiv vol. 57 no. 1, Franz Steiner Verlag, Wiesbaden, 1973, pp. 41-70.
Haase, Rudolf. "Gehördisposition und griechische Skalen", Festschrift Karl Gustav Fellerer zum 70. Geburtstag, Arno-Volk-Verlag, Köln, 1973.
Haase, Rudolf. "Leibniz und die Harmonikale Tradition", Akten des II. internationalen Leiniz-Kongresses Hannover Bd. 1, Wiesbaden, 1973.
Haase, Rudolf. "Hermann Bahr und das harmonikale Denken", Österreichische Musikzeitschrift vol. 31 no. 3, Mar 1976, p. 158.
Haase, Rudolf. "Die Herkunft musikalischer Grundlagen aus dem Gehör. Eine Morphologie der Intervalle", Musik und Zahl, Verlag für systematische Musikwissenschaft, Bonn-Bad Godesberg, 1976.
Haase, Rudolf. Der meßbare Einklang. Grundzüge einer empirischen Weltharmonik. Ernst Klett-Verlag, Stuttgart, 1976, 143 pages. Klett-Cotta, June 2002.
Haase, Rudolf. Über das disponierte Gehör. Doblinger, Wien/München, 1977, 52 pages.
Haase, Rudolf. "Korrespondenten von G.W. Leibniz, III: Conrad Henfling", Studia Leibnitiana vol. 9 no. 1, Wiesbaden, 1977, pp. 111-119.
Haase, Rudolf. Zehn Jahre Institut für harmonikale Grundlagenforschung. Beiträge zur harmonikalen Grundlagenforschung Band 10, Verlag Lafite, Wien, 1977, 42 pages.
Haase, Rudolf. Harmonikale Synthese. Beiträge zur harmonikalen Grundlagenforschung Band 12, Verlag Lafite, Wien, 1980, 96 pages.
Haase, Rudolf (ed.) Der Briefwechsel zwischen Leibniz und Conrad Henfling. Ein Beitrag zur Musiktheorie des 17. Jahrhunderts. Veröffentlichungen des Leibniz-Archivs vol. 9, Vittorio Klostermann, Frankfurt a.M., 1982, 155 pages.
Haase, Rudolf. Aufsätze zur Geschichte der Harmonik. Bern, 1984.
Haase, Rudolf. Natur-Geist-Seele, Harmonik und Metaphysik des quadratischen und des runden Lambdoma. Braumüller, Wien, 1985.
Haase, Rudolf. "Harmonikale Grundlagenforschung", Acta Musicologica vol. 58 fasc. 2, July-Dec 1986, pp. 282-304.
Haase, Rudolf. "Gehördisposition und ekmelische Intervalle", Mikrotöne I, Edition Helbling, Innsbruck, 1986, pp. 151-164.
Haase, Rudolf. Zwanzig Jahre Hans-Kayser-Institut für harmonikale Grundlagenforschung. Schriften über Harmonik Nr. 17, Synergia, Bern, July 1988, 68 pages.
Haase, Rudolf. Keplers Weltharmonik heute. PARAM-Verlag, Ahlerstedt, 1989, Heinrich Hugendubel, 1997, 139 pages.
Haase, Rudolf. Johannes Keplers Weltharmonik: Der Mensch im Geflecht von Musik, Mathematik und Astronomie. Kösel-Verlag, Jan 1998, 155 pages. Diederichs Verlag, München, 1998.
Haase, Ursula. Der Briefwechsel Hans Kaysers. Beiträge zur harmonikalen Grundlagenforschung Band 4, Verlag Lafite, Wien, 1973, 72 pages.
Hába, Alois. "Die harmonikalen Grundlagen des Vierteltonsystems", Melos vol. 3, 1922, pp. 201-205. English translation "Harmonic Principles of the Quarter-tone System".
Hába, Alois. Von der Psychologie der musikalischen Gestaltung, Gesetzmäßigkeit der Tonbewegung und Grundlagen eines neuen Musikstils. Verlag Universal-Edition, Wien, 1924. Czech version O psychologii tvoreni, pohybove zakonitosti tonove a zakladech noveho hudebniho slohu. Prague, 1925.
Hába, Alois. "Grundlagen der Tondifferenzierung und der neuen Stilmöglichkeiten in der Musik", Von neuen Musik. Beiträge zur Erkenntnis der neuzeitlichen Tonkunst, Marcan, Köln, 1925, pp. 52-58.
Hába, Alois. "Welche Aufgaben bietet die Vierteltonmusik der Musikwissenschaft?", Bericht über den I. Musikwiss. Kongreß der deutschen Musikgesellschaft in Leipzig vom 4 bis 8 Juni 1925, Leipzig 1926, reissued Wiesbaden, 1969.
Hába, Alois. "Over Kwart-tonen-muziek" (concerning quarter-tone music), De Muziek vol. 2, Amsterdam, 1927, pp. 109-118.
Hába, Alois. Harmonické základy ctvrttónové soustavy. German translation by the author Neue Harmonielehre des diatonischen, chromatischen Viertel-, Drittel-, Sechstel- und Zwölftel-tonsystems, Fr. Kistner & C.F.W. Siegel, Leipzig, 1927. Universal, Wien, 1978. Revised by Erich Steinhard, Grundfragen der mikrotonalen Musik, Bd. 3, Musikedition Nymphenburg 2001, Filmkunst-Musikverlag, München, 1979, 251 pages. New edition by Horst-Peter Hesse (ed.), 2 vols. Praktischer Teil, 192 pages & Theoretischer Teil, 576 pages, Books on Demand, Norderstedt, 2007-2008. English translation with annotations by Suzette Mary Battan, University of Rochester, 1980, 366 pages. Spanish translation with foreword by Ramón Barce Nuevo tratado de armonía de los sistemos diatónico, cromático, de cuartos, de tercios, de sextos y de doceavos de tono, Real Musical S.A., Madrid, 1984. Italian translation by Otto C. Reppert and Edilio Frassoni Principi armonici del sistema a quarti di tono, Devega, Milano, 1984.
Hába, Alois. "Flügel und Klavier der Vierteltonmusik", Die Musik vol. 21, 1928, pp. 201-202.
Hába, Alois. "Casellas Scarlattiana - Vierteltonmusik und Musikstil der Freiheit", Anbruch no. 9-10, Universal-Ed., Vienna, 1929, pp. 331-334.
Hába, Alois. "Meine Vierteltonoper Die Mutter", Anbruch, Vienna, 1931.
Hába, Alois. "Jeronimas Kacinskas, pirmas ketvirtiniu tonu muzikos lietuviu kompozitorius [Jeronimas Kacinskas, First Lithuanian Composer of Quarter-Tone Music]", Muzikos barai no. 1, 1931, pp. 2-6.
Hába, Alois. "Arabu muzikos kongresas Kaire [Congress of Arab Music in Cairo]", Muzikos barai no. 7-8, 1932, pp. 114-115.
Hába, Alois. "Dvi J. Kacinsko kompozicijos statomos Prahoj ir Münchene [Two Compositions by J. Kacinskas will be Performed in Prague and Munich]", Muzikos barai no. 9, 1932, p. 131.
Hába, Alois. "Schönberg und die weiteren Möglichkeiten der Musikentwicklung", Arnold Schönberg zum 60. Geburtstag, 13. September 1934, Berlin, 1934, pp. 15-17.
Hába, Alois. "Quelques réflexions sur l'interprétation des bases théoriques de la musique à quarts et à sixièmes de ton", La revue musicale, juin-juillet 1937, pp. 92-95.
Hába, Alois. Mein Weg zur Viertel- und Sechsteltonmusik. Gesellschaft zur Förderung der systematischen Musikwissenschaft, Düsseldorf, 1971, 125 pages. Filmkunst Musikverlag, München, 1986.
Hába, Alois. Grundlagen der Harmonik in mikrotonaler Musik. Edition Helbling, Innsbruck, 1989, 144 pages.
Hába, Alois. "Muj lidsky a umelecky vyvoj", Sborník k zivotu a dílu skladatele. Jirí Vyslouzil (ed.), Nakladatelství; "Lipa", Vizovice, 1993, p. 50.
Habens, W.J. "On the Musical Scale", Proceedings of the Musical Association vol. 16, Nov 1889, pp. 1-23. Also here.
Hackbarth, Glenn Allen. An Analysis of Harry Partch's Daphne of the Dunes. DMA thesis, University of Illinois, Champaign-Urbana, 1979.
Hackleman, Jay Scott. "Some Details Concerning the 19-Tone Clavichord", Xenharmonikôn vol. 5, spring 1976, 2 pages.
Hackleman, Jay Scott. "The Hackleman-Wilson 19-Tone Clavichord", paper at Microfest 2001.
Hadrava, Michal and Jaroslav Hlinka. "A Dynamical Systems Approach to Spectral Music: Modeling the Role of Roughness and Inharmonicity in Perception of Musical Tension", Frontiers in Applied Mathematics and Statistics vol. 6, June 2020, pp. 1-14.
Haeberli, Jörg. "Twelve Nasca panpipes: a study", Ethnomusicology vol. 23 no. 1, Jan 1979, pp. 57-74.
Haefer, J. Richard. "Bagpipes and Tunings by Theodor H. Podnos (book review)", Journal of the American Musical Instrument Society vol. 2, 1976, pp. 102-103.
Haenen, Greta. "J. Sauveur: Collected writings on musical acoustics (book review)", Musica Antiqua vol. 4 no. 4, 1987, p. 160.
Haenen, Greta. "Een zuiver gestemd clavecimbel aan het hof te Düsseldorf", Musica Antiqua vol. 5 no. 3, 1988, pp. 105-109.
Haenen, Greta. "Louis Peter Grijp - P. Scheepers: Van Aristoxenos tot Stockhausen (book review)", Musica Antiqua vol. 8 no. 2, 1991, p. 89.
Haenen, Greta. "M. L. West: Ancient Greek Music (book review)", Musica Antiqua vol. 12 no. 1, 1995, p. 38.
Haenen, Greta. "Ibo Ortgies: 'Die Praxis der Orgelstimmung in Norddeutschland im 17. und 18. Jahrhundert und ihr Verhältnis zur zeitgenössischen Musikpraxis' (book review)", Svensk tidskrift för musikforskning, 2005.
Hafenreffer, Samuel. Monochordon symbolico-biomanticum obstructissimum pulsum doctrinam, ex harmonicis musicis dilucide, figurisque oculariter demonstrans, de causis et prognosticis inde promulgandis fideliter instruens, et jucunde per medicam praxin resonans. Ulm, 1640.
Hafer, Howard W. "A study in equal temperament; an original, new and practical method of laying the bearings", Tribune printing company, Bay City TX, c.1940.
Hafner, Everett. "The Forty-Eight Revisited in Thirty-One", Well Tempered Notes, Nov 1974, Motorola Scalatron Inc.
Hagee, Michael William. An integrated-circuit piano tuner for the equal-tempered keyboard employing a tuneable fixed-coefficient digital filter. Management Information Services, Detroit MI, 1969, 94 pages.
Hagel, Stefan. Modulation in altgriechischer Musik. Antike Melodien im Licht antiker Musiktheorie. PhD diss., Classical Philology, Austrian Academy of Sciences, Vienna, 1999, Quellen und Studien zur Musikgeschichte von der Antike bis zur Gegenwart vol. 38, Michael von Albrecht (ed.), Peter Lang, Vienna, Jan 2000, 194 pages.
Hagel, Stefan and Christine Harrauer (eds.) "Ancient Greek Music in Performance", Ancient Greek Music in Performance, Wiener Studien Beiheft vol. 29, Verlag der ÖAW, Vienna, Jan 2005, pp. 9-50.
Hagel, Stefan. "Twenty-four in auloi. Aristotle, Met. 1093b, the harmony of the spheres, and the formation of the Perfect System", Ancient Greek Music in Performance, Stefan Hagel and Christine Harrauer (eds.), Wiener Studien Beiheft vol. 29, Verlag der ÖAW, Vienna, Jan 2005, pp. 51-92.
Hagel, Stefan. "Is nîd qabli Dorian? Tuning and modality in Greek and Hurrian music", Baghdader Mitteilungen vol. 36, Jan 2005, pp. 287-348. Also here.
Hagel, Stefan. "Didymos des Musikers epimorischer Epizentrismus", Ad maiorem dei gloriam, W. Lukaseder and J. Huemer (eds.), Jan 2006, pp. 162-169.
Hagel, Stefan. "Re-evaluating the Pompeii auloi", The Journal of Hellenic Studies vol. 128, Nov 2008, pp. 52-71. Italian translation "Interpretando i quattro famosi auloi da Pompei", 2nd Annual Meeting of MOISA, Jan 2009.
Hagel, Stefan. Ancient Greek Music: a new Technical History. Cambridge University Press, Cambridge, 2009. Also here.
Hagel, Stefan. "Andrew Barker: The Science of Harmonics in Classical Greece (book review)", Classical Philology vol. 104 no. 2, Apr 2009, pp. 243-248.
Hagel, Stefan. "The Pompeii Auloi Improved Data and a Hitherto Unknown Mechanism", Studien zur Musikarchäologie vol. 8, Jan 2012, pp. 103-114.
Hagel, Stefan. Aulos and Harp: Questions of Pitch and Tonality", Greek and Roman Musical Studies vol. 1 no. 1, Jan 2013, pp. 151-171.
Hagel, Stefan. Better understanding the Louvre Aulos", Studien zur Musikarchäologie vol. 9, Jan 2014, pp. 131-142.
Hagel, Stefan. "'Leading notes' in ancient Near Eastern and Greek music and their relation to instrument design", Studien zur Musikarchäologie X, Papers from the 9th Symposium of the International Study Group on Music Archaeology at the Ethnological Museum, State Museums Berlin, 9-12 Sep 2014, Ricardo Eichmann; Lars-Christian Koch and Fang Jianjun (eds.), Verlag Marie Leidorf GmbH, Rahden, Jan 2016, pp. 133-150.
Hagel, Stefan. "David Creese: The Monochord in Ancient Greek Harmonic Science (book review)", Aestimatio vol. 9, Dec 2015, pp. 337-351.
Hagel, Stefan. "Music and Harmonic Theory", Oxford Handbook of Science and Medicine in the Classical World, Paul Keyser and John Scarborough (eds.), Oxford Handbooks, Jan 2018, pp. 445-461.
Hagel, Stefan. "Reconstructing the Auloi from Queen Amanishakheto's Pyramid", Studien zur Musikarchäologie vol. 11, Nov 2019, pp. 177-197.
Hageman, S.A. "A Just Intonation Piano", The American Journal of Science vol. 11 no. 63, Mar 1901, pp. 224-229.
Hagenow, C.F. "The equal tempered musical scale", American Journal of Physics vol. 2 no. 3, Sep 1934, pp. 81-84.
Hagerman, B. and Johan Sundberg. "Fundamental frequency adjustment in barbershop singing", Speech Transmission Laboratory: Quarterly Progress and Status Report vol. 21 no. 1, Apr 1980, pp. 28-42. Reprint in Journal of Research in Singing vol. 4 no. 1, Dec 1980, pp. 3-17.
Hagleitner, Michael. "Modality and Diversity in Cretan Music", IMS-RASMB, Series Musicologica Balcanica vol. 1 no. 1, 2020, pp. 87-107.
Hahn, Albert. "Das Verhältnis der Wissenschaft zur Musik", Niederrheinische Musikzeitung vol. 13 no. 40, L. Bischoff (ed.), Cologne, 7 Oct 1865, pp. 313-316.
Hahn, Kathrin and Oliver Vitouch. "Preference for musical tuning systems: How cognitive anatomy interacts with cultural shaping", Proceedings of the 7th International Conference on Music Perception and Cognition, C. Stevens; D. Burnham; G. McPherson; E. Schubert and J. Renwick (eds.), Sydney, 2002, Causal Productions, Adelaide.
Hahn, Paul. "An Interesting Result in the Theory of Well-Temperaments", WWW, 1996.
Hähnel, Tilo. "Commentary on 'Microtonal Analysis of 'Blue Notes' and the Blues Scale' by Court B. Cutting", Empirical Musicology Review vol. 13 no. 1-2, 2019, pp. 100-102. Also here.
Haigh, Richard. "The 'Apental' Piano", Galpin Society Journal vol. 58, May 2005, pp. 173-183, 230-231.
Hailpairn, Lydia. "The Key to Character", Clavier, Oct 1972, pp. 38-40.
Hair, Graham; Douglas McGilvray; Nicholas Bailey and Ingrid Pearson. "Tools for Expert Musicians for Practising and Rehearsing Microtonal Music", Proceedings DMRN+1, University of London Queen Mary College, London, Dec 2006.
Hair, Graham and Ingrid E. Pearson. "The Rosegarden Codicil: Rehearsing music in nineteen-tone equal temperament", Scottish Music Review vol. 1 no. 1, 2007, pp. 99-126.
Hajdu, Georg. "Harmonische Energie - Motor bei der Evolution 'relevanter' Tonsysteme", Feedback Papers vol. 35, 1989, pp. 1-35.
Hajdu, Georg. "17 Tones", Proceedings of the International Computer Music Conference, San Jose CA, 1992, pp. 449-450.
Hajdu, Georg. "Low Energy and Equal Spacing; the Multifactorial Evolution of Tuning Systems", Interface vol. 22 no. 4, 1993, pp. 319-333.
Hajdu, Georg. "Harmonische Energie - Motor bei der Evolution 'relevanter' Tonsysteme", Feedback Papers vol. 35, Feedback Studio Verlag, Köln, pp. 1-25.
Hajdu, Georg. "Wege zu einer neuen Harmonielehre", Zeitschrift der Hochschule für Musik Detmold, summer 1997, pp. 2-5.
Hajdu, Georg. "Die Domestizierung des Zufalls Klarenz Barlows Computerprogramm AUTOBUSK", WWW, 2002.
Hajdu, Georg. "Überlegungen zu einer neuen Theorie der Harmonie", Mikrotöne und mehr, Manfred Stahnke (ed.), Schriftenreihe: Musik und. Band 8. Hanns-Werner Heister and Wolfgang Hochstein (eds.), Weidler Verlag, Berlin, 2005, pp. 165-187.
Hajdu, Georg. "Quintet.net: An Environment for Composing and Performing Music on the Internet", Leonardo Music Journal vol. 38 no. 1, Feb 2005, pp. 23-30.
Hajdu, Georg and Nick Didkovsky. "MaxScore - Current State of the Art", Proceedings of the International Computer Music Conference, Ljubljana, 2012, 7 pages.
Hajdu, Georg. "Dynamic Notation - A Solution to the Conundrum of Non-Standard Music Practice", Proceeding of the First International Conference on Technologies for Music Notation and Representation, Paris, May 2015, 8 pages.
Hajdu, Georg. "Resurrecting a Dinosaur - The Adaption of Clarence Barlow's Legacy Software AUTOBUSK", Proceeding of the Second International Conference on Technologies for Music Notation and Representation, Cambridge, 2016, 6 pages.
Hajdu, Georg and Nick Didkovsky. "MaxScore: Recent Developments", Proceedings of the 4th International Conference on Technologies for Music Notation and Representation, Concordia University, Montréal, May 2018, pp. 138-146.
Haken, Lippold; Ed Tellman and Patrick Wolfe. "An Indiscrete Music Keyboard", Computer Music Journal vol. 22 no. 1, spring 1998, pp. 30-48.
Hakvoort, Johannes. "Stemming en samenspel", WWW, Aug 2007, 19 pages.
Halbreich, Harry. "Wyschnegradsky, l'anachorète", Le monde de la musique vol. 77, Apr 1985.
Halewood, Michael. "On equal temperament: Tuning, modernity and compromise", History of the Human Sciences vol. 28 no. 3, Feb 2015, pp. 3-21.
Halfpenny, Eric. "Diderot's Tunings for the Violin Family", Galpin Society Journal vol. 27, May 1974, pp. 15-20.
Hall, Donald E. "The Objective Measurement of Goodness-of-fit for Tunings and Temperaments", Journal of Music Theory vol. 17 no. 2, autumn 1973, pp. 274-290.
Hall, Donald E. "Quantitative Evaluation of Musical Scale Tunings", American Journal of Physics vol. 42 no. 7, July 1974, pp. 543-552.
Hall, Donald E. "Is unequal temperament coming back for pipe organs?", Journal of the Acoustical Society of America vol. 66, 1979, p. S68.
Hall, Donald E. Musical Acoustics: an Introduction. Brooks/Cole Publishing Company, 1980, 2nd ed. 1991, 475 pages.
Hall, Donald E. and Joan Taylor Hess. "Perception of Musical Interval Tuning", Music Perception vol. 2 no. 2, winter 1984, pp. 166-195.
Hall, Donald E. "A Systematic Evaluation of Equal Temperaments Through N=612", Interface vol. 14 no. 1-2, 1985, pp. 61-73.
Hall, Donald E. "Acoustical Numerology and Lucky Equal Temperaments", American Journal of Physics vol. 56 no. 4, Apr 1988, pp. 329-333.
Hall, Donald E. "Ross Duffin: How Equal Temperament Ruined Harmony (and Why You Should Care) (book review)", Journal of the Acoustical Society of America vol. 121 no. 5, May 2007, p. 2473.
Hall, Rachel Wells and Kresimir Josic. "The Mathematics of Musical Instruments", American Mathematical Monthly vol. 108 no. 4, Apr 2001, pp. 347-357. Also here.
Hall, Rachel Wells. The Sound of Numbers. A Tour of Mathematical Music Theory. Mathemathics course, Department of Mathematics and Computer Science, Saint Joseph's University, Philadelphia, 2007.
Hall, Rachel Wells. "The Math Behind the Music by Leon Harkleroad (book review)", Journal of Mathematics and the Arts vol. 1 no. 2, 2007, pp. 143-145.
Hall, W.E. "A Short Sudy in Acoustics Relative to Equal Temperament", The Tuners' Magazine, Sumner L. Bales, Cincinnati OH, Aug 1914, 22 pages.
Halldórsson, Pétur. "Pattern of Settlements paced from 1 to 9", thesis in Music and deep memory - A book; In memoriam Ernest G. McClain, Iconea Publications, Bryan Carr and Richard Dumbrill (eds.), London, 2018, pp. 51-60.
Halle, Johann Samuel. Die Kunst des Orgelbaues: Theoretisch und praktisch beschrieben. Brandenburg, Halle, 1779, 218 pages. Reprint Ulan Press, Aug 2012.
Hällström, Gustav Gabriel. "Von den Combinationstönen", Annalen der Physik vol. 100 no. 3, J.C. Poggendorff (ed.), VCH Verlag GmbH & Co., Weinheim, 1832, pp. 438-466.
Halperin, Tamar. "The Ongoing Quest for Bach's Temperament", The Juilliard Journal Online vol. 24 no. 6, WWW, Mar 2009.
Halsey, G.D. and Edwin Hewitt. "More on the superparticular ratios in music", American Mathematical Monthly vol. 79 no. 10, Dec 1972, pp. 1096-1100.
Haluska, Ján. "On two algorithms in music acoustics", Extracta Mathematicae vol. 12 no. 3, 1997, pp. 243-250.
Haluska, Ján. "Diatonic scales summary", Proc. of 7th IFSA Prague, June 25-29, 1997, ia, vol. 4, Prague, 1997, pp. 320-322.
Haluska, Ján. "On fuzzy coding of information in music", BUSEFAL vol. 69, 1997, pp. 37-42.
Haluska, Ján. "Uncertainty and tuning in music", Tatra Mountains Mathematical Publications vol. 12, 1997, pp. 113-129.
Haluska, Ján. "Comma 32805 / 32768", International Journal of Uncertainty, Fuzziness and Knowledge-Based Systems vol. 6 no. 3. 1998, pp. 295-305.
Haluska, Ján. "On numbers 256/243, 25/24, 16/15", Tatra Mountains Mathematical Publications vol. 14, 1998, pp. 145-151.
Haluska, Ján. "Searching the frontier of the Pythagorean system", Tatra Mountains Mathematical Publications vol. 16, 1999, pp. 273-282.
Haluska, Ján and Beloslav Riecan. "On a lattice of tetrachords", Tatra Mountains Mathematical Publications vol. 16, 1999, pp. 283-294.
Haluska, Ján and Beloslav Riecan. "Segmentation on the pitch level: the frontier of the Pythagorean system", Österreichische Computer Geselschaft vol. 133, Diderot Forum on Mathematics and Music, Vienna, 1999, pp. 205-211.
Haluska, Ján. "Equal Temperament and Pythagorean Tuning: a geometrical interpretation in the plane", Fuzzy Sets and Systems vol. 114 no. 2, 2000, pp. 261-269.
Haluska, Ján. "The Petzval's Theory of Tone Systems", Ambiguity and Music, Ján Haluska (ed.), Polygrafia, Bratislava, 2000, pp. 7-17.
Haluska, Ján. "Uncertainty measures of well tempered systems", International Journal of General Systems vol. 31 no. 1, 2002, pp. 73-96.
Haluska, Ján. "Unimodular matrices and diatonic scales", Proceedings of the 2nd International Conference on Understanding and creating music, Caserta, 21-25 Nov 2002, 15 pages.
Haluska, Ján. "Weber-Fechner's law, uncertainty, and Pythagorean system", Proceedings of the 11th Scientific Conference, Zilina, November 17-19, 2003, IEDIS, Zilina, 2003, pp. 47-50.
Haluska, Ján. The Mathematical Theory of Tone Systems. Pure and Applied Mathematics Series vol. 262, Marcel Dekker - Ister Science, New York/Basel/Bratislava, 2003, 410 pages.
Haluska, Ján; Ondrej Hutník and Tomás Mihály. "On a diophantine equation derived from the theory of meantone systems", Proceedings of Transcom 2005, the 6th. European Conf. of Young Researchers and Science Workers in Transport and telecommunications, Zilina, 27-29 June 2005, vol. 9, 2005, pp. 79-82.
Haluska, Ján; Ondrej Hutník and Tomás Mihály. "Biscale of Josef Rut", Proc. of Transcom 2005, The 6th European Conf. of Young Researchers and Science Workers in Transport and telecommunications, Zilina, 27-29 June 2005, vol. 9, 2005, pp. 83-86.
Halusková, E. "Comma sequences", Ambiguity and Music, Ján Haluska (ed.), Polygrafia, Bratislava, 2000, pp. 1-5.
Hambitzer, Gerald. "Temperatur", Bachs Orchestermusik, S. Rampe and D. Sackmann (eds.), Bärenreiter, Kassel, 2000, pp. 318-322.
Hamerman, Warren J. "The Musicality of Living Processes", 21st Century Science & Technology vol. 2 no. 2, Mar/Apr 1989.
Hamilton, Elsie. The Modes of Ancient Greece. 1953, 20 pages.
Hamilton, James Alexander. Hamilton's practical introduction to the Art of tuning the Piano-Forte; written for the use of persons desirous of tuning their own instruments, with a mathematical demonstration of the theory of Equal Temperament ... a list of authors who have written on temperament ... also ... instructions for the maintenance and preservation of the pianoforte. Robert Cocks & Co., London, c.1830, 1844. 6th ed. greatly enlarged and improved by Joseph Warren (ed.), 1853.
Hamilton, James Alexander. Practical Introduction to the Art Of Tuning The Pianoforte. 6th edition, Robert Cocks & Co., London, 1853, 1858, 84 pages.
Hamilton, John. "Dual Temperament at Stanford", The Musical Times vol. 129 no. 1741, Mar 1988, pp. 153, 155.
Hammer-Purgstall. Literatur der arabischen und persischen Musik. Vienna, 1839.
Hammett, Jean Claire. Quantitative Analysis of Five Temperaments. Honors thesis, Tulane University, 1978.
Hammond, Frederick (ed.) Walteri Odington Summa de speculatione musicae. Corpus scriptorum de musica, vol. 14, American Institute of Musicology, 1970, 159 pages.
Hammond, Frederick. "Musical instruments at the Medici court in the mid-seventeenth century", 1975.
Hammond, Frederick. "Acustica accordatura e temperamento nell'Illuminismo Veneto: con scritti inediti di Alessandro Barca, Giordano Riccati e altri autori by Patrizio Barbieri (book review)", Music & letters vol. 71 no. 3, Aug 1990, pp. 383-384.
Hammond, Laurens. "Patent for the Electric Organ", USA patent no. 1.956.350, 24 April 1934, sheet 18.
Han, Mei. The emergence of the Chinese zheng: traditional context, contemporary evolution, and cultural identity. PhD thesis, University of British Columbia, Vancouver, May 2013, 292 pages.
Hand, Ferdinand. Ästhetik der Tonkunst. Eduard Eisenach, Leipzig, 1847.
Händel, Georg Friedrich. Twelve Voluntaries and Fugues for the Organ or Harpsichord with Rules for Tuning by the celebrated Mr. Händel, Book IV. Longman and Broderip, London, c.1780.
Handschin, Jacques S. "Akustisches aus Russland", Gedenkboek aangeboden aan Dr. D.F. Scheurleer op zijn 70sten verjaardag, Martinus Nijhoff, 's-Gravenhage, 1925, pp. 143-157.
Handschin, Jacques S. "Review of Ariel's Das Relativitätsprinzip der Musikalische Harmonie, Band I: Die Gesetze der inneren Tonbewegungen, das evolutionäre Temperierungsverfahren und das 19 stufiges Tonsystem", Zeitschrift für Musikwissenschaft vol. 8, 1926, pp. 579-583.
Handschin, Jacques S. "Über reine Harmonie und temperierte Tonleitern", Schweizerisches Jahrbuch für Musikwissenschaft vol. 2, 1927, pp. 145-166.
Handschin, Jacques S. "Ein mittelalterlicher Beitrag zur Lehre der Sphärenharmonie", Zeitschrift für Musikwissenschaft vol. 9 no. 4, 1927.
Handschin, Jacques S. "The Greek Aulos, a Study of Its Mechanism and of Its Relation to the Modal System of Ancient Greek Music, Followed by a Survey of the Greek Harmoniai in Survival or Rebirth in Folk-Music by Kathleen Schlesinger (book review)", Acta Musicologica vol. 20, 1948, pp. 60-62.
Handschin, Jacques S. Der Toncharakter. Eine Einführung in die Tonpsychologie. Atlantis Verlag, Zürich, 1948, 452 pages. wbg Academic in Wissenschaftliche Buchgesellschaft, 1995.
Handschin, Jacques S. "Anselmi's Treatise on Music Annotated by Gafori", Musica Disciplina vol. 2 fasc. 1/2, 1948, pp. 123-140.
Handschin, Jacques S. "The 'Timaeus' Scale", Musica Disciplina vol. 4 fasc. 1, 1950, pp. 3-42.
Handschin, Jacques S. "Music in Java by J. Kunst; Around von Hornbostel's Theory of the Cycle of Blown Fifths by J. Kunst (book reviews)", Acta Musicologica vol. 22 fasc. 3/4, Jul-Dec 1950, pp. 156-171.
Hanel, Reinhard. "Die elektronische Feinstufenorgel", Ekmelische Musik, Edition Helbling, Innsbruck, 1983.
Hansen, Curtis. "Tuning the Choir", Music Educators Journal vol. 51 no. 2, Nov-Dec 1964, pp. 85-89.
Hansen, Finn Egeland. The grammar of Gregorian tonality : an investigation based on the repertory in codex H 159, Montpellier. Studier og publikationer fra Musikvidenskabeligt Institut, Aarhus Universitet. English translation by Shirley Larsen, Dan Fog, Copenhagen, 1979, 2 vols.
Hansen, Finn Egeland. "Ren stämmning under renässansen och i Per Nørgårds musik", Nutida musik/Contemporary music vol. 31 no. 3, 1987-1988, pp. 43-46.
Hansen Atria, Vicente. Contrafactual Archaeology: A Model for Inter-idiomatic Composition in 'Orlando Furioso'. PhD thesis, Columbia University, New York, 2022, 174 pages.
Hansen, Uwe J. "Robert Young's contributions to musical acoustics", Journal of the Acoustical Society of America vol. 116 no. 4, Oct 2004, p. 2564.
Hanson, Howard. Harmonic Materials of Modern Music: Resources of the Tempered Scale. Appleton-Century-Crofts, New York, Jan 1960, 381 pages.
Hanson, Larry. "Development of a 53-Tone Keyboard Layout", Xenharmonikôn vol. 12, 1989, pp. 69-87.
Hanson, Larry. "A 34-equal guitar", Experimental Musical Instruments vol. 9, Dec 1993, p. 39.
Hanson, Larry. "A 34 tone scale and the starr-switch grid with Hanson's 15 rank keyboard applied to the 72 (hebdomekontany), 53, and 34, tone scales", 1994.
Hanson, Larry. "34-ET Notation System Based on Major and Minor Thirds", Xenharmonikôn vol. 17, spring 1998, pp. 9-11.
Hänzer, Walter. Die Naturseptime im Kunstwerk. Büchler, Bern, 1926, 116 pages.
Harajda, H. and Janina Fyk. "The perceptibility of mistuned melodic intervals by school children", Archives of Acoustics vol. 6 no. 4, Warsaw, 1981, pp. 371-384.
Harasek, Richard J. "A New Look at the Partch Monophonic Fabric", Xenharmonikôn vol. 3, 1975.
Harasek, Richard J. "On This Thing Called Scalatron", Xenharmonikôn vol. 3, 1975.
Harasek, Richard J. "Well Tempered Notes", Xenharmonikôn vol. 3, 1975.
Harbison, John. "Ben Johnston: a tribute by John Harbison", American Academy of Arts and Letters, WWW, Feb 2021.
Hardegree, Gary. Scales in Music. Thesis, University of Massachusetts, Amherst MA, 2000, 26 pages.
Harder, August. Leichter und fasslicher Unterricht das Pianoforte zu stimmen. Leipzig, 1822, 1829.
Hardouin, Pierre. "Working Hypothesis for a History of the Tierce", 1970.
Harenberg, Michael. "Der gespielte Algorithmus: Convert (your) Ego. Eine algorithmische Komposition zum Forschungsprojekt CLEX der Hochschule der Künste Bern HKB", Arts in Context - Kunst, Forschung, Gesellschaft, Thomas Gartmann and Christian Pauli (eds.), transcript-Verlag, Bielefeld, 2020, pp. 132-139.
Harkleroad, Leon. The Math Behind the Music. Cambridge University Press, Cambridge, 2006, 158 pages plus audio CD.
Harkleroad, Leon. "Tuning with Triangles", The College Mathematics Journal vol. 39 no. 5, Nov 2008, pp. 367-373.
Harlan, Brian Timothy. One Voice: A Reconciliation of Harry Partch's Disparate Musical Theories. PhD thesis, University of Southern California, Los Angeles, 2007. VDM Verlag, Düsseldorf, June 2008, 184 pages.
Harlan, Calvin. "Lou Harrison, American Composer", 1963.
Harlow, Randall. Recent Organ Design Innovations and the 21st-century 'Hyperorgan'. MSc thesis, Eastman School of Music, May 2011, 49 pages plus examples.
Harley, James. "More Electronic Music by Henk Badings (CD review)", Computer Music Journal vol. 35 no. 1, spring 2011, pp. 111-112.
Haroutunian, Bedros and Sidney Robertson Cowell. "Tuning of kanoon [qanun] : Complete scale", 1939.
Harper, Ben. "Martin Rane Bauck - Martin Rane Bauck, Through a network of illuminated streets. Ole Martin Huser-Olsen, Ensemble NeoN, Heather Roche. Lawo Classics, LWC1171 (CD review)", Tempo vol. 73 no. 290, Oct 2019, pp. 89-91.
Harper, K. "Harmonics and double-stop effects on tuning", American String Teacher vol. 48 no. 2, 1998, pp. 43-44.
Harrasser, K. "Musicalische Paradoxal-Discourse. Oder: Gute Temperaturen für glückliche Ohren", Kulturtechniken des Barock, T. Nanz and A. Schäfer (eds.), Kadmos, Berlin, 2013, pp. 199-219.
Harrell, Max Leigh. Scales and modes in the music of West Java. MA thesis, University of California, Los Angeles, 1972, 228 pages.
Harrington, Jeff. Making Microtonal Music with Software", WWW, 2004.
Harris, Clement Antrobus. "The War between the Fixed and Movable Doh", The Musical Quarterly, 1918, pp. 184-195.
Harris, Cyril M., Maurice Eisenstadt and Mark R. Weiss. "Sounds of the Highland Bagpipe", Journal of the Acoustical Society of America vol. 35 no. 9, Sep 1963, pp. 1321-1327.
Harris, J. Donald, "Scaling of Pitch Intervals", Journal of the Acoustical Society of America vol. 32 no. 12, Dec 1960, pp. 1575-1581.
Harrison, Daniel. Harmonic Function in Chromatic Music. The University of Chicago Press, Chicago and London, 1994, 2010, 337 pages.
Harrison, Daniel. "Nonconformist Notions of Nineteenth-Century Enharmonicism", Music Analysis vol. 21 no. 2, July 2002, pp. 115-160.
Harrison, John. A Description concerning such Mechanism as will afford a nice, or true Mensuration of Time; together with Some Account of the Attempts for the Discovery of the Longitude by the Moon; and also An Account of the Discovery of the Scale of Musick. Printed for the author, London, 1775.
Harrison, John. A True and Full Account of the Foundation of Musick, or, as principally therein, of the Existance of the Natural Notes of Melody. unpublished manuscript, London, c.1776, 182 pages.
Harrison, John. "An Account of the Discovery of the Scale of Musick", reprint in Pitch vol. 1 no. 2, American Festival of Microtonal Music, New York, 1987, pp. 12-14.
Harrison, Lou. "Some Notes on the Music of Mouth-Organs; to Honor, with admiration & affection, Dr. Lee Hye-Ku in his sixtieth year", Lee Hue-ku Festschrift, 1969, pp. 339-350.
Harrison, Lou. Lou Harrison's Music Primer. Peters, New York, 1971. Japanese translation by T. Kakinuma and Mamoru Fujieda, Jesuku Ongaku Shinkokai, Tokyo, 1993.
Harrison, Lou. "At the Tomb of Charles Ives & A Phrase For Arion's Leap (scores)", Xenharmonikôn vol. 2, autumn 1974.
Harrison, Lou. "Item: Five-tone, six-tone, and seven-tone modal forms within the traditional matrix of two tetrachords separated by nine to eight", Xenharmonikôn vol. 4, 1975.
Harrison, Lou. "Genesis of a Music by Harry Partch (book review)", the world of music vol. 17 no. 4, 1975, pp. 4-5.
Harrison, Lou. "Incidental Music for Corneille's 'Cinna' (score)", Xenharmonikôn vol. 5, spring 1976, 13 pages.
Harrison, Lou. "Item: Thoughts while designing a gamelan", Xenharmonikôn vol. 7-8, 1979, 6 pages.
Harrison, Lou and William Colvig. Instruction Manual; The Colvig-Harrison Monochord. 1970-1979.
Harrison, Lou and William Colvig. "Gamelan Builders' Notes", Ear vol. 8 no. 4, 1983, p. 26.
Harrison, Lou. "Thoughts about 'Slippery Slendro'", Selected Reports: Institute of Ethnomusicology vol. 6, University of California, Los Angeles, 1985, pp. 111-117.
Harrison, Lou. "Cloverleaf: A little narrative with several 'off-ramps'", 1/1 vol. 5 no. 2, 1989, p. 1. Also in: Companion to Contemporary Musical Thought, Routledge, London, 1992, pp. 248-255.
Harrison, Lou. "Blessed Be Translators, for They Give Us Worlds", 1/1 vol. 7 no. 1, 1991, pp. 4-5.
Harrison, Lou. "A Line between the Word and the Way: a celebration of the life and works of Lou Harrison", 1997.
Harrison, Lou (ed.) "Tuning survey", c.2000.
Harrison, Lou. "Microfest 2001 Keynote Address", 1/1 vol. 10 no. 4, 2001, pp. 1, 4-12.
Harrison, Lou. "Tunings and civilizations", 2002.
Harrison, Michael. "Music in Pure Intonation", WWW, 2007.
Harrop, Todd. "Just Chromatic Bohlen-Pierce Scales and Beyond", 2014.
Harrop, Todd. "Modulating Or 'Transferring' Between Non-Octave Microtonal Scales", 13th Sound and Music Computing Conference (SMC2016), Rolf Großmann and Georg Hajdu (eds.), Hamburg, Aug 2016, 5 pages.
Hart, Adam. "Microtonal Tunings in Electronic Dance Music: A Survey of Precedent and Potential", Contemporary Music Review vol. 35 no. 2, Sep 2016, pp. 1-21.
Harte, Christopher; Mark Sandler and Martin Gasser. "Detecting harmonic change in musical audio", Proceedings of the 1st ACM workshop on Audio and music computing multimedia - AMCMM '06, Santa Barbara CA, 2006, 5 pages. Also here.
Harthun, Norbert and Ines Rennert. "Die Ei-Kurve als Schnitt des Hyperbolischen Kegels. Das 'Tongesetz' nach Walter Schauberger", 2002, WWW, 10 pages.
Hartig, Andrew M. "Temperaments and Tunings: A Guide for Lute Players", WWW, 2005.
Hartmann, Caroline. "Pythagoras und die Anfänge der Musik", Fusion, July-Aug-Sep 2002. English translation by Richard Sanders "Music and the Unsolved Paradox of Pythagoras. Violin Building and the World of Harmonic Sound", 21st Century Science & Technology Magazine, spring 2003, pp. 10-22.
Hartmann, George C. "A Numerical Exercise in Musical Scales", American Journal of Physics vol. 55 no. 3, Mar 1987, pp. 223-226.
Hartmann, William Morris. "On the origin of the enlarged melodic octave", Journal of the Acoustical Society of America vol. 93 no. 6, June 1993, pp. 3400-3409.
Hartridge, H. "Recent Research on Musical Acoustics (1895-1924) supplementing Pole's work", The Philosophy of Music by William Pole, Harcourt, Brace & Co., New York, 1924.
Hartung, Erwin. "Reinere Klavierstimmung", Die Musik vol. 21 no. 2, 1929, p. 675.
Harvey, Jonathan. "Mortuos Plango Vivos Voco: A Realization at IRCAM", Computer Music Journal vol. 5 no. 4, winter 1981, pp. 22-24.
Harvey, Jonathan; Denis Lorrain; Jean-Baptiste Barrière and Stanley Haynes. "Notes on the Realization of Bhakti", Computer Music Journal vol. 8 no. 3, autumn 1984, pp. 74-78.
Hasegawa, Keiko. 'Japanischer Frühling'. Untersuchungen von Vertonungen japanischer Lyrik in deutschen Nachdichtungen im 20. Jahrhundert. MA thesis, University of Vienna, Aug 2010, 102 pages.
Hasegawa, Robert. "Tone representation and just intervals in contemporary music", Contemporary Music Review vol. 25 no. 3, 2006, pp. 263-281.
Hasegawa, Robert. "Introduction: 'Sound for the Sake of Perceptual Insight'", Contemporary Music Review vol. 27 no. 1, The Music of James Tenney, Feb 2008, pp. 1-5.
Hasegawa, Robert. Just Intervals and Tone Representation in Contemporary Music. PhD thesis, Harvard University, Cambridge MA, 2008.
Hasegawa, Robert. "Combination-Tone Harmony", Society for Music Theory Annual Meeting, Indianapolis IN, Nov 2010.
Hasegawa, Robert. "'Gegenstrebige Harmonik' in the Music of Hans Zender", Perspectives of New Music vol. 49 no. 1, winter 2011, pp. 207-234.
Hasegawa, Robert. "New approaches to tonal theory. Tonality and Transformation by Steven Ring. A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice by Dmitri Tymoczko (book reviews)", Music & Letters vol. 93 no. 4, Nov 2012, pp. 574-593.
Hasegawa, Robert. "L'intonation juste, un renouveau esthétique et théorique", French translation by Gilles Rico, Théories de la composition musicale au XXe siècle, Nicolas Donin and Laurent Feneyrou (eds.), Symetrie, Lyon, 2013, pp. 1499-1531.
Hasegawa, Robert. "György Ligeti: Of Foreign Lands and Strange Sounds, Louise Duchesneau and Wolfgang Marx (eds.) (book review)", érudit vol. 23 no. 2, Circuit, Montréal, 2013, pp. 79-83.
Hasegawa, Robert. "Temperament and the corps sonore: Rameau's theories and recent compositional practice", Le Savant et le praticien: Théoriser la composition de Rameau à nos jours, conference organized by IRCAM and the Centre de Musique Baroque de Versailles, 14 Nov 2014, Paris.
Hasegawa, Robert. "Temperament in Contemporary Microtonal Music", Beyond: Microtonal Music Festival, University of Pittsburgh, 27 Feb 2015.
Hasegawa, Robert. "Clashing Harmonic Systems in Haas's 'Blumenstück' and 'in vain'", Music Theory Spectrum vol. 37 no. 2, autumn 2015, pp. 204-223.
Hasegawa, Robert. "From Scratch: Writings in Music Theory by James Tenney (book review)", Computer Music Journal vol. 40 no. 3, autumn 2016, pp. 83-86.
Haselböck, Lukas. "Zwischenklänge, Teiltöne, Innenwelten: Mikrotonales und spektrales Komponieren", Lexikon Neue Musik, 2016, pp. 103-115.
Hasenclever, Richard. Die Grundzüge der esoterischen Harmonik des Altertums. Verlag M. du Mont, Köln, 1870, 47 pages.
Häser, A.F. "Über wissenschaftliche Begründungder Musik durch Akustik", Allgemeine musikalische Zeitung vol. 145, 1829.
Hasler, Johann F.W. "Generating Pitch Material from the Magic Sigils of the Western Esoteric Tradition", Perspectives of New Music vol. 45 no. 2, summer 2007, pp. 203-243. Also here.
Hasluck, Paul Nooncree. Pianos: Their Construction, Tuning, And Repair. Cassell and Company Ltd., London, Paris, New York, Melbourne, 1905, 1908, 160 pages.
Haskins Eyles Stiles, Francis. "An Explanation of the Modes or Tones in the Ancient Graecian Music; By Sir Francis Haskins Eyles Stiles, Bart. F.R.S.", Philosophical Transactions (1683-1775), vol. 51, 1759-1760, pp. 695-773. French translation "Explication des modes & tons de l'ancienne musique grecque", Abrégé des Transactions de la Société Royale de Londres, Paris, 1790, pp. 215-298.
Haspels, Jan Jaap. "Tuning and Temperament", Automatic Musical Instruments; Their Mechanics and their Music 1580-1820. Nirota Muziekdruk C.V., Koedijk, 1987, pp. 109-146.
Hasse, Karl. "Temperierte Stimmung und musikalische Praxis", Zeitschrift für Musikwissenschaft vol. 13 no. 7, 1931, p. 353.
Hatch, Christopher and David W. Bernstein (eds.) Music Theory and the Exploration of the Past. University of Chicago Press, 1993, 576 pages.
Hatzis, Christos. "The Law of One: Recursive structures in composition", Organised Sound vol. 3 no. 1, Cambridge University Press, 1998, pp. 17-25.
Hauge, Peter. English Music Theory c. 1590-1690: The Modal Systems, Changing Concepts, and the Development of New Classification Systems. PhD diss., City University, London, 1997.
Hauge, Peter. "Updating Music Theory in the Seventeenth-Century England: Discussions between Musicians and Natural Philosophers of the Royal Society", unpubl. paper read at La Querelle des Anciens et des Modernes en musique au XVIIe siècle, Académie de France à Rome, Feb 2007.
Hauge, Peter. "John Birchensha: Writings on Music (book review)", Music & Letters vol. 92 no. 4, Nov 2011, pp. 647-649.
Hauge, Peter. "Robert Fludd (1574-1637): A Musical Charlatan? A Contextual Study of His 'Temple of Music' (1617-18)", "Robert Fludd (1574-1637): glazbeni sarlatan? Kontekstualno istrazivanje njegovadjela "Temple of Music" (1617-18)", International Review of the Aesthetics and Sociology of Music vol. 39 no. 1, Croatian Musicological Society, June 2008, pp. 3-29. WWW, 2013.
Hauge, Peter. "John Wallis: writings on music, ed. David Cram and Benjamin Wardhaugh (book review)", The Seventeenth Century vol. 30 no. 3, 2015, pp. 364-367.
Hauptmann, Moritz. Die Natur der Harmonik und der Metrik: zur Theorie der Musik. O. Paul (ed.), Breitkopf und Härtel, Leipzig, 1853, 406 pages. Also here. 2nd ed., 1873. Reprint, Nabu Press, Feb 2010, 416 pages. English translation by E. Heathcote, London, 1888.
Hauptmann, Moritz. "Temperatur", Jahrbücher für musikalische Wissenschaft Band I, Friedrich Chrysander (ed.), Leipzig, 1863, pp. 17-54.
Hauptmann, Moritz. Opuscula: vermischte Aufsätze. Leuckart, Leipzig, 1874, 137 pages.
Häuser, Johann Ernst. Kurze faßlicher Anweisung zum Stimmen des Fortepiano. G. Basse, Quedlinburg & Leipzig, 1833, 1835.
Haverstick, Neil. "Notes on 'Mysteries', and score of 'Mysteries'". Xenharmonikôn vol. 16, autumn 1995, p. 114.
Haverstick, Neil. "More notes", the Onion vol. 25, Denver CO, 31 March 1999.
Haverstick, Neil. 19 Tones: A New Beginning. self-published, 1996, 30 pages.
Haverstick, Neil. Harmonics and Spirals. self-published, 2016.
Haverstick, Neil. Hopelessly Microtonal. self-published, 2018, 79 pages.
Havingha, Gerardus. Oorspronk en voortgang der orgelen, met de voortrefflykheit van Alkmaars groote Orgel. Klaas Mol, Alkmaar, 1727, 247 pages. Reprint Arend Jan Gierveld (ed.), Bibliotheca Organologica vol. 13, Frits Knuf, Buren, 1985.
Havrøy, F. "You Cannot Just Say: 'I am Singing the Right Note', Discussing intonation issues with Neue Vocalsolisten Stuttgart", Music & Practice vol. 1, 2013.
Havryliv, Mark and Terumi Narushima. "Metris: A Game Environment for Music Performance", Computer Music Modeling and Retrieval: Third International Symposium, CMMR 2005, Pisa, 26-28 Sep 2005. Revised Papers, May 2006, pp. 101-109. Also here.
Havryliv, Mark. "Composing For Improvisation With Chaotic Oscillators", Proceedings of the International Conference on New Interfaces for Musical Expression, Sydney, June 2010, pp. 94-99.
Hawkes, William. The Theory of Music simplified; and the Principle of the Temperament applied to the Tuning of Keyed Instruments explained: also the best method of Tuning. Printed for the Author by Thomas Davison, 1805.
Hawkes, William. "On the musical temperament of keyed instruments", The Philosophical Magazine vol. 28, London, 1807, pp. 304-306.
Hawkins, John. A General History of the Science and Practice of Music. In five volumes, T. Payne and Son, London, 1776. vol. 2, vol. 3, vol. 4, vol. 5.
Hayashi, Kenzo. "So no chogen no gensoku to hatten", Journal of the Society for Research in Asiatic Music vol. 24/25, Mar-Apr 1968, pp. 1-35.
Hayashi, Masaki; Steven Bachelder and Masayuki Nakajima. "Microtone Analysis of Blues Vocal - Can Hatsune-Miku sing the Blues?", NICOGRAPH International, 2014, pp. 1234-1237.
Haydon, Glen. "The Theory of Classical Greek Music by Fritz A. Kuttner, Robert Conant (book review)", The Musical Quarterly vol. 42 no. 3, July 1956, pp. 421-423.
Haydon, N.W.J. Pythagoras and the ancient mysteries. Toronto, 1998, 9 pages.
Hayes, Deborah. "Christian Huygens and the science of music", Musicology at the University of Colorado vol. 1 no. 1, Dec 1977, pp. 17-31.
Hayes, Gerald. "The 17th Century on Quarter-Tones", The Musical Times Vol. 65, No. 971, Jan 1924, p. 42.
Haynes, Bruce. "Temperamento per comune opinione perfettisimo: 18th-century tuning for singers and orchestral instruments", FoMRHI Quarterly vol. 43 (Fomrhi Comm 702), Apr 1986, pp. 56-58.
Haynes, Bruce. "Les diapasons à l'époque de Jean-Sébastien Bach. III: Description de diapasons anciens; sources, hauteurs relatives et absolues", in collaboration with Marc Écochard, Flûte a bec et instruments anciens no. 24, Mar 1988, pp. 11-18.
Haynes, Bruce. "Beyond Temperament: Non-Keyboard Intonation in the 17th and 18th Centuries", Early Music vol. 19 no. 3, Aug 1991, pp. 356-381. WWW, 2006.
Haynes, Bruce. "Johann Sebastian Bach's Pitch Standards: The Woodwind Perspective", Journal of the American Musical Instrument Society vol. 11, 1985, pp. 55-114.
Haynes, Bruce. Pitch Standards in the Baroque and Classical Periods. PhD diss., Université de Montréal, 1995.
Haynes, Bruce. A History of Performing Pitch. The story of 'A'. The Scarecrow Press, Lanham MD and Oxford, 2002, 568 pages.
Hays, Elizabeth (ed.) F.W. Marpurg's Anleitung zum Clavierspielen (Berlin, 1755) and Principes du clavecin (Berlin, 1756). Translation and commentary. PhD thesis, Stanford University, 1977, 2 vols., 309 and 351 pages.
Hayslett, Dennis J. "The effect of selected tuning pitch sources on the tuning accuracy of band members", Contributions to Music Education vol. 17, autumn 1990, pp. 44-49.
Hayward, Robin. "The Microtonal Tuba", Galpin Society Journal vol. 64, Mar 2011, pp. 125-177.
Hayward, Robin (ed.) "Pitches Treated as Noise. Interview with Arie Altena", Travelling Time, Feb 2012, 5 pages.
Hayward, Robin. "The Microtonal Tuba: Capabilities and Opportunities. A player-oriented introduction to the microtonal tuba", ITEA Journal vol. 40 no. 2, winter 2013.
Hayward, Robin. "The Hayward Tuning Vine: an interface for Just Intonation", NIME Proceedings 2015, Baton Rouge LA, June 2015, pp. 209-214. Also here.
He, Changlin. "Lun 'chunlühua'" (On the justification of temperament), Yuefu Xinsheng (Journal of the Shenyang Conservatory of Music) no. 4, 1983, pp. 13-16.
He, Ji-Huan and Jie Tang. "Rebuild of King Fang 40 B.C. musical scales by He's inequality", Applied Mathematics and Computation vol. 168 no. 2, Sep 2005, pp. 909-914.
He, Tang. Yuelü guanjian (My humble opinions on the musical pitches), para. 1-10, China, 1st half 16th cent.
Head, Matthew. "Birdsong and the Origins of Music", Journal of the Royal Musical Association vol. 122, 1997, pp. 1-23.
Head, Raymond. "John Foulds: Three Mantras Op. 61b; Lyra Celtica, Concerto for Voice and Orchestra Op. 50; Apotheosis (Elegy) for Violin and Orchestra Op. 18; Mirage Op. 20 by Susan Bickley, Daniel Hope, City of Birmingham Symphony Orchestra, Sakari Oramo (CD review)", Tempo vol. 59 no. 232, Apr 2005, pp. 52-53.
Hearne, Gareth. Towards a new model of microtonal music: The regular temperaments of 22TET. BA thesis, University of Western Sydney, School of Music, 2014, 93 pages.
Hearne, Gareth. "Roman numeral and neo-Riemannian analyses of Blackwood's Suite for Guitar in 15-note Equal Tuning", WWW, 2015, 17 pages.
Hearne, Lilian M. Towards a new model for microtonal music: The regular temperaments of 22TET. BoM thesis, UWA School of Music, Sydney, Nov 2014, 93 pages.
Hearne, Lilian M. The cognition of harmonic tonality in microtonal scales. PhD thesis, Music Cognition and Action Group, The MARCS Institute, Sydney, 2020, 252 pages.
Hearne, Lilian M. "Roman numeral and neo-Riemannian analyses of Blackwood's Suite for Guitar in 15-note Equal Tuning", WWW, May 2023, 17 pages.
Heartz, Daniel; Alfred Mann; Cecil B. Oldman and Erich Hertzmann. Thomas Attwoods Theorie- und Kompositionsstudien bei Mozart. Wolfgang Amadeus Mozart: Neue Ausgabe sämtlicher Werke, Ser. X, Werkgruppe 30, Bd. 1, 1965, Kassel.
Heath, Richard. "Astronomical Musicality within Mythic Narratives", ICONEA Proceedings, Dec 2013, 17 pages.
Heath, Thomas Little (ed). The Thirteen Books of Euclid's Elements. Cambridge University Press, Cambridge, 1908. Reprint, Dec 2017.
Heath, Thomas Little. Aristarchus of Samos, the Ancient Copernicus: a history of Greek astronomy to Aristarchus, together with Aristarchus's treatise on the sizes and distances of the sun and moon. Oxford, London, 1913. Reprint Dover Publications, New York, Aug 1981, 425 pages.
Heaton, Roger. "Horatiu Radulescu, Sound Plasma (book review)", Contact: A Journal for Contemporary Music no. 26, spring 1983, pp. 23-24.
Hébert, Charles. Traité de l'Harmonie des sons et de leurs rapports (...). Bologna, 1733.
Hedges, T.W. and A.P. McPherson. "3D gestural interaction with harmonic pitch space", Proceedings of the Sound and Music Computing Conference 2013, Stockholm, 2013, pp. 103-110.
Heerden, Derrick Scott van. Mathemagical Music Production. E-book, 2013, 144 pages.
Hefny, Mahmoud el. Ibn Sinas Musiklehre. PhD diss., Otto Hellwig, Berlin, 1931.
Hegendörfer, Gerd. "Indische Musik - Struktur und Wirkung", Harmonik & Glasperlenspiel. Beiträge `93, Verlag Peter Neubäcker & freies musikzentrum, München, 1994, pp. 249-275.
Heijltjes, Mireille. "Microtonale klavieren", Werkgroep muziek van de 20e eeuw, R.A. Rasch (ed.), Utrecht, 1992, pp. 37-46.
Heim, David Bruce. Practical Tuning, Temperament and Conditioning for Hornists and Other Wind Instrumentalists: Understanding and attaining intonational flexibility in musical performance. MA thesis, University of Tulsa, 1990, 199 pages.
Heine, Alois. Akustische Phänomene. Untersuchungen und Experimente mit der Klarinette und Einführung in die Ansatztechniken zur Erzeugung von Überblasetönen, Untertönen und Akkordklängen. Schriften der Hochschule "Mozarteum" Salzburg, Bd. 5, Musikverlag Emil Katzbichler, München/Salzburg, 1978.
Heinemann, Michael (ed.) Das Bach Lexikon. Bach-Handbuch Band 6, Laaber Verlag, Laaber, 2000, 623 pages.
Heinichen, Johann David. Der General-Baß in der Composition. Dresden, 1728.
Heinke, Theophil. "Stimmtonhöhe und Stimmungsart der Trost-Orgel", Die Trost-Orgel und Stadtkirche 'Zur Gotteshilfe' Waltershausen, Festschrift zur Orgelweihe und 275-jährigen Jubiläum der Stadtkirche, Waltershausen, 1998, pp. 92-95.
Heinrich, Johann G. Orgellehre: Structur und Erhaltung der Orgel; für Seminarien, Lehrer, Organisten, Geistliche und Kirchen- und Bau-Behörden. Flemming, Glogau, 1861, 111 pages.
Heins, Ernst. "Indonesian Colonization of West- and Central-Africa?", Bijdragen tot de Taal-, Land- en Volkenkunde vol. 122 no. 2, 1966, pp. 274-282.
Heintz, Joachim. "Tuning your MIDI Keyboard. Playing with user-controllable scales in Csound", Csound Journal no. 12, Dec 2009.
Heinz, Rudolf. "Ferruccio Busonis musikalischer Futurismus", Geschichte und Zukunft, Meisenheim, 1967, pp. 200-218.
Helbing, Volker. "Zyklizität und Drama(turgie) in Scelsis viertem Streichquartett (music review)", Zeitschrift der Gesellschaft für Musiktheorie vol. 7 no. 3, Dec 2010, pp. 267-309.
Helfert, Vladimir. "Habova Nova nauka o harmonii (Na okraj Habovy nauky o harmonii)", Hudebni rozhledy vol. 3, 1927, p. 148.
Hellegouarch, Yves. "Un aspect de la théorie des hauteurs", Journées Arithmétique, Caen, 1980.
Hellegouarch, Yves. "Scales, Comptes-Rendus Mathématiques", La Société Royale du Canada vol. 4 no. 5, Oct 1982, and vol. 5 no. 2, Apr 1983.
Hellegouarch, Yves. "L'Essai d'une nouvelle théorie de la musique de Leonhard Euler", Séminaire de Philosophie et Mathématiques no. 8, 1986, pp. 1-49.
Hellegouarch, Yves. "Une esthétique galiléenne: la théorie de la musique de Leonhard Euler, "Séminaire de Philosophie et Mathématiques, ENS, Ulm, 1986. Also in Destin de l'art, desseins de la science, Aderhem, Caen, 1991.
Hellegouarch, Yves. "À la recherche de l'arithmétique qui si cache dans la musique", Publications de l'Institut de recherche mathématiques de Rennes vol. 2, Science, histoire et société, 1986, pp. 49-59. Also in Gazette des Mathématiciens no. 33, Apr 1987, pp. 71-80.
Hellegouarch, Yves. "Gammes naturelles", Gazette des Mathématiciens no. 81, July 1999, pp. 25-39. no. 82, Oct 1999, pp. 13-26.
Hellegouarch, Yves. "Outils diophantiens pour la définition d'une distance harmonique", Symposium On Tone Systems, Paris, 2002, 11 pages.
Hellegouarch, Yves. "A mathematical interpretation of expressive intonation". University of Caen, 7 pages.
Heller, Charles. "Mordecai Sandberg: His Compositions and His Ideas", Cantors Assembly 1984, Journal of Synagogue Music.
Hellwig, Friedmann. "Historische musikalische Temperaturen und ihre Einstimmung", Restaurierung von Saitenklavieren, Beiträge zur Aufführungspraxis Bd. 2, Akademische Druck- und Verlagsanstalt, Graz, 1973, pp. 57-67.
Hellwig, Friedmann. "Zum Temperatursystem bei Joseph Haydn", Joseph Haydn: Vienna 1982, Henle Verlag, München, 1986, pp. 87-91.
Helm, E. Eugene. "The Vibrating String of the Pythagoreans", Scientific American vol. 217 no. 6, Dec 1967, pp. 92-103.
Helmersberg, Ketil. "Indian Versus Western music", WWW, 2010.
Helmholtz, Hermann Ludwig Ferdinand von. Ueber Combinationstöne", Annalen der Physik vol. 175 no. 12, 1856, pp. 497-540.
Helmholtz, Hermann Ludwig Ferdinand von. Ueber die physiologischen Ursachen der musikalischen Harmonie. Vorlesung gehalten in Bonn, winter 1857. Tredition Classics, Dec 2011, 52 pages. English translation by A.J. Ellis "On the Physiological Causes of Harmony in Music", Popular Scientific Lectures, Appleton, New York, 1873. Also in Science and Culture: Popular and Philosophical Essays, David Cahan (ed.), University of Chicago Press, Chicago, 1995, pp. 46-75.
Helmholtz, H.L.F. von. "Über musikalische Temperatur", Verhandlungen des Naturhistorisch-medizinischen Vereins zu Heidelberg, 23 November 1860. Revised in Die Lehre von den Tonempfindungen.
Helmholtz, H.L.F. von. "Über die arabisch-persische Tonleiter", Verhandlungen des Naturhistorisch-medizinischen Vereins zu Heidelberg, 23 November 1862.
Helmholtz, Hermann L.F. von. Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik. Friedrig Vieweg & Sohn, Braunschweig, 1863, 600 pages. 4th edition, Vieweg, 1877, 675 pages. 6th edition, 1913, 668 pages. Darmstadt, 1968. Reprint Georg Olms Verlag, Hildesheim, 1983.
On the Sensations of Tone as a Psychological basis for the Theory of Music. 2nd English edition translated by Alexander John Ellis, based on the 4th edition of 1877 with extensive notes, foreword and afterword: 1885. Reprint Dover Publications, New York, 1954.
French translation Théorie physiologique de la musique fondée sur l'étude des sensations auditives by G. Guéroult (ed.), based on the edition of 1863, Victor Masson & Fils, Paris, 1868, 1874, 544 pages. Reprint Jacques Gabay, Paris, 1990.
Helmholtz, H.L.F. von and Pietro Blaserna. Le son et la musique (par P. Blaserna), suivis des Causes physiologiques de l'harmonie musicale (par H. Helmholtz). G. Baillière, Paris, 1877, 208 pages. Spanish translation La armonía musical.
Helmholtz, H.L.F. von. Vorlesungen über die mathematischen Principien der Akustik. J.A. Barth, Leipzig, 1898, 406 pages.
Heman, Christine. Intonation auf Streichinstrumenten: melodisches und harmonisches Hören. Bärenreiter-Verlag, Basel, 1964, 67 pages.
Hemmer, Per Chr. and Ola Kai Ledang. "Adriaan Fokker Meaning and Mystery of Einstein's Theory (article review) (in Norwegian)", Det Kongelige Norske Videnskabers Selskabs Skrifter, 2011 no. 4, pp. 197-201, with English summary.
Hemony, Pieter. "De on-noodsakelijkheid en ondienstigheid van cis en des in de bassen der klokken", Delft, 1678, reprint Amsterdam, 1927, reprint Asten, 1964.
Hempel, Drew. "Against Archytas: How the West Lost Alchemy or Paranormal Complimentary Opposite Harmonics, WWW, 2007.
Hemstock, A. On Tuning The Organ. Weekes & Company, London, 1876, 33 pages.
Hen, Ferd. J. de. "Folk Instruments of Belgium: Part I", Galpin Society Journal vol. 25, July 1972, pp. 87-132.
Hender, Nicholas. Timbre, and Timbres Derived from Tuning Systems, as Realised in Electronic Music. MA thesis, La Trobe University, Melbourne, 1997, 77 pages.
Henderson, A.G. "The ratio of the minor third (letter)", The Musical World vol. 37 no. 31, July 1859, pp. 484-485.
Henderson, Ian Hamilton. Strobe tuner settings for the historic scales. self-published, Brockport NY, 1983, 121 pages.
Henderson, Ian Hamilton. Computer assistance for the setting of historic tunings and temperaments: a monograph to supplement Strobe tuner settings for the historic scales. 1983, self-published, Brockport NY, 1986, 28 pages.
Henderson, Ian Hamilton. "Three well temperaments and how to set them", Early Keyboard Journal vol. 3, 1984, pp. 19-34.
Hendry, Simon. Inharmonicity of Piano Strings. MA thesis, School of Physics, University of Edinburgh, Oct 2008, 32 pages.
Henfling, Conrad. C. Henflingii Epistola de novo suo systemate musico. Onoldi 17. April 1708. ad Praesidem data, Miscellanea Berolinensia, vol. 1 no. 2, Berlin, 1710, pp. 265-294 + fig. 66-67.
Henle, Michael. "Music: A Mathematical Offering by David J. Benson. Musimathics: The Mathematical Foundations of Music by Gareth Loy (book reviews)", The American Mathematical Monthly vol. 116 no. 10, Dec 2009, pp. 948-955.
Hennemeyer, Kurt. "Tonsysteme, Systematik", Die Musik in Geschichte und Gegenwart Band 13, Bärenreiter Verlag, Kassel, 1966.
Henry, Matthew. An Argument Against the Use of Equal-Temperament for Tonal Music. MA thesis, Thomas Aquinas College, Mar 2004.
Henry, Norman. "An Open Letter", 1/1 vol. 2 no. 1, 1986, p. 2.
Henry, Norman. "A Justly-Tuned Harpsichord", 1/1 vol. 1 no. 4, 1985, pp. 7-9.
Henry, Robert Earl. Judgment of intonation in the context of three part woodwind ensemble performances. PhD diss., Music: North Texas State University, Denton, 1987, 176 pages.
Henson, R.A. "Further observations on the neurology of music: musical notation and pitch discrimination", British Medical Journal, Apr 1977, pp. 1121-1125.
Henzel, Christoph. "Auf der Suche nach dem ungehörten Klang. Mikrotönige Musik in den frühen zwanziger Jahren", Neue Berlinische Musikzeitung vol. 5 no. 2, 1990, pp. 41-49.
Henzel, Christoph. "Alois Hába und der athematische Musikstil. Theorie und kompositorische Praxis", Musiktheorie vol. 10 nr. 3, Laaber Verlag, Laaber, 1995, pp. 219-234.
Heraty, Johanne Paula. The Microtonal Music of Ezra Sims. PhD thesis, University College Dublin, 2011.
Herbart, Johann Friedrich. "Psychologische Bemerkungen zur Tonlehre", 1811. "Über die Möglichkeit und Nothwendigkeit, Mathematik auf Psychologie anzuwenden", 1822. "Über die Wichtigkeit der Lehren von den Verhältnissen der Töne, und vom Zeitmasse, für die gesammte Psychologie", 1839. In: Kleinere Abhandlungen zur Psychologie, Bonset, Amsterdam, 1969.
Herbst, Johann Andreas. Arte Prattica & Poetica. Frankfurt, 1653.
Herbst, Max C. Das Klavier Und Seine Henker; Betrachtungen Und Belehrungen Über Stimm-Und Reparatur-Angelegenheiten. 3rd ed., Verlag das Musikinstrument, Frankfurt a.M., 1970.
Herissone, Rebecca. Music Theory in Seventeenth-Century England. Oxford University Press, Oxford and New York, 2000, 332 pages.
Herlinger, Jan William (ed.) The Lucidarium of Marchetto of Padua: a critical edition, translation, and commentary. PhD diss., University of Chicago, 1978. University of Chicago Press, 1984, 567 pages.
Herlinger, Jan William. "Fractional Divisions of the Whole Tone", Music Theory Spectrum vol. 3, spring 1981, pp. 74-83.
Herlinger, Jan William. "Marchetto's Division of the Whole Tone", Journal of the American Musicological Society vol. 34 no. 2, summer 1981, pp. 193-216.
Herlinger, Jan William. "Marchetto's influence: The manuscript evidence", Music theory and its sources: Antiquity and the Middle Ages, André Barbera (ed.), University of Notre Dame, South Bend, 1990, pp. 235-258.
Hero, Barbara. "Drawings Based on Laser Lissajous Figures and the Lambdoma Diagram", Leonardo Music Journal vol. 11 no. 4, autumn 1978, pp. 301-303.
Hero, Barbara. "International harmony based upon a music of planetary grid systems", Antigravity and the World Grid, David Hatcher Childress (ed.), Adventures Unlimited Press, 1987, pp. 199-210.
Hero, Barbara. The Lambdoma. self-published, 1991.
Hero, Barbara. Lambdoma Unveiled (The theory of Relationships). Strawberry Hill Farm Studios Press, North Berwick ME, 1992.
Hero, Barbara. "A Brief History of the Lambdoma", Xenharmonikôn vol. 16, autumn 1995, pp. 104-113.
Hero, Barbara. "Some Effects of Whole Number Ratio Intervals in Music", Music in Human Adaptation, Daniel J. Schneck and Judith K. Schneck (eds.), Virginia Polytechnic Institute, Blackburg, 1997.
Hero, Barbara. "The Pythagorean System, the Tetractys, the X and the Lambdoma, Ambiguity and Music", Seminar Mathematics and Music Publ., Jan Haluska (ed.), Bratislava, 1999.
Hero, Barbara and Robert Miller Foulkrod. "The Lambdoma matrix and harmonic intervals", IEEE Engineering in Medicine and Biology vol. 18 no. 2, Mar-Apr 1999, pp. 61-73.
Hero, Barbara. "Integrative Music of the Lambdoma", Integrative Physiological and Behavioral Science vol. 35 no. 3, Official Journal of the Pavlovian Society, July-Sep 2000.
Hero, Barbara. "Design in nature from Pythagoras to Helmholtz to the Cantor musical array", Design and Nature: Comparing Design in Nature with Science and Engineering, C.A. Brebbia, L. Sucharov and P. Pascolo (eds.), Wessex Institute of Technology Press, Southampton, Boston, 2002.
Hero, Barbara. "Further Lambdoma Writing & Research by Barbara Hero", WWW, Jan 2008, 24 pages.
Hero, Barbara. "Lambdoma Harmonics Research Collection", WWW, 2008, 15 pages.
Hero, Barbara. "The Mathematical Laws of Sound (Relationship of Sound to Gravity)", Energy Unlimited vol. 12, Las Lunas NM.
Herrenden Harker, G.F. "The Principles Underlying the Tuning of Keyboard Instruments to Equal Temperament", Journal of the Acoustical Society of America vol. 8 no. 4, 1937, pp. 243-256.
Herrmann, Hugo. "Über Reinstimmung und Toncharakter", Die Musik vol. 31 no. 1, 1938, p. 380.
Herrmann, Ursula. Andreas Werckmeister. Halle am Saale, 1950.
Herrmann, Ursula. "Andreas Werckmeister: Lebensweg und geistiges Umfeld", Bericht über das Werckmeister-Kolloquium, Kultur- und Forschungsstätte Michaelstein, Michaelstein/Blankenburg, 1986, pp. 4-12.
Herschel, David; Omer Corlaix; Makis Solomos; Roman Brotbeck et al. Pascale Criton, les univers microtempérés. Collection à la ligne vol. 1, Ensemble 2e2m, 2002, 258 pages.
Herschel, John Frederick William. "On musical scales", Quarterly Journal of Science vol. 5 no. 19, London, July 1868, pp. 338-352.
Herschel, John Frederick William. The Scientific Papers of Sir William Herschel vol. 1, London, 1912.
Herz, Eric. Maintenance and Tuning of Harpsichords. Eric Herz Harpsichords, 1964, 1976.
Herzfeld, Gregor. "Poe and 'Gothic Opera'", The Edgar Allan Poe Review vol. 16 no. 1, Apr 2015, pp. 1-18. Also here.
Herzog, Eduard. "Hudebni expressioniste a Alois Hába ve svèm postoji ke spolecnosti", Rytmus vol. 11, 1947, p. 114.
Herzog, George. "The Yuman Musical Style", The Journal of American Folklore vol. 41 no. 160, Apr-June 1928, pp. 183-231.
Herzog, George. "Musik des Orients by Robert Lachmann (book review)", American Anthropologist vol. 33 no. 2, Apr-June 1931, pp. 253-257.
Herzog, Myna. "The viol in Bach's Passions: a performer's notes", Journal of the Viola da Gamba Society of America vol. 33, Caroline Cunningham (ed.), 1996, pp. 30-46.
Herzogenberg, Heinrich von. "Joachim Steiner: Grundzüge einer neuen Musiktheorie (book review)", Vierteljahrsschrift für Musikwissenschaft vol. 4, Kritiken und Referate 8, 1891, pp. 659-666.
Hesse, Horst-Peter. Die Wahrnehmung von Tonhöhe und Klangfarbe als Problem der Hörtheorie. Arno Volk-Verlag, Köln, 1972, 184 pages.
Hesse, Horst-Peter. Paul Hindemith und die Natur der Tonverwandtschaften. Verlag Merseburger, Berlin, 1974.
Hesse, Horst-Peter. "The judgement of musical intervals", Music, Mind and Brain. The Neuropsychology of Music. Manfred Clynes (ed.), Plenum Press, New York, 1982, pp. 217-225.
Hesse, Horst-Peter. "Klangwertbestimmung musikalischer Zusammenklänge auf Grund einer Zwei-Faktoren-Theorie der Sonanz", Mikrotöne I, Edition Helbling, Innsbruck, 1986, pp. 49-68.
Hesse, Horst-Peter. "Sonanz- und Distanz-Urteil bei musikalischen Intervallen - Über die Verbindlichkeit mathematischer Intervalldefinitionen", Mikrotöne II, Edition Helbling, Innsbruck, 1988, pp. 141-158.
Hesse, Horst-Peter. Grundlagen der Harmonik in mikrotonaler Musik. Veröffentlichungen der Gesellschaft für Ekmelische Musik no. 5. Edition Helbling, Innsbruck, 1989, 144 pages.
Hesse, Horst-Peter. "Die Sonanz als Basis der Harmonik in mikrotonaler Musik", Mikrotöne III, Innsbruck, 1990, pp. 29-39.
Hesse, Horst-Peter (ed.) Mikrotöne III. Bericht über das 3. Internationale Symposium 'Mikrotonforschung, Musik mit Mikrotönen, Ekmelische Musik', 28.-30. April 1989 in Salzburg, Institut für Musikalische Grundlagenforschung, Band I. Edition Helbling, Innsbruck, 1990.
Hesse, Horst-Peter. "Aufbruch in eine neue Klangwelt - Gedanken über den Gebrauch von Mikrointervallen in der Musik", Musikwissenschaft als Kulturwissenschaft - Festschrift zum 65. Geburtstag von Hans-Peter Reinecke, K.E. Behne e.a. (eds.), Gustav Bosse-Verlag, Regensburg, 1991, pp. 217-227.
Hesse, Horst-Peter and Louise Carleton. "Breaking Into a New World of Sound: Reflections on the Ekmelic Music of the Austrian Composer Franz Richter Herf (1920-1989)", Perspectives of New Music vol. 29 no. 1, winter 1991, pp. 212-235.
Hesse, Horst-Peter (ed.) Mikrotöne IV. Bericht über das 4. Internationale Symposium, 2.-5. Mai 1991 in Salzburg. Filmkunst Musikverlag, München, 1993. Musikedition Nymphenburg, München, 2001.
Hesse, Horst-Peter. "Mikrotonale und ekmelische Musik", Jugend musiziert no. 78, 1993, pp. 2-5.
Hesse, Horst-Peter. "Standardisierte Notation für mikrotonale Musik", Mikrotöne IV, Filmkunst Musikverlag, München, 1993, pp. 21-40.
Hesse, Horst-Peter. "Zum Konsonanzempfinden bei vielstimmigen Akkorden", Mikrotöne IV, Filmkunst Musikverlag, München, 1993. Internationaler Musikwissenschaftlicher Kongreß zum Mozartjahr, Ingrid Fuchs (ed.), 1991, Baden-Wien. Verlag Hans Schneider, Tutzing, 1993, pp. 669-675.
Hesse, Horst-Peter. "Zur Oktavteilung im javanischen Sléndro", Mikrotöne IV, Filmkunst Musikverlag, München, 1993, pp. 251-261.
Hesse, Horst-Peter. "Tonsysteme - Auswahl und Ordnung der Tonhöhen in der Musik", Jugend musiziert no. 79, 1993, pp. 11-15, no. 81, 1994, pp. 15-18, no. 82, 1994, pp. 16-18, no. 83, 1994, pp. 30-32.
Hesse, Horst-Peter. "Harmonikales Denken in der altchinesischen Musik", Harmonik & Glasperlenspiel. Beiträge `93, Verlag Peter Neubäcker & freies musikzentrum, München, 1994, pp. 160-191.
Hesse, Horst-Peter. "Kunst und Wissenschaft im Gespräch? Über das unbemerkte Nebeneinander dieser Disziplinen an Beispielen aus der Geschichte der mikrotonalen Musik", Genießen? Verstehen? Verändern. Kunst und Wissenschaft im Gespräch, Verlag Müller-Speiser, Anif/Salzburg, 1994, pp. 143-149.
Hesse, Horst-Peter and Wolfgang Thies (eds.) Gedanken zu Alois Hába. Wort und Musik. Salzburger Akademische Beiträge, Band 35, Verlag Müller-Speiser, Anif, 1996, 116 pages.
Hesse, Horst-Peter. "Ekmelische Musik. Prinzipien ihrer Harmonik und deren neurophysiologische Basis", WWW, 1996.
Hesse, Horst-Peter. "Intervall", Musik in Geschichte und Gegenwart Band 4, 2nd edition, Bärenreiter, Kassel, 1996, pp. 1080-1097.
Hesse, Horst-Peter. "Standardisierte Notation für feinstufig organisierte Musik", Ton vol. 4 no. 96, 1997, pp. 7-9.
Hesse, Horst-Peter. "Neue Akkorde aus der Naturtonreihe", Jugend musiziert no. 92, 1997, pp. 7-9.
Hesse, Horst-Peter. "Hatte Lipps doch recht? Tonverwandtschaft und Tonverschmelzung im Lichte der heutigen Gehörphysiologie", Systemische Musikwissenschaft. Festschrift Jobst Peter Fricke zum 65. Geburtstag, Wolfgang Auhagen, Bram Gätjen, Klaus Wolfgang Niemöller (eds.), Musikwissenschaftliches Institut Universität zu Köln, Köln, 2003, 2010, pp. 133-144.
Hesse, Sascha. Ton und Zahl: musiktheoretische Studien. Synergia, Darmstadt, 2013.
Hesselgren, Frédéric. Proposition d'un diapason universel tiré de la gamme naturelle fondamentale. P. Celanza, Turin, 1892.
Hesselgren, Frédéric. De la gamme musicale. Etude critique des gammes tempérées et de la gamme naturelle. Frassati, Turin, 1897.
Heßling, Hermann. "On the Euler scale and the µEuclidean integer relation algorithm", Journal of Mathematics and Music vol. 5 no. 3, 2011, pp. 195-215.
Heurn, Jan van. De Orgelmaaker, Behelzende Eene Uitvoerige Beschrijving Van Alle De Uit- En Inwendige Deelen Des Orgels, En Handleiding Tot Het Maaken, Zamenbrengen En Herstellen Derzelven: Benevens De Beschrijving En Afbeelding Der Werktuigen, Welke Tot Deze Kunst Gebezigd Worden. A. Blussé en zoon, Dordrecht, 1804/1805, 4 volumes, 124, 475, 230, 526 pages. Facsimile reprint, Bibliotheca organologica vol. 56, Uitgeverij Frits Knuf, Amsterdam, 1977, 1988. Nabu Press, Oct 2011, 272 pages.
Hewitt, D.C. "On the Ratios of the Diatonic and Chromatic Intervals", The Harmonicon vol. 2 no. 1, W. Pinnock (ed.), Mar 1828, pp. 122-125.
Hewitt, Michael John. The Tonal Phoenix: A Study of Tonal Progression through the Prime Numbers Three, Five and Seven. Orpheus-Schriftenreihe zu Grundfragen der Musik vol. 96, Martin Vogel (ed.), Verlag für systematische Musikwissenschaft, Bonn, 2000, 495 pages.
Hewitt, Michael John. "Septimal System", The New Grove Dictionary of Music and Musicians, Macmillan, London, 2001.
Hewitt, Michael John. Musical Scales of the World. The Note Tree, 2013.
Hewlett, Walter B. "A Base-40 Number-line Representation of Musical Pitch Notation", Musikometrika vol. 4, 1992, pp. 1-14.
Heydarian, Peyman, Lewis Jones and Allan Seago. "The Analysis and Determination of the Tuning System in Audio Musical Signals", Paper presented at the 123rd convention of the Audio Engineering Society, London, Oct 2007, 5 pages.
Heydarian, Peyman. Automatic recognition of Persian musical modes in audio musical signals. PhD thesis, Music Technology Group, London Metropolitan University, June 2016, 161 pages.
Hibberd, Lloyd. "'Musica Ficta' and Instrumental Music c.1250-c.1350", The Musical Quarterly vol. 28 no. 2, Apr 1942, pp. 216-226.
Hibbert, William A. The Quantification of Strike Pitch and Pitch Shifts in Church Bells. PhD thesis, The Open University, Feb 2008, 337 pages. Also here.
Hibbert, William A.; Shahram Taherzadeh and David B. Sharporcid. "Virtual Pitch and Pitch Shifts in Church Bells", Open Journal of Acoustics vol. 7 no. 3, Sep 2017, pp. 52-68.
Hickmann, Hans. "Sur l'accordage des instruments à cordes (lyres, harpes, luths)", Miscellanea Musicologica, vol. 48 no. 2, Annales du Service des Antiquités, 1948, pp. 646-663. Reprinted in Hans Hickmann, Vie et travaux vol. 1, Diá Abou-Ghazi (ed.), Organization des Antiquités de l'Égypte, Cairo, 1980, pp. 136-153.
Hicks, Andrew. "Re-interpreting an Arithmetical Error in Boethius's 'De institutione musica'", Music Theory & Analysis vol. 3 no. 1, Leuven University Press, Apr 2016, pp. 1-26.
Hieb, Kimberly Beck. "Andreas Werckmeister's Musicalische Paradoxal-Discourse: A Well-Tempered Universe trans. by Dietrich Bartel (book translation review)", Notes vol. 75 no. 4, June 2019, pp. 646-648.
Hiebert, Erwin. The Helmholtz Legacy in Physiological Acoustics. Series: New Studies in the History and Philosophy of Science and Technology Book 39, Jed Z. Buchwald (ed.), Springer, New York, June 2014, 293 pages. Chapter "Arithmetic Reflections on Music", Apr 2014, pp. 227-234.
Hiebert, Erwin. "Confronting Developments in Contemporary Music", The Helmholtz Legacy in Physiological Acoustics, Springer, 2014, pp. 241-249.
Higbee, Dale S. "Jean Denis: 'Traité de l'accord de l'espinette' (book review)", American Recorder vol. 12 no. 2, May 1971, p. 58.
Higgins, Dick. "The decaphonic system: Macrotonics", Ear Magazine East, New York, 1983, p. 10.
Hightower, Thomas Váczy. "The creation of musical scales", WWW, 2001.
Hiles, John. Catechism of the Organ. Brewer & Co., London, 1878, 173 pages.
Hilgers, Philipp von. "Sirenen. Lösungen des Klangs vom Körper", Parasiten und Sirenen. Zwischenräume als Orte der materiellen Wissenproduktion, Bernhard J. Dotzler and Henning Schmidgen (eds.), transcript Verlag, Bielefeld, 2008, pp. 195-218.
Hill, Douglas. Extended Techniques for the Horn: A Practical Handbook for Students, Performers, and Composers. Warner Bros. Publications U.S. Inc./Alfred Music Publishing, 1983, 1996.
Hill, Jonathan D. "Myth, Spirit Naming, and the Art of Microtonal Rising: Childbirth Rituals of the Arawakan Wakuenai", Latin American Music Review / Revista de Música Latinoamericana vol. 6 no. 1, University of Texas Press, spring-summer 1985, pp. 1-30.
Hill, Ralph David. "Just Intonation on a Home-Built Digital Synthesizer-Computer", Interval vol. 4 no. 2, autumn 1983, pp. 15-22.
Hill, Ralph David. Introduction to Nontraditional Harmony. 2-hr. cassette and accompanying notes, self-published, Just Intonation Network, 1984.
Hill, Ralph David. "An Example of the 48:49 Sixth-tone Step", 1/1 vol. 4 no. 4, autumn 1988, p. 14.
Hill, Ralph David. "Study of Whole Tones in Two Parts", 1/1 vol. 5 no. 2, 1989, pp. 6-7.
Hill, Ralph David. "The Cro-Magnon Advanced Additive Analysis/Resynthesis System", Proceedings of the 1991 International Computer Music Conference, Montréal, 1991, pp. 169-176.
Hill, Robert. "Bach's Temperament?", WWW, Apr 2008.
Hill, S. "Tuning a Keyboard", The Musical Times vol. 100 no. 1391, Jan 1959, p. 25.
Hill, Sumner and O.B. Brown. The Tuner's Manual: Containing complete instructions for tuning the piano-forte, organ, melodeon, etc. and for regulating such derangements in the action as may occur from use or accident. Russel & Tolman, Boston, 1859, 88 pages.
Hiller, Lejaren A. and Robert A. Baker. "Computer Cantata: A Study in Compositional Method", Perspectives of New Music vol. 3 no. 1, autumn-winter 1964, pp. 62-90.
Hiller, Lejaren A. "Electronic Synthesis of Microtonal Music", Proceedings of the American Society of University Composers vol. 2, Microtonal Music in America, Washington University, St. Louis MO, Apr 1967, pp. 77-122.
Hilprecht, H.V. "The Babylonian Expedition of the University of Philadelphia - Series A: Cuneiform Texts", vol. 20 part 1, plates 10-14, H.V. Hilprecht (ed.), transliteration of restored texts on p. 21, Department of Archaeology, University of Pennsylvania, 1906.
Hilscher (ed.) Der mechanischen Behandlung, das Clavier nach einer vorgeschlagenen neuen Temperatur zu Stimmen. Dresden, 1790.
Himpel, Benjamin. "Geometry of Music Perception", Mathematics vol. 10 no. 24, Dec 2022, art. 4793, 34 pages.
Hindemith, Paul. Unterweisung im Tonsatz I, Theoretischer Teil. Schott, 1937, 252 pages. Neue erweiterte Auflage, B. Schott's Söhne, Mainz, 1940, 260 pages.
Hinds, Stuart. "How to Teach Overtone Singing to Your Choir", The Choral Journal vol. 51 no. 3, Oct 2010, pp. 34-43.
Hinkle-Turner, Elizabeth. "Lydia Ayers: Virtual Gamelan (music review)", Computer Music Journal vol. 31 no. 3, The Reconstruction of 'Stria', autumn 2007, pp. 88-89.
Hinrichsen, Hans-Joachim. "Arten der Enharmonik. Zu einigen Problemen der musikalischen Analyse", Archiv für Musikwissenschaft vol. 47 no. 3, 1990, pp. 192-206.
Hinrichsen, Haye. "Entropy-based tuning of musical intruments", Revista Brasileira de Ensino de Física vol. 34 no. 2, Brasilia, Apr 2012, p. 2301. arXiv 1203.5101, WWW, Apr 2012, 13 pages.
Hinrichsen, Haye. "Revising the Musical Equal Temperament", arXiv 1508.02292, WWW, Aug 2015, 19 pages. Also in Revista Brasileira de Ensino de Física vol. 38 no. 1, São Paulo, Mar 2016, pp. 1310-1-1310-13 with Portuguese abstract.
Hinterberger, Julia. "Franz Richter-Herf. Komponist und Musikpädagoge", Universität Mozarteum, Salzburg, Dec 2012, 3 pages.
Hinthorne, Stephen G. "Mathemusical connections: The role of musical acoustics in teaching mathematics", Journal of the Acoustical Society of America vol. 101 no. 5, May 1997, p. 3098.
Hinton, John William. Organ Construction. Weekes and Company, London, 1900, 2nd ed. 1902, 167 pages.
Hipkins, Alfred James. "Observations on the Upper Partial Tones of a Pianoforte String, Struck at One-Eighth of Its Length", Proceedings of the Royal Society of London vol. 38, 1884-1885, pp. 83-85.
Hipkins, Alfred James. A Description and History of the Pianoforte and of the Older Keyboard Stringed Instruments. Novello, Ewer & Co., London, 1896, 130 pages. Reprint Repressed Publishing, Aug 2013.
Hipkins, Alfred James. "Tuning", A Dictionary of Music and Musicians. Macmillan and Co., London, 1893, pp. 187-190.
Hipkins, Alfred James. Dorian and Phrygian. Reconsidered from a non-harmonic point of view". Novello, Ewer & Co. Ltd., London, 1902, 15 pages. Also in Sammelbände der internationalen Musikgesellschaft vol. 4 no. 3, May 1903, pp. 371-381.
Hirano, Kenji. "Koto no chogen meisho o megutte" (Concerning the names of koto tunings), Toyo ongaku kenkyu/Studies on Oriental music vol. 54, 1989, pp. 107-114.
Hirano, Kenji and Taeko Hirano. "Tuning and placement of frets of Heike-biwa and the transmission of heikyoku in the Edo era", Kindaichi Haruhiko Hakase koki kinenronbunshu, Sanseido, Tokyo, 1984, pp. 123-170.
Hirashima, Tatsushi. "Acoustic studies on pipe organ: I Fundamental principles of organ and the instruments of Andreas Silbermann and his son" (in Japanese), Kiyo? vol. 17, 1975, National Institute of Informatics, pp. 23-72.
Hirashima, Tatsushi. "Temperament of Gregorian chants" (in Japanese), Kiyo?, pp. 1-16.
Hirashima, Tatsushi. "Meantone and Japanese traditional music" (in Japanese), Kiyo?, pp. 1-16.
Hirashima, Tatsushi. "On the history of tuning practice of the keyboard instruments and its influence on the history of harmony" (in Japanese), Kiyo? vol. 20, 1978, pp. 31-63.
Hirashima, Tatsushi. "Remarks on the German organ and the French organ: with reference to the traditions of tuning and temperament" (in Japanese), Kiyo? vol. 21, 1979, pp. 47-67.
Hirashima, Tatsushi. "A new starting point of the musical expression and the musical education: Problems on tuning and temperament of the keyboard instruments" (in Japanese), Kiyo? vol. 22, 1980, pp. 1-20.
Hirashima, Tatsushi. "On the so-called well-temperament after J.S. Bach" (in Japanese), Kiyo? vol. 27, 1985, pp. 1-29.
Hirashima, Tatsushi; Kou Tanimura et al. Exceptional Music Education, Objectionable Music Education (in Japanese). Tokyo Music Company, 1986.
Hirai, Tatsunori. "Redesigning a Piano Roll: A Melody Input Interface That Can Play Microtones with an Arbitrary Number of Keys", Proceedings of the 19th Sound and Music Computing Conference, June 2022, Saint-Étienne, pp. 215-221.
Hirschfeld, R. "Prosdocimus de Beldemandis", Monatshefte für Musikgeschichte vol. 17, 1885.
Hirsh, Paul. "Atlas of Tonespace", WWW, 2001.
Hirt, Aindrias. "The Origin of the European Folk Music Scale: A New Theory", Ethnomusicology Review, Sep 2013, WWW.
Hirt, Aindrias. The Songs of Fionn mac Cumhaill: An Historical and Musicological Analysis of Indo-European Musical Poetics in Ireland, Scotland and Nova Scotia. PhD thesis, The University of Otago, Dunedin, 2017, 320 pages.
Hirt, Franz Josef. Stringed keyboard instruments, 1440-1880. Boston Book and Art Shop, Boston, 1968, 464 pages.
Hirtler, Eva. Die Musik als scientia mathematica von der Spatäntike bis zum Barock. Verlag Peter Lang, Frankfurt a.M., 1995, 263 pages.
Hitchcock, H. Wiley and Stanley Sadie (eds.) The New Grove Dictionary of American Music. Entries for Tui St. George Tucker, John Eaton and Easley Blackwood. MacMillan Press Ltd., London, 1980.
Hitchin, David. "'Unequal Temperaments: Theory, History and Practice' by Claudio di Veroli (book review)", The British Clavichord Society Newsletter vol. 45, Oct 2009, pp. 18-21.
Hitzler, Daniel. Extract aus der neuen Musica oder Singkunst. Nürnberg, 1623, p. 31.
Hoag, Barbara Brewster. "A Spanish Clavichord Tuning of the Seventeenth Century", Journal of the American Musical Instrument Society vol. 2, 1976.
Hobbs, Marcus. "'Grateful for Ervin Wilson'", Xenharmonikôn, WWW, May 2019.
Hobby, Kevin and William A. Sethares. "Inharmonic strings and the hyperpiano", Applied Acoustics vol. 114, Dec 2016, pp. 317-327.
Hobby, Kevin; William A. Sethares and Zhenyu Zhang. "Using Inharmonic Strings in Musical Instruments", Mathematics and Computation in Music, Springer Verlag, Nov 2017, pp. 104-116. Also here. Supplementary material here.
Hochel, Lothar. "Zur Entwicklung des Intonationsgehörs im Bereich der Mehrstimmigkeit", Bericht über den internationalen musikwissenschaftlichen Kongreß, Leipzig 1966, 1972, pp. 529-535.
Hochgartz, Michael. Gleichstufig oder gleichschwebend? Eine unbekannte mitteldeutsche Stimmanweisung aus der Entstehungszeit von J.S. Bachs Wohltemperiertem Clavier. Münster, 2000, 2 pages.
Hodges, Richard. "The musical scale and its intervals", WWW, 2009.
Hodgson, John. Short instructions for tuning a piano-forte written by Musicus Ignoramus. W. Bulmer and Co., London, 1809.
Hofmann, Elke. "Centgenaues Hören mit dem Intonat", Neue Musikzeitung vol. 49 no. 4, 2000, p. 59.
Hofmann, Justin. Listening with Two Ears: Conflicting Perceptions of Space in Tonal Music. PhD thesis, Graduate School of Arts and Sciences, Columbia University, New York, 2011, 244 pages.
Hofmann, Wolfgang. Goldener Schnitt und Komposition: Versuch zur Fixierung eines Ordnungsprinzips. Heinrichshofen's Verlag, Wilhelmshaven, 1973, 95 pages.
Hogarth, George. "Doctrines respecting the scale", The Musical World vol. 6 no. 69, July 1837, pp. 49-52.
Högler, Fritz. "Bemerkungen zu Zarlinos Theorie", Zeitschrift für Musikwissenschaft vol. 9, 1926-1927, p. 518.
Höhn, Sebastian. "Stimmung in Millisekunden", Berliner Zeitung, Berlin, 13-4-2012.
Holbrook, Amy Kusian. The concept of musical consonance in Greek antiquity and its application in the earliest medieval descriptions of polyphony. PhD thesis, University of Washington, 1983, 285 pages.
Holcomb, Bruce. Die Verbesserung der Stimmung von Ventilblechblasinstrumenten. Schriften der Hochschule "Mozarteum" Salzburg, Bd. 6. Emil Katzbichler-Verlag, München/Salzburg, 1983, 50 pages.
Holde, Arthur. "Is there a Future for Quarter-tone Music?", The Musical Quarterly vol. 24 no. 4, Oct 1938, pp. 528-533.
Holden, John. An Essay Towards a Rational System of Music. Robert Urie, Glasgow, 1770, 156 pages.
Holder, William (ed.) A Treatise of the Natural Grounds, and Principles of Harmony. To which is added, by way of appendix: Rules for playing a thorow-bass; with variety of proper lessons, fugues, and examples ... Also directions for tuning an harpsichord or spinnet. By the late Mr. Godfrey Keller ... The whole being revis'd, and corrected from many gross mistakes committed in the first publication of these rules. J. Heptinstall, London, 1694, 1702, 204 pages. Printed by W. Pearson for J. Wilcox, London, 1731.
Holford-Strevens, Leofranc. "Greek Reflections on the Nature of Music by Flora Rose Levin. Ancient Greek Music: A New Technical History by Stefan Hagel (book reviews)", Early Music History vol. 29, 2010, pp. 325-344.
Holl, Andrea; Monika Gabriel-Peer and Josef Huber. Schwingende Mathematik am Monochord. MNI-Fonds für Unterrichts- und Schulentwicklung; Themenorientierung im Unterricht, Innsbruck, July 2005, 56 pages.
Holland, Simon. "Learning about harmony with harmony space: An overview", Proceedings of a Workshop held as part of AI-ED 93, World Conference on Artificial Intelligence in Education on Music Education: An Artificial Intelligence Approach, 1994, London, Springer-Verlag, pp. 24-40. Also here.
Hollander, Roel. " 'The scale of fifths' (by Maria Renold)", WWW.
Holleman, A.W.J. "Martin Vogel: Die Enharmonik der Griechen. I: Tonsystem und Notation. II: Der Ursprung der Enharmonik (book review)", Mnemosyne vol. 19 no. 4, Brill, Leiden, 1966, pp. 433-434.
Hollmann, Th. Lehrbuch der Stimmkunst für Berufsstimmer. A. Bockelmann, Hamburg, 1902, 118 pages. Reprint Forgotten Books, Jan 2018.
Hollmann, Th. Lehrbuch der Stimmkunst und allgemeinen Instrumentenbau-Technik für Berufsstimmer. A. Bockelmann, Hamburg, 1912, 151 pages.
Holm-Hudson, Kevin. "Just Intonation and Indian Aesthetic in Terry Riley's 'The Harp of New Albion'", ex tempore vol. 10 no. 1, summer 2000.
Holmes, Rich S. "Xenharmonic scales", WWW, 2006.
Holmes, Rich S. "Generalized continued fractions and equal temperament", WWW.
Holmes, Thomas B. Electronic Music - History and Criticism. Charles Scribner's Sons, New York, 1985, pp. 32-41.
Holmes, Thomas B. and Thom Holmes. Electronic and Experimental Music: Pioneers in Technology and Composition. Psychology Press, 2002, 322 pages.
Holter, Colin. "The Spiritual Construction of Tuning in American Experimental Music", 2009, 22 pages, Second Century of New Music, search Yearbook vol. 1, Franklin Cox, Dániel Péter Biró, Alexander Sigman and Steven Kazuo Takasugi (eds.), Mellen Press, 2011, 484 pages.
Holton, I.F. "Essay on Musical Intonation and Temperament", Annals of the Lyceum of Natural History of New York vol. 4, New York, 1847, p. 387.
Holtsmark, Torger. Pythagoras og verdens harmoni. P2-akademiet/Kulturredaksjonen NRK P2, 21-11-1998. Programserien P2-akademiets foredrag. Kulturredaksjonen NRK P2, Oslo, 1998.
Holzer, Derek. "Tonewheels. A brief history of optical synthesis", WWW, Feb 2010.
Honingh, Aline K. "Group Theoretic Description of Just Intonation", Proceedings of the 3rd International Conference Understanding and Creating Music vol. 3, G. Buzzanca et al. (eds.), Caserta, 2003, 8 pages.
Honingh, Aline K. "Measures of Consonances in a Goodness-of-fit Model for Equal-tempered Scales", Proceedings of the International Computer Music Conference, Singapore, 2003, pp. 435-438.
Honingh, Aline K. "Limitations on Fixed n-Tone Equal Tempered Divisions", Proceedings of the 4th International Conference Understanding and Creating Music vol. 4, G. Buzzanca et al. (eds.), Caserta, 2004, 9 pages.
Honingh, Aline K. and Rens Bod. "The notion of convexity in music", Proceedings of the 4th International Conference Understanding and Creating Music vol. 4, G. Buzzanca et al. (eds.), Caserta, 2004.
Honingh, Aline K. and Rens Bod. "Convexity and the well-formedness of musical objects", Journal of New Music Research vol. 34 no. 3, 2005, pp. 293-303. Also here.
Honingh, Aline K. "Convexity and compactness as models for the preferred intonation of chords", Proceedings of the Ninth International Conference on Music Perception and Cognition (ICMPC 9), Bologna, Aug 2006.
Honingh, Aline K. "Scales and chords in the Euler-lattice: Convexity as a preferred intonation model", Mathematical and Computational Musicology, State Institute of Music Research, Berlin, 2006.
Honingh, Aline K. The Origin and Well-Formedness of Tonal Pitch Structures. PhD thesis, University of Amsterdam, Oct 2006, 173 pages.
Honingh, Aline K. "Intonation and temperament: a special orchestral rehearsal", Reflections on type theory, lambda-calculus, and the mind. Essays dedicated to Henk Barendregt on the occasion of his 60th birthday, 2007, pp. 139-146.
Honingh, Aline K. A geometrical approach to find the preferred intonation of chords. Technical Report Series TR/2008/DOC/02, City University London, 2008, 16 pages.
Honingh, Aline K. "Compactness in the Euler Lattice: A Parsimonious Pitch Spelling Algorithm", Musicae Scientiae vol. 13 no. 1, 2009, pp. 117-138.
Honingh, Aline K. and Anja Volk. "Mathematische muziektheorie: Nieuwe mogelijkheden voor muziekgerelateerd onderzoek", Tijdschrift voor Muziektheorie vol. 14 no. 3, 2009, pp. 181-193.
Honingh, Aline K. and Rens Bod. "In Search of Universal Properties of Musical Scales", Journal of New Music Research vol. 40 no. 1, 2011, pp. 81-89. Also here.
Hood, Made M. "Mengupas Lapisan Suara: Warisan Empu Beratha Sebagai Pelaras Gamelan, I Wayan Beratha: Seniman Bali Kelas Dunia, I Nyoman Darma Putra (ed.), Penerbit Pustaka Larasan, Denpasar, 2014, pp. 261-270.
Hood, Made M. "Towards the Applicability of Musical Terroir to the Context of Dwindling Sonic Structures", Proceedings of the 3rd Symposium of the ICTM Study Group on Performing Arts of Southeast Asia, Denpasar, 2014, Mohd Anis Md Nor (ed.), Institut Seni Indonesia, Denpasar, 2015, pp. 239-244.
Hood, Mantle. The Nuclear Theme as a Determinant of Patet in Javanese Music. J.B. Wolters, Groningen, Djakarta, 1954. Da Capo Press, New York, 1977.
Hood, Mantle. "Musical Significance", Ethnomusicology vol. 7 no. 3, Tenth Anniversary Issue, Sep 1963, pp. 187-192.
Hood, Mantle. "Africa and Indonesia: The Evidence of the Xylophone and Other Musical and Cultural Factors by A.M. Jones (book review)", Man vol. 65, Jul-Aug 1965, pp. 124-125. Also in American Anthropologist New Series vol. 67 no. 6, Part 1, Dec 1965, pp. 1579-1581.
Hood, Mantle. "Sléndro and Pélog redefined", Selected Reports vol. 1 no. 1, Institute of Ethnomusicology, Los Angeles, 1966, pp. 28-48. Reprint in Readings in Ethnomusicology, D.P. McAllester (ed.), New York, 1971, p. 35.
Hood, Mantle. "The effect of medieval technology on musical style in the orient", Selected reports in ethnomusicology vol. 1 no. 3, 1970, pp. 147-170.
Hood, Margaret F. Harpsichord Repair Guide. Margaret Hood Fortepianos, Platteville WI, 2003, 42 pages.
Hook, Julian. "Enharmonic systems: A theory of key signatures, enharmonic equivalence and diatonicism", Journal of Mathematics and Music vol. 1 no. 2, July 2007, pp. 99-120.
Hook, Julian. "Why Are There Twenty-Nine Tetrachords? A Tutorial on Combinatorics and Enumeration in Music Theory", Music Theory Online vol. 13 no. 4, WWW, Dec 2007.
Hook, Julian. "Signature Transformations", Music Theory and Mathematics, Jack Douthett, Martha M. Hyde and Charles J. Smith (eds.), Eastman Studies in Music, University of Rochester Press, Rochester, 2008, pp. 137-160.
Hook, Julian. "Spelled Heptachords", Mathematics and Computation in Music, Third International Conference Proceedings, Carlos Agon; Moreno Andreatta; Gérard Assayag and Jean Bresson (eds.), Paris, June 2011, pp. 84-97.
Hooker, John N. "Finding Alternative Musical Scales", Principles and Practice of Constraint Programming Proceedings, Springer, 2016, pp. 753-768.
Hooker, John N. "In search of the perfect musical scale", Association for Logic Programming Newsletter, July 2017, 21 pages.
Hooper, Michael. "'The well-tempered oboe' and the tradition of innovation", The Musical Times vol. 154 no. 1925, winter 2013, pp. 67-89.
Hoornaert, Guido. "Intonering en stempraktijk - Een blik op de evolutie tussen 1650 en 1750", Orgelkunst vol. 5 no. 1, 1982, pp. 3-13.
Hoornaert, Guido. "Musicalische Temperatur. Andreas Werckmeister. Uitgave door R. Rasch (book review)", Musica Antiqua, 1986.
Hopkin, Bart. "Lyra designed and built by Pierre-Jean Croset", Experimental Musical Instruments vol. 1 no. 1, June 1985, p. 3.
Hopkin, Bart. "Steel cello and bow chimes designed and built by Robert Rutman", Experimental Musical Instruments vol. 1 no. 1, June 1985, pp. 4-5.
Hopkin, Bart. "The semi-civilized tree designed and built by Nazim Ozel", Experimental Musical Instruments vol. 1 no. 6, Apr 1986, pp. 1, 4-7.
Hopkin, Bart. "Alternative tunings on fretted instruments: Refretting and other approaches", Experimental Musical Instruments vol. 3 no. 6, Apr 1988, pp. 1, 8-9.
Hopkin, Bart. "Glenn Branca and the Third Bridge", Interval vol. 4 no. 4, p. 4.
Hopkin, Bart. "Experimental Musical Instruments", Interval vol. 4 no. 4, p. 37.
Hopkin, Bart and Jim Carrey. "Congas according to Carraway", Experimental Musical Instruments vol. 4 no. 4, Dec 1988, pp. 9-11.
Hopkin, Bart, David Courtney and Larry Polansky. "A comparative tunings chart", Experimental Musical Instruments vol. 6 no. 2, Aug 1990, pp. 11-17.
Hopkin, Bart. "Trends in New Acoustic Musical Instrument Design", Leonardo Music Journal vol. 1 no. 1, 1991, pp. 11-16.
Hopkin, Bart. "Tubulonia", Experimental Musical Instruments vol. 10 no. 2, 1994, pp. 26-30.
Hopkin, Bart. Air Columns & Tone Holes: Principles for Wind Instrument Design. 36 pages.
Hopkin, Bart. Gravikords, Whirlies and Pyrophones: Experimental Musical Instruments. Ellipsis Arts..., Roslyn NY, 1996. 96 pages, with CD.
Hopkin, Bart. Wind Chimes: Design and Construction. 2005, with CD.
Hopkins, Edward J. The Organ, its History and Construction: a comprehensive treatise on the structure & capabilities of the Organ with specifications and suggestive details for instruments of all sizes: Intended as a Handbook for the organist and the amateur. Preceded by an entirely new History of the Organ, memoirs of the most eminent builders of the seventeenth and eighteenth centuries, and other matters of research in connection with the subject by Edward F. Rimbault. Robert Cocks & Co., London, 1855, 581 pages. Robert Cocks & Co., London, 1877, 636 pages.
Hopkins, Michael T. "Strategies for Improving the Intonation of Your Orchestra", American String Teacher vol. 62 no. 4, Nov 2012, pp. 24-28.
Hopkins, Michael T. "Eighth-Grade Violinists' Instrument Tuning Ability: A Comparison of Pitch Perception and Tuning Accuracy", Journal of Research in Music Education vol. 63 no. 3, Oct 2015, pp. 349-368.
Hora, Edmundo Pacheco. As obras de Froberger no contexto do temperamento mesotônico. PhD thesis, Universidade Estadual de Campinas, 2004.
Hora, Edmundo Pacheco. "A afinaçâo mesotônica do século XVII e sua aplicação prática", Ictus Especial - III SIMCAM, Mar 2007, pp. 49-64. Also here.
Horitius, Erasmus. De musica speculativa. c.1500. Biblioteca Apostolica Vaticana.
Horn, Dorothy D. "Quartal Harmony in the Pentatonic Folk Hymns of the Sacred Harps", The Journal of American Folklore vol. 71 no. 282, Oct-Dec 1958, pp. 564-581.
Horn, Wolfgang. "Andreas Raselius Ambergensis als Verehrer Glareans - Eine Miszelle zur Glarean-Rezeption um 1600", Heinrich Glarean oder: Die Rettung der Musik aus dem Geist der Antike? Bd. 5, 2005, pp. 263-280. Also in troja Jahrbuch für Renaissancemusik, Nov 2020.
Hornbostel, Erich Moritz von. "Über das Tonsystem und die Musik der Melanesier", Kongreßbericht der Internationalen Gesellschaft für Musikwissenschaft, Basel 1906, Basel 1907, p. 60.
Hornbostel, Erich Moritz von. "Über vergleichende akustische und musikpsychologische Untersuchungen", Zeitschrift für angewandte Psychologie vol. 3, 1910, pp. 465-487. Reprint in Beiträge zur Akustik und Musikwissenschaft vol. 5, Carl Stumpf (ed.), Barth, Leipzig, 1910, pp. 143-167.
Hornbostel, Erich Moritz von. "Über ein akustisches Kriterium für Kulturzusammenhänge", Zeitschrift für Ethnologie vol. 43, Berlin, 1911, pp. 601-615. Reprint in Beiträge zur Akustik und Musikwissenschaft vol. 7, 1913, pp. 1-20.
Hornbostel, Erich Moritz von. "Melodie und Skala", Jahrbuch der Musikbibliothek Peters vol. 19, 1913, pp. 11-23.
Hornbostel, Erich Moritz von. "On the cycle of blown fifths", P.G. Schmidt (ed.), Anthropos vol. 14, 1919, p. 569.
Hornbostel, Erich Moritz von. "Musikalische Tonsysteme", Anthropos, 1920. Also in Handbuch der Physik vol. 8, H. Geiger and K. Scheel (eds.), Julius Springer, Berlin, 1927, pp. 425-449.
Hornbostel, Erich Moritz von. "Eine Tafel zur logarithmischen Darstellung von Zahlenverhältnissen", Zeitschrift für Physik vol. 6, 1921, pp. 29-34, with corrigendum on p. 164.
Hornbostel, Erich Moritz von. "Die Maßnorm als kulturgeschichtliches Forschungsmittel", Festschrift Pater W. Schmidt, Wien, 1928, p. 303. And in Opera omnia, Jaap Kunst (ed.), Amsterdam, unpublished.
Hornbostel, Erich Moritz von. "Zum Kongreß für arabische Musik - Kairo 1932", Zeitschrift für vergleichende Musikwissenschaft vol. 1, 1933, pp. 16-17.
Hornbostel, Erich Moritz von, and Robert Lachmann. "Das indische Tonsystem bei Bharata und sein Ursprung", Zeitschrift für vergleichende Musikwissenschaft vol. 1 and 4, 1933, 1976, pp. 73-91.
Hornbostel, Erich Moritz von. "Über einige Panpfeifen aus Nordwestbrasilien", History, definitions, and scope of ethnomusicology. Garland, New York, 1990, pp. 27-42.
Horne, Nigel. The Tonality of Middle Eastern Music, 5 pages.
Horner, Andrew and Lydia Ayers. "Common Tone Adaptive Tuning Using Genetic Algorithms", Journal of the Acoustical Society of America vol. 100 no. 1, July 1996, pp. 630-640.
Horner, Andrew. "Evolution in Digital Audio Technology", WWW, Jan 2007, 60 pages.
Hörner, Sebastian von. "Universal Music", Psychology of Music vol. 2, 1974, pp. 18-28.
Hörner, Sebastian von. "The Definition of Major Scales with Chromatic Scales of 12, 19 and 31 Divisions per Octave", Psychology of Music vol. 4 no. 1, Apr 1976, pp. 12-23.
Horowitz, Mindy D. "Modulation and the Tonoi according to Aristides Quintilianus", Theoria vol. 1, 1985.
Horsley, Imogene. "Le Istitutioni Harmoniche by Gioseffo Zarlino (book review)", Notes Second Series vol. 23 no. 3, Mar 1967, pp. 515-519.
Horton, Jim. "Electronic/Computer Music News", Ear Magazine vol. 8 no. 3, 1983, p. 11.
Horton, Jim. "Horton Hears a Who(-le Number Ratio)", 1/1 vol. 2 no. 2, 1986, San Francisco, pp. 1, 11-14.
Hoschek, Sandra. Die Mathematik macht den Ton. Geometrische Konzepte in der Musik. MA thesis, University of Vienna, 2018, 118 pages. Also here.
Hostinský, Otakar. Die Lehre von den musikalischen Klängen: ein Beitrag zur aesthetischen Begründung der Harmonielehre. Verlag von H. Dominicus, Prague, 1879, 141 pages.
Hothby, John. Opera omnia de proportionibus. 15th c., reprint American Institute of Musicology, Gilbert Reaney (ed.), Hänssler-Verlag, Neuhausen, 1997, 58 pages.
Hou, Jiashi. "Tonal Optimization in Music Playing", Bridges: Mathematical Connections in Art, Music, and Science, Towson MD, 27-29 July 2002, pp. 293-300.
Houtgast, Tammo. "Subharmonic pitches of a pure tone at low S/N ratio", Journal of the Acoustical Society of America vol. 60 no. 2, Aug 1976, pp. 405-409.
Houtkin, Andrea. "Beauty in the Beast by Wendy Carlos (CD review)" Computer Music Journal vol. 12 no. 2, summer 1988, pp. 58-60.
Houtsma, Adrianus J.M. "Discrimination of Frequency Ratios", Journal of the Acoustical Society of America vol. 44, 1968, p. 383(A).
Houtsma, Adrianus J.M. "What Determines Musical Pitch?", Journal of Music Theory vol. 15 no. 1/2, spring-winter 1971, pp. 138-155.
Houtsma, Adrianus J.M. and J.L. Goldstein. "The central origin of the pitch of complex tones: evidence from musical interval recognition", Journal of the Acoustical Society of America vol. 51 no. 2B, Feb 1972, pp. 520-529.
Houtsma, Adrianus J.M. "Musical pitch of two-tone complexes and predictions by modern pitch theories", Journal of the Acoustical Society of America vol. 66 no. 1, July 1979, pp. 87-99.
Houtsma, Adrianus J.M. "Pitch Salience of Various Complex Sounds", Music Perception: An Interdisciplinary Journal vol. 1 no. 3, spring 1984, pp. 296-307.
Houtsma, Adrianus J.M.; Thomas D. Rossing and W.M. Wagenaars. Auditory Demonstrations. Audio CD, Instituut voor Perceptie-Onderzoek (IPO), Eindhoven, 1987, Philips 1126-061.
Houtsma, Adrianus J.M. and Henricus J.G.M. Tholen. "II. A Perceptual Evaluation", Music Perception: An Interdisciplinary Journal vol. 4 no. 3, A Carillon of Major-Third Bells, spring 1987, pp. 255-266.
Houtsma, Adrianus J.M. and J. Smurzynski. "Pitch identification and discrimination for complex tones with many harmonics", Journal of the Acoustical Society of America vol. 87 no. 1, Jan 1990, pp. 304-310.
Howard, David M. "A capella SATB quartet in-tune singing: evidence of intonation shift", Proceedings of the Stockholm Music Acoustic Conference [SMAC-03] vol. 2, 2003, pp. 462-466.
Howard, David M. "Equal or non-equal temperament in a cappella SATB singing", Logopedics, Phoniatrics, Vocology vol. 32, 2007, pp. 87-94.
Howard, David M. "Intonation drift in a capella soprano, alto, tenor, bass quartet singing with key modulation", Journal of Voice vol. 21 no. 3, 2007, pp. 300-315.
Howard, David M.; Helena Daffern and Jude Brereton. "Four-part choral synthesis system for investigating intonation in a cappella choral singing", Logopedics, Phoniatrics, Vocology vol. 38 no. 3, Oct 2013, pp. 135-142.
Howe, Hubert S. Jr. "Timbral Structures for Computer Music", Proceedings of the International Computer Music Conference, Evanston IL, 1978, pp. 214-224.
Howe, Hubert S. Jr. "19-Tone Theory and Applications", catalogue of papers accepted for the International Computer Music Conference 1993. Also here, ICONI 2020 no. 4, pp. 81-99 with Russian abstract.
Howell, Peter; Robert West and Ian Cross. "The detection of notes incompatible with scalar structure", Journal of the Acoustical Society of America vol. 76 no. 6, Dec 1984, pp. 1682-1689.
Howell, Standley. "Ramos de Pareja's Brief discussion of various instruments", Journal of the American Musical Instrument Society vol. 11, 1985, pp. 14-37.
Howell, Thomas. The Avant-Garde Flute. A Handbook for Composers and Flutists. University of California Press, Berkeley CA, 1974, 290 pages.
Høyrup, Jens Egede. "Wilfried Neumaier: Was ist ein Tonsystem? (book review)", Mathematical Reviews no. 89D, Apr 1989, pp. 1858-1859.
Hsü, Kenneth J. and Andreas J. Hsü. "Fractal geometry of music", Proceedings of the National Academy of Sciences of the United States of America vol. 87, Feb 1990, pp. 938-941.
Huang, Xiangpeng. "Zhongguo chuantong yindiao de shuli luoji guanxi wenti" (Mathematical and logical relationships in traditional scales and modes), Zhongguo yinyuexue no. 3, 1986, pp. 9-27.
Huang, Xiangpeng. Zhongguo chuan tong yin yue yi bai ba shi diao pu li ji (A collection of 180 modes' annotation Chinese traditional musical scales). Ren min yin yue chu ban she, Beijing, 2003, 233 pages.
Hubbard, Frank. Three Centuries of Harpsichord Making. Harvard University Press, Cambridge MA, 1965, 1967, 472 pages.
Huber, Alfons. "Der österreichische Klavierbau im 18. Jahrhundert", Die Klangwelt Mozarts, Kunsthistorisches Museum Wien, 1991, pp. 47-54.
Huber, Alfons. "Konstruktionsprinzipien im Clavichordbau. Überlegungen zur Mensurierung, Stimmtonhöhe und Besaitung bei Clavichorden des 15. bis 18. Jahrhunderts", Musik muß man machen. Festschrift Josef Mertin zum 90. Geburtstag, Vom Pasqualatihaus, Wien, 1994.
Huber, Nicolaus A. "Nuclei and dispersal in Luigi Nono's 'A Carlo Scarpa architetto, ai suoi infiniti possibili' per orchestra a microintervalli", Contemporary Music Review vol. 18 no. 2, Luigi Nono, 1999, pp. 19-35.
Hubig, Christoph. "Max Weber: Die rationalen und soziologischen Grundlagen der Musik. Kurt Blaukopf: Musiksoziologie (book reviews)", Die Musikforschung vol. 26, 1973, pp. 277-279. Also here.
Hubmann, Klaus. "Vom rechten Ton am Fagott. Zur Frage von Stimmton-Verhältnissen im Barock", Musik muß man machen. Festschrift Josef Mertin zum 90. Geburtstag, Vom Pasqualatihaus, Vienna, 1994.
Hucbald of St. Amand. De harmonica institutione. c.880. E. de Coussemaker (ed.), Durand, Paris, 1866-1876. Martin Gerbert (ed.), Typis San-Blasianis, St. Blaise, 1784. Reprint Georg Olms Verlag, Hildesheim, 1963.
Huchzermeyer, Helmut. Aulos und Kithara in der griechischen Musik bis zum Ausgang der klassischen Zeit. PhD diss., H. & J. Lechte, Münster, 1931, 76 pages.
Huddleston, Alex. "Davíd Brynjar Franzson: longitude. Ensemble Adapter. Bedroom Community, HVALREKI13 (CD review)", Tempo vol. 74 no. 293, June 2020, pp. 96-98.
Hueber, Kurt Anton. "Pseudoharmonische Partialtonreihen, ihre ekmelischen Intervallstrukturen. Ein neuer Klangraum der Musiktheorie", Mikrotöne I, Edition Helbling, Innsbruck, 1986, pp. 29-47.
Hueber, Kurt Anton. "Mathematisch-physikalische Grundlagen einer ekmelischen Intervallehre", Mikrotöne II, Edition Helbling, Innsbruck, 1988, pp. 115-124.
Hueber, Kurt Anton. "Ekmelische Harmonik", Mikrotöne III, Edition Helbling, Innsbruck, 1990, pp. 41-49.
Huener, Thomas Joel. Wolfgang Caspar Printz' Phrynis Mitilenaeus: A narrative synopsis of musica poetica. PhD diss., University of Iowa, 1989, 171 pages.
Huestis, Herbert L. "How to flip reeds to check for tuning stability", The Diapason vol. 91 no. 5, 2000, p. 22.
Huestis, Herbert L. "The Merits of Nearly Equal Temperament", The Diapason vol. 94 no. 8, 2003, p. 16.
Huestis, Herbert L. "Machine Tuning: Blessing or Curse - or Both?", The Diapason vol. 94 no. 9, 2003, p. 26.
Huey, Daniel James. Ben Johnston's String Quartet No. 10: An Investigation of Tuning and Analysis. MA thesis, University of Iowa, 2006.
Huey, Daniel James. "Microtonal Serial Procedures in Ben Johnston's Second String Quartet, Mvt. I", 2nd International Conference Mathematics and Computation in Music, 19-22 June 2009, Yale University Press, New Haven CN.
Huey, Daniel James. Harmony Harmony, Voice Leading, and Microtonal Syntax in Ben Johnston's String Quartet No. 5. PhD thesis, University of Massachusetts, Amherst, Mar 2017, 146 pages.
Hufbauer, Karl. "Hermann von Helmholtz and the Foundations of Nineteenth-Century Science by David Cahan (ed.) (book review)", Central European History vol. 28 no. 3, 1995, pp. 407-409.
Hughes, Andrew. "Ugolino: The Monochord and Musica Ficta", Musica Disciplina vol. 23, 1969, pp. 21-39.
Hughes, Charles W. "Genesis of a Music by Harry Partch (book review)", The Journal of Aesthetics and Art Criticism vol. 8 no. 4, June 1950, pp. 273-274.
Hughes, David G. "Evidence for the Traditional View of the Transmission of Gregorian Chant", Journal of the American Musicological Society vol. 40 no. 3, autumn 1987, pp. 377-404.
Hughes, David G. "Thai music in Java, Javanese music in Thailand: two case studies", British Journal of Ethnomusicology vol. 1, 1992, pp. 17-30.
Hughes, Richard Vaughan. The ritus canendi vetustissimus et novus of Johannes Legrense. A critical edition with translation, introduction and notes on the text. PhD thesis, Glasgow University, Mar 1996, 2 vols., vol. 1, 112 pages.
Hughes, Thea Stanley. "The New Language of Music (book review of The Greek Aulos by Kathleen Schlesinger)", Movement, June 1948.
Huglo, Michel. "L'Introduction en Occident des formules Byzantines d'intonation", Studies in Eastern Chant vol. 3, Milos Velimirovic (ed.), Oxford University Press, London, 1973, pp. 81-90.
Hui, Alexandra. "Changeable Ears: Ernst Mach's and Max Planck's Studies of Accommodation in Hearing", Osiris vol. 28 no. 1, Music, Sound, and the Laboratory from 1750-1980, Jan 2013, pp. 119-145. Also here.
Hulen, Peter Lucas. "Ratiotonic temperament: A proposal for the organization of tones in art music as an alternative to dodecaphonic equal temperament", Actes des Journees d'informatique musicale '98 (JIM '98), Publications du Laboratoire de Mecanique et d'Acoustique no. 148, Marseille, May 1998, pp. C4.1-C4.8.
Hulen, Peter Lucas. "A Musical Scale in Simple Ratios of the Harmonic Series Converted to Cents of Twelve-Tone Equal Temperament for Digital Synthesis", WSEAS Transactions on Computers vol. 5 no. 8, Aug 2006, pp. 1713-1719.
Hulen, Peter Lucas. "A composition procedure for digitally synthesized music on logarithmic scales of the harmonic series", Proceedings of the International Computer Music Conference, New York, 2010, 7 pages.
Hull, Arthur Eaglefield. Modern Harmony: Its Explanation and Application. Augener Ltd., London, Boston Music Co., Boston, 1913, 235 pages.
Hüllmandel, Nicholas-Joseph. Principles of Music, Chiefly Calculated for the Pianoforte or Harpsichord. London, 1796.
Hülphers, Abraham Abrahamsson. Historisk Afhandling om Musik och Instrumenter. Westerås, 1773, 260 pages. Facsimile reprint, Svenskt musikhistoriskt arkiv, Stockholm, 1969, 1971.
Hulse, David. Forgotten in Time...The Ancient Solfeggio. SomaEnergetics, Jan 2009, WWW, 19 pages.
Hummel, Johann Nepomuk. Ausfürliche teoretisch-practische Anweisung zum Piano-Forte-Spiel. Tobias Haslinger, Wien, 1827, 1828, 475 pages.
Hundley, Craig. "Microtonal Explorations of an L.A. Studio Mainstay", Keyboard vol. 7 no. 9, Sep 1981, p. 10.
Hunt, Aaron. Foreword, WWW.
Hunt, Aaron. The Emancipation of Pitch. self-published, 2003.
Hunt, Aaron. Tonal Plexus Microtonal Keyboard. Regent for the Future of Music. WWW, 2012, 30 pages.
Hunt, Edgar; Jeremy Montagu and Tom Gregson. "E Flat and D Sharp", The Musical Times vol. 116 no. 1584, Feb 1975, p. 140.
Hunt, Edgar. "Tuning and Temperament", English Harpsichord Magazine vol. 1 no. 7, Oct 1976.
Hunt, Edgar. "Corrette on Stringing & Tuning", English Harpsichord Magazine vol. 2 no. 5, 1979.
Hunt, Edgar. "Tuning, Containing the Perfection of Eighteenth-Century Temperament, the Lost Art of Nineteenth-Century Temperament and the Science of Equal Temperament by Owen H. Jorgensen (book review)", Galpin Society Journal vol. 45, Mar 1992, pp. 161-162.
Hunter, Greg. "Arabic Tone System", WWW.
Huntington Hooker, S. "Joseph Alley's Enharmonic Organ", Music vol. 11, Music Magazine Publishing Co., Chicago, Nov 1896-Apr 1897, pp. 677-687.
Huovinen, Erkki. "Categorical perception of microtonal intervals in simple tonal contexts", Proceedings of the Stockholm Music Acoustics Conference vol. 2, Roberto Bresin (ed.), Kungliga Tekniska Högskolan, Stockholm, 2003.
Hüppe, Eberhard and Richard Polex. "Der Sprung by Georg Hajdu (music review)", Computer Music Journal vol. 24 no. 2, summer 2000, pp. 90-92.
Huron, David. "Harmony: A Psychoacoustical Approach by Richard Parncutt (book review)", Psychology of Music vol. 19 no. 2, 1991, pp. 219-222.
Huron, David. "Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities", Music Perception: An Interdisciplinary Journal vol. 9 no. 2, winter 1991, pp. 135-154. Also here.
Huron, David. "Cognitive Foundations of Musical Pitch by Carol L. Krumhansl (book review)", Psychology of Music vol. 20 no. 1, 1992, pp. 180-185.
Huron, David. "Interval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance", Music Perception vol. 11 no. 3, spring 1994, pp. 289-305. Also here.
Huron, David. "Asynchronous Preparation of Tonally Fused Intervals in Polyphonic Music", Empirical Musicology Review vol. 3 no. 1, 2008, pp. 11-21.
Hurwitz, Robert Irving. An investigation into the perception of root in harmonic intervals. PhD thesis, Indiana University, Bloomington IN, 1970, 64 pages.
Husarik, Stephen. "John Cage and LeJaren Hiller: HPSCHD, 1969", American Music vol. 1 no. 2, summer 1983, pp. 1-21.
Hüschen, Heinrich. "Der Harmoniebegriff im Musikschrifttum des Altertums und des Mittelalters", Bericht über den 7. Internationalen Musikwissenschaftlichen Kongress, Köln, 1958, Kassel, 1959.
Hüschen, Heinrich. "Musikerziehung - Lehre und Theorie der Musik im Mittelalter by Joseph Smits van Waesberghe (book review)", Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis vol. 22 no. 4, 1972, pp. 289-293.
Husmann, Heinrich. "Sieben afrikanische Tonleitern", Jahrbuch der Musikbibliothek Peters vol. 44, 1937.
Husmann, Heinrich. "Olympos, die Anfänge der griechischen Enharmonik", Jahrbuch der Musikbibliothek Peters vol. 44, 1937, pp. 29-44.
Husmann, Heinrich. "Around von Hornbostel's theory of the cycle of blown fifths by Jaap Kunst (book review)", Die Musikforschung vol. 3 no. 3/4, 1950, pp. 321-323.
Husmann, Heinrich. "Fünf- und siebenstellige Centstafeln zur Berechnung musikalischer Intervalle", Ethno-Musicologia, E.J. Brill, Leiden, 1951, p. 16.
Husmann, Heinrich. "Eine neue Konsonanztheorie", Archiv für Musikwissenschaft vol. 9 no. 3-4, 1952, pp. 219-230.
Husmann, Heinrich. "Zu Kurt Reinhards 'Tonmessungen an fünf ostafrikanischen Klimpern' (article review)", Die Musikforschung vol 5 no. 2-3, 1952, pp. 218-219.
Husmann, Heinrich. Vom Wesen der Konsonanz. Müller-Thiergarten Verlag, Heidelberg, 1953, 79 pages.
Husmann, Heinrich. "Otto Johannes Gombosi: Tonarten und Stimmungen der antiken Musik (book review)", Die Musikforschung vol. 6 no. 4, 1953, pp. 366-369. Also in: Göttingische Gelehrte Anzeigen vol. 211, 1957, p. 47.
Husmann, Heinrich. Einführung in die Musikwissenschaft. Quelle & Meyer, Heidelberg, 1958, 268 pages.
Husmann, Heinrich. Grundlagen der antiken und orientalischen Musikkultur. De Gruyter, Berlin, 1961, 2018, 2019, 213 pages.
Husmann, Heinrich. "Zur Charakteristik der Schlickschen Temperatur", Archiv für Musikwissenschaft vol. 24 no. 4, 1967, pp. 253-265.
Hut, Lucien and Jody Rhoades Anderson. Handbook of musical scales: with emphasis for the keyboard. Mountain Press, Missoula MT, c.1974, 268 pages.
Hutchinson, Mark. "A HREF="https://doi.org/10.1017/S0040298218000943">Stairways in the dark: sound, syntax and the sublime in Haas's 'in vain' (music review)", Tempo vol. 73 no. 288, Cambridge, Apr 2019, pp. 7-25.
Hutchinson, William and Leon Knopoff. "The acoustic component of Western consonance", Interface vol. 7, 1978, pp. 1-29.
Hutchison, Niels. "Music for measure. On the 300th Anniversary of Newton's 'Opticks'", WWW, 2004.
Hutchison, Niels. "Colour Music in Australia: De-mystifying De Maistre", WWW, 2008.
Huth, Arno. "Elektrische Tonerzeugung", Die Musik vol. 20 no. 1, Oct 1927, p. 43.
Huygens, Christiaan. Le cycle harmonique. Rotterdam, 1691; Novus cyclus harmonicus, Leiden, 1724. 2nd edition with English and Dutch translations, Rudolf Rasch (ed.), Tuning and temperament library vol. 6, Diapason Press, Utrecht, 1986.
Huygens, Christiaan. "Lettre touchant le Cycle Harmonique", Histoire des Ouvrages des Sçavans, Henri Basnage de Beauval (ed.), Rotterdam, Oct 1691, pp. 78-88.
Huygens, Christiaan. Kosmotheoros, sive de terris coelestibus earumque ornatu conjecturae. Adriaen Moetjens, The Hague, 1698, 1699, 144 pages.
Huygens, Christiaan. Oeuvres complètes. Tome premier, deuxième, troisième, quatrième, cinquième, sixième, septième, huitième, neuvième, dixième, dix-neuvième, vingtième, vingt-et-unième, vingt-et-deuxième. Martinus Nijhoff, The Hague, 1888-1950.
Huynh, Dan. Musical Equal Temperament And Its Inventor Zhu Zaiyu. E-book, 2012, 53 pages.
Huystee, Th. van. "Over stemmen en stemmingen", Het Orgel vol. 70 no. 5, 1974.
Hyde, Fred B. The Position of Marin Mersenne in the History of Music. PhD diss., New Haven University, 2 vols., 1954, 631 pages.

- I -

Iafelice, Julian Eric Joseph. Creating an Accessible Microtonal System. MA thesis, University of Calgary, Calgary, Jan 2022, 77 pages.
Ibáñez, José and Vicente Liern. "Análisis matemático de la afinación de la trompeta", Revista de Acústica vol. 37 no. 3-4, 2006, pp. AMS03, 1-6.
Ibáñez, Mónica Sánchez. "Intonation Criteria in Violin Performance", Proceedings ESCOM, 2005, 3 pages.
Ilerici, Kemal. Türk musîkîsi tonal sistemi ve armonisi. Istanbul, 1948, 1970.
Illean Finnis, Lisa. Vanishing points: a personal approach to non-tempered tuning. doctoral thesis, Royal College of Music, London, Sep 2019, 141 pages.
Illiano, Roberto (ed.) Twentieth-century music and mathematics. Brepols Publishers, Turnhout, 2019, 415 pages.
Immel, Steven C. "The Vatican Organum Treatise Re-Examined", Early Music History vol. 20, 2001, pp. 121-172.
Inanici, Murat Kamil. "Baglama ögret?m sürecinde mikrotonal araliklarin seslendirilmesinde karsilasilan durumlar", Motif Akademi Halkbilimi Dergisi vol. 14 no. 33, Mar 2021, pp. 287-311.
Incirci, Tahsin. Turkse muziek. Translated from Turkish to Dutch, adapted and supplemented by Wouter Swets (ed.), Nederlands Bibliotheek en Lektuur Centrum, Den Haag, 1985, 92 pages.
Indrawan, A. "Perjalanan Sang Diatonis: Dari Pythagoras Sampai Multi Media", Musik dalam Perspektif, Sunarto (ed.), Thafamedia, Yogyakarta, 2019, pp. 181-183.
Inglis, Brian and Rachel Barnes. "Microtonal procedures in 'Sailing to Byzantium'", Walton-on-Thames, Oct 2005, 14 pages.
Insa, Irene Pascual. Análisisde la afinación de los instrumentos de tecla. Aplicaciones al clavecín. MA thesis, Universidad Politécnica de Valencia, 2011.
Interbartolo, Graziano and Paolo Venturino. BACH 1722: Il temperamento de Dio: Le scoperte e i significati del Wohltemperirte Clavier. Edizioni Bolla, Finale Ligure, 2007, 136 pages.
Interbartolo, Graziano. "Un'evoluzione del 'tono medio' in ambito ligure: gli organi di Filippo Piccaluga a Savona (1764-66)", L'Organo vol. 45, 2013, pp. 169-188.
Ioannidis, Leonidas. Estimating the Makam of Polyphonic Music Signals: Template-Matching vs. Class-Modeling. MA thesis, Universitat Pompeu Fabra, Barcelona, 2010, 46 pages.
Iring, Widogast. Die reine Stimmung in der Musik. Gebrüder Reinecke, Leipzig, 1898, 1908. Serbocroation translation Cisto sjtimovanje u muzici : novo preradjeno izdanje od Widogasta Iringa, Raznatovic, Belgrade, 2003.
Irizarry, Rafael A. "Local Harmonic Estimation in Musical Sound Signals", Journal of the American Statistical Association vol. 96 no. 454, June 2001, pp. 357-367.
Irmann, Karel. "Ladeni klavesovych hudebnich nastrou", Hudebni nastroje vol. 6 no. 5, 1969, pp. 143-144.
Irvine, Demar B. "Toward a Theory of Intervals", Journal of the Acoustical Society of America vol. 17 no. 4, Apr 1946, pp. 350-355.
Irvine, Demar B. "New Oxford History of Music by Egon Wellesz (ed.) (book review)", Journal of Research in Music Education vol. 6 no. 1, spring 1958, pp. 81-83. Also here.
Isacoff, Stuart M. Temperament. How Music Became a Battleground for the Great Minds of Western Civilization. Alfred Knopf, New York, 2001, 277 pages. Dutch translation by Henk Moerdijk Het octaaf. De juiste stemming in de muziek, De Bezige Bij, Amsterdam, 2002, 271 pages. Italian translation Temperamento. Storia di un enigma musicale, EDT, Torino, 2005, 296 pages.
Isham, Howard. "The Musical Thinking of Charles Ives", The Journal of Aesthetics and Art Criticism vol. 31 no. 3, Wiley, spring 1973, pp. 395-404.
Ishwar, Vignesh. Pitch Estimation of the Predominant Vocal Melody from Heterophonic Music Audio Recordings. MA thesis, Universitat Pompeu Fabra, Barcelona, Mar 2014, 59 pages.
Isola, Stefano. "Su alcuni rapporti tra matematica e scale musicali", Matematica, Cultura e Società. Rivista dell'Unione Matematica Italiana serie 1 vol. 1 no. 1, Dec 2016, pp. 31-50.
Isola, Stefano. "'Mathematics' and 'physics' in the science of harmonics", Mathematics and Mechanics of Complex Systems vol. 4 no. 3-4, 2016, pp. 213-234.
Iusceanu, Victor M. Cvinta perfecta: element care traseaza coordonatele legilor teoretice ale artei muzicale. Editura muzicala, Bucarest, 1973.
Ivane, Karlina. "Study of performance and perception of microintervals in György Ligeti's 'Hora Lunga'", SGEM 2014 International Multidisciplinary Scientific Conferences on Social Sciences and Arts, STEF92 Technology Ltd., Sofia, 2014, pp. 411-418.
Ivane, Karlina. "Microtonal intonation from composer's, performer's and concert-audience's perspective: the case of György Ligeti's 'Hora lunga' for viola solo", Arts and Music in Cultural Discourse. Proceedings of the International Scientific and Practical Conference, 2015, pp. 35-42.
Ivanov, Pavel B. "A Hierarchical Theory of Aesthetic Perception: Musical Scales", Leonardo Music Journal vol. 27 no. 5, 1994, pp. 417-421.
Ivanov, Pavel B. "Musical scale hierarchy", Proceedings of the International Congress of Humanities and Social Sciences Research, Paris 24-28 July 2012, G. Tchibozo (ed.), Analytrics, Strasbourg, 2012, pp. 131-139.
Iversen, Nathanael. "Adventures in Piano Tuning", WWW, June 2015.
Ives, Charles Edward. "Some 'Quarter-Tone' Impressions", Franco-American Music Society Bulletin vol. 25 no. 3, 1925: reprinted in Essays Before a Sonata and Other Writings, Howard Boatwright (ed.), W.W. Norton, New York, 1962, 1970, 244 pages.
Ives, Charles Edward. Memos. W.W. Norton & Co., New York, 1972. Reprint, John Kirkpatrick (ed.), W.W. Norton & Co., New York, 1991, 372 pages.
Iwamiya, Shin-ichiro; Kyohei Kosugi and Otoichi Kitamura. "Perceived principal pitch of vibrato tones", Journal of the Acoustical Society of Japan vol. 4 no. 2, 1983, pp. 73-82.
Izawa, Hideyuki. "Alois Hába no "atarashii ongaku-yoshiki": Gengaku shijusokyoku 12 no baai" (Alois Hába's new music style in the string quartet op. 12), Musashino ongaku daigaku kenkyu kiyo vol. 24, 1992, pp. 17-36.
Izbickaja, Nadezda. K problemam intonacii sovremennoj horovoj muzyki: Na primere analiza horov Borisa Ljatosinskogo. PhD diss. summary, Music theory: Gosudarstvennaja Konservatorija im. P.I. Cajkovskogo, Kyjiv, 1987, 19 pages.

- J -

Jaatinen, Jussi; Jukka Pätynen and Kimmo Alho. "Octave stretching phenomenon with complex tones of orchestral instruments", Journal of the Acoustical Society of America vol. 146 no. 5, Nov 2019, pp. 3203-3214. Also here.
Jachelli, Thiago Pereira. Afinação e temperamento desigual no Barroco, MA thesis, Universidade Federal do Paraná, 2010, 28 pages.
Jackson, Bruce Rogers. The G-D-G-C Scordatura Tuning for the Double Bass: a Historical Survey, Theoretical Rationale, Pedagogical Study, and Compositional Demonstration. Ball State University, 1996, 711 pages.
Jackson, Myles W. Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany. MIT Press, Cambridge MA, 2006.
Jackson, William. A preliminary discourse to a scheme, demonstrating the perfection and harmony of sounds. J. Cluer and A. Campbell, London, 1726, 56 pages. Reprint Gale ECCO, July 2010, 64 pages.
Jacob, Bruce L. "Composing with Genetic Algorithms", Proceedings of the International Computer Music Conference, Banff, Sep 1995, 4 pages.
Jacob, Francis. "Acoustique -Accord -Tempéraments", WWW, 2014, 8 pages.
Jacobi, Erwin R. "Giuseppe Tartini's 'Regola per bene accordare il violino'", Music East and West. Essays in honor of Walter Kaufman, Thomas Noblitt (ed.), New York, 1981, pp. 199-207.
Jacobi, Peter. "The strange realm of Harry Partch", The Music Magazine, July 1962, pp. 14-16.
Jacobson, Christopher. "The importance of kinesthetic perception in playing in tune", American String Teacher vol. 48, 1998, pp. 54-57.
Jacobsson, Björn and Jesper Jerkert. "Consonance of Non-Harmonic Complex Tones: Testing the Limits of the Theory of Beats", KTH Royal Institute of Technology (KTH), Stockholm, 2000, 11 pages with Swedisch abstract.
Jacobus de Liège. Jacobus Leodiens Speculum Musicae. c.1325. Roger Bragard (ed.